Latest Posts by thesilentparts - Page 2
Girl, Interrupted (1999) dir. James Mangold
Andrew Garfield photographed by Michael Schwartz for Glass Man Magazine, Autumn 2021
Persona (1966) dir. Ingmar Bergman
Marie Antoinette (2006) dir. Sofia Coppola
Marilyn Monroe photographed by Eve Arnold during a press conference at the Plaza Hotel in New York on February 2, 1956.
A true selfless act always sparks another.
Klaus (2019) dir Sergio Pablos
Vivien Leigh reading with Tissy, watercolour by Roger Furse, c. 1941
gwyneth paltrow in the royal tenenbaums (2001) dir. wes anderson
Fred Astaire and Audrey Hepburn rehearsing for Funny Face, 1956.
Jessie Arms Botke " Black Swans and Hibiscus"
The Shape of Water (2017) dir. Guillermo del Toro
Jason Momoa for Shortlist (December 2018)
Maggie Cheung as Su Li-zhen in In the Mood for Love (2000) dir. Wong Kar-wai
Catherine Deneuve with her son, Christian Vadim
Happy Birthday Catherine Deneuve! (22nd October)
''This is a particularly fortunate profession; I am in perpetual infancy. It is like playing cops and robbers forever.''
Born on this day 1924
Wilhelm List, Umarmung, 1905 © Galerie du Belvedere Vienne
Jodie Foster photographed by Walter McBride in New York City, 1982.
Still life with a gramophone - Kubarev Philipp Vyacheslavovich
Russian, b.1969-
Oil on canvas. 76 х 81 cm.
‘Nymphomaniac: Vol. II’, Lars von Trier (2013) Chapter 9. The Gun It’s the only way I can live it. I will stand up against all odds, just like a deformed tree on a hill. I will muster all my stubbornness, my strength, my masculine aggression.
Isabella Rossellini, Daisy, New York, 1988
Atonement (2007) dir. Joe Wright
KALA AND WOLFGANG + HANDS (insp.)
I’ve got this burning belief in salvation and love. This motion may be naive but when push comes to shove I will till this ground.
Marilyn Monroe Red Scarf, 1962 - Ph. Bert Stern
“Blanchett’s performance is utterly right. Her hauteur and elegance matched with fear and self-doubt. When I first saw Carol at Cannes this year, she reminded me of a predatory animal suddenly struck with a tranquilizer dart. On watching it again, what I noticed was Blanchett continually touching her face and stroking her hair as she speaks to Therese: a “poker tell” of desire.”