Nobody Notices Anything. So, There's Nothing To Notice, Right?

Okay, I hear you folks loud and clear. Here it is.

How Suo foils Sakura as a character

For starters, their personalities, on the surface, are quite different. Sakura is rather brash, but he is very upfront about his feelings and takes initiative when needed. Suo carries himself with dignity and grace, but remains passive and would much rather observe a situation unfold at a distance.

This translates into the way they fight as I’ve mentioned before. Aside from their fighting styles being completely different (Sakura’s kickboxing is close contact while Suo’s aikido lacks contact and focuses on deflecting attacks), the way they treat their opponents differ. While Sakura makes an effort to understand Togame, Suo imposes his own (contrived) worldviews on Kanuma. Sakura converses; Suo monologues.

Speaking of Umemiya’s philosophies, Sakura is known to eat a lot ( @furinfry made a really nice writeup on this theme, and they explain it much better than I can), even being dubbed a glutton by… Suo. Which is funny, because it’s been shown that Suo himself doesn’t consume food around others, claiming to be on a diet.

If Suo’s refusal to eat is a metaphor for his self-alienation from his peers, then Sakura’s acceptance of Umemiya’s advice is proof of his assimilation to Furin.

On the topic of alienation, Sakura is vulnerable and wears his heart on his sleeve; he unintentionally lets people into his world whether he realizes or not. Suo does none of these things—and his emotions are either (unintentionally) drawn out by the people he cares about, or when he witnesses something that contradicts his principles.

Sakura hates covering his appearance, while Suo makes it a point to do so (given that he literally wore a scuba suit to a beach).

The way they treat Nirei post-KEEL also differ. Suo is concerned for Nirei and helps foster his fighting skill to the extent of abilities, but Sakura remains rather ‘wary’/protective of Nirei (obligatory dead wife flashback mention)

There’s also the case with how they handle other people’s situations. Suo first observed and evaluates, then shares his own rational conclusion while Sakura tends to be upfront of what he feels about it.

The way their internal dialogues are written also differ. Sakura’s focuses on himself and his introspections (given that he’s the MC), and they’re very descriptive. But Suo’s is limited; he simply addresses the situation around him. The only time he introspects is to put himself below Sakura.

I’m probably missing a lot of things, but these are the ones I can think of off the top of my head.

Additional Tidbits which add no value to this post:

Sakura’s flower is the Cherry Blossom, a tree that is so rooted in Japanese culture. Suo’s is the Chinese redbud, which is well… inherently Chinese (gotta tag @psychicwavementality for this one)

Sakura is learning how to cook, but Suo makes it a point that he prefers to bake instead

Sakura develops throughout the story, but Suo stays rather stagnant (I really want to make a writeup on this which also talks about Nirei’s development soon)

Suo’s character color is red; Sakura’s color is sometimes green (representing Furin). Both red and green are complementary colors on the color wheel.

okay, so i've yapped a lot about how umemiya and kaji relate to sakura's character development as a leader and now i want to yap about how his personal growth is mirrored in nirei (+suo).

at the beginning of the series, sakura and nirei were functionally polar opposites: sakura was physically strong, but was out of touch with his social and emotional skills, whereas nirei had strength in social and emotional intelligence, but was physically weak.

when sakura first met nirei, he formed a negative opinion based on what he could see that he would soon retract. it's hard to see inner strength at a glance, just like how it's hard to track the growth of one's inner strength, especially in a fighting series.

what isn't hard to track in a series like wind breaker is physical strength, which is where nirei's arc comes in.

nirei's journey in becoming physically stronger is running parallel to sakura's journey to build his emotional strength, meaning that nirei's growth in physical strength is a direct, visual representation of sakura's growth in emotional strength.

and the person who is largely shepherding these two in their respective journeys? suo.

suo not only helps translate emotional/social situations to sakura (and also sakura's emotions to others) thus helping him navigate those conflicts, but he is also nirei's literal fighting instructor.

he also sometimes has to guide nirei on how to interact with sakura since they're so opposite from each other, which does suggest a personal familiarity with both sakura and nirei's mindsets. (we don't know much about suo yet, but if i had to wager a guess, i would say that he started out both physically and emotionally weak, which would be why he has such a deep understanding of sakura and nirei.)

from what i can see, these three are a really well-crafted trio and i'm excited to see where the series takes them.

My last dissertation proved definitively posited that Zoro does not get jealous over Luffy, except in the live action where he is hilariously transparent and insecure. But what about the other way around?

[For a delightful representation of the sentiments conveyed within this rant, I highly recommend the fic good things take time by cosmosthistle. It’s a beautiful piece of writing that exactly embodies my understanding of Luffy as a maturing MC with naive yet complex feelings. It’s a pretty popular fic but give it a read if you haven’t had a chance!]

Can we all agree that Luffy has abandonment issues? For a happy-go-lucky guy with no inner dialogue, he’s genuinely afraid of losing those closest to him. He can’t go on without his crew. This was my number one takeaway from Sabaody. Luffy is inherently possessive over his entire crew. They make up a key part of his identity, and he will fight the world for all of them.

Out of his entire crew, I’ll dare to say Zoro is probably the most of the most important to Luffy. Again, Zoro is Luffy’s voice of reason, moral support, enabler, and rabid attack dog rolled into one muscular package. Luffy holds him in high regard. He is 100% possessive of Zoro. But is he insecure about Zoro’s feelings for him to develop feelings of jealousy over his swordsman?

My answer is, yes, at times. And it sounds crazy because why would Luffy be insecure?! Who is more loyal than Zoro?! The crazy part is, Luffy can be too naive and vulnerable at times to see Zoro’s complete devotion.

At Water Seven when Zoro prevents him from welcoming back Usopp, Zoro actually threatens to leave if Luffy doesn’t hold his ground. And while there is no way Luffy would sacrifice Zoro to get Usopp back, the fact that Zoro voices the threat at all shocks Luffy to the core. Luffy already can’t deal when a crew member leaves (Nami, Usopp, Robin, Sanji). I can’t even fathom what he’d do if Zoro left him.

While Zoro has shown his loyalty time and time again to the audience, to Luffy, his initial promise was if Luffy stood in the way of his dreams, he’d cut Luffy down. And Luffy will never know what Zoro did for him at Thriller Bark. Luffy doesn’t know the extent of Zoro’s devotion (and I think he’d be furious if he ever finds out). Luffy thinks Zoro and him are equals; he doesn’t realize Zoro has placed his captain above his own ambitions, that Zoro is his. He may feel it, but he doesn’t know it at his core.

Because of this unknown, Luffy has the potential to feel insecure should something/someone else take away Zoro’s attention. If someone appears able to offer Zoro something Luffy can’t/hasn’t, Luffy would be confused, unable to voice his frustration, and generally drown in a jealousy he cannot explain. This is more of a potential pre-time skip.

In summary, Luffy, especially early One Piece Luffy, definitely has the potential for jealousy. I hope we get to see more of that in fics as writers become more confident at portraying Luffy as a complex, multifaceted character.

sometimes i sit and wish zoro had a ‘hat moment,’ like nami’s in arlong park, usually just as an extension of me wanting zoro content. but i’ve been thinking about it, zoro and luffy’s straw hat, and realised just how many times he has either caught it or been trusted to hold it.

zoro doesn’t need a shifting character moment that impacts his relationship with the crew because he doesn’t have anything in his backstory that hinders his openness with them. as far as we can tell, there is nothing subdued and hurting in his past that needs addressing. if any of the strawhats asked, i think he would easily tell them about kuina, his parents, the dojo, if they don’t know already.

zoro being trusted to hold luffy’s hat, to catch it over open waters when it’s dangerous for luffy to, etc, it speaks so hugely about zoro and luffy. zoro doesn’t need the anchoring support it has, instead he acts as a person luffy trusts to protect it.

in a lot of ways, luffy’s strawhat is an extension of himself, his strawhat is him. it’s what makes the moment in arlong park so special, it makes every moment it’s in danger so terrifying. he’s straw hat luffy. in fact, many enemies, friends and acquaintances refer to him as just that- straw hat.

luffy’s trust in zoro to hold his treasure, a piece of himself, is so special. it perfectly sums up their relationship, their trust and their willingness for vulnerability with each other. luffy allows zoro to protect him, and zoro would catch him every time.

zoro not having a ‘hat moment,’ instead having multiple where he holds it in tricky situations instead, it makes sense. luffy leans on zoro, he allows himself to be supported. though not shown, i am sure zoro would be equally comfortable for luffy to hold onto wado if he couldn’t.

luffy physically handing over a part of himself to zoro, a part that i am sure he values over a limb if need be, it’s so telling. he repeatedly trusts zoro with his life many times, yet somehow giving him his straw hat feels just as special.

zoro doesn’t need the comfort of the hat, he’s able to offer the opposite instead. luffy is comforted with the knowledge it’s in his hands.

Aldo Bellini's cross: an analysis

As we know, each cross in Conclave has a unique design and meaning that reflects the character they're designed for.

The main symbol on Bellini's cross is the pelican. According to many ancient legends (pre dating Christianity) the pelican was believed to pierce its own breast with its beak to feed its offspring with its blood, so early Christians adopted it as a symbol of Jesus Christ sacrificing himself for mankind.

The most immediate explanation is that the pelican represents Bellini: he's the righteous cardinal who doesn't want the papacy, who sees it as a burden that will most likely destroy him, but who, at the same time, feels like he has to become Pope in order to prevent Tedesco from winning. In other words, he feels like he has to sacrifice himself in order to save the Church.

However, the quote engraved on the back of the cross reveals something more, something deeper. The quote comes from a hymn written by Thomas Aquinas in 1264, titled “Adoro te devote”.

Pie pellicane, Iesu Domine, / me immundum munda tuo sanguine.

Good pelican, Lord Jesus, / clean me, the unclean, with your blood.

It's a prayer TO the good pelican from the point of view of a sinner who feels unclean, impure.

And that's how Bellini constantly sees himself: as unworthy, as dirty. His whole character is built around this sense of shame, self loathing and self-doubt, which he must shoulder alone and which is at the centre of his (torturous?) relationship with God.

The quote is hidden on the back of the cross, it's private, it's for Bellini's eyes only, his shame is between himself and the Lord, the only one who can save him, who can clean him.

And of course you can read this however you like but it's definitely one more thing to be added to the list of gay undertones in Bellini's character.

One last thing (and this is probably my biggest reach but indulge me): I noticed that in the scene where Bellini finally admits his shame to Lawrence his cross is facing backwards.

This movie is so meticulous with its details and symbolism that I'm almost 100% sure that it was made (or left like that) on purpose.

In the scene Lawrence (and the audience with him) is finally given access to Bellini's inner turmoil. Bellini is baring those parts of himself he's so ashamed of to the person he cares about the most, so it's only fitting that his words and actions are accompanied by this subtle, yet powerful symbolism.

I think the Biggest Lie DC told is that the Robin mantle is meant to be a Legacy.

All I see from it, is Dick constantly compensating for the fact that it was initially stolen from him, and making nice with the next kid who inhabits it, and being weirdly obligated to taking them under his wing, out of a strange sense of moral obligation because he felt responsible for the role he made.

What’s weird is the fact that no one’s supposed to be Robin after him. He didn’t just “outgrow” it so much as he was mentally estranged from the role because of his disagreements with Bruce.

It’s Bruce who went territorial with it. It’s Dick who realized Robin could never be divorced from the idea of Batman.

Bruce went out of his way to give the costume inspired by the Grayson’s Death Shroud to a boy who never met them.

An appropriate legacy would be Clark inspiring the idea of Nightwing and essentially giving Dick his blessing to be patterned off of him and a “Super” legacy, while giving him the freedom not to be an echo of him, because Dick wanted to be his own man. That right there respects the term of Legacy.

Another Legacy, would be the Flash. Wally literally took the same mantle because he loved Barry, was inspired by him. He honored that Legacy. It’s a more literal interpretation of the word Legacy.

When the FUCK did Jason ever honor the Dick Grayson Legacy?

Was he ever even told about the origins of that mantle?

What inspired it?

No. He had no idea because Bruce just handed Robin over and thought he could replace Dick. Robin is an idea of Dick’s. It’s Dick who excels. Its Dick who fights crime and defends the innocent.

It’s nothing personal for Jason.

It’s just a cool idea to be “Batman’s Partner.”

No one’s honoring Dick’s Legacy.

It doesn’t exist.

What it became was a means to “Partner with Batman.” Wearing it, one gets to have the Dick Grayson “Experience” and hopefully “do it better.” (🙄Bitch please)

Bruce doesn’t ever realize how entitled he was in handing the mantle off to Jason. And later when he’s too mentally and emotionally sick after Jason’s death, Tim comes along.

But Tim also doesn’t honor the “Robin Legacy.” How can he if he’s being thrown at Bruce as a crutch for his mental health and well-being?

Dick as Robin was never “suicide watch” for Batman. Or a “reason for Batman to take care of himself.” And if he was, how is that a legacy?

Truth be told the Grayson Legacy never existed.

Dick never passed on a Legacy. He actually never had a say in it. It became an obligation.

Dick never had a say or a choice or an option to give Robin away to Jason. It’s only AFTER THE FACT, he gives his “blessing.”

But in honesty, he’s being noble in doing so. He’s not there to crush the dreams of an orphan kid. Bruce taught Dick how to Hope. And how everyone needs a little hope.

Robin is a dream.

Not a legacy.

And it turned into a Nightmare under Tim’s hands. Robin suddenly became a way for Bruce not to go off the deep end. And Dick didn’t have a choice because it was either allow it and buy Bruce time to get better, or stop Tim and let Bruce implode.

And implode Bruce did.

Suddenly, Bruce could wield the Robin mantle as a way to Manipulate Stephanie Brown and manipulate Tim Drake into staying because the dream of being Robin was a temptation both of them couldn’t handle, and Bruce knew that. He banked on it when he set their own insecurities against them.

The only time the Robin mantle went back to being a dream was for Damian Wayne. And even then it wasn’t a choice either. It was either do that or watch the kid self destruct or Destroy everything. For a kid who was a knife and nothing else, it was a way to become someone more noble. Dick helped him raise his standards to the inspiration of *Dick’s* version of Robin.

To become someone who doesn’t serve self interest.

Robin helps. Robin saves. Robin serves. Robin sacrifices. Robins hands aren’t bloody. Only his red breast, where his heart is.

Robin isn’t necessarily a personally driven story. Isn’t a coming of age story.

Dick’s Robin was always a Knight who served a kingdom Bruce dreamed up because between the two of them, Bruce was more hopeful and idealistic. Bruce dreamed up a Gotham that didn’t exist until Bruce and Dick tried to work to that end.

In actuality, Bruce taught Dick to dream.

And then Bruce went mad and the Robin mantle stopped being a dream Dick created and instead became a curse.

Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....

And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.

The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.

And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.

Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.

HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.

But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.

That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:

His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.

Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.

I love that, despite how reserved and nice Suo seems on the surface compared to someone like Sakura who’s outwardly gruff and eager to fight, it’s really in your best interest to fight Sakura instead of Suo. At least Sakura will leave you with your dignity mostly intact. Suo isn’t here for a two sided fight conversation, he’s not interested in listening to his opponents, only toying with them and then dropping them once he’s gotten his fun out of them. It’s just such a fun contrast between them

What's interesting about Sakura wanting to fight others is that in the beginning of WBK, he only used to pick fights when he felt threatened or provoked. Think of it as a wounded animal's only defense mechanism (but in a more unserious way).

But with Suo, he not only wanted to fight him, but Sakura declared that they will fight at some point, despite him only observing Suo in action. He didn't necessarily feel threatened, but more-so intrigued/interested despite his criticisms. This is crazy when you consider how ‘reluctant’ Sakura was at getting to know people earlier in the story, and how withdrawn of a character Suo is—coupled with Umemiya’s philosophy of fights being a conversation to get to know your opponent better.

Suo's fights aren't exactly fights in the traditional sense, they're more like one-sided beatdowns haha. Though there is a sadistic undertone with his behavior, I feel like it's more of a hidden/restrained anger that he takes out on his opponents. KEEL is the most obvious example, but I really do find it interesting how Suo remained rather respectful to Kaito before he started yapping about how wrecking havoc is fun.

Unlike Suo though, Sakura is more likely to treat you with some modicum of respect since you're either a small fry to take care of, or a challenge that he wants to understand better (ie. following Ume's advice). Their personalities are reflected in their fighting styles—Sakura is straightforward and direct, while Suo remains passive and likes to ridicule others occasionally.

Suo and Sakura have tons of contrast with each other — I like to joke that Suo is an 'Anti-Sakura' in a way, because their differences are so stark when you compare these two together. In fact, I’d argue the only similarities that are specifically unique to them are their ‘irregular’ eyes. I could make a whole write-up on how opposing they are in WBK, but I don’t want to get too carried away here lol

also i think about Crime Alley as both the physical source for bruce’s loss and also a sign of gotham’s renewal — leslie’s clinic as one example, or bruce’s dedication to social reform in park row. how after twenty years he is still tethered to the cinema, the alley, the gutters. he knows each brick by touch alone, in the dark he can find his way unaided. like the manor it is the foundation holding him upright. does he find comfort there for himself, knowing that he can always return?

but the graysons died in a field, in the ring. the ring is not stationary, it moves as haleys does. its sawdust floor is discarded after the show, its bleachers disassembled, the big top packed away for the next town, the next country, the next show. the graysons died at haleys, but it isn’t anywhere their son can return to. he can stand in the field, knee deep in grass, but the crowd will not be there, nor the tent nor the jugglers. he could travel the world and never truly find the place his parents died. the only way out is through.

“batman loves his nightwing” this and “batsibs love nightwing that”, what about the batsibs’ friends / team loving nightwing ‼️‼️

YES!!! They love him!

The thing about Dick Grayson is that he has such a unique quality that just draws people in and holds them captive.

Titans (2016) Issue #26

He has a charisma that's intense. People from all walks of life find themselves just constantly looking at him for friendship, advice, love, guidance, and just something that calls them to him.

It's the impact he has on people that's astounding.

Titans (2016) Issue #27

They love him so much and they respect him so much that his absence is like a huge gaping hole in their chest. People feel lost without him because they've come to rely so heavily on him. Gar and Steel literally only joined because Dick asked.

This is something Roy catches on to and is well-aware of. He practically hounds Dick into creating the Outsiders with him.

Outsiders (2003) Issue #1

But you think Roy is the only one to capitalize on Dick's Nightwing effect? Hell no.

Titans East Special

Dick isn't just a person. He's a home. He's the guiding hand and the ship's steer control. He's special to people because he's everything they want him to be. He's their lover, best friend, brother, and partner. Whatever role they're missing in life they find it him him because he makes himself versatile enough to fill whatever they're looking for.

Dark Crisis Issue #1

We say batsibs' teams but he's the whole Justice community's everything. He fills the connections of both Batman's side and Superman's side.

He IS the most well-connected person in the entire community.

Teen Titans (2003) Issue #23

Look at what Kon says -

"Nightwing and Starfire brought wave two. Which is just about everyone whose ever been a Titan. It's a natural thing when Nightwing shows up. None of us are conscious of it, really--but we all look to him for orders. Robin's lucky."

The sheer respect. That Kon has for Nightwing is indomitable. Oh, but you think that's all?

Do you know what the superhero community says about Nightwing? Kon will tell you what they think -

Teen Titans (2003) Issue #33

The Titans (1999) Issue #39

He calls. They answer.

Hero-worship of Nightwing is canonically universal. Renaming this the Nightwing Effect

Epilson

The Titans (1999)

Red Condor

Nightwing (2016) Annual #3

Hutch

Nightwing (2016) Issue #75

Kara

Justice League of America (2006) Issue #49

Supergirl (2005) Issue #3

And sometimes this means more than friendship love but still born out of respect. It's so funny to me how Dick goes around friendzoning people.

Cassie

Even when people don't like what he wants they still do it because they respect him. Because he had an impact on them and they were were moved

Titans (2003) Issue #89

Aquaman, Ollie, John (Green Lantern)

JLA (1997) Issue #121

Kyle Rayner

Even people he's just met are like - this guy's pretty good!

Green Lantern (1990) Issue #81

Coming from a Green Lantern comic!! Not even a Wondergirl, Wonderwoman, Batman, or Nightwing writer. A green lantern!

Speaking of which, when Hal Jordon dies, a list of people are selected to be The Hal Jordon's replacement and guess who it is?

Action Comics (1938) Issue #642

Hal forces his soul back into his body and comes back to life but DC does a "what-if" thing and shows what it would be like if Dick actually became a Green Lantern.

Superman/Batman Issue #60

AND BRUCE'S REACTION!! His most favorite son combined with one of his least favorite people 🤣🤣

Superman/Batman Issue #60

But Bruce's faith in Dick actually elavtes his opinion of Hal.

ALSO!!-

Superman/Batman Issue #61

I JUST KNOW THAT BRUCE WAS WRITHING IN JEALOUSY!!

But anyway, shows to prove that no matter who Dick is and what identity he takes, he will always be the love of the hero community. Because in this world, each member is a combination of the Justice League AND the Titans.

Superman/Batman Issue #60

Yet Dick is still the center of it all.

A literal god

Nightwing (2016) Issue #49

Jon and the hero community

Justice League: Road to Dark Crisis Issue #1

"It would mean a LOT to people if you came and said--" "You're all overreacting." "We need you."

"You're all overreacting." - Clearly, this isn't the first time someone has already come to Dick about being the center of the community.

Not just by the batfam, but for everyone Dick is the most beloved person in the community. That is a fact.