Anya Taylor Joy As Alia Atreides

the earth and the milky way and moon, władysław teodor benda, 1918

Some Sheep. Me, 30x40, acrylic gouache on canvas paper.

Figured my first post should be a good one! If you're interested to see my progress, check out my YouTube channel via the link in my bio :)

Now available as a print!

Buy one of these lil sheepies for yourself in an 11 x 17" print version :D My Linktree (in my bio) or the pinned post here on my blog both lead to my etsy!

“We often forget that WE ARE NATURE. Nature is not something separate from us. So when we say that we have lost our connection to nature. We’ve lost our connection to ourselves.”

— Andy Goldsworthy

The sea’s immortality compared to human mortality

Black Sails episode VIII / The Battle of Camperdown, Philip James De Loutherbourg / The Waves, Virginia Woolf / Lighthousekeeping, Jeanette Winterson / The Shipwreck, J.M.W Turner / On The Sea, Beach House / Salt to the Sea, Ruta Sepetys / The Shipwreck on Northern Sea (1865), Ivan Aivazovsky / The Waves, Mary Oliver

Ivan The Terrible Part 1 and 2 + art parallels

“Eagle Over 100,000 Acre Plain at Susaki, Fukagawa” - Utagawa Hiroshige, 1857 (detail) // “The Body of the Dead Christ in the Tomb” - Hans Holbein the Younger, 1520-22 (detail) //  “Portrait of Giuliano de’ Medici” - Sandro Botticelli, 1478 //  “The Lamentation over the Dead Christ” - Sandro Botticelli, 1490-92 (detail) //  “The Demon Downcast” - Mikhail Vrubel, 1902 (detail) //  “Fair Rosamund and Eleanor” - Frank Cadogan Cowper, 1920

• Waistcoats.

Date: 1840's

Medium: Silk and velvet

talleyrand: i HATE you

fouche: i share the same sentiment

napoleon, in the distance, thinking to himself: ** those two scoundrels sure do hate each other. i’m glad they are too petty to put down their differences to work against m-

*fouche and talleyrand notice napoleon and put down their differences to work against napoleon*

napoleon: are you FUCKING kidding me

Kathleen Jennings

I was NOT psychologically prepared to read Eisenstein’s screenplay for Ivan the Terrible. There’s a “deleted scene” where Fyodor Basmanov chases a Zemshchina girl who (understandably) thinks he’s trying to sexually assault her until he says “no, I just want your earrings,” then he takes her earrings and and holds them up (I’m going to say probably to his own ears), then his father comes in and takes them away. This emotionally destroyed me for reasons I can’t fully articulate.