Hey, here’s a concept. What if we stopped saying “but autistic people CAN do all those things” (erasing high support needs) and instead started saying “not being able to do those things doesn’t impact someone’s value as a person nor does it make it okay to commit eugenics”.
i goon to color crew
Darry is constantly spraying the boys with Off bug spray. He’ll literally just come up behind them and douse them in a cloud of bug spray.
Steve and Dally are mosquito magnets. They get eaten alive during the summer and are always scratching at the bites of their arms.
Soda, Two-Bit, Steve, Dally and Darry never have their shirts on when it’s hot. They’ll walk around the Curtis house half naked and it annoys Pony so much.
Pony burns soooo badly. This boy turns lobster red if he’s out for more than 30 minutes without sunscreen. He gets freckles on his nose and the high points on his cheeks that only come out in sun.
Johnny keeps his jean jacket at the Curtis house during the summer, because he doesn’t want anything to happen to it if he were to leave it at his house.
Soda, Steve and Darry get the most tanned from working outside.
The boys have an annual contest to see who can make the best popsicles. Johnny’s been the champion for the past three years, and Two-Bit usually comes in last. Two-Bit will blend random ingredients together and doesn’t take it too seriously.
Darry likes to grill out in the backyard. His Dad used to do that every summer, and he likes to continue the tradition.
Pony and Johnny can usually be found at the local pool.
Two-Bit absolutely refuses to wear sunscreen because he hates the way it feels on his skin. He’ll get burned, but still won’t put any on.
Soda will give Johnny a little haircut in the summer so it’s not so hot on his neck.
Dally doesn’t like the hot weather and prefers the Fall weather.
I know it was never Hinton’s INTENTION for any of her characters to be perceived as queer, she claims she didn’t write them that way, and that’s fine. In fact, I think reading The Outsiders as a group of straight men who have the bonds they do is actually a really great critique of toxic masculinity, in that we would see the contrast between their interactions one on one or alone with the group, compared to their macho, hyper masculine personas they showcase in public. HOWEVER, I think it’s incredibly hard to read it that way because Hinton accidentally and completely unintentionally made Darry Curtis one of the gayest characters in modern literature. It’s not far fetched. It’s not a stretch. I’m saying that if you have even a surface level understanding of subtext that it is obvious. Darry’s queerness is as open in the novel as he is in his life- that is, it’s never said explicitly, but it’s VERY easy to see the signs. In fact, the way it’s threaded into the narrative but very talked around leads me to believe that even though Darry wasn’t out, it might have been an open secret within the gang- or at the very least they probably had some suspicions.
For one, in the book Darry is never mentioned even once to have had a girlfriend, or even to have gone on dates, but we know he was popular and well liked. You can’t convince me that a handsome, popular football player, whose peers liked him enough to vote him Boy of The Year, didn’t have more than a few girls interested in him, but Pony’s narration never even alludes to Darry having been interested in one. For all he talks up Darry’s achievements, the scholarship he won, the future he could have had and everything he gave up, women/a girlfriend were never a part of it- which, given the time period and Darry’s reliance on hyper masculine social scripts, seems highly uncharacteristic unless there was a plausible explanation for his complete disinterest (ie. being gay). Now, examine this hyper masculinity a little further, and you can see it for what it is, a) a defence mechanism (because it separates him from stereotypes of what a gay men are like, so if he’s ‘manly’ enough no one will ever suspect or discover what he is) and b) the unfortunate complete opposite of that. Just like how hyper femininity characteristic to femme lesbians is off putting to men, the same is true to some degree about hyper masculine men being somewhat off putting to women. Not to the same degree, and probably not as obviously, but Darry’s over the top masculinity might be the one thing effective in keeping (some) women away for reasons they can’t quite put their finger on. Point is, Darry was never a ladies man, to a degree that is very not heterosexual, especially for the time period.
So, now that we’ve established Darry’s complete disinterest in dating women, his hypermasculine personality and it’s possible implications, let’s turn to other textual support for his queerness: his relationships with other male characters. I’m not talking about the gang- his interactions with all of them are very friendly/familial- but he has a bond with Tim Shepard that is clear on the page but left largely unexplained (their weird eye contact and high mutual respect, the fact Tim was at their house once with no explanation), and his homoerotic run in/fight with Paul at the rumble. Both these relationships have plausible deniability- they’re not explicitly gay, but they’re also not NOT gay. Again, Hinton didn’t intentionally make Darry gay, but he very much is, and as far as closeted gay characters go, he’s a fairly well written one, because the subtext is very much THERE if you know what you’re looking for, but the queerness of his interactions is shrouded in this very real this COULD mean nothing characteristic of a lot of closeted queer interactions.
Having said all this, I think the musical making Darry and Paul’s fight (somehow) even more charged and homoerotic than it is in the book was a wise choice, because a lot of the rest of the subtext was changed/missing from the musical adaptation. I’ve seen the ritfr analysis looking at the lyrics as they relate to Darry’s queerness, and I do think they follow the veiled/subtextual theme, but I don’t think they’re as explicitly gay as they’re touted to be. However, I do think the musical does a good job of highlighting Darry’s queerness given the medium they’re working with, and the actors do an amazing job portraying it without saying it outright, making it more obvious than it is on the page- but Darry was canonically gay in the book too, and let’s not pretend otherwise.
(Lmk if you want to see my analysis of the other Curtis’ queerness as it related to the book + musical).
thinking about baby sodapop who was a sensory seeking child who would just eat everything
mama catches him gnawing on the counters, has to snatch him up and give him something else to chew on — she thought maybe he was just teething for an extra period of time than normal
which yeah, technically so, but it admittedly got a bit confusing at times when pops had reached for something one day only to find out his coke bottle was covered in spit. and little soda was sat there with his tongue stuck out like
"sodiepop, now what in the world are you doin'?"
"ah :D" replies baby soda, who smacks his head against the chair on accident as he goes to start on his next chewing victim
..how do you know????
BREAKING AT 8: man beats his lower bologna so viciously and with such vigor that it left a seared handprint on the shaft. more at 11.
shoves art and reference in your face
i physically need to squeeze Darry. like psssst psospspsps come here little guy I'm gonna squish you. Think of hugging a really fat cat. I need to do that.
sorry kids daddy lost all his money betting on rhinoceros beetle fights again there won't be a christmas this year
grinch and onceler french-kissing passionately
sorry man i ate your cookie run boyfriend