My Man, My Man, My Man

"But I finished [Near and Mello] together as a set, and although they aren’t particularly laid out as such, I still feel a bit like they’re twins." —Obata Takeshi

whatever our souls are made of, his and mine are the same:

i. low sky, mahmoud darwish. ii. the world is a sphere of ice and our hands are made of fire, ritika jyala. iii. kadan, 2008. iv. the dreamers, gilbert adair. v. @nathanielorion vi. nagiko, 2016. vii. elektra, sophokles (tr. anne carson). viii. wishbone, richard siken. ix. inbred, ethel cain. x. the boy who, tirol. xi. monster portraits, del samatar and sofia samatar. xii. in the field, @nathanielorion xiii. death note, "use" ch77. xiv. gut symmetries, jeanette winterson. xv. mystic union; fire and wine: poems, john gould fletcher. xvi. @inukai_0055, twitter. xvii. the carnivorous lamb, agustín gómez-arcos. xviii. my sister, the serial killer, oyinkan braithwaite. xix. the beatrice letters, lemony snicket (text); a quiet visitor, holly warburton (art); @unpardonablesins (edit). xx. ada, vladimir nabokov. xxi. this is how you lose the time war, amal el-mohtar. xxii. the borgias, s3e10, showtime. xxiii. @antaarf xxiv. @vilicity xxv. @boymiffy

i do not pity israel. never have, and never will.

each night that gaza experiences is deadlier than the last, as idf soldiers record propaganda tiktoks, make rave parties and grwms and fit checks, gloat over having food and water, and film themselves deriving sadistic pleasure from torturing their hostages and victims and desecrating the dead.

Palestinians have to display their martyred before the camera for you to believe the atrocities that the zionist entity has subjected them to. they cannot even mourn in private. the apartheid entity murders them in cold blood, and you deliver the killing blow by doubting them.

babies whose families have been killed will never get to know their own name.

i can't reshare a tenth of the videos and photos that cross my timeline. i have seen more dead children in the past month than i have known death my entire life.

israeli settlers burn olive trees, bomb bakeries and fishing boats, shower white phosphorus and earthquake bombs on the captive civilians of gaza. you already know about the disastrous effects of white phosphorus, but earthquake bombs were last used during ww2 to wipe out entire cities.

how holy is the land that seeks to be built over the mass graves of thousands of children? is it holier than the miracle of a child being born in this hypocritical world?

all 11 universities in gaza have been bombed. academics should be agitating right now, especially those who call themselves "decolonial thinkers." destruction of universities is a sinisterly deliberate act to sabotage the Palestinians who will survive this great catastrophe.

the act of cleansing your hands before prayer is extremely important to muslims. no part of us can remotely comprehend the grief of the mother who refused to wash her hands from the blood of her children after losing them in a zionist airstrike over gaza. "I swear I won't wash them, I won't wash my hands, how else am I supposed to sleep near my kids."

it is only both moral and right when one side defends itself. the other side are the price of war, no better than insects and cattle and sheep left to die within the four walls of the slaughterhouse.

this situation should not be up for debate, but let me finish with one final thing : do your research about Palestine. HOWEVER. you do not need a degree in middle east studies to object to an ongoing genocide. if someone outwits you in a debate about historical details and every nuance of a subject, you were and will remain entirely correct in objecting to a genocide.

may those martyred rest in peace and be reunited again with their loved ones in heaven's eternal vastness.

DO NOT STOP TALKING ABOUT PALESTINE.

glory to Palestinian resistance. from the river to the sea, Palestine will be free.

not arguing with a woman covered in blood . whatever you say beautiful

"What is it?" I asked. "The prophecy?"

"I’m sure it’s fine," she said in a small voice.

"What was the last line?"

Then she did something that really surprised me. She blinked back tears and put out her arms. I stepped forward and hugged her. Butterflies started turning my stomach into a mosh pit.

___

percabeth x taylor swift & pencap-poetry

𝐀 𝐇𝐎𝐌𝐄 ;; din djarin

Pairing; Din Djarin x gn!Reader

outline —; Peaceful times with Din Djarin were rare. You relish it.

word count —; 1.1k

WARNINGS —; none.

tags / themes —; reader and din are married, grogu (sweetly) interrupting a moment.

A/N —; *comes back with a massive stars wars obsession* hey, i write for them now. it's been a stressful couple months and i wanted to get something out for my birthday. this isn't beta-read, i just wanted to write. please be kind, thanks.

This galaxy raised warriors, heroes, and peace-keepers. Those who fought in the name of their planet, for the safety of the future, and the love they carry for their family. Those who were victims of war survived… or trained to survive, fight, and endure. 

This galaxy isn’t raised for writers, painters, and performers. Those who coped in whomever’s name, for the sanity of themselves, and possibly for the love they carried for their crafts. Of course, artists don’t only do it for themselves. They create in order to escape; and luckily enough, they don’t press themselves into the cruel hands of the galaxy. Because it isn’t built for them. 

For you, the galaxy seemed to test the waters. Warriors and Artists? Maybe those two weren’t so different, after all. Oh, how history would have written it; when the stars collide, an artist with no place in this galaxy meets a warrior who can’t find a home. Those three long years, what an adventure it has been. 

Din Djarin is a victim of war. Like yourself. There truly is a place for people like you. But whilst Din grew up with the Way, you grew up tracing the sky, seeing shapes in every landscape, and memorising the curve of someone’s face. Often asking yourself questions like; Where does the shadow fall? In which direction does the light come from? If you were simplified, which shapes best describe you? 

Din Djarin is a Mandalorian. Not like yourself. A Mandalorian. A warrior. He trained and connived his way till he stood in this solid home. He grew up hidden, so he stayed that way for a while in his life; often a mystery to the Guild. 

“Din Djarin, do not move.” You warned, tilting your head as the heat of Nevarro’s sun hit your face. The chair, in which you sat, rocked back slightly at your movements. With arms outstretched, thumb against the pencil, you held it feebly upwards, trying to calculate the proportions of the Mandalorian’s body. 

If you could see his face out in the open right now, you would’ve caught on with the fact that your husband — your riduur — was smirking. And decided to tilt his head in the opposite direction for the fun of it. You clicked your tongue in annoyance but a smile adorned your face. “I’ve been in this position for fifteen minutes, ner runi.” Din sighed softly, tapping his ungloved fingers against his forearm. 

“Fifteen minutes more.” You looked at him over the rim of your notebook, sketching away. A light fire went on above your head, face lighting up as the same smile adorned your features. “I’ll entertain you, what’s our son doing?” You asked, raising your notebook down to tilt your head at him again. 

Din chuckled at your demeanour or was it your question? You couldn’t tell, though he answered anyway. “Eating frogs.” 

“Again?” You turned to look at the side to see your son doing so; eating frogs. Entirely, it was your fault for looking away. At the time your eyes left your riduur, Din got up, breaking your focus. “Din!” You laughed as you looked back at him.

Your Mandalorian called your name with the same energy. His next words were spoken in a gentle manner, enough to capture your attention. “I’m tired,” He merely said, extending his hand to you. “Let’s be tired together.” 

You let a relieved breath. Has it always been there? You weren’t sure, though, at this moment, you let it go. You released it when settling your supplies down the chair in which you sat. You released it when you found yourself melting into Din’s hands. 

With the armour off, the world is all but noisy. The only sound prominent are frogs croaking and the gentle breeze of Nevarro’s ambience. He pulled you into his chest and laid his back against the frame of the metal door. 

Music. You could hear music, with your cheeks pressed against the warmth of his chest, and with his arms wrapped around you (and yours around Din’s waist). The world stopped, for a few moments it stopped, and you breathed. Inhale and exhale. The exhaustion left your body through that breath, and you could feel that Din breathed too. Ba-dum, ba-dum, ba-dum. You could hear his gentle heart, if you listen close enough, you could practically hear his soul. What would it sound like? 

Move. Your body screamed to move, but a part of you wanted to stay like this forever. Though, the feeling caved into you, forcing your head to look at your husband’s visor. Your chin rested on his chest as you asked warily. “Can I kiss you?” 

Modulate. The Mandolorian’s helmet modulated his voice, if he answered in a chuckle, the other might receive it the wrong way. He didn’t want to move. The embrace held a significant peace, one that physically pained him when he moved a muscle. But Din didn’t speak with his brain at the moment, so he removed his helmet, and the beskar fell onto the floor beside them. 

They were in the middle of nowhere, what would you say? — All is well. — That sentence proved its point when Din held your cheeks beneath his hands, and his lips were on yours. He could feel you kiss back, he could feel your cheeks against his, he could feel the lazy smile that tugged your lips. Truly, Din wanted to open his eyes, to get a better look of you without his visor, yet somehow, he couldn’t. 

Din is tired. So tired. His shoulder gave in and melted between your arms; he didn’t know how it got there; your elbows above his shoulder, as your fingers explored his hair. But Din didn’t care, he just melted into your kiss, laughing, nearly crying over the unexpected bliss and peacefulness the day had to offer. 

His desires of staying like this with you continued to grow within each second— 

“Patu!” And then, the moment was sweetly broken. 

Your lips disconnected with a sound, pulling away the moment the sound was in ear-shot. Din’s eyes landed first on the green baby, doe eyed, ears high, and head tilted innocently. 

You saw him slurp a frog. “Grogu,” A waning smile reached your son’s lips when his name was mentioned, without warning, he jumped into your arms. Thankfully, you caught him. “That’s not nice of you. What if the frogs had parents?” You teased. 

Din chuckled beside you, kissing your temple lightly, before opening the door. “Let’s head inside.” He said while bending to get his fallen helmet. The gesture, so simple, caught you off guard. A soft, green hand held the base of your cheek and Grogu joyfully yelled with ‘‘Iek!’

Stepping inside, you looked around, almost nostalgically. This is your home. Reminded by Grogu and Din’s presence, a smile painted your lips. They are your home. “I’ll kiss you once more when he’s asleep.” He muttered before taking Grogu from your grip. 

Maybe there is a place for artists in this galaxy.

TRANSLATION(S);

riduur; spouse, husband, wife ner runi; my soul (*ner; my) (*runi; soul)

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the s4 deleted scenes are actually the only s4 scenes. they’re my best friends. you can rip them out of my cold dead hands. s4 who i don’t know her

She’s going to betray you. Sooner or later, people like her, they always do. I don’t think she’s like that.

PERCY JACKSON AND THE OLYMPIANS 1.03 – "We Visit the Garden Gnome Emporium"

"The US is funding genocide"

Seen in the NYC subway