my favorite choice ever at the very end of the black dog is when she whispers the final “screaming”. after literally screaming it the whole song, after she’s gone through all that grief and catharsis, you can hear her voice shake as it barely chokes out the word. And she’s so insistent the entire song that “old habits die screaming” like I will rage against you with my dying breaths! Loss and death and grief have made me angry and vengeful and you will feel the flames of my wrath!!! But in the end, after she goes through all the accusations and the blame and the vitriol and confusion and the cruelty and injustice of it all, she has no more fight left in her. she realizes in real time that this is what grief and letting go actually feels like, the summation of it all at the end. It’s perhaps in conversation with that TS Eliot poem: “This is how the world ends, not with a bang but with a whimper.” The journey through all of that sorrow and pain and grief and loss doesn't end in a blinding magnificent rage and it’s over, as much as she wanted it to, with indignation and vengeful pride. Instead, it’s a long drawn out suffering and when she finally gets to the end of her grief, it has drained everything from her. she may have the last word, but it'll be nothing more than a pitiful whisper.
Taylor, deer, this u?
UMMMMMM
FUCKING HELLO? GOOD MORNING?? MALIA WHAT DOES THIS MEAN??? THIS HAS SENT ME INTO A GLASSHEART SPIRAL OMG
everyone who harasses Jaime I am in your fucking walls
getting Peter is such a win for Toronto n2 honestly
After the release of The Manuscript, the role of Red and Red (Taylor’s Version) in Taylor’s life and discography has been highly discussed. A lot of people have referred to it as her magnum opus and most formative album. I have decided to compile a condensed list of about a dozen key interviews, performances, speeches, posts, and videos from 2011 all the way until 2024 that illustrate the importance of this record for Taylor’s personal life and career. I’m putting the list under a cut because it got pretty long. You don’t have to go through all of these, obviously, but I would suggest at least one per era. The bolded ones are essential in my opinion.
Pre-Red - These interviews hint at Taylor’s emotional state at the time and thus the content that will be explored on the Red album
2011 The New Yorker profile
Taylor Swift reveals new album is all about heartbreak - Extra TV
Bonus: an article going through Taylor’s arm lyrics on the Speak Now World Tour, which she described as mood rings for any particular show
Lover diary entries from the making of Red (credit to @cabincreaking for the scans)
- All Too Well lyrics first draft (February 2011)
- Random bursts of happiness and anxiety during the Speak Now Tour (June 17, 2011)
- Red (September 8, 2011)
- Holy Ground (February 2012)
- Nothing New (March 2, 2012)
- Working with Max Martin (June 10, 2012)
Red era - Listen to the original sixteen songs on the Red album at this point.
Red announcement livestream + Q&A
Red prologue
2012 Rolling Stone interview
2012 The Guardian interview
2012 Billboard interview
2012 Esquire interview
Sirius XM Town Hall - an hourlong interview from the day Red came out
Good Morning America - this is the first mention of the ten-minute version of All Too Well
Red track-by-track descriptions
Random interview where she discusses the connection between writing Speak Now and Red
I Knew You Were Trouble music video
Diary entry about how love is fiction and she might move to New York after all (January 6, 2014)
Diary entry from Grammy night (January 25, 2014)
Red Tour London performance of All Too Well - any performance of this song from 2013-14 will work here, but this one has a pretty comprehensive speech
Final performance of All Too Well on the Red Tour - just listen to the speech here
Post-Red era - Over the course of these interviews, you’ll see her relationship to the album evolve.
Taylor’s description of Clean (skip to 11:18)
2014 BBC Live Lounge interview
1989 World Tour interview where she mentions thinking she’d never sell as many albums as she did with Red before 1989 came out
Clean speech - a lot of these will work, but these two best describe her relationship with the Red era and heartbreak in general
All Too Well (The 1989 World Tour live)
2015 GrammyPro interview
All Too Well Super Saturday Night performance
Reputation Tour All Too Well speech
Red into Daylight performance - 2019 City of Lover concert in Paris
Re-recordings era - at this point, listen to the red vault
2020 Rolling Stone podcast
Red (Taylor’s Version) prologue
2021 Saturday Night Live performance
All Too Well: The Short Film + Behind the Scenes
Seth Meyers interview
2022 Tribeca film talk OR TIFF (both are equally good. I have a slight preference for the former, but there are some interesting new details in the latter). You could also watch directors on directors from the same year as a bonus, but it’s less comprehensive.
2022 Graham Norton - How All Too Well (10 Minute Version) came about + how the re-recordings inspired Midnights
Also listen to Midnights
The Eras Tour
All Too Well speech (Glendale Night 2 & Atlanta Night 1) - any of the speeches from March and April 2023 will work, but these two really illustrate how she feels about this time in her life now and how the fans changed the Red album for her. Obviously credit to @cages-boxes-hunters-foxes for the transcripts!
Maroon first ever live performance (‘This is a song about something that happened a long time ago, but it took place in New York’)
Aaaand finally listen to The Tortured Poets Department, especially The Manuscript
This is a lot, but it’s worth it. Enjoy!
Forever Winter 2012 demo (x)
#the album prologues are the bible. to me.
the autotune distortion part of dear reader is soooo effective in how it takes someone who has been idolized and constructed through song and performance and public persona, with some of the cogs and bolts her own doing, and reveals how that person we think we know is as real as the pixelated images we see of her, which is to say not real at all. it reveals this god like figure to be an invention of our own design, barely human anymore. and the fact that it distorts over the line "never take advice from someone who's falling apart" hits home that she's not the shiny, perfect godlike woman we see. the hologram ripples, the machine glitches, when the fallibility of her humanity shows through, breaking the visage of perfection we're accustomed to. it's not real, not humanly possible to be this person the curated and carefully constructed way we see her, never was, and isn't possible to achieve. the reality of who she is, outside the songs and the narrative, is way messier, way less inspiring and tied up in a perfect bow. but also doubles as a philosophical meditation on where does one end and the other begin? if the only version of her that most people know is a bunch of perfect pixels, is that the real her now? If that's taylor, then who is the flesh and blood person sitting on her couch every night? does she even exist outside of those pixels anymore? does anyone know the real taylor anymore, herself included, and which one is the real taylor? is she just the ghost in the machine now?
Ummmmmmmmmmmmmm...
I Wish You Would, Back to December, and All Too Well...
I'm going to have an amazing year, you guys!!!
the first 3 taylor swift songs you see will describe your 2024