cardan in tcp, randomly dancing with jude, avoiding her question as to what he wanted and avoiding insulting her with a fake excuse, lowers his hand on her hip, then (obviously) trying to get jude to say she hates him: “you really hate me, don’t you?” ends up leaving after judes response because buddy almost lost self control there (when you read the cardan in twk you’ll understand). let us not forget later that night he was watching her because just after his family was murdered (yikes), he found jude where she was hiding, telling her it’s not safe for her in that current situation. SOMEONE couldn’t get their mind off her especially after what she had said.
cardan in twk when jude says she hates him, showing signs of his kink: takes judes chin in his fingers, tilting her face to his. “say it again” his voice is l o w
cardan another time in twk, when him and jude are getting it ON: TELL ME AGAIN WHAT YOU SAID AT THE REVEL THAT YOU HATE ME TELL ME THAT YOU HATE ME (she does) he proceeds to kiss her harder (she says it again) he makes a harsh, l o w sound. takes off from there
this is just cause i love how longggg cardan has been wanting her, unable to control it and other great shit like damnnn fucking favs
Вау, яка прегарна Джуд!
"Be welcome on the Isle of Insmire. Seelie and Unseelie, Wild Folk and Shy Folk, I am glad to have you march under my banner, glad of your loyalty, grateful for your honor. To you, I offer honey wine and the hospitality of my table. But to traitors and oath breakers, I offer my queen's hospitality instead. The hospitality of knives."
"Вітаю на острові Інсмайр. Благі та неблагі, Дикий народе й Несміливий Народе, я радий, що ви йдете під моїм знаменом, радий вашій відданості, вдячний за вашу честь. Вам я пропоную медове вино й гостинність свого столу. А зрадникам і кривоприсяжникам натомість пропоную гостинність своєї королеви. Гостинність ножів."
what the fuck did I just download
Map and poetry pages in Holly Black's Elfhame series The Folk of The Air ✨️
From The Cruel Prince, The Wicked King and The Queen of Nothing.
today is my birthday! i’m 33 today and i have done an ungodly amount of stupid shit in my life that honestly probably should have gotten me killed. so here are 33 hard-won things i’ve learned that i wish someone had told me sooner.
whenever you buy an object, you are going to own that object for your entire life unless you make the conscious decision to throw it away or give it a new home. maybe other people don’t struggle with this as much as i do, but i’ve grown to become a little exhausted by finding a thing and realizing i don’t want it anymore, but i don’t have the energy or motivation to do anything with it. signed, a woman with a packed 10x10 storage unit who is now extremely hesitant to buy new things.
food, and by that i mean good food (and by that i don’t necessarily mean healthy food, but food of good quality that you love), is necessary to live, and buying it, preparing it, and eating it is not a chore. the sooner you accept this and make food a priority in your life, the healthier you’ll be.
speaking of food, not everything you buy should be the cheapest version of it. personally i’ve found it’s always worth it to splurge on good olive oil, butter, and canned tomatoes. for years i thought i was an awful cook because i was cooking with cheap, disgusting olive oil that made my food taste like shit.
speaking of food part 2, i can’t BELIEVE how long this took me to figure out, but mise en place is the real real. get your shit out and organized and prepped *before* you start cooking, even if it makes things take longer. and yes, it is always worth it to do the dishes as you go, which pisses me off.
when i was teaching myself how to cook and feeling daunted about it, the best advice i ever got was to aim to learn 15 recipes and then put them in rotation.
this is the most horrific and awful truth i have forced myself to accept: there may come a day you can no longer digest your favorite foods, and you will either have to stop eating them, or remain very close to a toilet. i’m sorry.
other people are always going to misperceive you and misunderstand you, sometimes willfully. other people’s opinions of you don’t actually have anything to do with you. they’re not your business, and you don’t have to worry about it or change yourself.
when innocuous or neutral things make you irrationally angry or upset, step back, realize you’re having a big reaction, and then when you’re ready, pay very close attention to the thing that upset you, because you’re about to learn something important about yourself.
a pill sorter can save your life. i don’t know how i managed my meds without one.
sometimes college is about learning stuff, and not about becoming something.
no matter how many perfectionist tendencies you have, it’s worth it to remind yourself that no matter how much of a mess you actually are, you deserve to be loved.
if you’re always forgetting to do important but tedious things, set an alarm and set aside one hour of each week, not to do the important tedious things, but to assess what needs to be done, and *schedule* the important tedious things for the following week. this literally changed my life.
during that hour, make a meal plan too. the point of doing this is condense the time in which you’re making decisions (what to do, what to eat, etc) so you don’t have to burden yourself with them throughout the week. decision fatigue is real. any way you can alleviate that is a good thing.
learn the difference between aggressive, passive, passive-aggressive, and assertive behavior. recognize when you’re being one of the first three, re-assess and aim for being assertive, even if it’s hard.
you can tell you’ve processed trauma, not when the traumatic thing stops upsetting you to think about, but when the traumatic thing takes up the same size in your brain as all your other memories.
if you’re one of those people who never seems to finish projects or follow through with things, there’s a chance you may just grow out of it naturally. until then, follow your interests and don’t feel bad about putting down a hobby to pick up another.
if you love stickers but have sticker anxiety, buy vinyl stickers. you can re-stick them.
there are only a few careers i can think of that you have to commit to early in life because getting the undergraduate credentials is a pain in the ass (teachers, doctors, and engineers, from my research). nearly everything else you can switch to later, which takes a LOT of pressure off having to figure out what you want to do with your life.
people say there’s no money in becoming an artist, writer, musician, etc. actually there’s a ton of money in all of those things, it’s just in the stuff other people want you to make and never what you want to make. it’s still worth it to develop the creative skill and not force yourself into business school because it’s more “practical” or whatever.
sleep when you’re tired. SLEEP WHEN YOU’RE TIRED. don’t beat yourself up about it, don’t tell yourself you shouldn’t be tired or that you’ve already slept too much, just take a fucking nap. you would never say “hm i’ve already had enough water today, therefore i should not be thirsty” so don’t treat sleep the same way.
when you build a piece of furniture from target or ikea or whatever, the first thing you should do is count all the little screws and things to make sure everything’s there that should be. it sucks to get halfway into putting something together only to find there’s a piece missing and you have to go buy it.
learn to travel by yourself, go out to eat by yourself, see a movie by yourself. in my early 20s i was scared to do these things, but i do them so often now i don’t even think about it. it’s the most fulfilling skill i’ve ever learned.
adding to the above, if you’re a people-pleaser, being alone is especially important, because you’ve probably developed the habit of making the people you’re with more comfortable and happy than yourself, and you’re missing a lot of the beautiful and interesting things around you. when you’re by yourself, you can focus on what *you* want without guilt.
sometimes you’ll want to break things off with a friend for reasons that are no one’s fault, and you don’t want it to be volatile or make a big thing of it, in which case the goal is to simply fade out of their life. it is okay to let people go.
shame is useless. get rid of it.
no matter how much of yourself you put into your art (or writing, or music, or whatever), when people criticize it, they are not criticizing you. they are having a reaction colored by their own tastes and perspectives. their opinion of your work has nothing to do with you. you don’t have to take everyone’s feedback. in fact you don’t have to take anyone’s feedback. the other side to this coin unfortunately is that compliments don’t have anything to do with you either. it’s good to accept this because it means you’ll stop seeking validation from other people and won’t let anyone else’s perspectives impact your work. anything nice anyone says about your work is merely a bonus to an already good thing.
if you’re an artist of any kind, take one day a year to look up opportunities like grants, funding, residencies, workshops, whatever. put the due dates of all of them on a calendar for the year following and get into the habit of applying for stuff. getting rejected sucks, application fees suck, but in all the years i’ve been doing this, it has always, always been worth it. these things give you a chance not only to help fund and support what you’re passionate about, but they force you to take your own work seriously, and that is something that’s absolutely necessary in order to be successful.
you must become your own greatest advocate. in all respects–in health, in love, in happiness, in freedom, you must. no one will ever fight as hard for you as you will. this in turn will give you the strength and motivation to help others fight for themselves too. the only way the world will ever get better is if every person on this planet learns to see themselves as equals to everyone around them.
brag about yourself as often as you can. for one, people develop their perceptions of you based on how you treat yourself and speak about yourself. but for two, it’s the fastest way to figure out which people to keep in your life, because they’re the ones who are going “oh hell yeah, you’re awesome.”
be the person other people want to brag to.
at some point in your life, someone is going to hurt you, and it’s going to be willful and intentional. it is not worth it to waste brain space figuring out why they did it or why you think you deserved it. all you have to do is let yourself feel that pain, acknowledge it, and try to move on.
no matter how bad off you think you are, recovery is possible. the first and hardest step is to learn you’re worth the time and effort it takes to recover from the awful things that have happened to you.
developing an expertise does not mean you’re getting objectively better at something. becoming an expert is only the process of seeing your mistakes and having the patience to sit in the discomfort of not knowing how to fix them.
It is almost five centuries ago, and the girl who will one day be a swordswoman is lying in the red-tinged mud. She can't get up—broken bone? severed tendon? She can't tell. She's yet to cultivate her palate for pain. Her enemy towers over her, a cataphract mailed in screaming steel and poisoned light. His warhammer falls, and it is death, forever death, death unconquered and unconquerable.
"No," says a part of her. She is not even seventeen years old. Her body is mangled and broken, wound piled upon wound piled upon wound. A dull kitchen knife is her only weapon, though she lost that in the mud the second her grip faltered. Her enemy is no thing of this earth. And yet—
"No. It is not death, forever death, death unconquered and unconquerable. It is only a hammer, falling. It is only 'an attack.'"
And the girl understood.
~~~
It is the better part of three centuries ago, as best the swordswoman can reckon, and she is beset on all sides by foes. They are not monsters—just mountain bandits, or highland rebels, as one cares to see it. But they outnumber her by dozens, and even an exceptional swordswoman might struggle against but two opponents of lesser skill.
From in front of her, beside her, behind her they advance, striking from every angle with spears and blades and axes. Others fill the air with arrows, sling stones, firepots. It would be effortless, to parry any single blow. It would be impossible, physically impossible, to defend against them all.
"No," says a part of her.
"You are not outnumbered. You do not face 'multiple' foes. It would be impossible to defend against every attack — but there is no 'every' attack. Only one."
"Oh," the swordswoman said. And it was, in fact, effortless.
~~~
It is eighty years ago, or thereabouts. A coiling spire of stony flesh and verdigrised copper throbs like a tumor on the horizon, coaxed from the earth by spell and sacrifice. It is the tower of a sorcerer-prince, and a birthing place of abominations.
Seven locks of rune-etched metal are opened with her single key. Wretched shapeling beasts, grown by sorcery in vitreous nodules, flee wailing from her, absconding before she even draws her blade. Demons sworn to thousand-year pacts of service find the binding provisions of their agreements unexpectedly severed.
These things dissatisfy the sorcerer-prince. He waxes wroth. He makes signs of power and chants incantations. With a flask of godling's blood, he draws the binding sigil inscribed upon the moon's dark face. With cold fire burning in his eyes, he speaks the secret name of Death. It is a king among curses, all-corrupting, all-consuming, and it falls from his lips upon the swordswoman.
"No," she says, and she turns it aside with her blade.
The sorcerer-prince's brow furrows. How did she even do that?
"Parried it."
But—
"With my sword."
No—
"See, like this."
Stop—
"Well," the swordswoman finally says, "I figured that if I just...looked at it right, and thought about it, and construed your curse as a kind of attack...then I could block it."
That's not how it works at all!
"If you insist," says the swordswoman, shrugging, and decapitates him.
~~~
It is now. It is the end. Death couldn't take the swordswoman, not when she'd spent all her life cutting it up. At times, Death might sidle up to one of her friends, or peer down into a grandchild's crib, and she'd just give it a look. That's all it took, by then.
Heartache couldn't take her, either. Bad things happened to her, and they hurt, and she lived in that hurt, but if it was ever more than she could take...she'd just, move her sword in a way that's difficult to describe. And she'd keep going.
Kingdoms fell, and she kept going. Continents crumbled and sank into the sea. Her planet's star faded and froze. She started carrying a lantern. Universes were torn apart and scattered, until all that had been matter was redistributed in thermodynamic equilibrium. With one exception.
But now it is the end. There is no time left; time is already dead. The swordswoman has outlived reality, but there is simply no further she can go. This is not a thing that can be blocked. This is the absence of anything further to block.
"No," says the girl who will one day be a swordswoman. "This isn't the ending. And even if it was, it's not the ending that matters."
The swordswoman looks back at who she was, at the countless selves she's been between them. She looks forward, at the rapidly contracting point that remains of the future. She grasps the all of linear time in her mind, and sees that it is shaped like a spear.
Wow, such beauty!!!
The tail, the dagger, holding each other at waist!!!
Cardan and Jude - The Cruel Prince
Artist: @/moon_rabbit__
The are the same picture, oww
Okay, was anybody gonna tell me that The Cruel Prince Collector's Edition finally has photos? Or was I just supposed to find that out for myself while disassociating in the middle of my work day?
And YES I do believe that is Jude in the bloody coronation dress Cardan sent her that you are viewing on the end pages right there. :)
(source)
Unsplash - photography, illustration, & art
Pixabay - same as unsplash
Pexels - stock photos and videos
Getty Images - photography & illustration
Veceezy - vectors and clipart
Gumroad - photoshop brushes (and more)
StockSnap.io - stock photos
Canva - needs login but has lots of templates
Library of Congress - historical posters and photos
NASA - you guessed it
Creative Commons - all kinds of stuff, homie
Even Adobe has some free images
There are so many ways to make moodboards, bookcovers, and icons without plagiarizing! As artists, authors, and other creatives, we need to be especially careful not to use someone else’s work and pass it off as our own.
Please add on if you know any more resources for free images <3
zlibrary gone... FUCK TIKTOK FUCK BOOKTOK I hope that app burns in hell