Pleeeeeeeease Indie Web And Scenecore And Whatever Other Subcultures.... Have Fun And Be Cringe But PLEASE

a few great films that are free on the internet archive

in decent quality too!

here is the archive collection of these films so you can favorite on there/save if desired.

links below

black girl (1966) dir. ousmane sembene

the battle of algiers (1966) dir. gillo pontecorvo

paris, texas (1984) dir. wim wenders

desert hearts (1985) dir. donna deitch

harold and maude (1973) dir. hal ashby

los olvidados (1952) dir. luis bunuel

walkabout (1971) dir. nicolas roag

rope (1948) dir alfred hitchcock

freaks (1932) dir. tod browning

frankenstein (1931) dir. james whale

sunset boulevard (1950) dir billy wilder

fantastic planet (1973) dir. rené laloux

jeanne dielman (1975) dir. chantal akerman

the color of pomegranates (1969) dir. sergei parajanov

all about eve (1950) dir. joseph l. mankiewicz

gilda (1946) dir. charles vidor

the night of the hunter (1950) dir. charles laughton

the invisible man (1931) dir. james whale

COLLECTION of georges méliès shorts

rebecca (1940) dir. alfred hitchcock

brief encounter (1946) dir. david lean

to be or not to be (1942) dir. ernst lubitsch

a place in the sun (1951) dir george stevens

eyes without a face (1960) dir. georges franju

double indeminity (1944) dir. billy wilder

wild strawberries (1957) dir. ingmar bergman

shame (1968) dir. ingmar bergman

through a glass darkly (1961) dir. ingmar bergman

persona (1961) dir. ingmar bergman

winter light (1963) dir. ingmar bergman

the ascent (1977) dir. larisa shepitko

the devil, probably (1977) dir. robert bresson

cleo from 5 to 7 (1962) dir. agnes varda

alien (1979) dir. ridley scott + its sequels

after hours (1985) dir. martin scorsese

halloween (1978) dir. john carpenter

the watermelon woman (1996) dir. cheryl dune

Smokey the Bear Fire Safety poster mock-up

1974

how would one go about cosplaying as JSTOR?

Like this but with a giant J in the middle

Will Wood music is so good it’s like. I’m at a jazz show. I’m at a rock concert. I’m disassociating. I’m hyper aware of how my body looks. I hate modern society. Can’t we go back to the 50s? Wait the 50s sucked too. I’m a vampire. I’m a werewolf. I’m incapable of love. I have so much love to give. What’s my gender anyway? I am at a skeleton swing party in an animated film.

reblog if u think that all pigeons should wear funky little outfits every wednesday

May Day poster by Nina Vatolina (1950s)

being weird and full of love can save you

and it might save those around you, too

The preservation of transgender history is essential to ensuring that the stories and experiences of trans people are not forgotten. The Digital Transgender Archive (DTA) has taken on the vital task of gathering and protecting this history, bringing together documents, images, and materials that reflect the rich and diverse experiences of transgender people across time and place.

By making these resources accessible, the DTA facilitates explorations of the often-hidden or erased narratives of trans communities. From personal stories to institutional records, these materials provide a window into the challenges and triumphs faced by trans individuals, while also celebrating the resilience and diversity of these communities.

Preserving this history is also about ensuring that future generations can learn, understand, and be inspired by the stories of those who came before them.

Explore more about how these efforts are safeguarding trans history, and why it matters, on JSTOR Daily.

Image: A man in drag and a man in male clothes looking into each other’s eyes, via Digital Transgender Archive.