SEVIKA X PREGNANT!FEM!READER ➥ COMPLETE. 18+
Sevika rescues a pregnant stray from the streets of the Undercity as her good deed for the decade, but plans go awry when she starts to enjoy the companionship, and her entire lone-wolf worldview comes crashing down. The kicker? Her stray is very much human, and the circumstances of your condition create a whole new set of challenges—challenges best solved with good, old-fashioned murder.
SERIES TAGS: pregnancy fic, mentions of past rape, eventual romance, eventual smut, graphic depictions of violence, PTSD, blood and gore
PART 1: NOODLE SOUP PART 2: FRIED APPLES & SWEETBREAD PART 3: MILK AND COOKIES EPILOGUE: BABY FOOD
AO3 LINK.
true definition of their own little world <3
Oliver Quick - I Love Like Something Not Worth Loving Back
Emily Wilson’s foreword to a translation of Homer’s Odyssey // Saltburn, MGM and Amazon Studios // It Will Come Back, Hozier // @/ojibwa on Tumblr // Bite The Hand, Boygenius // I’m Your Man, Mitski // I Want To Be Your Only Pet, Bombay Bicycle Club // The Carnivorous Lamb, Agustín Gómez-Arcos, tr. William Rodarmor // Frankenstein, Mary Shelley // Japanese Breakfast, Boyish
Someone has probably already asked you this but do you have any tips on studying/understanding perspective? I keep trying to find resources to learn but none of them really stick or are actually useful
so I'm hoping that your issue isn't just figuring out the difference between 1-point, 2-point, and 3-point perspective and how it works, because there are tons and tons of resources available for that, and I'm guessing what people tend to get tripped up on is what you're supposed to be doing with your grid.
I'm definitely far from being an expert on understanding perspective, but I'll share some of the things that helped ME finally Get It.
Things like eye level and different camera angles can be a GREAT tool to use when doing a comic or storyboard between multiple characters of different heights!! I actually drew an example of this exact thing for a friend about a month ago (I used adventure time characters bc they're easy to draw and have a good height variety):
You can use camera angles like this to add variety to your shots, and even use it to help convey something emotional (using a down-shot on a character to show that they FEEL small, use an up-shot on a character to make them look more intimidating, etc etc)
hope this helps!
steve getting grabbed by the tie 🙈
they were having fag off
oh oscar
Link
drew over something i wrote for a class and liked :] sorry the cars are lowkey ugly, its because I fucking hate cars and cant be bothered to learn what they look like beyond ominous hunks of metal
edit: transcript of the poem by itself under the cut
6 Tips for Crossing the Road
Look both ways
The road is for cars.
Make sure to look for them before crossing. Even when you have the right of way, cars have a lot of safety features and you have none.
Use designated crosswalks
The road is for cars.
So is the crosswalk but, under brief and temporary conditions, you can use it too! Never jaywalk, never walk in the road, just hope there is a clear and functional sidewalk.
Cross at the light
The road is for cars.
There are rules and signs for them, but that can only go so far. Walk quickly and hold your breath and hope that the light doesn't turn. Make eye contact with drivers as their cars teem with potential energy, rumbling with disdain at the inconvenience of your crossing. Try to ignore the cloud of exhaust that you are in and they are above.
Leash your pets
The road is for cars.
Obviously.
To you, it may be natural to sacrifice so much space to them but to your dog, it is not. His instinct is to explore freely. You must curb it. Modern US car models have such high hoods that the average child, let alone dog, is obscured. Even on the sidewalk, hold the leash tight because the sidewalk (if you are so blessed) is next to the street and the threat still looms.
Look out for road kill
The road is for cars.
And no one was there to leash the deer.
Or the raccoon.
Or the cat.
Did you know that the most reliable sample method for wildlife in an area is looking at the roadkill?
Remember these tips
The road is for cars.
Cars are everywhere. In the city. In the suburbs. In the country. In the woods (the US Forest Service manages more roads than the entire Ministry of Transit in China.) Cars are everywhere because there are roads to bring them there, which is great if you are a car and want to get from place to place fast without worrying about the in-between.
Unfortunately, you are not a car.
You are an animal.
You are in-between.
So remember to look both ways.
I really love how many Legends of Avantris comments there are on this Red One casting announcement