writing tip: searching "[place of origin]ish names" will get you a lot of stuff and nonsense made up by baby bloggers.
searching "[place] census [year]" will get you lists of real names of real people who lived in that place.
A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!
abi in malam crucem: to the devil with you!
ad astra per ardua: to the star by steep paths
ad augusta per angusta: to honors through difficulties
aegis fortissima virtus: virue is the strongest shield
amor vincit amnia: love conquers all things
animo et fide: by courage and faith
arbitrium est judicium: an award is a judgement
aut mors aut victoria: either death or victory
aut vincere aut mori: either victory or death
bello ac pace paratus: prepared in war and peace
bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)
bonis omnia bona: all things are good to the good
cede nullis: yield to no one
cito maturum, cito putridum: soon ripe, soon rotten
consensus facit legem: consent makes law
data fata secutus: following what is decreed by fate (Virgil)
durum telum necessitas: necessity is a hrad weapson
dux vitae ratio: reason is the guide of life
e fungis nati homines: men born of mushrooms
ego sum, ergo omnia sunt: I am, therefore all things are
pulvis et umbra sumus: we are but dust and shadow
quae amissa salva: things lost are safe
timor mortis morte pejor: the fear of death is worse than death
triumpho morte tam vita: I triumph in death as in life
tu vincula frange: break your chains
vel prece vel pretio: for either love or for money
verbera, sed audi: whip me, but hear me
veritas temporis filia: truth is the daughter of time
vero nihil verius: nothing is truer than the truth
vestigia nulla restrorsum: foosteps do not go backward
victus vincimus: conquered, we conquer (Plautus)
sica inimicis: a gger to his enemies
sic vita humana: thus is human life
─── ・ 。゚☆: *.☽ .* . ───
💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.
💎Before you ask, check out my masterpost part 1 and part 2
Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009
Apparently you’re a person to ask about writing, so here I am with my writing question.
I recently started on my manuscript, and I’m finding the start kinda hard to write. I’ve heard the advice that you’re supposed to set up the protagonist’s “normal world” before introducing the conflict. However, I’m finding it a bit difficult, since everything I’ve (vaguely) outlined is after the conflict starts.
So the question is, how long do I set up the normal world before introducing the conflict? A few scenes? A couple chapters? And how do I do it without it feeling stagnant? Do I need to introduce some sort of sub-conflict to keep the plot going? Or what?
Thanks in advance!
- anon
Hi! So sorry for the delay. Life has been hectic, and I'm currently working my way through a huge backlog of Asks. So thanks for your patience.
Starting a manuscript can be such a tricky balance, especially when it comes to introducing the “normal world” before diving into the main conflict. You’re definitely not alone in finding this part hard to write—it has vexed me personally many a time.
The truth is, there’s no set rule for how much time you should spend on the normal world. Some stories linger for a few chapters; others launch right into the conflict and sprinkle bits of the normal world in as they go. It really depends on the type of story you’re telling and what feels right for your protagonist.
That said, here are a few tips that might help:
1. Introduce Change Early: You don’t have to write the entire “normal world” before the conflict starts—just give us enough to understand what the protagonist’s life was like before. A few key details or scenes can go a long way in helping readers understand what’s being disrupted.
2. Use Smaller Conflicts: If the big conflict comes later, introducing a sub-conflict early on can help keep things interesting. It doesn’t have to be huge—just something to show us what your protagonist cares about and how they handle challenges.
3. Focus on Character: The normal world is as much about setting up your protagonist as it is about the plot. Show us what they want, what frustrates them, or what’s missing from their life. That way, when the conflict arrives, readers are already invested in their journey.
4. Play with Structure: If starting with the normal world feels too slow, consider opening with a taste of the conflict (or its aftermath), then flashing back briefly to show how the protagonist got there. It’s a classic move, but it works for a reason!
The key is to keep the story moving—whether through character tension, worldbuilding, or smaller conflicts—so the normal world feels alive and connected to what’s coming.
I hope this helps, and good luck with your manuscript! Starting is always tough, but once you hit your stride, it’ll all start to click.
Hope this helps!
Bucket
/ / / / / / / / / / /
Thought I'd post my old writing advice guides onto this blog since I deleted my old one. I hope it's helpful!
::
Listen. I respect the hell out of teachers. The vast majority of them work crazy hard and most of the time, including the times they give you well-meaning ‘writing rules,’ only want to instill good and helpful habits into you.
That doesn’t change the fact that many of these rules are stupid.
Here are my top five ‘writing rule’ pet peeves, and five rules that should be followed.
Okay, I know this is common knowledge by now, but it’s so important. The concept that you can never write ‘ so-and-so said’ is hurting novice writers’ narratives. Said is invisible. Said is powerful. Said is transformable. If every quote ends in a strong synonym, it is distracting. Sometimes, in an established repartee, quotes don’t need to be tagged at all. Or an adverb following ‘said’ might be better for the narrative than any single verb.
Eg. // “I hate the rain,” grumbled David.
“I love it,” Claire announced.
“You love everything,” he muttered.
“Including you!” she giggled.
versus.
“I hate the rain,” grumbled David.
“I love it,” said Claire.
“You love everything,” he said impatiently.
“Including you!”
Cold hard truth, baby. ‘Something’ is a draft word. It’s what you write when you want to think of a replacement. I cringe when I see it in a sentence that would have been improved tenfold by a specific noun or descriptive phrase in its place. There are times when ‘something’ works or is the only option, but experiment by replacing that word with more description before deciding it’s necessary to keep.
Eg. // He pulled something shiny from his pocket. She craned her neck to see what it was. A metal flask. versus. A flash of light caught the metal he pulled from his pocket. She craned her neck to see what it was. A drinking flask.
-
This is true and false, but I’ll address the false part first. The concept that you can’t use adverbs at all is ridiculous. Don’t blindly (!) replace every adverb in your prose with a single verb because someone said you should. You want whatever you are writing to flow well and to deliver the best impact or imagery. Sometimes that means adverbs. Or you might want the verb to be discreet (such as when using ‘said’) but still want to invoke emotion. That also means adverbs.
Eg. // "Don't do that!" she spluttered, panicked by the urgency of the situation. versus. "Don't do that!" she said frantically, panicked by the urgency of the situation.
Verbs make the world go ‘round, people. Most of the time, a strong verb will make your writing flow well and deliver the best impact or imagery. Weigh a strong verb against an adverb + weaker verb and decide the one you want to keep in a scene. Don’t just stick with whichever you wrote first because you grew attached to the sentence.
Eg. // She held up her blood-slicked sword proudly, her other fist raised triumphantly. versus. She thrust her blood-slicked sword into the air, her other fist clenched high in triumph.
-
I. HATE. This rule. I had an English teacher in middle school who marked any words she thought you had looked up as wrong. As a young reader with a large vocabulary, I was always needing to prove that I hadn’t just picked a random synonym from a thesaurus, that I knew and deliberately chose those words. (That sentence has a great example of a necessary adverb! Get BENT Mrs E. (She also hated adverbs.)) This is the same idiotic concept as telling artists not to use reference images. Use a thesaurus if a certain word is failing you or you hate every word you’ve come up with yourself. There’s nothing bad or shameful about it.
Eg. // There are no examples for this. I’m not sure how I would even do that. Insert stock photo of someone perusing a thesaurus here?
Now, when you search the great wide web for a synonym to a word and then choose whichever one sounds nice because hey, the internet said it was interchangeable, so it must be! … Yeah. Don’t do that.
I use a thesaurus to find words that I can’t think of in the moment but they are always ones I still know. Every word has a subtle (or not so subtle) connotation that you need familiarity with before deciding it is the perfect replacement. Know your words before you start playing Mix n Match.
Eg. // Amusement in the profession puts transcendence in the performance. (Utter nonsense, written by me and thesaurus.com) versus. Pleasure in the job puts perfection in the work. (Inspiring quote, written by Aristotle)
-
Whoever made up this rule is an elitist hack. (I just googled it, and supposedly it began with a bunch of 17th century scholars who thought English should have Latin’s grammar, so. Yeah. Elitist hacks.) Ending sentences in prepositions sounds wayyyyy more natural than the alternative. If you don’t want to sound stilted, beat this rule into the dirt.
Eg. // They didn’t know of what she was capable. versus. They didn’t know what she was capable of.
A lot of grammar rules are bogus. Not ending a sentence with a preposition, not starting a sentence with a conjunction, not laying face down on the floor and screeching… Oh, right, that latter one isn’t a rule, it’s just what you want to do when you have to think about grammar.
But, regardless of bogus grammar rules, you need to put thought into your sentence construction. Editing (not writing) is the best time to do this. That’s when you can make sure the words flow together naturally as an individual sentence, as part of a paragraph, and within the chapter as a whole.
Another common construction faux pas that I see is disregarding the sequence of events because you believe it will have greater impact. In reality, if you avoid putting your narration out of order, it usually results in stronger sentences.
Eg. // "Tell me it's not true!" He stood in the doorway after bursting into Kyle's room, panting from his sprint up the stairs. versus. He sprinted up the stairs two at a time and burst into Kyle's room without knocking. "Tell me it's not true!" he demanded breathlessly.
-
If anyone tries to convince you of this, kick them in the neck. (You heard it here folks, kick your DANG TEACHERS IN THE NECK.) (Not really, please don’t.) (If you do, though, don’t say that I encouraged it.) (I’m not encouraging it, I just want to make that clear. Please be nice to your teachers, they have hard jobs.)
Rules were made to be broken. You just need to know the rules in the first place in order to decide to break them, so it’s never a bad thing to educate yourself on general writing advice. Still, there is a fine line between creative liberty and bad writing, and sometimes a famous book or author turns the latter into the former. Know your stuff, but don’t be afraid to throw your stuff into the fire and watch it burn. (Figuratively. Don’t literally throw your possessions into fire, that’s irresponsible on so many levels.) (A lot of parentheses in this rule rant.) (Now that’s just bad writing.)
As a novice writer, or even an experienced one, it is hard to differentiate between which rules work best in your own prose. You may only realize it in hindsight. That doesn’t mean you should ignore every piece of writing advice or dismiss criticism of your work. Think critically about your own style, read books you enjoy and think about their styles, and deliberate– don’t dismiss. Maybe your writing style requires no dangling prepositions or never using an adverb. That’s your decision to make. Just… don’t make it because you’re too stubborn to see how you can improve.
-
That’s all I’ve got! Do you have any pet peeves about common writing advice? Feel free to reblog and add your own!
Don’t forget to write a sentence of your story today! Thanks for reading~
E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;
Hiveword - Helps to research any topic to write about (has other resources, too);
BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;
Charlotte Dillon - Research links;
Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;
One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;
One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!
Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;
National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;
Penguin Random House - Has some writing contests and great opportunities;
Crime Reads - Get inspired before writing a crime scene;
The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;
Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;
QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);
Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;
Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;
I hope this is helpful for you!
(Also, check my blog if you want to!)
PLEASE do yourself a favour and check out this wikipedia-styled template for google drive, made by @ Rukidut on twitter
I decided to try to sort my ideas and whats canon regarding my ocs with this and ITS PERFECT. IT ALL FEELS SO CONRETE. and i sure as hell AM Going to continue to use this with every single OC I have until google drives is set ablaze- Just!!!!!!!!
Also; link directly to the doc, just copy the file and you have your own lil template!!!!
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
For romance writing prompts, plotting tips & more, check out: MASTERPOST PT. 1
⭐Dialogue
Writing Dialogue 101
Crying-Yelling Dialogue Prompts
---
⛰️Words to Use Instead Of...
Synonyms for "Walk"
Synonyms for “feeling like”
Words To Use Instead of "Look"
Words to Use Instead Of...(beautiful, interesting, good, awesome, cute, shy)
Said is dead
---
🔠Vocab Lists
Nervous Tension Vocab
Kiss Scene Vocab
Fight Scene Vocab
Haunted House Inspo & Vocab
---
👁️🗨️Setting & Description
Common Scenery Description Tips
2012 School Setting Vibes - follower question
Describing Food in Writing
Describing Cuts, Bruises and Scrapes
Using Description and Setting Meaningfully
How Different Types of Death Feel
---
🗡️Weapons & Fighting Series:
Writing Swords
Writing knives and daggers
Writing Weapons (3): Staffs, Spears and Polearms
Writing Weapons (4): Clubs, Maces, Axes, Slings and Arrows
Writing Weapons (5): Improvised Weapons
Writing Weapons (6): Magical Weapons and Warfare
Writing Weapons (7): Unarmed Combat
Writing Female Fighters
Writing Male Fighters
Writing Armour
Writing Group Fights
Writing Battles At Sea
Erotic Tension in Fight Scenes
Pacing for Fight Scenes
Writing a Siege Warfare
Different Genres, Different Fight Scenes.
Making Fight Scenes Sound Nicer
Fight Scenes For Disabled Characters
---
🌎Worldbuilding
Constructing a Fictional Economy
Homosexuality in Historical Fiction
Writing Nine Circles of Hell
Writing Seven Levels of Heaven
Master List of Superpowers
Magic System Ideas
A Guide to Writing Cozy Fantasy
Dark Fantasy How-To
Dark Fantasy Writing Prompts
Dark, Twisted Fairytale Prompts
Fantasy World Cultural Quirks
Fantasy Nobel Ranks: A List
---
🌠Symbolism in Writing
Plant Symbolisms
Weather Symbolisms
Symbols of Death
---
🪄Writing Magic
Writing Magicians - the basics
Writing Magic Systems
Magical Training Options for Your Characters
---
📋Other!
List of Fantasy Subgenres
Beauty is Terror: A List
The Pirate's Glossary
Storyediting Questions to Ask
Writing Multiple WIPs Simultaneously
Idea Generation Exercises for the Writer
Book Title Ideas
Picking the Right Story For You
What If God Dies in Your Story
International Slang, Slang, Slang!
10 Great Love Opening Lines
How to Insult Like Shakespeare
Serial Killer Escape Manual
Best Picrew Character Generators for Your Characters!
How to Write Faster