the conclave book constantly emphasizes how being a pope is basically a lonely death sentence. cardinals close to being elected pope are isolated out of respect and awe, popes can't go out to eat at their favorite restaurants or go on strolls, they're constantly targeted as the head of the church etc..
the book frames benitez as, literally and symbolically, a 60ish year old boy who has no idea what hes getting into. he stumbles to think of a name when he gets elected pope, begs lomelli to stay with him to guide him, and even the smallest papal clothes literally do not fit him because he's so tiny. he's framed with a childlike awe and openness needed to lead the church through dark and cynical times
i think another genius moment for the movie is that it frames benitez in almost the opposite direction. movie benitez is quiet and contemplative. he likes lomelli, but in the same way an angel would favor a prophet. he's the only one to care about His Holiness' turtles and see their virtue despite their apparent stupidity, which is obviously a reflection of how His Holiness saw the cardinals and the rest of the Kingdom of God. From the very beginning, he is isolated from the other cardinals, never really shown to discuss things with anyone other than lawrence. In the end when he scolds tedesco, you dont get the impression of a wise childlike figure speaking up against a bully, you get the impression of moses telling ramses to let his people go.
and in the end when movie benitez is elected pope, he pauses. he refuses to get dressed until lawrence sees him about the one issue he knows will be a problem. he comes into the papacy knowing he will make a great sacrifice, and he treats it that way.
tldr book benitez is a 60ish year old boy wearing papal clothes too big for him to fully handle, movie benitez is a man walking up cavalry hill, both are my babies, thank you for coming to my ted talk
What if Dick could cycle through identities.
Dick Grayson has more identities than there are colors in the rainbow.
There’s Dickie Grayson - school favorite, basketball star, and mathlete. Best friend of the Titans and beloved love of many. Also a wonderful brother, devoted son, and dear grandson.
There’s Richie Grayson - darling of high society. Women swoon over him, men appreciate him (ie Roy’s “pretty bird”), and as a gothamite aptly put it, “who wouldn’t recognize Gotham’s very own Paris Hilton”.
There’s Ric Grayson - cold, night thrill seeking civilian with more trust issues than money in a trust fund.
There’s Nightwing - according to Supes, “your words are worth their weight in gold”. According to Bruce, “sometimes I feel he’s the only thing I did right”. According to Hawkman, “the one person the entire superhero community trusts after Superman”. And so much more. Strong enough to defeat Ra’s Al Ghul in a sword fight and be given the name “Detective”. Beloved hero and the pride and joy of the superhero community
There’s Agent 37 - An international, multilingual super spy who broke his partner’s hardened interior while rigorously maintaining his morals in the face of adversity. So handsome that while a psychotic murderer was chasing him and his partner, he reached up, switched off the spiral, and was so beautiful that the stunned woman went, “woof”, lost control of her bike and crashed.
There’s Renegade - Deathstroke’s apprentice who was carefully trained by him until he tricked the man and freed himself. Taught Deathstroke’s daughter Rose to be a hero and was punished by his nemesis through the Chemo bombing of Bludhaven. Yet Deathstroke still hugs him and says “Nice to see you again, kid. You look well” and leaves messages on his fogged bathroom mirror, “message received”, and waits in Dick’s bedroom while he’s dressing to let him know why he’s in the city.
There’s Crutches - mob enforcer for Black Mask and took down his crime syndicate from the inside out.
There’s Talon - His grandfather’s legacy of being an undead assassin for the court. The Gray Son of Gotham.
Finally there’s Robin - the 8-18yr old who went on joy rides with Superman, said “Holy ___ Batman!”, the one who was astounded when He asked if he would join the Justice league and Batman said, “no, you’ll be leading them”. The one who was driving batmobiles at 8 and singing songs to comfort victims that still remember him and his warmth 20 years later. The acrobatic prodigy that left the country in wonder. The first sidekick and role model for many young heroes that came after him.
He has many more identities I couldn’t name but - imagine if Dick could change these personalities in a heartbeat. One second he’s peppy and overjoyed Robin and the next he’s flippant and dismissive Ric Grayson. Oh the possibilities
I don’t remember where this quote’s from but: the man has a temper that could start wars. And a smile that could end them.
My last dissertation proved definitively posited that Zoro does not get jealous over Luffy, except in the live action where he is hilariously transparent and insecure. But what about the other way around?
[For a delightful representation of the sentiments conveyed within this rant, I highly recommend the fic good things take time by cosmosthistle. It’s a beautiful piece of writing that exactly embodies my understanding of Luffy as a maturing MC with naive yet complex feelings. It’s a pretty popular fic but give it a read if you haven’t had a chance!]
Can we all agree that Luffy has abandonment issues? For a happy-go-lucky guy with no inner dialogue, he’s genuinely afraid of losing those closest to him. He can’t go on without his crew. This was my number one takeaway from Sabaody. Luffy is inherently possessive over his entire crew. They make up a key part of his identity, and he will fight the world for all of them.
Out of his entire crew, I’ll dare to say Zoro is probably the most of the most important to Luffy. Again, Zoro is Luffy’s voice of reason, moral support, enabler, and rabid attack dog rolled into one muscular package. Luffy holds him in high regard. He is 100% possessive of Zoro. But is he insecure about Zoro’s feelings for him to develop feelings of jealousy over his swordsman?
My answer is, yes, at times. And it sounds crazy because why would Luffy be insecure?! Who is more loyal than Zoro?! The crazy part is, Luffy can be too naive and vulnerable at times to see Zoro’s complete devotion.
At Water Seven when Zoro prevents him from welcoming back Usopp, Zoro actually threatens to leave if Luffy doesn’t hold his ground. And while there is no way Luffy would sacrifice Zoro to get Usopp back, the fact that Zoro voices the threat at all shocks Luffy to the core. Luffy already can’t deal when a crew member leaves (Nami, Usopp, Robin, Sanji). I can’t even fathom what he’d do if Zoro left him.
While Zoro has shown his loyalty time and time again to the audience, to Luffy, his initial promise was if Luffy stood in the way of his dreams, he’d cut Luffy down. And Luffy will never know what Zoro did for him at Thriller Bark. Luffy doesn’t know the extent of Zoro’s devotion (and I think he’d be furious if he ever finds out). Luffy thinks Zoro and him are equals; he doesn’t realize Zoro has placed his captain above his own ambitions, that Zoro is his. He may feel it, but he doesn’t know it at his core.
Because of this unknown, Luffy has the potential to feel insecure should something/someone else take away Zoro’s attention. If someone appears able to offer Zoro something Luffy can’t/hasn’t, Luffy would be confused, unable to voice his frustration, and generally drown in a jealousy he cannot explain. This is more of a potential pre-time skip.
In summary, Luffy, especially early One Piece Luffy, definitely has the potential for jealousy. I hope we get to see more of that in fics as writers become more confident at portraying Luffy as a complex, multifaceted character.
The Conclave bit where Lawrence is told "His Holiness is refusing to get dressed" and 2 seconds later Vincent saying to Thomas "I was waiting for you to come" is driving me INSANE. Vincent wouldn't get dressed - wouldn't become the Pope - before getting Thomas's approval and understanding. He knew Thomas would come to him, he knew they would have to talk, and he would delay the WHOLE THING until Thomas came and Vincent told him his secret.
The frankness, the simplicity, the beauty of "I was waiting for you to come" - Doubting Thomas, you must believe in me before I become this.
TW: BIG SPOILERS FOR THE MANGA, light mention of abuse.
It’s high time I talk about the main characters of Wind Breaker, who are surprisingly unconventional. They don’t seem to fit neatly into any of the old characters' trifectas we see across media. None of them are girls, for starters, and they don't even seem to fit the classic Freudian trifecta of Id, Ego, and Super Ego. No, in this analysis, I want to talk about their unusual dynamic and how they depend on each other for what they lack in themselves. These traits being:
Sakura’s lack of social skills
Nirei’s lack of strength.
Suo’s lack of self-belief
The only evidence I have to cite is the entire manga. He’s no mystery. Sakura has been abused and neglected from a young age both by his parents and his old town. And by the start of the manga, he’s never been shown kindness before. And what this has created is a form of independence from society. Sakura is someone who only deigns society. Something Yamato Endo later adores about him, something Endo has only seen in one other person. Sakura doesn’t need other people, and will never bend himself to other’s will. He said so as much in his fight with Togame.
However, this virtue comes at the price of having ANY sort of common sense. He doesn’t know how to make friends. He doesn’t know how to operate a phone. It’s almost like he’s been living on a deserted island his whole life. He has no interests, no furniture.
So he needs a guide. That’s Nirei. He lets Nirei hang around him like a little remora fish because he knows that Nirei will point him in the right direction. He’s not so much a “best friend” rather he’s better described as a “foremost friend” who’s made it his personal mission to guide Sakura to the top.
He displays a greater comfort around Nirei than he does with Suo. To Sakura, Suo is a rival and begrudging mentor to who he derives wisdom from. Now, he’s not a complete rival and foil in the way that Sugishita is, but from the moment, he sees Suo fight, he’s already dreaming of ways to have a real fight with him, but he respects him enough to plan the bridge defense while preparing for the war.
In this sense, Sakura takes motherly doting support from Nirei and fatherly challenging support from Suo. Though he would never ever admit to that. Its interesting how clinically he views both of his friends. He treats them more like social workers who’ve been assigned to him than buddies to hang out with.
At the start of the series, Nirei lacks physical and mental strength. He literally doesn’t know how to fight at all and constantly hides behind his friends. And until his breaking point with KEEL, he basically uses them as bodyguards. After KEEL, Nirei realizes that simply advising and studying others is not enough and makes an effort to at least be able to defend himself and become strong.
And to his credit he does this. By the end of the war arc. He has attained complete mental strength. When Nirei throws that punch on the bridge he has everything. He becomes a complete hero. Lacking only muscle and training. Mitsuki knows this. Suo knows this. All of them know it and are more than willing to help him grow into what will probably one day be Hiragi’s replacement.
By self-belief, I don’t mean that in a confidence sense, but rather a worthiness sense. Suo is the most perplexing of the three because we know so little about him at the moment. And that’s by design, he wears a mask of impenetrable mystique.
But we can make some observations of his values even if we don’t know the details yet of how he came to them. So lets start by examining what Suo admires about his friends: Sakura’s moral conviction and Nirei’s purity.
Suo adores Nirei’s purity and innocence, which he finds infinitely more valuable than strength. Nirei doesn’t have a bad bone in this body. The concept of doing something evil has never once crossed his mind. Even after years of being tormented by bullies, one would expect him to go on a revenge arc. But NOPE. He doesn’t even consider it. He’s more concerned about his sick friend or helping an old man he barely knows find peace. As far as Suo is concerned, Nirei is the perfect one and has the most potential of the three because he's already mastered what Sakura and himself lack. Morality and social grace are harder to acquire than muscle.
In Sakura, Suo sees a champion who can carry his moral convictions like a banner. He says as much before challenging Minoru to a “fight”.
Time and time again, he reiterates that Sakura is bound to surpass him. But he never means it in reference to combat. In fact, by that point, he hasn’t even seen Sakura have a real fight. And later on, he says it again, when Sakura is able to get a handle on his rage, whereas Suo wants to beat an opponent while he is down. The guy who hurt someone they both deeply cared about.
What he sees in Sakura is a moral conviction that he lacks in himself. At the time I am writing this we know shockingly little about Suo. About his backstory, his master, his Chinese fashion taste, his eye. And neither do his allies. But have clues. We see him refuse to eat with the others, claiming to be on a diet. It was disrespectful of him to not eat anything at that leadership summit, so he had to have a bigger reason. Consider the other character who refused to eat in the story, it becomes more obvious he may have a guilt complex.
What this points to is that Suo has a history. He’s done bad things in the past and now feels guilty and undeserving. His solution is to not find moral clarity in himself but to surround himself with those who can. It's an issue he's going to have to deal with at some point.
Looking back, you begin to notice that the nature of their friendship starts out as very transnational. Sakura needs social guides and barely considers them friends at all. Nirei uses his friends as protection and role-models to get stronger. And Suo uses his friends as a way to outsource his moral compass.
But it didn’t stay that way. Sakura starts fighting with others in mind and even plays games with Nirei; who becomes a real fighter just like the others with the help of Suo, who trusts himself enough to become a teacher after being inspired by Sakura. They inspire each other and grow. That’s normal for Shonen. But this strange dynamic is something I find peculiar, breaking the mold of what i’d expect from a heroic trio. It's all very refreshing.
today i am thinking about zoro and luffy both having two constantly depicted scars. one on their eye each and one on their chest each. so intrinsically intertwined they have matching mortal wounds.
and i know it’s silly, and coincidental, but i like to think it symbolises them understanding each other more and more as time passes.
zoro got his chest scar clambering and falling on the way to his dream, being defeated by mihawk so easily then swearing to never lose again. and luffy who got his chest scar clambering and falling in a different way. they understood ultimate defeat respectively, loss and something that hit, quite literally, over the heart. their chest scars are their most important reminders of strength, the need for it. and loss, the need to avoid it.
and then luffy, who’s eye scar is a self-inflicted wound as he tried to convince shanks he could be a pirate too- he was strong enough. and zoro who got his eye scar during the timeskip, in a way we still don’t completely know, in the height of his self loathing for not being strong enough. they both got the scars around their eyes for the future ahead of them, and in trying desperately to get there. luffy asking shanks to take him onboard, and zoro asking mihawk to train him. the scars around their eyes are ground zeroes, an ask, a plea, complete determination.
one piece started and zoro quickly learned to understand loss, knew loss, while luffy would learn loss so deeply in marineford. one piece started and luffy understood the need helpless desperation, growing up with shanks refusing him. and zoro learned that later, so horribly, after thriller bark turned into the sabaody incident turned into marineford where he couldn’t do anything.
zoro and luffy understand each other so completely, they’re soulmates. but there are still parts of themselves which are obscured, different, simply because they are two different people with two different histories. and those things that are missing come with age, experience or being together. they understand one another more each day, somehow that’s possible, and i think their scars are a good example of it. them learning things which they may not have understood before, connecting to parts of each other they may not have connected to before.
Part 1 post
My absolute favorite trait about Dick aside from his craziness is his ability to control every single person in existence. The best part is, he's so clever in the way that he does it that people almost never notice.
Bart Allen
"Oh! Ahh..you're trying to get my DNA sample. You need my spit! Ha! That's such a Dick Grayson thing to do."
Bart knows!! Dick's brilliantly sly okay. Honey catches more flies that vinegar? He takes it so far that breaks he the ceiling with it because by the time he's done, people don't even know they've been manipulated. And if they do, then what can they do about it? He always wins.
With friends and family he does it to make them feel better without being so overt and discomforting them.
Justice League: Road to Dark Crisis
Jon came to him when he was feeling lost and upset and Dick set up the perfect conditions to encourage him and pick him up. He's just so good at doing what he's doing but he does it for all the right reasons.
But the extent Dick can go trick and manipulate someone is off the charts. A virtuoso.
In a Titans comic, Dick literally spent MONTHS acting depressed and weak after Donna, Wally, and Garth were kidnapped to another dimension by a villain just so he could trick the villain into thinking that his career was over and bring him into the same dimension so Dick could take him down.
He fooled everyone.
Teen Titans: The Silver Age TBP 2 Part #1
He planned, pretended, and calculated every single fiber of his own mind and body until the whole world was fooled by his acting. He tricked an interdimensional being who had psychic access. That means he was so extraordinarily manipulative, he can control his own thoughts inside his head to trick someone else. Voldemort's legilimens has nothing on Dick's talent.
Like Bart, sometimes his allies are aware of this like with Selina-
Gotham City Sirens Issue #23
Selina's literally having a mental breakdown trying not to fall for Dick's manipulation and tricks.
But even if they know he's manipulating them, they still are forced to fall for it anyway.
Gotham City Sirens Issue #23
"Damn it."
Like a goldilocks mad scientist - he does it just right.
His acting is just so on point that he outschemes the schemer.
When the Crime Syndicate (Superwoman, Ultraman, Owlman, Power ring, etc) arrive on Earth to take it over when Dick is Batman, Dick needs to do something fast. But to make things worse, there's a being that's so powerful, that both the Crime Syndicate and Justice League combined have a snowball's chance in hell of defeating him.
So what does Dick do? He runs the game.
Justice League of America (2006) Issue #52
Justice League of America (2006) Issue #52
"Of course he had a plan the whole time. He's Batman. He always has a plan."
Justice League of America (2006) Issue #52
He tricks everyone.
Justice League of America (2006) Issue #52
And in the end, the Justice League wins and Dick saves the world.
Justice League of America (2006) Issue #52
I love how they characterized Owlman as a snake because that would make Dick a mongoose since mongoose eats snakes. And do you know what Mongoose represent in folklore? Action, adventure, boldness, fearlessness, impulsiveness, independence, optimism, rebellion, resistance, resourcefulness, speed, adaptation, agility, quickness, intelligence and wit. All characteristics that define him.
He plays the world like a chessboard, always five steps ahead.
He always has an ace hidden up his sleeve.
His thoughts are always masked behind a disarming smile.
He has mastered the art of manipulation.
And that's while he's outright fighting. His subtlety is just so seductive.
Take a look at the way he smoothly evades answering in this panel -
Grayson Issue #9
He's so smooth. She's constantly on the watch but she instantly fell head over heels for his charms in a half a heartbeat, that's just how good he is.
Grayson Issue #10
He's a master manipulator who knows exactly what to say and how to act to always end up winning.
It's seriously such a shame that one of his greatest skills and talents isn't talked about more because this man?! Flawless.
He's the spy everyone on TV wishes they could be. He's the type of spy people read about in history books and marvel at the ease, grace, and legendary story he leaves behind. He's the spy that everyone knows and dreams of in their fantasies.
Nightwing (2016)
And oh how they so are.
He can just get people to do whatever he wants.
There's a reason why Batman's only contingency plan against Nightwing is "Let's hope he fucks up." Because with his intelligence, skill, power, charisma, and raw talent - he's goddamn unstoppable.
I get emotional thinking about how his family would react to Bruce's change if he ever started working on himself, on improving his behavior. But the one I think about the most is Dick Grayson.
Alfred is the one who was there from the very beginning, but Dick Grayson is who arrived and made the biggest impact. He's the first kid who Bruce took in, the one who approached this man and became his first partner to fight by his side out in the night.
Dick was able to pull Bruce out of the darkness that consumed him. No matter how many times Bruce went back, Dick's presence was a constant reminder that there's not only shadows. That if Bruce pushes back, fights so he won't be dragged down, he will find light.
However, it was a cycle. Dick would get him out, but Bruce would go back, sooner or later. And repeat. And Dick realized this and knew he couldn't let that be his whole life. But despite the distance, it still affects Dick knowing he can't find a definite solution for Bruce.
So, seeing Bruce actually change, get better and seeing that last...it would lift the heaviest weight on Dick's shoulders, who's felt responsible for Bruce's emotions since the day he became Robin.
It's been implied to him that Bruce needs him, that he's who keeps him from falling. And Dick, despite not always feeling like he is enough, carries with that responsibility because, deep down, he also feels like he owes it to Bruce, who Dick has needed (still needs) present in his life, too.
Bruce getting better would be like being able to breath again, but it would be so suffocating too.
Dick would happy for Bruce, for the man who raised him. He'd be relieved that the hurt will stop, for both his father and those he's continuously pushed away. But then he'll be anxious, will it really last? How long until he can be sure? And he'll be scared, does he still need him, now? Does a Batman who's gotten help still need Dick Grayson Robin? Nightwing? And lurking in the back of his mind, there'd be anger. Why now? Why after all those years? Why not before? Was Dick not enough reason to change? Was he never worth this? And shame will drown those thoughts. It's selfish, to think that way. He should be happy. He wants to be happy. He is happy. But he is also mad. He's sad and he mourns the child who never saw this side of Bruce. And most of all, he loves. He loves Bruce too much to hate him for it. No matter how angry, no matter how hurt, he loves his father and he's grateful for him, for his efforts. And all he can do is smile and congratulate him because that's everything he feels he has the right to say.
And when all is said and done, Bruce will come to him and Dick will have to face the worst part of this change;
Apologies.
If Bruce has truly changed, then he would know there's more things than he can count with his fingers that he has to apologize to his son for. And out of everything else, this is what Dick Grayson fears the most.
Dick can take it, he can hear Bruce out, but he can't unpack all the pain he's been accumulating in front of his dad. He can't bring himself to say 'I forgive you' out loud despite having convinced himself long ago that it's alright.
Bruce doesn't didn't do apologies. Things happened and then went back to normal and Dick was okay with that. He forgave him, he did. So, Bruce doesn't need to apologize, he doesn't have to make him say it out loud. He can't tell him, but he's forgiven him long ago. Even if it hurt, even if he was still resentful sometimes, even if he wanted to yell at him for it, Dick could push it all down and forgive him. Bruce shouldn't apologize, shouldn't bring it up again because Dick isn't strong enough to keep it all bottled up if Bruce starts acknowledging it, if he confirms that Dick wasn't crazy for feeling wronged and hurt.
He can take it, but he really can't.
Just thinking about it drives me crazy because, out of everyone, Dick Grayson might be the kid who's been waiting for this the longest, and who thought he'd already given up the idea of his father finding a lasting happiness that would bring permanent change in him. And it would be just so overwhelming.
Okay, I hear you folks loud and clear. Here it is.
For starters, their personalities, on the surface, are quite different. Sakura is rather brash, but he is very upfront about his feelings and takes initiative when needed. Suo carries himself with dignity and grace, but remains passive and would much rather observe a situation unfold at a distance.
This translates into the way they fight as I’ve mentioned before. Aside from their fighting styles being completely different (Sakura’s kickboxing is close contact while Suo’s aikido lacks contact and focuses on deflecting attacks), the way they treat their opponents differ. While Sakura makes an effort to understand Togame, Suo imposes his own (contrived) worldviews on Kanuma. Sakura converses; Suo monologues.
Speaking of Umemiya’s philosophies, Sakura is known to eat a lot ( @furinfry made a really nice writeup on this theme, and they explain it much better than I can), even being dubbed a glutton by… Suo. Which is funny, because it’s been shown that Suo himself doesn’t consume food around others, claiming to be on a diet.
If Suo’s refusal to eat is a metaphor for his self-alienation from his peers, then Sakura’s acceptance of Umemiya’s advice is proof of his assimilation to Furin.
On the topic of alienation, Sakura is vulnerable and wears his heart on his sleeve; he unintentionally lets people into his world whether he realizes or not. Suo does none of these things—and his emotions are either (unintentionally) drawn out by the people he cares about, or when he witnesses something that contradicts his principles.
Sakura hates covering his appearance, while Suo makes it a point to do so (given that he literally wore a scuba suit to a beach).
The way they treat Nirei post-KEEL also differ. Suo is concerned for Nirei and helps foster his fighting skill to the extent of abilities, but Sakura remains rather ‘wary’/protective of Nirei (obligatory dead wife flashback mention)
There’s also the case with how they handle other people’s situations. Suo first observed and evaluates, then shares his own rational conclusion while Sakura tends to be upfront of what he feels about it.
The way their internal dialogues are written also differ. Sakura’s focuses on himself and his introspections (given that he’s the MC), and they’re very descriptive. But Suo’s is limited; he simply addresses the situation around him. The only time he introspects is to put himself below Sakura.
I’m probably missing a lot of things, but these are the ones I can think of off the top of my head.
Additional Tidbits which add no value to this post:
Sakura’s flower is the Cherry Blossom, a tree that is so rooted in Japanese culture. Suo’s is the Chinese redbud, which is well… inherently Chinese (gotta tag @psychicwavementality for this one)
Sakura is learning how to cook, but Suo makes it a point that he prefers to bake instead
Sakura develops throughout the story, but Suo stays rather stagnant (I really want to make a writeup on this which also talks about Nirei’s development soon)
Suo’s character color is red; Sakura’s color is sometimes green (representing Furin). Both red and green are complementary colors on the color wheel.
I love that, despite how reserved and nice Suo seems on the surface compared to someone like Sakura who’s outwardly gruff and eager to fight, it’s really in your best interest to fight Sakura instead of Suo. At least Sakura will leave you with your dignity mostly intact. Suo isn’t here for a two sided fight conversation, he’s not interested in listening to his opponents, only toying with them and then dropping them once he’s gotten his fun out of them. It’s just such a fun contrast between them
What's interesting about Sakura wanting to fight others is that in the beginning of WBK, he only used to pick fights when he felt threatened or provoked. Think of it as a wounded animal's only defense mechanism (but in a more unserious way).
But with Suo, he not only wanted to fight him, but Sakura declared that they will fight at some point, despite him only observing Suo in action. He didn't necessarily feel threatened, but more-so intrigued/interested despite his criticisms. This is crazy when you consider how ‘reluctant’ Sakura was at getting to know people earlier in the story, and how withdrawn of a character Suo is—coupled with Umemiya’s philosophy of fights being a conversation to get to know your opponent better.
Suo's fights aren't exactly fights in the traditional sense, they're more like one-sided beatdowns haha. Though there is a sadistic undertone with his behavior, I feel like it's more of a hidden/restrained anger that he takes out on his opponents. KEEL is the most obvious example, but I really do find it interesting how Suo remained rather respectful to Kaito before he started yapping about how wrecking havoc is fun.
Unlike Suo though, Sakura is more likely to treat you with some modicum of respect since you're either a small fry to take care of, or a challenge that he wants to understand better (ie. following Ume's advice). Their personalities are reflected in their fighting styles—Sakura is straightforward and direct, while Suo remains passive and likes to ridicule others occasionally.
Suo and Sakura have tons of contrast with each other — I like to joke that Suo is an 'Anti-Sakura' in a way, because their differences are so stark when you compare these two together. In fact, I’d argue the only similarities that are specifically unique to them are their ‘irregular’ eyes. I could make a whole write-up on how opposing they are in WBK, but I don’t want to get too carried away here lol
All I see from it, is Dick constantly compensating for the fact that it was initially stolen from him, and making nice with the next kid who inhabits it, and being weirdly obligated to taking them under his wing, out of a strange sense of moral obligation because he felt responsible for the role he made.
What’s weird is the fact that no one’s supposed to be Robin after him. He didn’t just “outgrow” it so much as he was mentally estranged from the role because of his disagreements with Bruce.
It’s Bruce who went territorial with it. It’s Dick who realized Robin could never be divorced from the idea of Batman.
Bruce went out of his way to give the costume inspired by the Grayson’s Death Shroud to a boy who never met them.
An appropriate legacy would be Clark inspiring the idea of Nightwing and essentially giving Dick his blessing to be patterned off of him and a “Super” legacy, while giving him the freedom not to be an echo of him, because Dick wanted to be his own man. That right there respects the term of Legacy.
Another Legacy, would be the Flash. Wally literally took the same mantle because he loved Barry, was inspired by him. He honored that Legacy. It’s a more literal interpretation of the word Legacy.
When the FUCK did Jason ever honor the Dick Grayson Legacy?
Was he ever even told about the origins of that mantle?
What inspired it?
No. He had no idea because Bruce just handed Robin over and thought he could replace Dick. Robin is an idea of Dick’s. It’s Dick who excels. Its Dick who fights crime and defends the innocent.
It’s nothing personal for Jason.
It’s just a cool idea to be “Batman’s Partner.”
No one’s honoring Dick’s Legacy.
It doesn’t exist.
What it became was a means to “Partner with Batman.” Wearing it, one gets to have the Dick Grayson “Experience” and hopefully “do it better.” (🙄Bitch please)
Bruce doesn’t ever realize how entitled he was in handing the mantle off to Jason. And later when he’s too mentally and emotionally sick after Jason’s death, Tim comes along.
But Tim also doesn’t honor the “Robin Legacy.” How can he if he’s being thrown at Bruce as a crutch for his mental health and well-being?
Dick as Robin was never “suicide watch” for Batman. Or a “reason for Batman to take care of himself.” And if he was, how is that a legacy?
Truth be told the Grayson Legacy never existed.
Dick never passed on a Legacy. He actually never had a say in it. It became an obligation.
Dick never had a say or a choice or an option to give Robin away to Jason. It’s only AFTER THE FACT, he gives his “blessing.”
But in honesty, he’s being noble in doing so. He’s not there to crush the dreams of an orphan kid. Bruce taught Dick how to Hope. And how everyone needs a little hope.
Robin is a dream.
Not a legacy.
And it turned into a Nightmare under Tim’s hands. Robin suddenly became a way for Bruce not to go off the deep end. And Dick didn’t have a choice because it was either allow it and buy Bruce time to get better, or stop Tim and let Bruce implode.
And implode Bruce did.
Suddenly, Bruce could wield the Robin mantle as a way to Manipulate Stephanie Brown and manipulate Tim Drake into staying because the dream of being Robin was a temptation both of them couldn’t handle, and Bruce knew that. He banked on it when he set their own insecurities against them.
The only time the Robin mantle went back to being a dream was for Damian Wayne. And even then it wasn’t a choice either. It was either do that or watch the kid self destruct or Destroy everything. For a kid who was a knife and nothing else, it was a way to become someone more noble. Dick helped him raise his standards to the inspiration of *Dick’s* version of Robin.
To become someone who doesn’t serve self interest.
Robin helps. Robin saves. Robin serves. Robin sacrifices. Robins hands aren’t bloody. Only his red breast, where his heart is.
Robin isn’t necessarily a personally driven story. Isn’t a coming of age story.
Dick’s Robin was always a Knight who served a kingdom Bruce dreamed up because between the two of them, Bruce was more hopeful and idealistic. Bruce dreamed up a Gotham that didn’t exist until Bruce and Dick tried to work to that end.
In actuality, Bruce taught Dick to dream.
And then Bruce went mad and the Robin mantle stopped being a dream Dick created and instead became a curse.