The Superstars Of A Level Art Textiles 2019.

Textiles students in full flow creating free-machine stitched creatures in dissolvable fabric for wearable art neckpieces based around sea-life and observations at the aquarium. 

Out and about gathering visual research for future projects. Grids and nets to start the journey. Once you start looking you can’t stop seeing!

Collecting and combining found materials.

Order imposed.

Colour explored.

Enjoying the dialogue between the different objects. Man made and natural, circular forms, threaded, unravelled, holes repurposed, joining, combining. 

A playful conversation..... 

Inspiration everywhere. Look up, look down, keep your eyes open and SEE what’s around. Love the layered road markings, grates, drain covers, yellow lines and markings on our roads and pavements.

Fabrication brief.

Student were asked to donate 5 items of old clothing to explore this communal response to the fashion industry and sustainability. This activity asked them to wrap and layer their garments as a parcel to collate as a collaborative wall installation. The first image shows a focused drawing of one talented students response to this task. A beautifully observed watercolour study.

Plastic fantastic! Crazy, melted, recycled plastics embellished to eye-popping brilliance by FAD student. Love ‘em!

Fifty Bees #4 exhibition at Frome’s wonderful Black Swan gallery. 

This is my response to the habitat and lifestyle of the Lobe Spurred furrow bee.

I enjoy using found and repurposed materials in my own arts practice, so this is created entirely from fabric washed up the beach at Charmouth and fishing line, horsehair and natural fibres to stitch with. This bee was virtually extinct in the 1980′s but then made a dramatic come back, to now becoming a species with no risk to its population. My quest to discover the reasoning behind this encouraged a journey of discovery and research to try and understand its story.

I travelled around to visit habitats of known sightings, scrubland, agricultural sites, beach cliff locations but did not find my bee. I did discover though,  that the prevalence of Oilseed Rape planted on a mass scale across the UK in the 80′s had a detrimental impact on many indigenous insect species particularly bees. The nicotinoid pesticides used in agriculture was the culprit but fortunately for the lobe spurred furrow bee, it thrived on the blooms of rape and where others perished it increased in number.

My piece uses loopy stitching and intense surface coverage to signify the bees activity. The yellow plant dyed colour references the rape blooms and the undulating surface is linked to the patch of land investigated on site.

Getting my colour mixing mojo on. Painting outdoors in the Spring sunshine feeling inspired by the fresh colours around me in the garden and from walks in the surrounding fields, lanes and woodland.I had forgotten how much I love this!

In the late 1980′s and early 1990′s after graduating, I worked freelance as a textiles designer and also travelled to South America after winning a travel bursary award in a design competition. I was inspired by the pre-Hispanic, ancient textiles of Peru, where the Incas and other ancient civilisations used natural dyes to create their woven cloth. I travelled through Peru, Columbia, Ecuador, Bolivia, Argentina and down to the very south of Chile and had the best time. I researched natural dyes, spending time of the beaten track, living with indigenous people and learning from them. We picked roots by moonlight and gathered plants on specific dates linked to the Inca calendar, there was lots of superstition surrounding the dyeing process but also much wisdom and understanding of the life cycle of each plant and when it would give the best sources of colour.

On my return, I spent most of my time mixing colours from gouache and saving the match pots in 35mm film canisters as sample colours. This was pre-digital when everything was hand painted and drawn out in detail for selling to design companies. I had forgotten my love of colour matching and mixing and remembered my workshop space had literally hundreds of these hand mixed colour swatches lining the shelves for reference when recreating new colour palettes.

Thes images show my process of stretching fabric, priming, layering colours over a series of days with time between to ponder what colours to mix and add for balance, harmony and also composition. Enjoying myself!

Gestural marks, fluid and expressive. Enjoying overlaying inks and acrylics with potential to print scaled up marks?

Developing abstracted compositions, cropping and enlarging to explore sections for repetition and textile designs for garments. The loose, expressive marks and gestural brushwork retain the spontaneity of the original line and translate an urban, edgy print as a theme of unisex wear.