Zoro Unlocking Conquerors/supreme King Haki While Having A Flashback About Luffy, Explaining Him As The

okay, so i've yapped a lot about how umemiya and kaji relate to sakura's character development as a leader and now i want to yap about how his personal growth is mirrored in nirei (+suo).

at the beginning of the series, sakura and nirei were functionally polar opposites: sakura was physically strong, but was out of touch with his social and emotional skills, whereas nirei had strength in social and emotional intelligence, but was physically weak.

when sakura first met nirei, he formed a negative opinion based on what he could see that he would soon retract. it's hard to see inner strength at a glance, just like how it's hard to track the growth of one's inner strength, especially in a fighting series.

what isn't hard to track in a series like wind breaker is physical strength, which is where nirei's arc comes in.

nirei's journey in becoming physically stronger is running parallel to sakura's journey to build his emotional strength, meaning that nirei's growth in physical strength is a direct, visual representation of sakura's growth in emotional strength.

and the person who is largely shepherding these two in their respective journeys? suo.

suo not only helps translate emotional/social situations to sakura (and also sakura's emotions to others) thus helping him navigate those conflicts, but he is also nirei's literal fighting instructor.

he also sometimes has to guide nirei on how to interact with sakura since they're so opposite from each other, which does suggest a personal familiarity with both sakura and nirei's mindsets. (we don't know much about suo yet, but if i had to wager a guess, i would say that he started out both physically and emotionally weak, which would be why he has such a deep understanding of sakura and nirei.)

from what i can see, these three are a really well-crafted trio and i'm excited to see where the series takes them.

I mean most wbk characters fight without the conversation and connection philosophy... Why is Sakura the only one who should win with that method not by feats. Doesn't they author love his mc to be the strongest and shine like the others? Sigh!

I would say a part of why there's more emphasis on it with Sakura than the other characters, is because Sakura's definitely positioned to be the person Umemiya thinks will take on his will and protect and care for the Furin he has created with the other upperclassmen.

This isn't to say that the other side character don't or are incapable of also understanding and applying Umemiya's philosophy in their fights, but Sakura mirrors so much of Umemiya. There are definitely a number of characters in Wind Breaker who came to Furin because they admire and want to also take on the mantle that Furin stands for. Others join Furin to rebel against what's trying to hold them down or oppressively change who they are; who won't accept certain aspects of who they are because of their own agendas or beliefs. But a number of these people aren't actually seeking to be The Top Dog. Not everyone who wants to fight to protect the town wants to be the person leading Furin. And there is a lot of potential dangers/issues with those who DO seek to be at the top, and have the power that comes with leadership. That's why so many Furin people, ESPECIALLY the upperclassmen, were wary of Sakura coming in and enrolling in Furin as someone from outside of town, even more so when he starts spouting that he wants to take the top spot.

Take Sugishita for example= The narrative even shines a light on the fact that shouldn't it be Sugishita who is shooting to become Furin's top spot when he's an upperclassman? Sugishita ABSOLUTELY hangs off of every word Umemiya says and admires what the guy stands for. But, Sugishita wants a low-key, peaceful life. He wants to be left alone and sleep most of the day. Sugishita struggles with connecting with his fellow classmates, let alone his opponents or those who stand against what Umemiya believes in. The upperclassmen adore and are rooting for Sugishita, but they know he wouldn't want to take Umemiya's spot.

Nirei too. Nirei is valued and supported by his classmtes. He deserves a place amidst their ranks because he has such drive and will to put everything he is into Furin's cause. But Nirei's not a leader. Not everyone is meant to be a leader. Nirei doesn't want to be a leader- he wants to be someone who lifts someone he finds worthy for that position (Sakura) TO the top spot. It's kind of hard to have a fight last long enough to be a conversation when when you don't know how to fight. He's learning how to fight (and doing an amazing job! I'm always so happy to see Nirei get a chance to show how far he's coming along in also holding his own in a fight!) but that's not going to be enough for Furin and Makochi when threats come knocking on their door.

To not just let emotions take over and instead make an effort to understand the other person- it's hard! It's not something that comes naturally to most people. But it surprisingly comes naturally to Sakura. Sakura is hungry for connections, he wants to understand people better because he assumed everyone was the same in the past and realized that that's not the case. And it definitely comes naturally to Umemiya. However, I wouldn't go so far as to say no one else fights with this philosophy in mind. The freshman characters are green newbies. They've got the spirit, they're putting their effort behind Umemiya and Sakura and all of what Furin stands for, but they're a little too inexperienced to actually internalize Umemiya's style. Who has had the experience and has been a part of Umemiya's fight to make his dream a reality? The four kings. Specifically, Tsubaki and Hiragi immediately come to mind so I'll talk about their fights/conversations!

Tsubaki rolls up to the fight against Gravel with a number of (anger-fueled) assumptions and very much acting out of his protectiveness of Shizuka.

Even still, Tsubaki wants their fight to be a dialogue. He's still applies Umemiya's philosophy in this fight, even after calling Suzuri his 'prey' and clearly being pissed off about Gravel trying to break down Suzuki and take her away from this life she's found with her sister Tsubaki and the guys of Roppo-Ichiza.

Tsubaki makes his stance known. That fighting to protect the things you love makes you stronger. It doesn't matter what it is- if it's important to you, if it makes you happy- then it is worth fighting for. Tsubaki doesn't get angry when Suzuri calls him insane when he says that loving makeup makes him stronger. He instead says 'okay let me prove it to you. Let me show you my strength' (my god I love the energy in the "Let me show you just what you're scoffing at" panel. Tsubaki you absolute ICON! Queen Shit!)

It's a push and pull; a back and forth between them as they fight. Tsubaki eventually says to Suzuri that 'Yes, of course I can't possibly understand the suffering and pain you've had to go through'. It's a hard thing to truly and fully understand another person. But that doesn't mean that a person isn't allowed to also feel in pain and having a hard time. Tsubaki doesn't know what it's like to have to struggle with starvation, and Suzuri doesn't know what it's like to have to choose between pretending to be someone you're not, to cover up your interest or risk being attacked and assaulted because other people want to decide for you how you should be and what you should like. You could say Suzuri has it worse than Tsubaki, but it doesn't mean Suzuri has the right to rip Suzuki from the happiness and family she has found.

Leading up where Tsubaki admits they made wrong assumptions about Suzuri and are sorry for doing so, but also calling out Suzuri on the irony that he says he has nothing- can't waste time or effort on anything that's not directly tied to food/survival- when clearly he also is fighting for his friends.

Now, as it was even said in the manga- Tsubaki and the Roppo-Ichiza can't fix all their problems. They can't make sure everyone has what they need. But, they can do everything that they can to help. It wasn't Tsubaki's physical strength that was important in this fight, but instead it was his kindness. That he wanted to know why Suzuri was doing all of this. He didn't attack Suzuri in a rage or tell Suzuri he had something he needed to learn from Tsubaki. Tsubaki ended this fight by saying "I see you're suffering and I want to know what I can do to help." THAT and fighting in order to stay true to himself and protect those he cares about, is what makes Tsubaki strong. That's why Tsubaki is one of Umemiya's four kings.

Next let's talk about Hiragi's fight with Banjo. Now, Hiragi was far more in a rage than Tsubaki. That much is clear. He is just as protective of Kaji and Tsubaki is of Suzuki, but lets his fury win more than Tsubaki does. This may also be because of the sadomasochistic person Banjo is versus Suzuri, who has a more compassionate core. Endo and Takiishi pissed the fuck out of Umemiya in this arc too. Anger takes over sometimes. That is also a part of being human. But, I would stand by that Hiragi STILL tries to see Banjo's perspective. The chapter where he starts fighting Banjo is still called a 'dance', just like when Tsubaki fought Suzuri. He doesn't treat Banjo in this fight the same way Suo does against Kanuma. He doesn't patronize, toy or make fun of Banjo. He gives Banjo an admission, what small understanding he has of Banjo's...insane perspective, that fighting can be thrilling. That you can be addicted to the adrenaline. He acknowledges that Banjo is right that when people are fighting, someone is going to get hurt. The FASCINATING thing is that Banjo also sees fighting as a way to connect with others. But Hiragi recognizes that Banjo doesn't.... realize that not everyone gets the same pleasure out of fighting and Banjo doesn't know when to STOP.

Hear me out- I think this is similar to Sakura telling Endo he'll visit him. I don't think Sakura likes Endo and I DEFINITELY know Hiragi doesn't like Banjo. But, Banjo feels connected to other through fighting. Hiragi is going a certain length to make sure Banjo doesn't feel isolated, while at the same time telling him to leave the other people at Furin THE FUCK ALONE (Especially not to go anywhere near Kaji again I'm sure). He tells Banjo directly to his face that Banjo disgusts him, but he doesn't tell Banjo not to seek making that connection with others. Not to seek that high. But because doesn't have self control, because Banjo can't even tell when he's going too far- Until Banjo can understand how other people feel he should find Hiragi to fight. Hiragi is saying he will do something that he dislikes for Banjo. Yes, it's for the sake of whoever else Banjo would pick a fight with instead, but it is still a promise of connection, it is still an exchange nonetheless.

I would say the author loves Sakura for the same reason why he has everyone else love Sakura. Because Sakura is an incredibly kind and compassionate person who wants to put his whole being into helping others. He wants to protect the people who extended kindness and acceptance to him. Sakura is a scared kid who comes from a past full of pain and rejection and isolation, and is taking those steps towards healing. He's getting close to becoming someone that Sakura himself can feel proud of. Someone who is not just strong physically, someone who doesn't even have to win every fight- he's fought so hard his whole life already. So long as he doesn't give up- neither on himself nor in protecting Furin- there is nothing more he needs to do. He can just be himself for the first time in his life and that will be enough. His strength comes from his heart, a heart that is already full of compassion and kindness. A heart that he already has. Physical strength is something he'll get with time and experience, but it is sticking to his heart that'll make him even stronger. A little sappy and cliché? Sure, but that doesn't necessarily make it a bad message or story to impart on the audience. I think Nii Satoru means for this to be a story about human connections, and personally values that more than the fights themselves.

But also. I think Sakura shines. You're welcome to your own opinion, but I personally think he looks pretty damn cool in his fights~

I think the Biggest Lie DC told is that the Robin mantle is meant to be a Legacy.

All I see from it, is Dick constantly compensating for the fact that it was initially stolen from him, and making nice with the next kid who inhabits it, and being weirdly obligated to taking them under his wing, out of a strange sense of moral obligation because he felt responsible for the role he made.

What’s weird is the fact that no one’s supposed to be Robin after him. He didn’t just “outgrow” it so much as he was mentally estranged from the role because of his disagreements with Bruce.

It’s Bruce who went territorial with it. It’s Dick who realized Robin could never be divorced from the idea of Batman.

Bruce went out of his way to give the costume inspired by the Grayson’s Death Shroud to a boy who never met them.

An appropriate legacy would be Clark inspiring the idea of Nightwing and essentially giving Dick his blessing to be patterned off of him and a “Super” legacy, while giving him the freedom not to be an echo of him, because Dick wanted to be his own man. That right there respects the term of Legacy.

Another Legacy, would be the Flash. Wally literally took the same mantle because he loved Barry, was inspired by him. He honored that Legacy. It’s a more literal interpretation of the word Legacy.

When the FUCK did Jason ever honor the Dick Grayson Legacy?

Was he ever even told about the origins of that mantle?

What inspired it?

No. He had no idea because Bruce just handed Robin over and thought he could replace Dick. Robin is an idea of Dick’s. It’s Dick who excels. Its Dick who fights crime and defends the innocent.

It’s nothing personal for Jason.

It’s just a cool idea to be “Batman’s Partner.”

No one’s honoring Dick’s Legacy.

It doesn’t exist.

What it became was a means to “Partner with Batman.” Wearing it, one gets to have the Dick Grayson “Experience” and hopefully “do it better.” (🙄Bitch please)

Bruce doesn’t ever realize how entitled he was in handing the mantle off to Jason. And later when he’s too mentally and emotionally sick after Jason’s death, Tim comes along.

But Tim also doesn’t honor the “Robin Legacy.” How can he if he’s being thrown at Bruce as a crutch for his mental health and well-being?

Dick as Robin was never “suicide watch” for Batman. Or a “reason for Batman to take care of himself.” And if he was, how is that a legacy?

Truth be told the Grayson Legacy never existed.

Dick never passed on a Legacy. He actually never had a say in it. It became an obligation.

Dick never had a say or a choice or an option to give Robin away to Jason. It’s only AFTER THE FACT, he gives his “blessing.”

But in honesty, he’s being noble in doing so. He’s not there to crush the dreams of an orphan kid. Bruce taught Dick how to Hope. And how everyone needs a little hope.

Robin is a dream.

Not a legacy.

And it turned into a Nightmare under Tim’s hands. Robin suddenly became a way for Bruce not to go off the deep end. And Dick didn’t have a choice because it was either allow it and buy Bruce time to get better, or stop Tim and let Bruce implode.

And implode Bruce did.

Suddenly, Bruce could wield the Robin mantle as a way to Manipulate Stephanie Brown and manipulate Tim Drake into staying because the dream of being Robin was a temptation both of them couldn’t handle, and Bruce knew that. He banked on it when he set their own insecurities against them.

The only time the Robin mantle went back to being a dream was for Damian Wayne. And even then it wasn’t a choice either. It was either do that or watch the kid self destruct or Destroy everything. For a kid who was a knife and nothing else, it was a way to become someone more noble. Dick helped him raise his standards to the inspiration of *Dick’s* version of Robin.

To become someone who doesn’t serve self interest.

Robin helps. Robin saves. Robin serves. Robin sacrifices. Robins hands aren’t bloody. Only his red breast, where his heart is.

Robin isn’t necessarily a personally driven story. Isn’t a coming of age story.

Dick’s Robin was always a Knight who served a kingdom Bruce dreamed up because between the two of them, Bruce was more hopeful and idealistic. Bruce dreamed up a Gotham that didn’t exist until Bruce and Dick tried to work to that end.

In actuality, Bruce taught Dick to dream.

And then Bruce went mad and the Robin mantle stopped being a dream Dick created and instead became a curse.

Book!Lawrellini is insane

The teasing:

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They voted for each other:

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Best friends praying together:

All of the above:

The intimate knowledge of how the other functions:

Honest to God goodnight kisses

Dick Grayson's talent for manipulation literally brings the world to its knees.

Part 1 post

My absolute favorite trait about Dick aside from his craziness is his ability to control every single person in existence. The best part is, he's so clever in the way that he does it that people almost never notice.

Bart Allen

"Oh! Ahh..you're trying to get my DNA sample. You need my spit! Ha! That's such a Dick Grayson thing to do."

Bart knows!! Dick's brilliantly sly okay. Honey catches more flies that vinegar? He takes it so far that breaks he the ceiling with it because by the time he's done, people don't even know they've been manipulated. And if they do, then what can they do about it? He always wins.

With friends and family he does it to make them feel better without being so overt and discomforting them.

Justice League: Road to Dark Crisis

Jon came to him when he was feeling lost and upset and Dick set up the perfect conditions to encourage him and pick him up. He's just so good at doing what he's doing but he does it for all the right reasons.

But the extent Dick can go trick and manipulate someone is off the charts. A virtuoso.

In a Titans comic, Dick literally spent MONTHS acting depressed and weak after Donna, Wally, and Garth were kidnapped to another dimension by a villain just so he could trick the villain into thinking that his career was over and bring him into the same dimension so Dick could take him down.

He fooled everyone.

Teen Titans: The Silver Age TBP 2 Part #1

"Batman taught me how to be a totally convincing actor! So if the only way you could send me here with your ring was if I filled my brain with evil thoughts, I just faked it! My facial expression was pure evil-but my mind remained pure good." MONTHS.

He planned, pretended, and calculated every single fiber of his own mind and body until the whole world was fooled by his acting. He tricked an interdimensional being who had psychic access. That means he was so extraordinarily manipulative, he can control his own thoughts inside his head to trick someone else. Voldemort's legilimens has nothing on Dick's talent.

Like Bart, sometimes his allies are aware of this like with Selina-

Gotham City Sirens Issue #23

Selina's literally having a mental breakdown trying not to fall for Dick's manipulation and tricks.

But even if they know he's manipulating them, they still are forced to fall for it anyway.

Gotham City Sirens Issue #23

"Damn it."

Like a goldilocks mad scientist - he does it just right.

His acting is just so on point that he outschemes the schemer.

When the Crime Syndicate (Superwoman, Ultraman, Owlman, Power ring, etc) arrive on Earth to take it over when Dick is Batman, Dick needs to do something fast. But to make things worse, there's a being that's so powerful, that both the Crime Syndicate and Justice League combined have a snowball's chance in hell of defeating him.

So what does Dick do? He runs the game.

Justice League of America (2006) Issue #52

Justice League of America (2006) Issue #52

"Of course he had a plan the whole time. He's Batman. He always has a plan."

Justice League of America (2006) Issue #52

He tricks everyone.

Justice League of America (2006) Issue #52

And in the end, the Justice League wins and Dick saves the world.

Justice League of America (2006) Issue #52

I love how they characterized Owlman as a snake because that would make Dick a mongoose since mongoose eats snakes. And do you know what Mongoose represent in folklore? Action, adventure, boldness, fearlessness, impulsiveness, independence, optimism, rebellion, resistance, resourcefulness, speed, adaptation, agility, quickness, intelligence and wit. All characteristics that define him.

He plays the world like a chessboard, always five steps ahead.

He always has an ace hidden up his sleeve.

His thoughts are always masked behind a disarming smile.

He has mastered the art of manipulation.

And that's while he's outright fighting. His subtlety is just so seductive.

Take a look at the way he smoothly evades answering in this panel -

Grayson Issue #9

He's so smooth. She's constantly on the watch but she instantly fell head over heels for his charms in a half a heartbeat, that's just how good he is.

Grayson Issue #10

He's a master manipulator who knows exactly what to say and how to act to always end up winning.

It's seriously such a shame that one of his greatest skills and talents isn't talked about more because this man?! Flawless.

He's the spy everyone on TV wishes they could be. He's the type of spy people read about in history books and marvel at the ease, grace, and legendary story he leaves behind. He's the spy that everyone knows and dreams of in their fantasies.

Nightwing (2016)

And oh how they so are.

He can just get people to do whatever he wants.

There's a reason why Batman's only contingency plan against Nightwing is "Let's hope he fucks up." Because with his intelligence, skill, power, charisma, and raw talent - he's goddamn unstoppable.

I feel like Dick and Damian definitely do regard each other as father and son to a certain extent but in a way that is so tied to Bruce's "death" that they'll never actually say it. Damian will just keep referring to Dick as his Batman, a role that has only ever meant father to him, and Dick will refer to Damian as his Robin, a name that has only ever meant son.

So i’ve been wondering abt how the next conflict will unfold after the current breather in the manga… and i can’t help but suspect (and hope) that maybe, just maybe it’ll have something to do w Suo.

I say this bc currently, it looks like we’re getting the backstories of the main group one-by-one (Sugishita, Kiryu, possibly Sakura).

And at the same time, chapter by chapter, we’ve been getting tiny little snippets of Suo’s suspicious actions/habits in the background: him wearing a swim shirt/staying out of water, Kiryu deliberately mentioning how he’s not eating again (there is a separate panel of this interaction, so it’s clearly important as it’s divided from other dialogues), him taking control of the conversations and manipulating them in his favor in both ch 171 and 172…

I really feel like something is brewing in the background when it comes to this boy, bc all of this happened in the last 4 chapters which he appeared in.

But most of all, what really concerns me is this line:

Throughout ch 173 he seemed to handle the tension of the Kiryu-family quarrel with such unnatural level-headedness, he’s the only one who is still staring straight ahead in the panel below, not being startled at all by the yelling.

He’s also the only one who’s observant enough to sit back in the same exact place after spying on Kiryu

All of these reactions, habits and behaviors just make me suspect that he might have a difficult familial situation, where he had to hide emotions, learn how to be observant and a smooth-talker, manipulate his way out of situations, grow up way too quickly…

And well, let’s not forget how he says that his best skills are at negotiating, making the enemy “cough up information” and do as he says…

I’m honestly kind of a believer of the “Suo has ties with the mafia” theory, or at least i think he has some seriously dark familial situation and knows some shady ppl… he’s the only person who Nirei had no notes on, nobody heard anything about his days before Furin (except that he’s a good fighter)… it’s all just too suspicious tbh.

And well. As the story and world-building progresses, each conflict in the manga has been more and more dangerous and intense: first we had the one-on-one’s with Shishitoren, then the more violent Keel-conflict, then we had straight up adults fighting in the Roppo-Ichiza vs Gravel arc, and ultimately the war with Endochika + Noroshi… i wonder what could be more intense than this last arc.

Still, Wind breaker hasn’t been truly dark up to this point, so i highly doubt that a story about a group of wholesome delinquent high schoolers would delve into some less PG stuff involving the mafia. The story is more about acceptance, community and personal growth, a violent and darker gang arc would be quite out of place imo.

However, i truly suspect it will be Suo’s backstory that’ll serve as a transition to the next conflict/heavier arc.

But as always, feel free to disagree, this is only just my personal opinion and theory<3

Adeyemi tries to use Lawrence's words against him in saying they are seeking a pope who "sins, asks forgiveness, and carries on", but Adeyemi never gets to the second part. From the beginning, he insists that he has done nothing wrong, that he was not at fault on account of his age, that the child may not even be his! His tears aren't of guilt, he cries because he's disappointed he has lost. He's crying for the death of his ambition, his dreams.

In the same way, Tremblay denies his sins from beginning to the bitter end, even in the face of undeniable evidence. Tedesco finds nothing wrong with his fascist views.

How can there be forgiveness when the sinner will not even acknowledge the sin?

sometimes i sit and wish zoro had a ‘hat moment,’ like nami’s in arlong park, usually just as an extension of me wanting zoro content. but i’ve been thinking about it, zoro and luffy’s straw hat, and realised just how many times he has either caught it or been trusted to hold it.

zoro doesn’t need a shifting character moment that impacts his relationship with the crew because he doesn’t have anything in his backstory that hinders his openness with them. as far as we can tell, there is nothing subdued and hurting in his past that needs addressing. if any of the strawhats asked, i think he would easily tell them about kuina, his parents, the dojo, if they don’t know already.

zoro being trusted to hold luffy’s hat, to catch it over open waters when it’s dangerous for luffy to, etc, it speaks so hugely about zoro and luffy. zoro doesn’t need the anchoring support it has, instead he acts as a person luffy trusts to protect it.

in a lot of ways, luffy’s strawhat is an extension of himself, his strawhat is him. it’s what makes the moment in arlong park so special, it makes every moment it’s in danger so terrifying. he’s straw hat luffy. in fact, many enemies, friends and acquaintances refer to him as just that- straw hat.

luffy’s trust in zoro to hold his treasure, a piece of himself, is so special. it perfectly sums up their relationship, their trust and their willingness for vulnerability with each other. luffy allows zoro to protect him, and zoro would catch him every time.

zoro not having a ‘hat moment,’ instead having multiple where he holds it in tricky situations instead, it makes sense. luffy leans on zoro, he allows himself to be supported. though not shown, i am sure zoro would be equally comfortable for luffy to hold onto wado if he couldn’t.

luffy physically handing over a part of himself to zoro, a part that i am sure he values over a limb if need be, it’s so telling. he repeatedly trusts zoro with his life many times, yet somehow giving him his straw hat feels just as special.

zoro doesn’t need the comfort of the hat, he’s able to offer the opposite instead. luffy is comforted with the knowledge it’s in his hands.

nice: futility in the pursuit of perfection

(spoilers for EP 1 under the cut)

note: i'll refer to the original nice in this analysis, not lin ling. (we'll talk about him later LOL)

this is purely based off of the official trailers, pv, character concept, and episode one, so my thoughts are subject to change as more episodes are released <3

in nice’s character concept, he’s is shown to be nothing short of a perfectionist. everything has to be perfect: stationary, plates, silverware (or goldware, i suppose) have to be in their rightful positions. all of his belongings are gold, white or fall in a shade of brown, black. even his pillowcase is set in a neat geometric pattern. his hero costume’s color scheme- gold, white, and blue- screams sophistication and poise.

nothing can be out of place- so why choose to die the way he did? it's messy, undignified- and most importantly, public.

what type of fan wants to see their shining hero's brains splattered out on the street? in his hero suit, no less.

nice wanted to permanently tarnish his image of being “perfection incarnate.” he decided to damn himself even further by pointing finger guns at lin before falling- a bittersweet farewell.

despite his endless pursuit of perfection- and having seemingly obtained it (with the title of no.10 hero, his face plastered across every other billboard in the city, and a beautiful girlfriend fitting of his clean, polished image)- i think nice hated himself.

his floor in hero tower is devoid of any personality or sentimentality. the only decor is a piano off to the side, two treadmills (the other presumably meant for moon)- and most importantly, a statue of himself- of nice- in the middle of it all.

offering a palm out to whomever stands before it, the statue almost seems welcoming, friendly. almost. it looks like it belongs in a city hall or museum, not someone's personal residence.

so why keep a statue of himself in his personal living space?

you could theorize he's narcissistic. i mean, people would kill for the prestige tied to the name "nice." (we even get a glimpse of this jealousy in his character promo- hello mysterious stranger.) maybe it inspires him as he steps into another day of being “nice.”

but to me, it’s a reminder fueled by self-loathing.

nice has nothing- is nothing- without being perfect, adored, and envied. he's a former ballet dancer- an art form known for its severe dedication to the craft. we don’t even know his real name. If he can’t be the perfect hero, what is he? And when that image is threatened, what will he do to maintain it?

according to the official trailer 3, nice says he will “use whatever dirty tactics it takes to prevail.” the “villain” we see in his PV calls him out on his hypocrisy, implying that he was involved- or at least knows of some of nice’s misdeeds in the pursuit of perfection.

hell, even his own hero name calls him out. To be nice is to be agreeable, pleasing. niceness is a surface level trait: a veneer meant to cover imperfection and rot. he's not supposed to be kind, much less good.

“Nice” has to be perfect, and whoever held the mantle before lin was unable to afford the cost.