c a s u a l
actually not emotional over graduating university, just over losing my jstor access
Me, wearing a blanket as a cloak, stirring my mac'n'cheese in a dimly lit room: potion
i think one of the most important things you learn about making connections with others is that a significant portion of the time people just do not know theyre doing what theyre doing
I realized why the idea of constellations has always swayed me. constellations are so very human.
our wonder of the stars is bone-sunk; we’ve been thinking and dreaming and watching and watching and watching since the beginning of time, and we looked for so long that we started making connections.
we played a celestial game of connect-the-dots; trying to find order in something so vast and trying to show that the stars are in everything and everything is in the stars.
we plucked pictures out of the infinite; there’s a dog, there’s a bear, there’s a lion, see? look, right there; the stars hold and mirror back everything.
but then it went a step further. instead of everyday things, we stopped picking out the cups and the bears, and instead we saw stories.
look, there’s Andromeda, chained to a rock and waiting to be devoured by Cetus. there’s Orion, and Hercules, and do you see Orpheus’ lyre? Zeus sent an eagle to retrieve it after Orpheus’ death and he placed it in the sky.
we did the most human thing imaginable: we wrote our stories into the stars. we filled the night sky; previously so vast, so unknowable; with our history. we forged connections to the stars and made it so our children will always know where they come from.
Distances. #pascalcampion
“The closer rebel characters come to a definable ideology, the more likely they are to be written as villains. At the same time, the emotive aspects of rebellion - the heroism of the underdog, the thrill of fighting the power - are rendered safe for public consumption by taking out any explicit political ideology. … The effect of all this is to suggest that violence is somehow more sympathetic the less its perpetrators believe - that heroism decreases the more detailed your policy proposals get. If Luke Skywalker was fighting for galactic communism, or Daenerys intended to create a series of peasants’ councils to govern Westeros, or Harry Potter wanted to smash the Ministry of Magic and overturn wizard supremacy, we would have to confront serious and difficult questions about when political violence is appropriate, for whose benefit, and for what purposes. I don’t believe those are questions pop culture is incapable of asking. They are questions we do not want to ask.”
— Alister MacQuarrie, Outlaw Kings and Rebellion Chic (via secularbakedgoods)
“Here’s what I know: if someone’s much better than you at something, they probably try much harder. You probably underestimate how much harder they try. I’m not saying that talent isn’t a meaningful differentiator, because it certainly is, but I think people generally underestimate how effort needs to be poured into talent in order to develop it. So much of getting good at anything is just pure labor: figuring out how to try and then offering up the hours. If you’re doing it wrong you can do it a thousand times and not produce any particularly interesting results. So you have to make sure you’re trying the right way. […] I’m curious about the ugliness of trying, the years and years of wanting and hoping and working. I don’t know why I’m so fascinated by craft. I think it’s because it requires such a sustained tenacity. Like Michelangelo saying that he just chips away at everything that didn’t look like David: a hundred thousand little motions to reveal the underlying beauty. I think a lot of people want to be but they don’t want to do. They want to have written a book, but they don’t want to write the book. They want to be fit, but they don’t want the tedium of working out. They’re ashamed of rejection and they’re ashamed of imperfection. I might want lots of people to subscribe to this Substack, but do I want to workshop a post every day? Donna Tartt once said in an interview that if the writer’s not having fun the reader isn’t either. I think people make the best things when they love the process, when they willingly shoulder the inherent uncertainty and pain that comes with it. It’s almost like a form of prayer: you offer up what you can even though the reward is uncertain. You do it out of love.”
— Ava, effort (via luxe-pauvre)