Gojo Satoru Is The Prime Example Of A Character Whose Very Existence Is Rooted In Weaponisation. His

What if Dick could cycle through identities.

Dick Grayson has more identities than there are colors in the rainbow.

There’s Dickie Grayson - school favorite, basketball star, and mathlete. Best friend of the Titans and beloved love of many. Also a wonderful brother, devoted son, and dear grandson.

There’s Richie Grayson - darling of high society. Women swoon over him, men appreciate him (ie Roy’s “pretty bird”), and as a gothamite aptly put it, “who wouldn’t recognize Gotham’s very own Paris Hilton”.

There’s Ric Grayson - cold, night thrill seeking civilian with more trust issues than money in a trust fund.

There’s Nightwing - according to Supes, “your words are worth their weight in gold”. According to Bruce, “sometimes I feel he’s the only thing I did right”. According to Hawkman, “the one person the entire superhero community trusts after Superman”. And so much more. Strong enough to defeat Ra’s Al Ghul in a sword fight and be given the name “Detective”. Beloved hero and the pride and joy of the superhero community

There’s Agent 37 - An international, multilingual super spy who broke his partner’s hardened interior while rigorously maintaining his morals in the face of adversity. So handsome that while a psychotic murderer was chasing him and his partner, he reached up, switched off the spiral, and was so beautiful that the stunned woman went, “woof”, lost control of her bike and crashed.

There’s Renegade - Deathstroke’s apprentice who was carefully trained by him until he tricked the man and freed himself. Taught Deathstroke’s daughter Rose to be a hero and was punished by his nemesis through the Chemo bombing of Bludhaven. Yet Deathstroke still hugs him and says “Nice to see you again, kid. You look well” and leaves messages on his fogged bathroom mirror, “message received”, and waits in Dick’s bedroom while he’s dressing to let him know why he’s in the city.

There’s Crutches - mob enforcer for Black Mask and took down his crime syndicate from the inside out.

There’s Talon - His grandfather’s legacy of being an undead assassin for the court. The Gray Son of Gotham.

Finally there’s Robin - the 8-18yr old who went on joy rides with Superman, said “Holy ___ Batman!”, the one who was astounded when He asked if he would join the Justice league and Batman said, “no, you’ll be leading them”. The one who was driving batmobiles at 8 and singing songs to comfort victims that still remember him and his warmth 20 years later. The acrobatic prodigy that left the country in wonder. The first sidekick and role model for many young heroes that came after him.

He has many more identities I couldn’t name but - imagine if Dick could change these personalities in a heartbeat. One second he’s peppy and overjoyed Robin and the next he’s flippant and dismissive Ric Grayson. Oh the possibilities

I don’t remember where this quote’s from but: the man has a temper that could start wars. And a smile that could end them.

i saw someone say that every time gojo lets himself be human, he ends up getting punished

... hello???? i was having a good day??

Adeyemi tries to use Lawrence's words against him in saying they are seeking a pope who "sins, asks forgiveness, and carries on", but Adeyemi never gets to the second part. From the beginning, he insists that he has done nothing wrong, that he was not at fault on account of his age, that the child may not even be his! His tears aren't of guilt, he cries because he's disappointed he has lost. He's crying for the death of his ambition, his dreams.

In the same way, Tremblay denies his sins from beginning to the bitter end, even in the face of undeniable evidence. Tedesco finds nothing wrong with his fascist views.

How can there be forgiveness when the sinner will not even acknowledge the sin?

Not me scrolling through the Conclave tag only to see no one talk about the deliberate positioning and framing of the women in this movie.

Pulling up this movie I completely expected to only encounter Sister Agnes as the one woman we see in the trailer, the conclave a space that has been kept from the female members of the church. Now, color me surprised when I started the movie and most of the establishing shots we got were focused on all the women working in the Vatican.

And it is such a deliberate choice, it does the film a disservice not to talk about it.

Because while Cardinal Lawrence is having his fifteenth breakdown during sequestering and Bellini finds the ambitious asshole within himself, Ray does all the leg work, and Bel---- we see the women work.

We see the kitchens, we see them cook, we see them stand aside. Most of the time when the Cardinals are conspiring it is the women who interrupt because they are busy working, walking, running errands.

And there is power in that.

I think it is very deliberate how often (and with such lingering gaze) the camera shows us the lives of the other half - partially to connect to the wider themes of the movie, on how Bellini asks for women to get more power but never thanks them, and how Benitez stumps them all by thanking the women preparing their meals when asked to say the prayer (considering his own probably tumultuous relationship to gender within the church).

But it also stands in direct opposition to a long tradition in story telling: servants don't exist. How often the heroes of a regency romance are "alone" because the two hand maidens and three maids don't really count.

Conclave doesn't do that.

It doesn't let us look away.

Between all the petty drama, the politics, and the real life consequences of the conclave, we never stop looking at the people doing all the work.

Yes, we follow the ups and downs of Lawrence and Co, but in doing so the movie reminds us again and again of the women working the kitchen.

And that was just such a powerful artistic choice in a movie about a famously misogynistic church... I loved it. And I had to talk about it.

Could u elaborate more on what u said about how dick is the linchpin of dc?

Sure! People refer to Dick Grayson as the linchpin of the DCU largely because of this quote:

“Just in terms of links to other characters, though. Dick has so many connections to other characters. In many ways, even more than Superman or Batman, Nightwing is the soul, the linchpin, of the DCU. He’s well respected by everyone, known to the JLA, the Titans, the Outsiders, Birds of Prey – everyone looks to him for advice, for friendship, for his skills. He’s the natural leader of the DCU. His loss would devastate everyone and create ripples through the DCU.” - Phil Jimenez 

For context, Jimenez is one of the people who worked on the Infinite Crisis comics. This quote is from one of the interviews where he (along with other DC creators like Geoff Johns, Eddie Berganaza, and Jeanine Schaefer) explain why it wasn’t a good idea to kill Nightwing off in those comics, despite Dan DiDio’s plans to the contrary. It’s interesting to hear everyone’s perspectives, you can see more of the interview here. 

But yeah, as Jimenez describes, Dick is connected to pretty much every single hero in the DCU. Have you ever heard of ‘Six Degrees of Kevin Bacon’? Because you could easily play that game with Dick lmao. Many of the JLA see him in a motherly/fatherly way, since they were at the very least there when he was Robin. At the most, these older heroes, Superman in particular, actively had a hand in raising Dick into the man he is today. 

In addition, he is very close friends with his generation of heroes because he formed the Titans. That alone gives him connections to so many people: Donna, Wally, Garth, Roy, Kory, Vic, Gar, Raven, Joey, etc. But it doesn’t even stop there! He often acts as a mentor to the next generation of heroes as well: specifically Tim, Kara, and Conner come to mind. And he helps out the Birds of Prey. And the Outsiders. And the Batfamily. The amount of characters he has influenced and interacted with is frankly a little ridiculous. 

The Brave and the Bold (2007) #15

Dick had such a great reputation, and so many people trusted him because a) he had worked with them before and had proven his mettle b) he had been a leader for a team they were on or c) he had mentored them. Like, not to say he was universally liked, but. Even when people hated him or disagreed with him, they usually respected his skills and expertise. And he kind of acted like the bridge/commonality between the old generation and the new:

Teen Titans (2003) #6

He used to be considered such a capable and valuable member of the superhero community…which is one of the reasons why it is so frustrating to see how he is treated in the newer comics/continuity. But really, I am only scratching the surface here on why Dick is considered to be so important. This post by @theflyingwonder goes even further into detail. They also explain what the fallout for Dick’s death should/would have been considering his connections, it’s worth a look. 

My last dissertation proved definitively posited that Zoro does not get jealous over Luffy, except in the live action where he is hilariously transparent and insecure. But what about the other way around?

[For a delightful representation of the sentiments conveyed within this rant, I highly recommend the fic good things take time by cosmosthistle. It’s a beautiful piece of writing that exactly embodies my understanding of Luffy as a maturing MC with naive yet complex feelings. It’s a pretty popular fic but give it a read if you haven’t had a chance!]

Can we all agree that Luffy has abandonment issues? For a happy-go-lucky guy with no inner dialogue, he’s genuinely afraid of losing those closest to him. He can’t go on without his crew. This was my number one takeaway from Sabaody. Luffy is inherently possessive over his entire crew. They make up a key part of his identity, and he will fight the world for all of them.

Out of his entire crew, I’ll dare to say Zoro is probably the most of the most important to Luffy. Again, Zoro is Luffy’s voice of reason, moral support, enabler, and rabid attack dog rolled into one muscular package. Luffy holds him in high regard. He is 100% possessive of Zoro. But is he insecure about Zoro’s feelings for him to develop feelings of jealousy over his swordsman?

My answer is, yes, at times. And it sounds crazy because why would Luffy be insecure?! Who is more loyal than Zoro?! The crazy part is, Luffy can be too naive and vulnerable at times to see Zoro’s complete devotion.

At Water Seven when Zoro prevents him from welcoming back Usopp, Zoro actually threatens to leave if Luffy doesn’t hold his ground. And while there is no way Luffy would sacrifice Zoro to get Usopp back, the fact that Zoro voices the threat at all shocks Luffy to the core. Luffy already can’t deal when a crew member leaves (Nami, Usopp, Robin, Sanji). I can’t even fathom what he’d do if Zoro left him.

While Zoro has shown his loyalty time and time again to the audience, to Luffy, his initial promise was if Luffy stood in the way of his dreams, he’d cut Luffy down. And Luffy will never know what Zoro did for him at Thriller Bark. Luffy doesn’t know the extent of Zoro’s devotion (and I think he’d be furious if he ever finds out). Luffy thinks Zoro and him are equals; he doesn’t realize Zoro has placed his captain above his own ambitions, that Zoro is his. He may feel it, but he doesn’t know it at his core.

Because of this unknown, Luffy has the potential to feel insecure should something/someone else take away Zoro’s attention. If someone appears able to offer Zoro something Luffy can’t/hasn’t, Luffy would be confused, unable to voice his frustration, and generally drown in a jealousy he cannot explain. This is more of a potential pre-time skip.

In summary, Luffy, especially early One Piece Luffy, definitely has the potential for jealousy. I hope we get to see more of that in fics as writers become more confident at portraying Luffy as a complex, multifaceted character.

Thank you so much for the lovely message @kayharts! Sakura and Suo are one of my fave duos in WBK as well, and there’s a lot that can be said about these two! I’m happy that my posts were able to provide the insight you needed.

To answer your question, this is actually something I’ve actually been meaning to make a writeup about, so your ask prompted me to actually make a post for it lol. But without further ado:

Sakura’s perspective of Suo

To start off, I’d like to say that Sakura hasn’t exactly regarded Suo on an individual level. He considers him as a part of his community alongside his other peers.

Sakura doesn’t have any of his internal dialogue that directly acknowledges Suo (as he did for Endo) or ‘impactful’ memories of him (like with Umemiya and Nirei) that shapes his development outside of Suo’s advice.

The only exception is this scene in Chapter 145, in which Sakura’s view on Suo is quite… convoluted, to say the least.

The reason why Sakura thinks that Suo is “full of crap” is because of how he constantly lies to mess with Sakura specifically (though Sakura hasn’t picked up on this). And yet, Sakura still believes every word Suo says…

This even bleeds into how Sakura addresses to Suo’s direct praise with apprehensiveness (though he does blush more at the words; you aren’t slick Sakura).

Coupled with the incessant teasing and the way Suo had treated Kanuma in Shishitoren, it’s no wonder why Sakura generalizes him as someone who “teases everyone at every chance he gets”. This isn’t remotely true; though Suo does tend to poke fun at others, his main victim is Sakura himself.

But then again, that scene in particular is just Sakura over-generalizing his classmates (you can tell that Sakura and Kiryu were not that close back then because his opinion on him is the only one that’s remotely positive) in order to juxtapose the fact that he believes that his peers are genuinely good people in the next page. Because despite the misconstrued perceptions Sakura has on their “flaws”, he still wants to protect and live alongside the people he cares about.

Additionally, I would like to tack on a big yet to the first two statements of this post. Wind Breaker’s (and Sakura’s, to that extent) story is far from over, and there is much potential for how his and Suo’s relationship can develop further [between a protagonist and deurotagonist]. For now, I’ll focus on what has been established in canon.

Circling back to Shishitoren, we see that Sakura says Suo has a rotten personality. In fact, he is the only one who openly criticizes Suo’s treatment.

Despite this, he doesn’t seem to harbor much resentment towards Suo. In fact, one can argue that Sakura is more so curious, given the fact he had the initiative to ask Nirei more about him (when he hadn’t done so for the other Furin students). Sakura also wanted to fight Suo despite the latter not provoking him, and Sakura not actively applying Umemiya’s advice (of fights being a conversation) at that point of the story.

Sakura is also shown (and not told) to trust Suo wholeheartedly.

Before Noroshi, Sakura lets his vice captain come up with a strategy, relying on him to do something he has no expertise in. Despite Sakura’s embarrassment, he’s come a long way from being so afraid to ask for help from others before.

Sakura also reluctantly agrees to work with Sugishita despite their animosity, because it was Suo’s idea.

Suo also points out his Achille’s heel while fighting. Despite Sakura’s initial apprehensiveness, he chooses to believe in Suo in the end.

Following Suo’s advice works out in Sakura’s favor when he fought alongside Sugishita, and even his fights after Noroshi.

There’s also this scene in Roppo where Sakura imitates one of Kanji’s moves; he uses Suo’s shoulder to support himself (when he can jump to that kind of height by himself easily) and kick at Endo’s face.

As for what you said in regards of Sakura knowing whether Suo is hiding something deeper or not, nothing has been explicitly confirmed as now. Until we get something [meaningful] from Sakura that directly addressees Suo as a character, we won’t really know. In any case, Sakura would most likely respect Suo’s boundaries and not pry into his business (especially if Suo’s advice to Sakura stems from shared experiences).

I can definitely see where your speculation is coming from, though. It’s inevitable at this point; I’m 99% sure that Sakura’s request to fight Suo in Shishitoren (and Suo’s declaration to do his best) foreshadows a future fight between them. Given how closed off the two are as you said, it would be the only way they can understand each other.

also i think about Crime Alley as both the physical source for bruce’s loss and also a sign of gotham’s renewal — leslie’s clinic as one example, or bruce’s dedication to social reform in park row. how after twenty years he is still tethered to the cinema, the alley, the gutters. he knows each brick by touch alone, in the dark he can find his way unaided. like the manor it is the foundation holding him upright. does he find comfort there for himself, knowing that he can always return?

but the graysons died in a field, in the ring. the ring is not stationary, it moves as haleys does. its sawdust floor is discarded after the show, its bleachers disassembled, the big top packed away for the next town, the next country, the next show. the graysons died at haleys, but it isn’t anywhere their son can return to. he can stand in the field, knee deep in grass, but the crowd will not be there, nor the tent nor the jugglers. he could travel the world and never truly find the place his parents died. the only way out is through.

zolu being married feels right on the basis that luffy is selfish/possessive and zoro is prideful alone.

luffy likes having things, he’s wonderfully selfish, he could be nothing other than the captain of a ship. he would call zoro ‘husband’ one time and never stop because, yes, zoro is his husband.

and of course, zoro is his swordsman, his first ever crew mate, but there’s something that makes him feel perfectly content when calling him his. additionally, luffy’s possessiveness paired with zoro’s elation to be his, to worship and follow him. zoro himself would feel delighted to be wanted by his captain so completely, and luffy would bask in that.

and then zoro would reciprocate, not calling luffy his husband out of harmless possessiveness but out of pride. because what is zoro if not too proud to admit to weakness, vulnerability? what is zoro if not in a clamber for ultimate strength, to be best, to never lose again?

zoro being able to call luffy his husband with a puffed chest, because yeah. his husband is the king of the pirates by the way; stronger, kinder and cooler than anyone. his pride in his captain is unparalleled, to zoro there is nothing that nears his perfection. and that’s all his. he’s so proud to be loved by him, to love him; that’s his husband.

it’s funnily sweet how their pride and selfishness appease one another, intertwined so perfectly that they soothe each other’s nagging feelings by simply being themselves and being together. husbands and soulmates

Consider: Post-canon Zuko wakes up in the body of his childhood self, the morning of That War Meeting. Would he still speak against the plans, knowing his fate? What do you think he would do differently the second time around?

"Turned away at the doors, Zuzu?"

"Shut up, Azula," her brother sulked. But sulked weirdly, after staring at her too long and too wide-eyed, not like she'd surprised him but--

But like he hadn't expected her to be there. At all.

He turned away. ...He turned back. "Hey, Lala? Do you think you could help me practice that one set?"

He didn't meet her eyes.

She narrowed hers. "Which set?"

"The one I'm bad at."

She scoffed. Pushed away from the wall she'd been leaning against. "That's all of them, Dum-Dum."

He didn't shout or stomp or yell about the nickname. His lips twitched.

"It's okay," he said. "If you're afraid you won't be a better teacher that my instructor..."

It was the most obvious manipulation ever.

Perhaps if he proved an adequate firebending student, she'd work on his courtly survival skills next. Honestly, it was good that not even Uncle Gets-Cousins-Killed had been fool enough to take Zuko into that war meeting. She could only imagine how terribly that could have gone.

"Keep up," she said, and turned her steps towards the training grounds.

He did. There, and during the katas she ran him through.

Azula kept her eyes narrowed.

"Hey," he asked, "do you know how to bend lightning yet?"

As if he could have missed it, if she'd been able to get more than sparks. "I will soon," she said.

"You will," he agreed, and flowed through his next set. The one she'd only just mastered.

Father didn't notice how weird Zuzu was being. Uncle never noticed anything. Zuko ate dinner and asked a servant for seconds and didn't stutter or flinch or lose his appetite when father asked, coolly, what he'd done with his day. Azula's shoulders tensed, because one mention of how she'd squandered her own training time teaching him--

"Azula hogged the training grounds. For hours," Zuzu scowled, exactly like a petulant thirteen year old.

Exactly like he hadn't been acting all day.

By the time Father was looking her way, Azula had her usual smirk in place. "I'm sure there would be room for both of us," she said, "you're not afraid of a little friendly fire, are you, brother?"

Zuko sulked. And ate his seconds, like he was enjoying each bite. There was something in his eyes, like a joke no one else was getting.

---

Father died that night. A heart attack. There were the faintest of burns to either side of the treacherous organ; the royal physician hypothesized that he'd grabbed at his chest, fingers burning hot in his final moments; so hot they'd only exacerbated the problem.

The royal physician would never have been brought any victims of lighting strikes. Those that occurred in the capital did not generally require a doctor in the aftermath.

Zuzu ate a hearty breakfast.

He didn't order seconds. Azula gave him points, at least, for not being tacky.

---

The sages named Iroh as regent.

They named Zuko as Fire Lord.

"No," the tiny Fire Lord in his perfectly miniaturized Fire Lord robes said, sitting at the head of his war council. "We're not doing that. And I'll be reviewing all recent battle plans, as well. What's this I hear about a division of new recruits being deployed to the front?"

He did not mention how he'd heard of the 41st Division. No one asked.

"Prince Iroh, surely--" one of the generals tried to appeal.

The young Fire Lord's regent was looking as startled as the rest of them, for a moment. Then he sipped his tea, and smiled.

"Your Fire Lord is correct, of course. A change in our leadership--a change the other nations may mistakenly view as weakness--will necessitate a change in our strategy."

"Now," said their lord, "what, exactly, is our overall objective in this war?"

War, the new Fire Lord decreed, was not an end unto itself.

---

The new Fire Lord continued to have time, to pretend to be trained by her. Azula watched him. Adjusted her footwork. Did not tolerate, and was not offered, any commentary on who was teaching who.

"What did you do with my brother?" she asked, as they flowed from one set to the next. As her hands, poised to throw fire, just so happened to be pointed his way.

He missed a step. It didn't look like an act.

"I'm, uh. Right here?"

She didn't bother to dignify that.

He didn't bother to look worried about her hands, one movement off from a true attack.

He looked around, then grabbed her sleeve, and tugged her further from any walls that may hide ears. The royal family's private training grounds were wonderfully large, and wonderfully open.

"It's me," he said. "It's still me. Just. More of me? Longer of me?"

She narrowed her eyes. A familiar expression, by this point. "Explain."

"...I found the Avatar," he said. "And this is definitely his fault, but--but I guess it started at a war meeting, when I was thirteen."

Azula listened. It was a very Dum-Dum story.