Miniature Skeleton, Roman, 1st century, bronze, from Asia Minor.
In Petronius’ satirical novel, the Satyricon, written in the 60s A.D., Trimalchio, the crass, nouveau riche host of a dinner party, has a small silver skeleton brought out between courses. The skeleton in the novel had flexible joints and after posing it on the table in various ways, Trimalchio recited a poem to the effect that life was short and should be enjoyed before becoming a skeleton like the one he displayed.
This bronze skeleton, called a larva convivalis by the Romans, may have been used in just such a setting. Although now missing several limbs, it too is jointed in a way that allows it to be posed or to be shaken so that it jumps and dances. In the first century B.C and the first century A.D., the Romans frequently linked images of the banquet and death in both literature and the visual arts. This blending of imagery probably derived from the resurgence during this period in the popularity of Epicurean philosophy with its emphasis on the need to grasp the pleasures of life while one is still able. (Getty)
Courtesy of & can be viewed at The J. Paul Getty Museum, Villa Collection, Malibu, California. Via their online collections: 78.AB.307.
Willibald Winck
Ovid. Heroides : manuscript, [ca. 1500] Illuminations by Christoforo Marjorana.
MS Typ 8
Houghton Library, Harvard University
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Photograph of Stonehenge, Salisbury Plain, Wiltshire
Godfrey Bingley, 1892
International Congregation of Lord RayEL. #lordrayelexposed #lordrayel #falseprophet #raymondlear #angelusdomini #religiouscult
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