Not To Be Insane But In A Realistic Tomarry/harrymort Fic With Good Characterization It’s Very Difficult

Finally finished the set! This took a crazy long time to complete, but I’m happy with the result

my favorite louis trait is his eye for the future.

I can't get enough of how visionary he is.

this is a man who can look at his surroundings, no matter how dodgy or hopless they may look like, and see opportunity. See the upcoming change. See the potential. And he BELIEVES in that potential, fully, betting on it, believing in it, investing in it. And he's always RIGHT.

"My business could be bigger and just as successful if my girls co-optly own the whorehouse". And it works.

"Yesterday I saw a girl in an old, five year old dress, putting on a new lipstick". And he decides to believe in Paris.

"I'm not an artist, but I know what's good. I'm going to invest in little-known art and real estate, then re-sell it". And he becomes a millionaire doing that.

"This little nervous dude who's interviewing me is kind of an idiot, but I can see that he has potential. I'm going to give him a lifeline and the sheer will to keep working". And he changes Daniel's life.

He's such a hopeful person with an unwavering, profoundly generous kind of intuition. He doesnt HAVE to give back to his employees. He doesnt HAVE TO save Daniel. He sees things nobody else sees. He loves to see things grow.

To call him the first vampire capitalist is fair, but he's so much more than that...to me he's the first vampire since Lestat in the 1700s to be like: this life could be more than we're allowing it to be.

And people call him arrogant and too much because he's black, obviously, but he's SUCH an unflinching innovator and he sees SO MUCH. What arrogance? He's always looking at something beyond himself! Always looking forward! It's an instinct he had while alive, and now he has the time, the respect and the means to MAKE IT REAL.

I really love Louis so much. The first hopeful vampire.

What do the Fifth House actually do?

Sure, yes, ghosts and tradition and the Heart of the Emperor, and Watchers Over the River - but none of those things give you the kind of assets that mean you can dress your cavalier in a coat that "probably cost more than the Ninth House had in its coffers" for a dinner party.

It's made clear very early on that the Fifth are a power to be reckoned with. When they first receive the letter about the Lyctoral pilgrimage, Gideon assumes it would be on the Third or Fifth. Harrow, meanwhile, has frequently-repeated anxieties about the Ninth being subsumed by the Third or Fifth, to the point that she worries that the anniversary party invitation may be an attempt to wipe out the other Houses. Teacher describes the Fifth's relationship with the Fourth as "hegemonic". The Fifth loom so large in the cultural imagination, they even inform the name of the made up porn magazine that Gideon offers to Crux.

The links between the Third and the Fifth that both Gideon and Harrow make seem to reflect both the fact that these two Houses have particular power and influence, but also that they frequently cooperate. Judith writes about the close cooperation of the Second, Third, and Fifth, a relationship which becomes a source of tension as the scions seek to establish authority after the Fifth are murdered. Judith says:

“The Fifth are dead. I take authority for the Fifth. I say we need military intervention, and we need it right now. As the highest-ranked Cohort officer present, that decision falls to me.” “A Cohort captain,” said Naberius, “don’t rank higher than a Third official.” “I’m very much afraid that it does, Tern.” “Prince Tern, if you please,” said Ianthe.

Which makes it sound as though Abigail might technically have been considered the highest ranking person at Canaan House (likely because she was head of her House and not an heir in waiting like Judith or Coronabeth), and that following her death there is some question as to whether the Second or the Third should take control, but notably no suggestion that anyone else might.

We know what the Second do: they are the leaders of the Cohort and the Bureau, the military and intelligence that forms the core of imperial expansion. Most of the information that we get about the other Houses talks only about their cultural or ritual roles in the empire - we get very little in the way of gritty details of what happens outside of the Dominicus system.

We know a little bit about what the Third does - according to Tor they are cultural trendsetters and players in soft power, but the one detail we get in GTN itself is revealing: when Gideon imagines her glorious future in the Cohort, one of the assignments she considers boring is the prospect of being "in some foreign city babysitting some Third governor." Which makes it sound rather like the Second are conquering the planets and the Third are then running them. But the books are even lighter in details about what the Fifth do, beyond ghosts and manners.

However, there is one suggestive detail: an important topic in HTN is stele travel - the necromantic FTL used by the Nine Houses. And Mercymorn, in describing a stele, specifically states that Fifth House adepts are required for their construction. Which rather makes it sound like the Fifth have a monopoly on the manufacturer of the technology required for FTL travel. Now that in and of itself could be the basis of their enormous wealth - selling aerospace tech to an ever expansionist military is probably quite lucrative.

But there's another element of House imperialism that only gets mentioned in passing that doesn't seem to be entirely accounted for, which Judith describes in As Yet Unsent:

"Their other line of attack is the business contracts. They claim that the services asked of them by the Emperor were set down in lifetime contracts by previous generations, who assumed the contracts would be terminated upon the Emperor’s death."

There are obviously some unanswered questions about the imperialist project of the Nine Houses - both Augustine and Coronabeth question quite why it works the way it does - but from the above it sounds like in many respects it functions exactly as you would expect an empire to: as a vehicle for the exploitation of others' resources.

Perhaps the Cohort themselves administer these business contracts. Perhaps they fall under the purview of the Third House planetary governors. But if you're exporting resources from the living planets of your empire to the mostly desolate planets of the Dominicus system, you're going to need some FTL ships and a whole lot of bureaucracy.

And if there's one other detail that we get about the Fifth, it's that there is something significant about the political power of their bureaucracy. As Judith puts it: "Quinn himself is a Fifth House bureaucrat with all that entails."

Are the Second, Third, and Fifth so close and so powerful because they form the bedrock of the empire: the conquest, control, and exploitation of planets beyond the Dominicus system?

Finally finished the set! This took a crazy long time to complete, but I’m happy with the result

#ahhhhhh #so good #<3

happy birthday daniellllllllllll 🫶

I'm sure many people have already shared this here, but I think it's important that people here on Tumblr need to see this.

"I disagree with Kamala's position on the war in Gaza. How can I vote for her?" by US Senator Bernie Sanders

I think one of the big strengths of fanfiction as a medium is that it can, on average, assume the reader has a way higher degree of familiarity with canon than like…canon can. If you’re in the Star Wars AO3 tag you probably like Star Wars enough to remember more things about it than the average Star Wars-enjoying-ten-year-old. Which makes it way easier for fanwriter a to get to the juicy stuff and really engage with the worldbuilding or minor characters without having to spell out like. Who Wedge Antilles is for everyone who forgot or never noticed him in the first place. You could write a book about Wedge in the old EU because EU readers could also be assumed to be serious fans, but you can’t make a new canon Disney+ show about him. Those cost money to make and are intended for a broader audience.

And all this means that like. A good fic writer can and often will surpass canon when it comes to like. Thematic resonance and stuff, because they can really dig into something. Star Trek 2009 gave Kirk a new, more generic tragic backstory because it couldn’t expect the average moviegoer to be familiar with Kirk’s old, way more interesting tragic backstory. (Frankly, I’m not sure jj abrams knew about TOS Kirk’s backstory) whereas I have read a LOT of well-written, interesting, deeply resonant fanfic examinations of Tarsus IV, and what it means for Kirk’s character that he’s a genocide survivor. Star Trek 2009 answers the question “why did Kirk cheat on the kobayashi maru?” With “‘cause his dad crashed a spaceship when he was a baby.” A close examination of TOS canon implies the answer is “because he lived through a real-life Kobayashi that did have a win option, but which wasn’t taken.” BUT—and this is significant—even the TOS canon movies can’t really assume knowledge of the full TOS tv show, so that implication is never examined or made explicit. Instead it’s fanfic (and maybe spin off novels? Idk I’ve only read 2 trek books, if there’s one out there that covers this that would be really cool) where we get dives into that thread, where Kirk gets a commendation for original thinking because he can look a testing board in the eye and say “I’ve seen what happens when someone is entrenched in this kind of thinking, and I cannot let it happen to me. I understand the lesson, but it’s not hypothetical anymore and it never will be. I did what I had to do.” And that’s interesting! That’s meaningful! That can’t happen in a summer blockbuster. But it can happen in fic, easily, and that’s a strength of fic, I think.

Had to ban the phrase “tricky dick” from my classroom during watergate lesson because saying the word dick in front of 30 fifteen year olds is like lighting a bomb and throwing it through the doorway but now they’re just calling him Richard the Treacherous like they’re all medieval peasants. gonna lose it

Lousnoopyssss♥️♥️♥️♥️♥️

By DC's anarchist cartoonist, Mike Flugennock 2017