King Lear Performed In The Fire-damaged Ruins Of Teatro Municipal De Lima (c. 1999), Conceived By Architect

i really believe that discussing the character with someone who shares ur interpretation is the closest u can get to modern day philosophy. we are like plato and aristotle but talking about a fictional guys trauma

[WIP] Sonic Miku!

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Here’s a job you probably never even knew existed but is perfect for episodic stories.

Years and years ago I worked for a substitute/temp company, meaning other companies could ask for, say, five workers for any kind of job for anywhere from a day to a month and my company would then pick out five of their employees with suitable skills and ask us if we wanted to take the job.

You can imagine I ended up getting all sorts of wacky experiences. This was the job where I was hired to clean a dirty old kitchen with 10 other people at a mansion but got lost one day and walked into a cultish room with an altar and thrones lined up along the wall.

And when I say any kind of job I mean it. People asked for all sorts of unskilled work but the company also got requests for specialized work that only certain workers could do. I spent a week in an empty building where I only saw the other worker who had been hired along with me attaching wheels to carts. At another job we were sent up through a hole in the ceiling at a mall where we cleaned out old boxes. A particularly beautiful job entailed “braiding” small transparent tubes down a wall at a temporary closed factory while the sun was shining through ceiling windows which made the tubes glitter like glass. No idea what that job was about. We did anything from cleaning to preparing food to clearing a building site to factory work to hauling fish to painting to looking after animals to-

And if you like dressing your characters up you’re going to love this; our company didn’t have their own uniform because we were always dressed in the uniforms of the companies we were hired out to, or the companies would dress us in work appropriate clothes like overalls or aprons. I was once handed a cute long dress to wear while I sold pancakes.

I realize some of it sounds dangerous but it was all perfectly safe. Sometimes companies just needed extra help with something for a few days. The only reason why I stopped was because the work wasn’t stable and you never knew how far you’d have to travel to the next job. It was fun though.

I've been using this the past couple days to work on larkin/larkinrelated projects/my school work and let me tell you friends it WORKS. for fans of the 'making my font really small' or 'writing in comic sans' tricks, this writing program is sooo for you. it lets you set a word count goal that's accompanied by a little progress bar to help illustrate how far you are, it lets you change visual backgrounds from waves to a fireplace to old tv static, quite possibly my favorite feature--it allows you to enable typing sounds--so that you can make it so it sounds like you're writing on a type-writer! Can't recommend this project enough to my fellow writers <3

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Let's talk about character voices.

Giving a character a unique voice in your writing involves several elements, such as word choice, sentence structure, dialogue quirks, and mannerisms. Incorporating these elements into your writing can really help create characters with distinct voices that resonate with readers and bring your narrative to life, as well as avoiding making all your characters sound the same, which is important especially when switching POVs.

Here are some tips you may find helpful:

Distinct vocabulary: Choose words that reflect the character's background, personality, profession, interests, experiences, and education level. For example, a well-educated professor would probably use more sophisticated language.

Dialogue quirks: Give each character specific speech patterns or quirks that set them apart, like repeated phrases, stuttering, using or avoiding contractions, or speaking in a particular dialect or accent, but don't overdo it to the point where it's distracting or it's hard to decipher what's being said.

Sentence structure: Pay attention to the rhythm and structure of their sentences. Some characters might speak in short, abrupt sentences, while others might use long, flowing ones. This can convey their confidence, hesitation, or urgency in the particular scenario, but also their general demeanor or manner.

Internal monologue: Show the character's unique thought process through their internal monologue. This can help readers understand their motivations, fears, and desires, further distinguishing them from other characters. (This may not necessarily apply to your story if you're writing in a third person omniscient perspective, or if you intend to exclusively follow the internal monologue of the main character.)

Physical gestures/actions: State what the the character's physical gestures and actions are while speaking. A nervous character might fidget, slouch, or avoid eye contact, while a confident character would stand tall and make direct eye contact.

Background & history: The character's upbringing, cultural influences, and past experiences can all shape the way they speak and interact with others.

Consistency: It's important to maintain consistency in the character's voice throughout the story and make sure their speech patterns, vocabulary, and mannerisms remain true to their established personality and don't contradict with anything.

Real conversations: Pay attention to how people speak in real life, and the tone, vocabulary, and speech patterns of different people, to help create more authentic and believable dialogue.

Read aloud: Reading your dialogue aloud can help you identify areas where the character's voice may not sound authentic. If it doesn't sound like something they would say, revise.

Hope this helps!

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happy october

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Dark/Horror Genres List

Horror = The fiction of fear

Splatterpunk = Horror that relies on extreme violence and graphic gore

Extreme Horror = Seeks to create utmost terror in the reader.

Psychological Horror = The danger that comes from the human mind - sanity, guilt, boundaries between right and wrong, etc.

Dystopian = Fiction set in a stark, nightmarish kind of world, often in the near future.

Lovecraftian = Based on the concept that our world was once ruled by alien creatures who still exist out there.

Thriller = high suspense and anticipation.

Mystery

Dark Diction = Stories that disturb the reader by probing the boundaries between good and evil

Supernatural = People face manifestations outside of the normal human experience.

Paranormal = features characters who are "nearly" or "formally" human, like zombies, vampires, and weres.

Paranormal Romance

Dark Fantasy

Urban Fantasy = typically set in a run-down part of a modern city, these stories involve human characters with psychic/magical abilities.

Gothic

Erotic Horro

Horror Comedy

Romantic Suspense

Steampunk = a blend of sci-fi, fantasy and historical, often with elements of horror.

Ghost stories

Slipstream

Speculative Fiction = broad term encompassing the fantasy and sci-fi genres, as well as horror fiction with supernatural or paranormal elements.

Slice of Life = no obvious plot, but shows a snapshot from people's ordinary lives.

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How to Write Strong Female Characters

Even if you write female protagonists all the time, subconscious biases can make them weaker than we intend. How can you make sure you write strong female characters? Use these tips while cretating your protagonists and supporting cast members so readers admire and connect with your story.

Note: This article is about writing cisgender characters and the stereotypes regarding them. To read more about writing incredible trans women characters, this post and this article are some great jumping-off points. A future post from me about writing trans protagonists will give the subject the space and time trans characters deserve.

1. Write Human Flaws

Women are often written as perfect or near-perfect characters. People expect so much of women in the real world—we want them to be attentive, fun mothers while being sexy spouses and respectful daughters. They have to succeed in their careers to provide for themselves and their family, all while fitting within the feminized constructs that make toxic male egos feel safe around women.

Basically, it can make writers create essentially perfect female protagonists. They handle everything well and when they can’t, they always find an answer to their problem.

Readers will connect more with female protagonists who are flawed. Your female protagonist should get angry, say the wrong things, make bad choices, and put herself first sometimes.

2. Avoid Objectification

Objectification is anything that makes a person feel less than fully human. It’s the scenes we’ve all read and movies we’ve watched where the female protagonist does something incredible—they save the world or take down a supervillain—and their partner, stunned in a love haze, says, “God, you’re beautiful,” before they kiss.

Complimenting female characters like this after they reach their resolution belittles their achievements. It means that even with their brilliance and courage, they’re still acceptable because they’re beautiful. Their beauty is ultimately the most important thing about her and the best way to remind her of her worth.

Other forms of objectification can sneak past a writer’s mind. Watch for these stereotypes as you work through your initial draft:

Describing her body parts as she gazes in the mirror

Saying she’s “different,” “odd,” or “unique” because she does a stereotypically male hobby or wears clothes that aren’t feminizing

Mentioning body parts in comparison to food

Making female characters manipulative for the sake of tricking people and not for any character growth goal/antagonist priority

Creating moments of immaturity that are seen as sexy (like whining being cute or pouting being hot)

3. Assign Individual Goals

Women are often written as self-sacrificing characters. They give up their time and energy for other characters because it’s what people expect of women in real life. Strong female protagonists need goals for themselves. If they don’t have an individual dream that makes them fulfilled or excited, they’ll swim through your plot exclusively for other characters’ arcs.

4. Watch for Female Cliches

Female characters often fit into specific cliches that are easily digestible for readers with conscious or subconscious sexist views. See if your characters fit into some of these common cliches to add the right flaws or arcs to make them fully human:

A symbol of purity: this protagonist never makes mistakes, is always sweet, and doesn’t have any sexual desires.

Femme fatale: this protagonist fills every room with sexual energy, only wears revealing clothes, and kicks ass with unearthly sexy grace.

A heartless bitch: this protagonist is always miserable for other characters to be around for no explainable reason, snaps at everyone, and basically takes on the role of a gradeschool bully at any age.

A pixie dream girl: this protagonist has no goals or arc of her own, exists to inspire other (mostly male) characters, and functions primarily as a plot device.

A Mary Sue: this protagonist can do nothing wrong and solves problems that she’s unqualified to do (minor example: Anastasia Steele in 50 Shades of Grey running a publishing business fresh out of college, where she didn’t study as a business major).

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Writing great female characters isn’t impossible. You only have to be aware of how those characters have been written poorly in the past. Watch for cliches and learn about examples of characters gone wrong to make your protagonists feel authentic, no matter what your plot has in store for them.

can wait to use this for evil deeds

Resources For Writing Sketchy Topics

Medicine

A Study In Physical Injury

Comas

Medical Facts And Tips For Your Writing Needs

Broken Bones

Burns

Unconsciousness & Head Trauma

Blood Loss

Stab Wounds

Pain & Shock

All About Mechanical Injuries (Injuries Caused By Violence)

Writing Specific Characters

Portraying a kleptomaniac.

Playing a character with cancer.

How to portray a power driven character.

Playing the manipulative character.

Portraying a character with borderline personality disorder.

Playing a character with Orthorexia Nervosa.

Writing a character who lost someone important.

Playing the bullies.

Portraying the drug dealer.

Playing a rebellious character.

How to portray a sociopath.

How to write characters with PTSD.

Playing characters with memory loss.

Playing a pyromaniac.

How to write a mute character.

How to write a character with an OCD.

How to play a stoner.

Playing a character with an eating disorder.

Portraying a character who is anti-social.

Portraying a character who is depressed.

How to portray someone with dyslexia.

How to portray a character with bipolar disorder.

Portraying a character with severe depression.

How to play a serial killer.

Writing insane characters.

Playing a character under the influence of marijuana.

Tips on writing a drug addict.

How to write a character with HPD.

Writing a character with Nymphomania.

Writing a character with schizophrenia.

Writing a character with Dissociative Identity Disorder.

Writing a character with depression.

Writing a character who suffers from night terrors.

Writing a character with paranoid personality disorder.

How to play a victim of rape.

How to play a mentally ill/insane character.

Writing a character who self-harms.

Writing a character who is high on amphetamines.

How to play the stalker.

How to portray a character high on cocaine.

Playing a character with ADHD.

How to play a sexual assault victim.

Writing a compulsive gambler.

Playing a character who is faking a disorder.

Playing a prisoner.

Portraying an emotionally detached character.

How to play a character with social anxiety.

Portraying a character who is high.

Portraying characters who have secrets.

Portraying a recovering alcoholic.

Portraying a sex addict.

How to play someone creepy.

Portraying sexually/emotionally abused characters.

Playing a character under the influence of drugs.

Playing a character who struggles with Bulimia.

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