Flowers In Painting 🖼 💐

Veronica Veronese - Dante Gabriel Rossetti

1872

the classical art pins are up for pre-order! greerstothers.shop

The Hunt of the Unicorn / Unknown artist The Garden of Death / Hugo Simberg Le génie du mal / Guillaume Geefs

Lawrence of Arabia (1962) || Purgatory, canto II (Mendelbaum's translation)

jonathan young E debut + kyle adams R pining

🎥 @medium-observation

tbh I’m never not thinking about how lawrence of arabia tricked the audience into thinking the white dude would be the moral heart and center of the movie, but nope! it’s ali!!! he literally becomes the audience surrogate by the end of act 1, and he’s definitely the moral and heart of the movie by act 2. our heart breaks because his heart breaks. lawrence is the main character, but ali is the sympathetic figure of the film in the end.

detail Medusa - Gian Lorenzo Bernini, 1630s

“ Second star to the right … And straight on ‘til morning. ”

Hunger is obviously a major theme in Hannibal—it’s literally the cannibal show—but the difference in how that’s portrayed with Hannigram is intriguing.

Hannibal was starving for connection before he had Will, and then everything changed for him. As Bedelia tells Will, “Did he daily feel a stab of hunger, and find nourishment at the very sight of you? Yes.” Hannibal’s hunger is sated by so much as the sight of Will. A mere look at him is enough to satisfy him.

But Will is different. Rather than being sated by his connection with Hannibal, it is the very thing that makes him hungry. There’s a frame in the Italy chapter that makes it look like he’s trapped in a starvation cage. In the script for his sailing scene, he’s literally described to look hungry:

Both Hannibal and Will have a possessive, obsessive, all-consuming love for one another, but it affects them quite differently. Hannibal is nourished by the very sight of Will, but for Will, no amount of the profound attention he experiences from Hannibal can fully sate his hunger—it’s a high he can’t help but chase. It fuels his pathological need to return to Hannibal again and again, no matter how self-destructive it is. I think this is why Will is more outwardly possessive of Hannibal than Hannibal is of Will. Hannibal wants Will to be his; Will wants Hannibal to be no one else’s. Both forms of possession, but Will’s is more jealous because of the way he experiences Hannibal’s attention. It’s a high, it’s a hunger—it’s a need, not a want.

otto & alicent hightower + death and the maiden by egon schiele