'everything And Nothing'

'A stream running through a misty forest'

A painting study from reference

Acrylic paint on gesso, linen patches and paper: 10.5 x 14.8 cm

From the 'Water' painting series (March 2020)

— Tamembro

'Connection'

11 September 2018 A birthday present for my friend.

spiral - the journey

ink on paper // hand embroidery on skin

(2019)

A small stream flows through a grassy green field.

@tamembro

'Perfectly imperfect' a visual journal ; monoprint drawings with acrylic-ink wash.

'young woman sitting under a tree'

A hand-stitched one of a kind piece inspired by childhood memories; 'young woman sitting under a tree'.

Hand embroidered with stranded cottons on a linen background; it measures: 16.5cm x 11.5 cm.

She's available from my store:

tamembro

tamembro

The visual storytelling of Tamembro. Works in thread and paint.

— tamembro, 2020

'Bright and dark'

'A tiny house in the middle of a lake'

Acrylic paint on gesso, linen patches and paper: 10.5 x 14.8 cm

From the 'Water' painting series (March 2020)

— Tamembro

embroidered figure

make objects that talk — and then listen to them

Sometimes you need to scan the forest, sometimes you need to touch a single tree — if you can't apprehend both, you'll never entirely comprehend either. To see things is to enhance your sense of wonder both for the singular pattern of your own experience, and for the meta-patterns that shape all experience. All this suggests a useful working approach to making art: notice the objects you notice. (e.g. Read that sentence again.) Or put another way: make objects that talk — and then listen to them.

📖 'Art & Fear' : Observations on the Perils (and Rewards) of Artmaking (1993) by David Bayles & Ted Orland