Call Me By Your Name (2017) // Dir. Luca Guadagnino

Call Me By Your Name (2017) // Dir. Luca Guadagnino
Call Me By Your Name (2017) // Dir. Luca Guadagnino
Call Me By Your Name (2017) // Dir. Luca Guadagnino

Call Me by Your Name (2017) // dir. Luca Guadagnino

More Posts from Thesilentparts and Others

5 years ago
Saoirse Ronan Photographed By Myung Chun For LA Times
Saoirse Ronan Photographed By Myung Chun For LA Times
Saoirse Ronan Photographed By Myung Chun For LA Times
Saoirse Ronan Photographed By Myung Chun For LA Times

Saoirse Ronan photographed by Myung Chun for LA Times


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6 years ago
A Mind Is A Terrible Thing To Waste.
A Mind Is A Terrible Thing To Waste.
A Mind Is A Terrible Thing To Waste.
A Mind Is A Terrible Thing To Waste.
A Mind Is A Terrible Thing To Waste.
A Mind Is A Terrible Thing To Waste.

A mind is a terrible thing to waste.


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3 years ago
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.
“Blanchett’s Performance Is Utterly Right. Her Hauteur And Elegance Matched With Fear And Self-doubt.

“Blanchett’s performance is utterly right. Her hauteur and elegance matched with fear and self-doubt. When I first saw Carol at Cannes this year, she reminded me of a predatory animal suddenly struck with a tranquilizer dart. On watching it again, what I noticed was Blanchett continually touching her face and stroking her hair as she speaks to Therese: a “poker tell” of desire.” 

3 years ago
Girl, Interrupted (1999) Dir. James Mangold
Girl, Interrupted (1999) Dir. James Mangold
Girl, Interrupted (1999) Dir. James Mangold
Girl, Interrupted (1999) Dir. James Mangold

Girl, Interrupted (1999) dir. James Mangold

3 years ago
Hands By Horacio Quiroz

Hands by Horacio Quiroz

4 years ago
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)
Persona (1966)

Persona (1966)


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5 years ago
Audrey Hepburn Adjusts Her Makeup On The Hollywood Set Of Sabrina, 1954

Audrey Hepburn adjusts her makeup on the Hollywood set of Sabrina, 1954


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4 years ago
Léa Seydoux By David Sims

Léa Seydoux by David Sims

5 years ago
Emily Blunt For Marie Claire, March 2020
Emily Blunt For Marie Claire, March 2020
Emily Blunt For Marie Claire, March 2020
Emily Blunt For Marie Claire, March 2020

Emily Blunt for Marie Claire, March 2020


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thesilentparts - Melancholia
Melancholia

It tastes like ashes

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