Some Test Animations

ok there’s a new series on youtube called esluna: the first monolith that’s like a studio ghibli movie and avatar the last airbender with this badass lady that was ANIMATED BY ONE GUY BY HIMSELF holy shit???????

“Western animation is dying”

Not exactly 

I AM DEMIROMANTIC! I AM ASEXUAL! THAT'S WHO I AM AND I DON'T WANT TO FEEL ASHAMED OF IT ANYMORE 🥺💚.

chadwickboseman It is with immeasurable grief that we confirm the passing of Chadwick Boseman. 

Chadwick was diagnosed with stage III colon cancer in 2016, and battled with it these last 4 years as it progressed to stage IV. 

⁣A true fighter, Chadwick persevered through it all, and brought you many of the films you have come to love so much. From Marshall to Da 5 Bloods, August Wilson’s Ma Rainey’s Black Bottom and several more, all were filmed during and between countless surgeries and chemotherapy. ⁣⁣

It was the honor of his career to bring King T’Challa to life in Black Panther. ⁣He died in his home, with his wife and family by his side. ⁣

The family thanks you for your love and prayers, and asks that you continue to respect their privacy during this difficult time. ⁣⁣

Photo Credit: @samjonespictures

so this is pretty cool: 

cartoon network is offering paid trainee positions for aspiring storyboard artists. you don’t need a degree. you can do it as a student, and you don’t even have to be american. all you need is your art portfolio. more info here! 🌟

Webcomic tips

In the conclusion for now, some things I’d really recommend doing if you’re seriously considering making a webcomic (or really a comic in general). Some of these don’t really apply to strips or gag-a-day type of comics, but I’m not talking about those here.

1. Write down ideas\sketch stuff, LEGIBLY. “I’m gonna remember it later” NEVER works. And if you scribble it somewhere on a piece of paper, you’d better scan it or retype in one doc later, because tiny notes always get lost among other doodles in my skethbooks.

(i know it’s hard to keep everything clean and organized, but this mess is just not productive)

If your project is a collaboration, save your conversations. If you’re working alone, make a blog for your ramblings. You have no clue what tears of relief I cry when I open that blog and rememeber I don’t have to painstakingly look through my heaps of sketchbooks and folders for a tiny idea I’m not even sure I wrote down a few months ago.

2. Inspiration folders, or even better, inspo blog with tags also help with collecting and remembering ideas. Color schemes, landscapes, style inspirations, atmospheric stuff, maybe some photo references, all those neat things.

3. Basic tier: character design sheets. Top tier: common poses, expressions. God tier: outfits they wear throughout the comic. Holy cow tier: turnaround sheets for all those outfits.

(I’d die trying to find good pages for references without these)

4. If you haven’t finished detailing the plot, don’t even think about moving on to drawing the comic. You’re gonna regret it when you come up with a really cool plot element that can’t be incorporated anymore because you’ve already drawn all the parts you could’ve tweaked.

5. Don’t just define the plot, make a script. Writing down the lines and the brief description of the actions serves me fine:

(notice that I approximately divided the pages & the text that’d go to each panel on a page)

6. Hard mode: make thumbnails for all the pages, if possible. At least whenever a new chapter starts. 

7. If your story involves some convoluted chronology shenanigans, you’d better write down the events of your timeline in the chronological order.

8. Backgrounds. You can’t avoid them, bro. Like half of the comics are backgrounds, especially if your story involves a lot of adventuring and looking around. I know it hurts, but you’ll have to become friends with them. Read some tutorials, practice on photos, go out and sketch some streets, use 3d programs (like Google Sketch) to understand the perspective, use sites like houseplans to visualize your buildings better, I don’t know. Just be prepared for their imminent evil.  

9. If you’re drawing digitally, pick a brush size for the lines and stick with it. You don’t want your lines and detail levels to look all wonky and inconsistent in different panels. And I don’t mean the cool stylistic varying lines, I mean this:

Also, things on the background should have thinner and/or lighter lines to avoid distraction. Usually less details too, unless you’re making a busy background with a simple foreground to help it pop out. Or wanna draw the attention to an object on the bg.

10. Readable fonts. Even if you chose to ignore people with poor sight or dyslexia, the majority of your readers aren’t gonna be excited about struggling to decypher this:

Also, as much as I love my black speech bubbles, colorful text on black still kinda hurts the eyes. I wouldn’t recommend doing that for all the characters. Black speech bubbles are usually used for creepy, inhuman voices. And yes, having a colorful outline in this case helps.

11. Probably newsflash, but did you know that panels have their place, order and functions? They do! My favourite thing ever is how I used panels when I was like 12:

(comics ain’t rocket science, but this one is)

The composition of the panels and word balloons always serve for a better reading experience. They guide your eyes over the page, so that you never feel lost or confused. The images in the comic equal frames in a movie, so it’s pretty damn important in what order you look at things and how quickly you can understand what’s going on!

(Eric Shanower & Scottie Young’s Wizard of Oz)

12. One update a week is fine for testing waters. Don’t overestimate yourself, especially if you have a pretty busy life outside it. A stable comic that updates slowly, but regularly is better than an unpredictable erratic one. You can always pick up the pace later, if you feel confident enough.

13. Try to always have a buffer - a couple of pages in reserve. If you’re making the pages much faster than you’re updating, this shouldn’t be a problem. But if those paces are equally the same, it’s goddamn HARD. But on the other hand, if something happens and you skip an update, those come in handy.

If you’re looking at this list and thinking “wow that’s a LOT of work”, you’re totally right. And it’s okay to be intimidated at first! But that’s why it’s important to start with something small. Once you get the formula down, these things will be natural to you.

wlw culture is being so starved for rep that creators like noelle stevenson and dana terrace can essentially TELL US characters will end up together and we still dont believe them cause its too good to be true

shoutout to amity blight for literally breaking her ankle and then immediately sitting on it out of gay panic

End of a season, wind from the west

Prints here! :)

One thing I enjoy most about teaching is how children react to me after they’ve been angry.

I’ve been pinched, punched, kicked, choked, scratched, screamed at, been the target of flying projectiles, anything you can imagine, I’ve probably had it happen to me.

Yet when it’s all over, 90% of kids who flipped out will hug me or apologize.

Usually, I address the angry child calmly, even if my inner fight or flight is kicking in. I can’t show the child’s behavior is okay. Yelling and screaming are not how they’re going to get what they want, so it’s not how I’m going to get what I want.

I wait until they’re done expressing their anger, whether it be directed at me or an inanimate object. I keep repeating the phrases “Are you done yet?” and “Feel better yet?” and wait until they’re calm enough to respond.

That’s when it’s time for discipline. 

Usually, discipline for me just means I sit down and talk them through what happened. It’s telling them “yes, you’re allowed to be angry, but hurting people is never a good reason unless you or someone else is being hurt.”  Then I explain that if this happens again, the same thing is going to happen. They’re not going to get what they want. They’re going to get a chill out until their anger subsides. 

Then I ask “What can we do differently next time?” If the child doesn’t have an answer, I’ll give them suggestions like “kick a ball” or “run as fast as you can” or “scribble on paper until they feel better” or “sit by yourself until the anger goes away” and usually it’s met with the child suggesting their own ideas. 

I’ve actually had kids put themselves on chill out chairs because they’re about to flip out. There’s a personal pride that comes from that. Seeing a 4 or 5-year-old recognize destructive behavior and take steps to fix it themselves is an intelligence level most adults fail to have.

At no time do I tell them their anger is wrong. I tell them their behavior is wrong. Being angry is a part of our humanity, but hurting others because we’re angry is dangerous territory. 

I never make them say sorry, either. I don’t want them to if they don’t mean it. Some kids are taught saying sorry makes the problem go away, and I don’t agree with that. I’d rather they show me they’re sorry, such as doing better next time or stopping the behavior altogether.

Some people might argue I’m being too soft, but when you have a child tell you they don’t see you as an adult because you don’t yell at them, it’s a comforting but sad notion that you’re doing the right thing.

-Cat