TWO MONTHS LEFT OF THE 2010S HOW ARE WE FEELING
they won't tell you this in therapy but sometimes the best way to stop catastrophizing/anxiety is to interrupt your spiraling with "girl what the hell are you talking about"
https://www.instagram.com/p/CM2N8vohiNb/
the most fun a girl can have is finding parallels, noticing patterns, making connections, contemplating
Black people, who invented hip-hop, jazz, and rock and roll, have long been tastemakers of American cool. In many ways, fashion, music, and slang are dictated by black people no matter how little credit they get for it..
In fact:
“Our research shows that black consumer choices have a ‘cool factor’ that has created a halo effect, influencing not just consumers of color but the mainstream as well,” said Cheryl Grace, senior vice president of U.S. Strategic Community Alliances and Consumer Engagement, Nielsen.
Thus, presumably, if you want to be cool and sell records, you ought to start acting black. In fact, it’s great if you’re not black and act black because you get the benefits of being cool without the baggage and limitations of being subjected to racism.
Its what the Kardashians, Iggy, Justin Bieber, Ariana, and alot of other celebrities do in order to rise in popularity as well as be accepted into the black community.
Grande’s music is largely influenced by hip-hop and R&B, meaning that in order to build a fanbase, she needs to court listeners (ahem, black folk) with those musical preferences. Grande, who is quick to shut down any perceptions about her ethnicity being anything but Italian. Most people presume Grande is Latinx, not necessarily black, when mistaking her race, but I am here to tell you, most Latinos are part black, sis.
The point is: Most of us don’t get to pick and choose which parts of blackness we get to have — only white folks seem to have that luxury. And we need to give her the SAME ENERGY we give the kardashians.
Source
I have my criticisms of Made in Abyss but I will also say that I haven't seen enough people comment on my favourite aspect of it (and I may be looking in the wrong places, I haven't term searched), which is that it's a breathtaking deconstruction of settler colonialism, and of the romanticism of the weird adventure stories of Europeans plumbing every as of yet unexplored corner of the earth and finding strange and wonderful things at great risk. It is a profoundly critical piece and one of the few that while capturing the allure of that genre and the call of the void and the human search for answers, also has the fucking balls to say, "Your choice to do this is to choose death and the loss of your humanity", "This place is built on atrocity in the name of gold and glory and colonial prestige, every attempt to get further into its depths requires horrendous sacrifice, and the act of settling was fundamentally amoral", and, as of where I've read up to (the end of Faputa's story), "this capital we've built, this land and its blessings that we have, are literally built on endless suffering, it is justified for the victims of that to retaliate, and to dust we shall return". Every aspect of its world-building is seductive but shows both implicitly and explicitly the horrifying truth of behind the siren song of colonial exploration, from the implications of what happened to the native people of the island to the sickness affecting the current inhabitants to the wrecked ships and remnants of failed predecessors, to the indoctrination of children into dreaming of seeking death, and the overwhelming sense that the Abyss will always, always get its dues Intentionally or not, it's one of my favourite explorations of the brutality and futility of the search for El Dorado
An embroidery of the Wikipedia page for embroidery.
burn out