the impossible return
part 3 of the 2023 version of this post: adult books!
part 1: middle grade books | part 2: young adult books
this is a very incomplete list, as these are only books I've read and enjoyed. not all books are going to be for all readers, so I'd recommend looking up synopses and content warnings. feel free to message me with any questions about specific representation!
list of books under the cut ⬇️
yerba buena by nina lacour
if we were villains by m.l. rio
everyone in this room will someday be dead by emily r. austin
i want to be a wall by honami shirono
portrait of a thief by grace d. li
the thirty names of night by zeyn joukhadar
on earth we're briefly gorgeous by ocean vuong
love & other disasters by anita kelly
take a hint, dani brown by talia hibbert
boyfriend material by alexis hall
almost like being in love by steve kluger
the charm offensive by alison cochrun
something wild & wonderful by anita kelly
red, white & royal blue by casey mcquiston
something to talk about by meryl wilsner
honey girl by morgan rogers
one last stop by casey mcquiston
once ghosted, twice shy by alyssa cole
kiss her once for me by alison cochrun
a spindle splintered by alix e. harrow
finna by nino cipri
every heart a dooryway by seanan mcguire
the starless sea by erin morgenstern
under the whispering door by tj klune
space opera by catherynne m. valente
light from uncommon stars by ryka aoki
dead collections by isaac fellman
the city we became by n.k. jemisin
light carries on by ray nadine
an absolutely remarkable thing by hank green
feed them silence by lee mandelo
summer sons by lee mandelo
upright women wanted by sarah gailey
lavender house by lev a.c. rosen
fried green tomatoes at the whistle stop cafe by fannie flagg
the seven husbands of evelyn hugo by taylor jenkins reid
a master of djinn by p. djeli clark
witchmark by c.l. polk
a marvellous light by freya marske
a restless truth by freya marske
when women were dragons by kelly barnhill
plain bad heroines by emily m. danforth
a lady for a duke by alexis hall
infamous by lex croucher
passing strange by ellen klages
even though i knew the end by c.l. polk
the chosen and the beautiful by nghi vo
whiskey when we're dry by john larison
wake of vultures by lila bowen
silver in the wood by emily tesh
the once and future witches by alix e. harrow
the kingdoms by natasha pulley
a tip for the hangman by allison epstein
she who became the sun by shelley parker-chan
the song of achilles by madeline miller
spear by nicola griffith
this is how you lose the time war by amal el-mohtar and max gladstone
gideon the ninth by tamsyn muir
some desperate glory by emily tesh
all systems red by martha wells
a psalm for the wild built by becky chambers
the mimicking of known successes by malka older
winter's orbit by everina maxwell
fireheart tiger by aliette de bodard
empress of salt and fortune by nghi vo
legends and lattes by travis baldree
the house in the cerulean sea by tj klune
other ever afters by melanie gillman
the priory of the orange tree by samantha shannon
a day of fallen night by samantha shannon
a strange and stubborn endurance by foz meadows
the unbroken by c.l. clark
real queer america by samantha allen
fun home by alison bechdel
in the dream house by carmen maria machado
better living through birding by christian cooper
why fish don't exist by lulu miller
comics that make me cry a little (first comic attributed to lynda barry. second comic attributed to pictures for sad children. third comic attributed to grebcomics.)
I Saw the TV Glow (2024) dir. Jane Schoenbrun
just finished ninth house by leigh bardugo….and it knocked me out. there’s been a whole trend of feminist dystopia books lately (vox, red clocks, only ever yours, etc.) and something about them has always turned me off but i could never quite put my finger on it…now though i think i can say that all those books so severely sensationalize the horror done to women that the commentary almost falls flat because it’s so singular in tone. ninth house however is so focused on the worldbuilding of the occult that the politically minded messages don’t come through in the same heavy handed way they do in other books where the commentary is the plot and vice versa…because of that the themes in ninth house about women not being believed, poor girls especially poor immigrant girls being treated as disposable, boys/men abusing power just because they can….these themes don’t feel like themes for the sake of themes they feel like the very natural effects of the plot…i don’t know if this is making sense but basically:
ninth house feels like a book that was written about the occult but by nature of being a book about a young woman with her eyes open to the way others are mistreated it includes certain political commentaries whereas with feminist dystopian books oftentimes it seems like the plot was written to serve the commentary and the commentary itself was the original idea and those types of books tend to suffer for that
{Words by Anaïs Nin, from The Diary Of Anais Nin, Vol. 4 (1944-1947) / Cynthia Cruz from diagnosis,The glimmering room}
Hanif Abdurraqib, And What Good Will Your Vanity Be When The Rapture Comes