Writing Tip: Searching "[place Of Origin]ish Names" Will Get You A Lot Of Stuff And Nonsense Made Up

writing tip: searching "[place of origin]ish names" will get you a lot of stuff and nonsense made up by baby bloggers.

searching "[place] census [year]" will get you lists of real names of real people who lived in that place.

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More Posts from To-seeking and Others

6 months ago

List of Interesting Latin Phrases

A list I made just to satisfy my vain cravings for resonating mottos for a secret society I'm working on. Enjoy!

abi in malam crucem: to the devil with you!

ad astra per ardua: to the star by steep paths

ad augusta per angusta: to honors through difficulties

aegis fortissima virtus: virue is the strongest shield

amor vincit amnia: love conquers all things

animo et fide: by courage and faith

arbitrium est judicium: an award is a judgement

aut mors aut victoria: either death or victory

aut vincere aut mori: either victory or death

bello ac pace paratus: prepared in war and peace

bibamus, moriendum est: let us drink, death is certain (Seneca and Elder)

bonis omnia bona: all things are good to the good

cede nullis: yield to no one

cito maturum, cito putridum: soon ripe, soon rotten

consensus facit legem: consent makes law

data fata secutus: following what is decreed by fate (Virgil)

durum telum necessitas: necessity is a hrad weapson

dux vitae ratio: reason is the guide of life

e fungis nati homines: men born of mushrooms

ego sum, ergo omnia sunt: I am, therefore all things are

pulvis et umbra sumus: we are but dust and shadow

quae amissa salva: things lost are safe

timor mortis morte pejor: the fear of death is worse than death

triumpho morte tam vita: I triumph in death as in life

tu vincula frange: break your chains

vel prece vel pretio: for either love or for money

verbera, sed audi: whip me, but hear me

veritas temporis filia: truth is the daughter of time

vero nihil verius: nothing is truer than the truth

vestigia nulla restrorsum: foosteps do not go backward

victus vincimus: conquered, we conquer (Plautus)

sica inimicis: a gger to his enemies

sic vita humana: thus is human life

─── ・ 。゚☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! Also, join my Tumblr writing community for some more fun.

💎Before you ask, check out my masterpost part 1 and part 2 

Reference: <Latin for the Illiterati: a modern guide to an ancient language> by Jon R. Stone, second edition, 2009


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1 year ago

sorry, I'm busy looking for love in everything. yes it's gonna take all day.


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2 months ago

Apparently you’re a person to ask about writing, so here I am with my writing question.

I recently started on my manuscript, and I’m finding the start kinda hard to write. I’ve heard the advice that you’re supposed to set up the protagonist’s “normal world” before introducing the conflict. However, I’m finding it a bit difficult, since everything I’ve (vaguely) outlined is after the conflict starts.

So the question is, how long do I set up the normal world before introducing the conflict? A few scenes? A couple chapters? And how do I do it without it feeling stagnant? Do I need to introduce some sort of sub-conflict to keep the plot going? Or what?

Thanks in advance!

- anon

Hi! So sorry for the delay. Life has been hectic, and I'm currently working my way through a huge backlog of Asks. So thanks for your patience.

Starting a manuscript can be such a tricky balance, especially when it comes to introducing the “normal world” before diving into the main conflict. You’re definitely not alone in finding this part hard to write—it has vexed me personally many a time.

The truth is, there’s no set rule for how much time you should spend on the normal world. Some stories linger for a few chapters; others launch right into the conflict and sprinkle bits of the normal world in as they go. It really depends on the type of story you’re telling and what feels right for your protagonist.

That said, here are a few tips that might help:

1. Introduce Change Early: You don’t have to write the entire “normal world” before the conflict starts—just give us enough to understand what the protagonist’s life was like before. A few key details or scenes can go a long way in helping readers understand what’s being disrupted.

2. Use Smaller Conflicts: If the big conflict comes later, introducing a sub-conflict early on can help keep things interesting. It doesn’t have to be huge—just something to show us what your protagonist cares about and how they handle challenges.

3. Focus on Character: The normal world is as much about setting up your protagonist as it is about the plot. Show us what they want, what frustrates them, or what’s missing from their life. That way, when the conflict arrives, readers are already invested in their journey.

4. Play with Structure: If starting with the normal world feels too slow, consider opening with a taste of the conflict (or its aftermath), then flashing back briefly to show how the protagonist got there. It’s a classic move, but it works for a reason!

The key is to keep the story moving—whether through character tension, worldbuilding, or smaller conflicts—so the normal world feels alive and connected to what’s coming.

I hope this helps, and good luck with your manuscript! Starting is always tough, but once you hit your stride, it’ll all start to click.

Hope this helps!

Bucket

/ / / / / / / / / / /

@theliteraryarchitect is a writing advice blog run by me, Bucket Siler, a writer and developmental editor. For more writing help, download my Free Resource Library for Fiction Writers, join my email list, or check out my book The Complete Guide to Self-Editing for Fiction Writers.


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7 months ago

Your English teachers lied to you.

Thought I'd post my old writing advice guides onto this blog since I deleted my old one. I hope it's helpful!

::

Listen. I respect the hell out of teachers. The vast majority of them work crazy hard and most of the time, including the times they give you well-meaning ‘writing rules,’ only want to instill good and helpful habits into you.

That doesn’t change the fact that many of these rules are stupid.

Here are my top five ‘writing rule’ pet peeves, and five rules that should be followed.

✗ Don’t write ‘said.’

Okay, I know this is common knowledge by now, but it’s so important. The concept that you can never write ‘ so-and-so said’ is hurting novice writers’ narratives. Said is invisible. Said is powerful. Said is transformable. If every quote ends in a strong synonym, it is distracting. Sometimes, in an established repartee, quotes don’t need to be tagged at all. Or an adverb following ‘said’ might be better for the narrative than any single verb.

Eg. // “I hate the rain,” grumbled David.

“I love it,” Claire announced.

“You love everything,” he muttered.

“Including you!” she giggled.

versus.

“I hate the rain,” grumbled David.

“I love it,” said Claire.

“You love everything,” he said impatiently.

“Including you!”

✓ Don’t write ‘something.’

Cold hard truth, baby. ‘Something’ is a draft word. It’s what you write when you want to think of a replacement. I cringe when I see it in a sentence that would have been improved tenfold by a specific noun or descriptive phrase in its place. There are times when ‘something’ works or is the only option, but experiment by replacing that word with more description before deciding it’s necessary to keep.

Eg. // He pulled something shiny from his pocket. She craned her neck to see what it was. A metal flask. versus. A flash of light caught the metal he pulled from his pocket. She craned her neck to see what it was. A drinking flask.

-

✗ Avoid adverbs.

This is true and false, but I’ll address the false part first. The concept that you can’t use adverbs at all is ridiculous. Don’t blindly (!) replace every adverb in your prose with a single verb because someone said you should. You want whatever you are writing to flow well and to deliver the best impact or imagery. Sometimes that means adverbs. Or you might want the verb to be discreet (such as when using ‘said’) but still want to invoke emotion. That also means adverbs.

Eg. // "Don't do that!" she spluttered, panicked by the urgency of the situation. versus. "Don't do that!" she said frantically, panicked by the urgency of the situation.

✓ Use strong verbs. At least consider them.

Verbs make the world go ‘round, people. Most of the time, a strong verb will make your writing flow well and deliver the best impact or imagery. Weigh a strong verb against an adverb + weaker verb and decide the one you want to keep in a scene. Don’t just stick with whichever you wrote first because you grew attached to the sentence.

Eg. // She held up her blood-slicked sword proudly, her other fist raised triumphantly. versus. She thrust her blood-slicked sword into the air, her other fist clenched high in triumph.

-

✗ Don’t use a thesaurus.

I. HATE. This rule. I had an English teacher in middle school who marked any words she thought you had looked up as wrong. As a young reader with a large vocabulary, I was always needing to prove that I hadn’t just picked a random synonym from a thesaurus, that I knew and deliberately chose those words. (That sentence has a great example of a necessary adverb! Get BENT Mrs E. (She also hated adverbs.)) This is the same idiotic concept as telling artists not to use reference images. Use a thesaurus if a certain word is failing you or you hate every word you’ve come up with yourself. There’s nothing bad or shameful about it.

Eg. // There are no examples for this. I’m not sure how I would even do that. Insert stock photo of someone perusing a thesaurus here?

✓ Don’t use words you aren’t comfortable with.

Now, when you search the great wide web for a synonym to a word and then choose whichever one sounds nice because hey, the internet said it was interchangeable, so it must be! … Yeah. Don’t do that.

I use a thesaurus to find words that I can’t think of in the moment but they are always ones I still know. Every word has a subtle (or not so subtle) connotation that you need familiarity with before deciding it is the perfect replacement. Know your words before you start playing Mix n Match.

Eg. // Amusement in the profession puts transcendence in the performance. (Utter nonsense, written by me and thesaurus.com) versus. Pleasure in the job puts perfection in the work. (Inspiring quote, written by Aristotle)

-

✗ Don’t end sentences with a preposition.

Whoever made up this rule is an elitist hack. (I just googled it, and supposedly it began with a bunch of 17th century scholars who thought English should have Latin’s grammar, so. Yeah. Elitist hacks.) Ending sentences in prepositions sounds wayyyyy more natural than the alternative. If you don’t want to sound stilted, beat this rule into the dirt.

Eg. // They didn’t know of what she was capable. versus. They didn’t know what she was capable of.

✓ Be conscientious of your sentence construction.

A lot of grammar rules are bogus. Not ending a sentence with a preposition, not starting a sentence with a conjunction, not laying face down on the floor and screeching… Oh, right, that latter one isn’t a rule, it’s just what you want to do when you have to think about grammar.

But, regardless of bogus grammar rules, you need to put thought into your sentence construction. Editing (not writing) is the best time to do this. That’s when you can make sure the words flow together naturally as an individual sentence, as part of a paragraph, and within the chapter as a whole.

Another common construction faux pas that I see is disregarding the sequence of events because you believe it will have greater impact. In reality, if you avoid putting your narration out of order, it usually results in stronger sentences.

Eg. // "Tell me it's not true!" He stood in the doorway after bursting into Kyle's room, panting from his sprint up the stairs. versus. He sprinted up the stairs two at a time and burst into Kyle's room without knocking. "Tell me it's not true!" he demanded breathlessly.

-

✗ If you break writing rules you’re a bad writer.

If anyone tries to convince you of this, kick them in the neck. (You heard it here folks, kick your DANG TEACHERS IN THE NECK.) (Not really, please don’t.) (If you do, though, don’t say that I encouraged it.) (I’m not encouraging it, I just want to make that clear. Please be nice to your teachers, they have hard jobs.)

Rules were made to be broken. You just need to know the rules in the first place in order to decide to break them, so it’s never a bad thing to educate yourself on general writing advice. Still, there is a fine line between creative liberty and bad writing, and sometimes a famous book or author turns the latter into the former. Know your stuff, but don’t be afraid to throw your stuff into the fire and watch it burn. (Figuratively. Don’t literally throw your possessions into fire, that’s irresponsible on so many levels.) (A lot of parentheses in this rule rant.) (Now that’s just bad writing.)

✓ Take writing rules and advice with a grain of salt, but don’t ignore them.

As a novice writer, or even an experienced one, it is hard to differentiate between which rules work best in your own prose. You may only realize it in hindsight. That doesn’t mean you should ignore every piece of writing advice or dismiss criticism of your work. Think critically about your own style, read books you enjoy and think about their styles, and deliberate– don’t dismiss. Maybe your writing style requires no dangling prepositions or never using an adverb. That’s your decision to make. Just… don’t make it because you’re too stubborn to see how you can improve.

-

That’s all I’ve got! Do you have any pet peeves about common writing advice? Feel free to reblog and add your own!

Don’t forget to write a sentence of your story today! Thanks for reading~


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7 months ago
25 Labyrinths Designs

25 Labyrinths Designs


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7 months ago

WEBSITES FOR WRITERS {masterpost}

E.A. Deverell - FREE worksheets (characters, world building, narrator, etc.) and paid courses;

Hiveword - Helps to research any topic to write about (has other resources, too);

BetaBooks - Share your draft with your beta reader (can be more than one), and see where they stopped reading, their comments, etc.;

Charlotte Dillon - Research links;

Writing realistic injuries - The title is pretty self-explanatory: while writing about an injury, take a look at this useful website;

One Stop for Writers - You guys... this website has literally everything we need: a) Description thesaurus collection, b) Character builder, c) Story maps, d) Scene maps & timelines, e) World building surveys, f) Worksheets, f) Tutorials, and much more! Although it has a paid plan ($90/year | $50/6 months | $9/month), you can still get a 2-week FREE trial;

One Stop for Writers Roadmap - It has many tips for you, divided into three different topics: a) How to plan a story, b) How to write a story, c) How to revise a story. The best thing about this? It's FREE!

Story Structure Database - The Story Structure Database is an archive of books and movies, recording all their major plot points;

National Centre for Writing - FREE worksheets and writing courses. Has also paid courses;

Penguin Random House - Has some writing contests and great opportunities;

Crime Reads - Get inspired before writing a crime scene;

The Creative Academy for Writers - "Writers helping writers along every step of the path to publication." It's FREE and has ZOOM writing rooms;

Reedsy - "A trusted place to learn how to successfully publish your book" It has many tips, and tools (generators), contests, prompts lists, etc. FREE;

QueryTracker - Find agents for your books (personally, I've never used this before, but I thought I should feature it here);

Pacemaker - Track your goals (example: Write 50K words - then, everytime you write, you track the number of the words, and it will make a graphic for you with your progress). It's FREE but has a paid plan;

Save the Cat! - The blog of the most known storytelling method. You can find posts, sheets, a software (student discount - 70%), and other things;

I hope this is helpful for you!

(Also, check my blog if you want to!)


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3 months ago

PLEASE do yourself a favour and check out this wikipedia-styled template for google drive, made by @ Rukidut on twitter

PLEASE Do Yourself A Favour And Check Out This Wikipedia-styled Template For Google Drive, Made By @

I decided to try to sort my ideas and whats canon regarding my ocs with this and ITS PERFECT. IT ALL FEELS SO CONRETE. and i sure as hell AM Going to continue to use this with every single OC I have until google drives is set ablaze- Just!!!!!!!!

Also; link directly to the doc, just copy the file and you have your own lil template!!!!


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7 months ago

MASTERPOST (PT. 2)

If you like my blog, buy me a coffee☕ and find me on instagram! 📸

For romance writing prompts, plotting tips & more, check out: MASTERPOST PT. 1

⭐Dialogue

Writing Dialogue 101

Crying-Yelling Dialogue Prompts

---

⛰️Words to Use Instead Of...

Synonyms for "Walk"

Synonyms for “feeling like”

Words To Use Instead of "Look"

Words to Use Instead Of...(beautiful, interesting, good, awesome, cute, shy)

Said is dead

---

🔠Vocab Lists

Nervous Tension Vocab

Kiss Scene Vocab

Fight Scene Vocab

Haunted House Inspo & Vocab

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👁️‍🗨️Setting & Description

Common Scenery Description Tips

2012 School Setting Vibes - follower question

Describing Food in Writing

Describing Cuts, Bruises and Scrapes

Using Description and Setting Meaningfully

How Different Types of Death Feel

---

🗡️Weapons & Fighting Series:

Writing Swords

Writing knives and daggers

Writing Weapons (3): Staffs, Spears and Polearms

Writing Weapons (4): Clubs, Maces, Axes, Slings and Arrows

Writing Weapons (5): Improvised Weapons

Writing Weapons (6): Magical Weapons and Warfare

Writing Weapons (7): Unarmed Combat

Writing Female Fighters

Writing Male Fighters

Writing Armour

Writing Group Fights

Writing Battles At Sea

Erotic Tension in Fight Scenes

Pacing for Fight Scenes

Writing a Siege Warfare

Different Genres, Different Fight Scenes.

Making Fight Scenes Sound Nicer

Fight Scenes For Disabled Characters

---

🌎Worldbuilding

Constructing a Fictional Economy

Homosexuality in Historical Fiction

Writing Nine Circles of Hell

Writing Seven Levels of Heaven

Master List of Superpowers

Magic System Ideas 

A Guide to Writing Cozy Fantasy

Dark Fantasy How-To

Dark Fantasy Writing Prompts

Dark, Twisted Fairytale Prompts

Fantasy World Cultural Quirks 

Fantasy Nobel Ranks: A List

---

🌠Symbolism in Writing

Plant Symbolisms 

Weather Symbolisms

Symbols of Death

---

🪄Writing Magic

Writing Magicians - the basics

Writing Magic Systems

Magical Training Options for Your Characters

---

📋Other!

List of Fantasy Subgenres

Beauty is Terror: A List

The Pirate's Glossary

Storyediting Questions to Ask

Writing Multiple WIPs Simultaneously

Idea Generation Exercises for the Writer

Book Title Ideas

Picking the Right Story For You

What If God Dies in Your Story 

International Slang, Slang, Slang!

10 Great Love Opening Lines 

How to Insult Like Shakespeare

Serial Killer Escape Manual

Best Picrew Character Generators for Your Characters!

How to Write Faster


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