Just leaving this here lol
Let’s go girls🌈👏🏼🌈👏🏼
Lately there’s been a new shift that has affected me personally and that I feel is a potentially harmful force in our industry, and as your resident loud person, I feel the need to bring it up. And that is the unregulated world of private equity coming in and buying up our music as if it is real estate. As if it’s an app or a shoe line. This just happened to me without my approval, consultation, or consent.
After I was denied the chance to purchase my music outright, my entire catalog was sold to Scooter Braun’s Ithaca Holdings in a deal that I’m told was funded by the Soros Family, 23 Capital, and the Carlyle Group. Yet to this day none of these investors have ever bothered to contact me or my team directly. To perform their due diligence on their investment. On their investment in me. To ask how I might feel about the new owner of my art. The music I wrote. The videos I created. Photos of me, my handwriting, my album designs. And of course, Scooter never contacted me or my team to discuss it prior to the sale or even when it was announced.
I’m fairly certain he knew exactly how I would feel about it though. And let me just say that the definition of the toxic male privilege in our industry is people saying, ‘But he’s always been nice to me,’ when I’m raising valid concerns about artists and their rights to own their music. And of course he’s nice to you. If you’re in this room, you have something he needs.
The fact is that private equity is what enabled this man to think, according to his own social media post, that he could buy me. But I’m obviously not going willingly. Yet the most amazing thing was to discover that it would be the women in our industry who would have my back and show me the most vocal support at one of the most difficult times, and I will never, ever forget it. Like, ever.
😂✋🏽🌈
taylor: should i randomly drop lover fest info?
the traffic lights: yea sure why not
This woman is pure love, and classy af 💕🌈✌🏾
I taught my dog “jump” command today, this feels serendipitous so I had to reblog
crowds jumping throughout the eras
“In Shaker Heights, a placid, progressive suburb of Cleveland, everything is planned—from the layout of the winding roads, to the colors of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules. Little Fires Everywhere explores the weight of secrets, the nature of art and identity, and the ferocious pull of motherhood—and the danger of believing that following the rules can avert disaster. “
I saw this post on ig point out that the backgrounds are similar in these pictures taylor and karlie posted recently.....interesting
full on offense but asylums, psych wards and any other variation of mental health facilities are not and will never be an aesthetic. mental illness is not an aesthetic.
and yes, this is coming from someone who has been hospitalized several times, fully angry that a white billionaire can be her quirky silly i-need-a-lobotomy [insert a tiktok reference] self while simultaneously having access to every single health treatment in the world.
while the rest of the world struggles to have access to a diagnosis, medication or human rights pertaining mental health.
"you wouldn't last an hour in the asylum where they raised me", no, taylor. YOU wouldn't last an hour in the real world, where private jets are only ever seen on television and mental illness often means you cannot get a fucking job.
This makes me think of when she hits the bullseye for track 5 🎯
Hayley Kiyoko Creates The Playlist of Her Life
Change 🌈
Depression and the arts
[Description: A three panel cartoon of me sitting in front of my cintiq, working myself up to draw, because ‘nothing changes is you stop trying.’]