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Alliance™ 28 weights, 14 uprights and its matching italics. Each typeface contains over 592 glyphs with extensive Western, Central and Eastern European language support. ALLIANCE NO.1 Inspired by Industrial era types from the end of the 19th century, attempts to follow the best of traditions of Grotesk typefaces, features monolinear strokes and a good amount of contrast between the stroke thickness of each weight. With its very particular inktrapes, subtle in light versions and more visible in the black ones, Alliance No.1 was developed with unique characters typeface to offer maximum flexibility. An airy metric aids good legibility in short texts. ALLIANCE NO.2 Alliance No.2 is a Display typeface, developed from original font family for use in large sizes, Based on the combination of contrasting shapes, This is a set of very useful for branding and advertising, Symbols for public areas, environment, transportation, Digital and urban life. OPENTYPE FEATURES Including tabular figures, Alternate characters, ligatures, fractions, case-sensitive forms, superscripts, subscripts etc. Designer: Deni Anggara Producer: Degarism Studio Release Date: Jul 10, 2018 2018 Copyright © Deni Anggara All rights reserved. Available Formats OTF / TTF / Webfonts

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The subset of Biotif Medium in this kit supports the following languages: Albanian, Basque, Breton, Chamorro, Danish, Dutch, English, Faroese, Finnish, French, Frisian, Galician, German, Icelandic, Italian, Malagasy, Norwegian, Portuguese, Spanish, Alsatian, Aragonese, Arapaho, Arrernte, Asturian, Aymara, Bislama, Cebuano, Corsican, Fijian, French_creole, Genoese, Gilbertese, Greenlandic, Haitian_creole, Hiligaynon, Hmong, Hopi, Ibanag, Iloko_ilokano, Indonesian, Interglossa_glosa, Interlingua, Irish_gaelic, Jerriais, Lojban, Lombard, Luxembourgeois, Manx, Mohawk, Norfolk_pitcairnese, Occitan, Oromo, Pangasinan, Papiamento, Piedmontese, Potawatomi, Rhaeto-romance, Romansh, Rotokas, Sami_lule, Samoan, Sardinian, Scots_gaelic, Seychelles_creole, Shona, Sicilian, Somali, Southern_ndebele, Swahili, Swati_swazi, Tagalog_filipino_pilipino, Tetum, Tok_pisin, Uyghur_latinized, Volapuk, Walloon, Warlpiri, Xhosa, Yapese, Zulu, Latinbasic, Ubasic

2017 - Bráulio Amado

210 x 280 mm, 272 pages. Soft cover.

Introductory texts by Luke Hayman (Pentagram).

ISBN 978-989-54013-7-6

Stolen Books // Published March 2018

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Vivien Solari wearing Dior neckpiece shot by Mert & Marcus, 1998

Random Atlas – Aurelia Peter

Identity and Printed material for The East Cut, a newly formed neighborhood in downtown San Francisco. Work by Collins.

Tink is one of Europe’s fastest growing fintech, which aims to bring “financial happiness” to their users. The powerful tool let’s individuals make smart financial decisions and empowers them to be more in control of their spending and finances. However, people associate financial management as something boring, too complex, and time consuming. In response, Tink, commissioned Kurppa Hosk to help them develop a new brand design and strategy that echoes the simplicity and intuitive smartness of the service. The brief was to manifest Tink’s ambition of bringing financial happiness to millions at all touchpoints. Kurppa Hosk went ahead to develop a streamlined look and feel that is atypical for a financial player and represents Tink’s business as a whole.

The new visual identity goes beyond just a logotype, and is more of a scheme composed of a number of core elements that come together to create a distinctive visual language that makes the Tink brand instantly recognizable and sets it apart from the rest of the fintech landscape. The new design is comprised of a new logo, typeface (Lota Bespoke), illustrations, colors, imagery, and completely new apps for Android and iOS. Surreal illustrations by Martin Nicolaussen, come to life throughout the app, emulating the various features and walkthroughs in a fun and inviting way

Stig Lindberg (1916-1982) Sculpture, Céramique.