Latest Posts by the-writer-muse - Page 3

This is a tumblr hug, or a tumblr high five, or a tumblr sitting in the same room together, pass it on to your ten favorite followers or mutuals <3

aww thank you 🥺 <3

Did you use a pic crew for your pfp? If so, could you put the credits in your bio? /nm

yeah ofc! I had to do some internet hunting bc i couldn't remember what the picrew was but it's there now 👍

Hi! I missed seeing you around!

hi! yeah sorry i'm not really too active on tumblr these days. on a whim yesterday I just came back on and promptly spent like an hour liking every post on polls i could find 😅 i love this website

"Oh. Oh," moments can be great.

"Oh shit," moments are even better.

But the long-suffering sigh of acceptance that comes with, "Oh. Right. Yeah. Of course." Like, come on, what could I have been thinking? There's no other way this could have gone.

The moment a character realises they've been betrayed vs the moment a character realises they're going to betray someone, fight!

The “I’d rather have you hate me than lose you forever” trope will always hit hard

why do i intentionally read books with cliffhangers knowing that the sequel won't come out for another year. why do i do this to myself.

You know the problem with reading a book? You get hooked and then it ends and you feel sad

I love the autumn--that melancholy season that suits memories so well. When the trees have lost their leaves, when the sky at sunset still preserves the russet hue that fills with gold the withered grass, it is sweet to watch the final fading of the fires that until recently burnt within you.

-Gustave Flaubert, Memoirs of a Madman and November

“Delicious autumn! My very soul is wedded to it, and if I were a bird I would fly about the earth seeking the successive autumns.”

-George Eliot, letter to Maria Lewis, Oct. 1, 1841

i think that all stories are about consumption, performance, and/or narrative, and the best combine elements of all three

Unpopular opinion: not everything that makes you uncomfortable is bad. Sometimes discomfort means your worldview is being challenged. It’s okay to sit with discomfort and think about where it’s coming from.

autumn? i think you mean red (taylor’s version) season

“sorry i can’t talk right now i’m doing hot girl shit” (admiring the colors in autumn so bright just before they lose it all, leaving my scarf at your sister’s house, reminiscing the other day while having coffee all alone)

i love it when characters are package deals, i love duos i love trios i love quartets, i love groups and squads, i love it when you can’t find one without the other(s), i love it when they’re glued at the hip, i love it no matter the context of these dynamics, i lov

Why do you study history

one of my very favorite obscure story tropes is when there’s an episode/plotline/tabletop campaign session where the conceit is ‘each member of the gang gets trapped in a specially tailored dream/nightmare/illusory mindscape and has to break out’

LETS TALK ABOUT SPARRING

I’ve read a lot of fics, have seen many shows, and have watched many movies that are completely inaccurate when it comes to sparring. NOW, i know it’s fiction, and I greatly enjoy it nonetheless, but I would like to share a few things with you, as a person who trains in Historical European Martial Arts (HEMA). There are a few general things in this, as well as stuff more focused to a certain european weapon. (this is all Historical European stuff, obviously if you’re writing for a different region, this probably won’t apply that much.)

SPARRING

-you don’t practice with real sharp swords. Never. It’s incredibly dangerous, especially since sparring is trying to practice your killing/injuring skills. In older times, you would use wood, maybe wrapped in leather or canvas to practice. Today, you use weighted nylon swords/weapons, and you usually wear a mask while doing so. Steel is and was an option, but the blade will be completely dull, and the tip will be bent over itself.

-It’s practically impossible to knock someone off their feet while sparring, unless you are hooking your foot or weapon behind their leg. It’s hard to push back and cause someone to fall, since they can just retreat back a bit.

-YOU. DON’T. SPEND. HOURS. SPARRING. ESPECIALLY WITHOUT A BREAK. It’s exhausting, the most people usually go is 10 minutes before they have a break. During Training, you only spar for about 2-5 minutes before stopping and having a rest.

-You try your hardest never to cross your feet. It’s dangerous and it unbalances you. Your opponent can take advantage of you easily.

-Usually, you want to strike your opponent with the last ¼ of your blade, basically just the tip and a little below. That’s the sharpest point, and you get the most force behind it.

-Swords aren’t super heavy. Stop the giant, huge, I-can-barely-lift-this trope. Longswords are usually 3lbs. It’s not heavy when you pick it up. However, it gets heavy when you’re holding it up above your head for a while. Swords were not made to be heavy, especially since you would have to hold them up in battle for sometimes hours.

-It’s incredibly hard to engage in witty banter and such. You are constantly moving and trying to strike your opponent. Since it’s fiction, you can do what you want, but just know that trying to have a conversation while sparring is like trying to have one while running. It tires you out even more, and usually just comes out breathless and wheezy.

-Swords are not lightsabers. You cannot try and hurt someone with just any part of your blade. It will just annoy your opponent. Now, for sparring, you will want to focus on hitting your opponent with the edge of your blade, and you won’t really ever be trying to hit someone with the flat of your blade.

-In sparring, you will get hit. And get bruises. I count five from just 2 days ago. (Also reminder that bruises don’t form for 1-3 days.) If you happened to get a hard thrust to the ribs, they will probably fracture. It happens. I haven’t had it personally, but those who’ve trained longer have. The worst injury I’ve gotten is a bruise on my chest that didn’t fade for nearly a month.

-Grip!!! You don’t clutch your sword super tight. No. It limits movement. My instructor taught me to hold firmly with the thumb, pointer, and middle finger, and use the other two as more guiding fingers. You swing your sword with your wrist, not a big giant arm movement. That is tiring and slow. 

I will be focusing on using a one handed sword in this next bit, specifically a Scottish Regimental Broadsword. A basic sword to build off of.

-FOOTWORK. It’s not a super complicated series of perfectly planned out steps. It just isn’t. With Regimental Broadsword (which is what I will focus on, since it’s what I’ve trained with most), you have to have a good base (rear-weighted stance, front foot pointed at your opponent, back foot turned sideways), and then once you have that, you just have to move around and try not to get hit.

-Slipping. (Continuation of footwork). With a rear-weighted stance, the goal is to be able to move the front foot anywhere. You should actually be able to keep your front foot an inch off the ground without having to adjust your back foot. Slipping is when this comes in handy. If your opponent takes a swing at your front leg, you should be able to just slip it back to go next to your other foot, and swing your sword up to get your opponents head. Slipping is really important.

-Advance and Retreat (other continuation of footwork). While moving forward or back, you always want to feel the ground with a heel-toe movement, so you can tell if there are rocks or branches and such. Advancing, you want to move your front leg first. Retreating, your back leg.

-Traversing (last continuation of footwork)(maybe). Transversing is basically advancing in on your opponent in a circular motion. You’re trying to get close and personal. Reminder to not cross your feet. You will loose balance and probably end up getting whacked with a sword. Traversing is a spiral motion sort of. Your opponent can avoid getting trapped If they do it as well.

I will probably come back and add more soon, because there’s more I know, but can’t remember at the moment.

Skip Google for Research

As Google has worked to overtake the internet, its search algorithm has not just gotten worse.  It has been designed to prioritize advertisers and popular pages often times excluding pages and content that better matches your search terms 

As a writer in need of information for my stories, I find this unacceptable.  As a proponent of availability of information so the populace can actually educate itself, it is unforgivable.

Below is a concise list of useful research sites compiled by Edward Clark over on Facebook. I was familiar with some, but not all of these.

⁂

Google is so powerful that it “hides” other search systems from us. We just don’t know the existence of most of them. Meanwhile, there are still a huge number of excellent searchers in the world who specialize in books, science, other smart information. Keep a list of sites you never heard of.

www.refseek.com - Academic Resource Search. More than a billion sources: encyclopedia, monographies, magazines.

www.worldcat.org - a search for the contents of 20 thousand worldwide libraries. Find out where lies the nearest rare book you need.

https://link.springer.com - access to more than 10 million scientific documents: books, articles, research protocols.

www.bioline.org.br is a library of scientific bioscience journals published in developing countries.

http://repec.org - volunteers from 102 countries have collected almost 4 million publications on economics and related science.

www.science.gov is an American state search engine on 2200+ scientific sites. More than 200 million articles are indexed.

www.pdfdrive.com is the largest website for free download of books in PDF format. Claiming over 225 million names.

www.base-search.net is one of the most powerful researches on academic studies texts. More than 100 million scientific documents, 70% of them are free

can someone explain the alignment chart for me but in like, the simplest wording possible lmao

the most important question you can ask yourself when designing a magic system in fiction is "wouldn't it be fucked up if this happened"

You know what’s adorable?  When people are reading and they smile or laugh out loud. It is so precious, protect these people.

i love you films without sequels i love you limited series i love you stand alone novels i love you self-contained stories

some people write poetry solely so that fragments of it can be used on aesthetic posts on the average dark academia tumblr and it shows. good poetry, genuinely good lyricism like that of margaret atwood, imtiaz dharker, agha shahid ali and ocean vuong needs heart, needs actual sincerity. but nowadays we have any random person writing "oranges persimmons girlhood is a disease cannibalism is love I am my mother's shadow soup love witchcraft" and they are promoted like the second coming of christ. love being a hater of such poems. hollow, insincere fake deep imagery does nothing for me.

naming your characters - writing tips

name them after someone important

give them a name from their time

choose a name with a meaning that matches their personality

a name that foreshadows their future

name a character after someone you love

give them an unremarkable first name and call them by their last name

don't name two characters the same name, even with most reason—it gets confusing

avoid names that are too similar—"Anne" and "Anna", for example

choose names the audience will remember

research the meaning beforehand

choose a plant name

choose a colour name

invent a name by putting vowels and letters together

pick either a very unconventional name or very plain name

generally don't make too many characters or it could be confusing for the reader

choose a name associated with the character's personality

name them after a celebrity (with meaning)

name them after yourself!

pick a name you would want yourself to be named

go nameless until you find the right one—or keep switching when you feel you do

^^ try out many names

think of names from that genre

It's good to strive for a perfect writing place, but you shouldn't be waiting until you have that to start actually writing.

Life is a chaotic mess, just embrace it. No desk? No music? No privacy? If you can write without these, you can write anywhere and anytime. ✍️✨

Douglas Adams is the best when it comes to describe characters

i know it’s been said before, but it bears repeating: a big, big part of maintaining your confidence & self esteem as a creator is fully embracing the concept of “you don’t have to be good like them.  you can be good like you.”

for example, i’m not someone who’s particularly good at coming up with complex, elaborate plots or incredibly unique ideas.  it’s just not how i choose to write.  and it would be easy for me to look at someone with an elaborate, super unique plot & decide that because i don’t write like that, i’m not a good writer.  after all, unique plots are good, and my writing lacks those, so my writing must not be good, right?  well, no, actually.  i just have different strengths, like taking a simple premise & digging super deep into its emotional depths.  that’s what i do well & it isn’t any better or worse than people who do elaborate world building or come up with really creative and unexpected plots.

your writing is never going to be all things to all people.  it just isn’t.  inevitably, you’ll have to make creative choices that favor certain aspects of writing over others.  there is truly no getting around that & it’s honestly a good thing, because it means you’ve developed your own style.  but you’ll always encounter other creators who posses strengths that you don’t.  it doesn’t mean one is better than the other or that your writing isn’t good enough. 

comparing yourself like that would be like taking a piece of pizza & a cupcake & going “oh no, that cupcake is so sweet & my pizza isn’t sweet at all.” or “gosh, the garlic crust on that pizza is delicious and my cupcake doesn’t have ANY garlic.”  obviously your pizza isn’t sweet.  obviously your cupcake doesn’t have garlic.  a food can’t have every single delicious flavor at once.  the cupcake is good like a cupcake.  the pizza is good like a pizza.  so you don’t have to be good like them.  you can be good like you.

Don't you sometimes get an absolutely extrodinary, mind blowing, such an awesome idea for a story, but you just don't have enough skill level to pull it off?