Life Would Be So Okay If This Was In My Desk Drawer Right Now:

I think it's the asexual in me that is allergic to "aesthetic" ships. Some people will ship stuff because the characters look good next to each other or they're both hot and that grosses me out, which is weird because, yah know... I ship Stancest, lol. Compared to 1nc3st, being attracted to a ship because the characters are hot seems kind of strange. I think the difference is that Stancest to me isn't shipped at all BECAUSE they're hot. I find them hot because it's THEM. They're two grouchy old men that have been through so, SO much, apart and together, and have decided to allow themselves to love one another in their old age. They're hot because they're the two most emotionally compelling characters in the show, with depths that keep going the more you analyze and learn about them. They're hot because they're heartbreaking and their story is beautiful. If I want to take these incredibly compelling wonderful characters and draw them wearing tight ass shorts or making out sloppy style then idk man it just hits different.

I think the most interesting and under-explored part of gf canon is the formation of the blind eye and I'm tired of pretending it isn't: a long post

Because hear me out here, if we really take a look at the timing of the only concrete source we have (mcgucket's video diaries), it doesn't... line up at all?

The clear implication here is that he started making the diaries after the first portal incident on January 18th 1983, so this would be our "day one"

"For the past year I have been working as an assistant for a visiting researcher... But something went wrong. I decided to quit the project, but I lie awake each night, haunted by the thoughts of what I've done... Test subject one: Fiddleford."

But this makes no sense. We know from J3 that the memory gun was actually invented after a series of traumatic events with Ford, months before he left the project. Further, the timeline the video diaries set up of the blind eye show that he began to deteriorate and founded the blind eye on day 22, which would be February 9th, but in J3 the blind eye is already a full blown cult by then.

In addition, where is he in this video? we know from TBOB that he isn't on good terms with his wife after Christmas of 1982 and he likely didn't leave GF after the portal incident, but he was living with Ford up until this so where is this room? If he had somewhere else to stay, why only stay there now?

Now, realistically the answer here is that the lore was changed and slightly retconned between the writing of this episode and the publishing of the book (which alex discusses in some of the commentary for this episode when discussing fidd's character), but I think a more interesting theory to solve this contradiction can be found in the source material.

If we play this all completely straight, there are two options here, both involving Fiddleford lying in his diaries. this isn't entirely new to the series, unreliable narration is a big theme, especially in Journal 3 and TBOB. the only real explanations are that:

A) Fiddleford was lying about this being the first time he used the gun, meaning this video diary takes place after the portal incident.

B) Fiddleford was lying about leaving the project, and was filming these diaries while still working with Ford.

Now, either of them is plausible, but ultimately Fiddleford is a scientist. He has dedicated his life to engineering, and it seems to be his lifelong passion considering it's one of the only character traits that he continues to practice after losing his mind. Would a man who is this talented, this dedicated, really lie about testing results in a video diary he chose to make?

If he had used the gun before, any kind of result he is trying to observe would be ruined. It would be a pointless venture, since we know for a fact that by the time he leaves the project he has used the gun on himself, Ford and other civillians multiple times. It's a complete failure of the scientific method, and I don't think it makes sense for the character we know, the man who quadruple checks his own calculations just to be sure they're right.

However, the other explanation feels like something he might do. We know he invents the gun after the Gremloblin incident likely sometime in August, and seems to use it immediately as evidenced by J3, on both himself and Ford. We know from the audio commentary that for Fidd, the memory gun is very much an addiction, it's something that he uses to curb his anxiety and appear like a better partner, to try and keep himself together until the project is over. But ultimately, he's known something is wrong with the project for a long time, and Ford mentions his tendency towards self destructive anxiety when Fidd rips out his own hair after Ford reveals the tip of the weirdness iceberg to him.

All this to say, I think it's far more realistic for Fiddleford to lie about leaving the project rather than his results. He knows that something is wrong, that he should leave and be with his family, and on the other side of that we know that Bill is using this anxiety to whisper into Ford's ear that Fidd is unreliable and will leave. He's been through a severely traumatic event with the Gremloblin, trapped for days in his worst nightmares, to the point where he is prepared to cause himself potential brain damage to un-see it.

But despite all of it, he doesn't leave. He is determined to stay, maybe out of loyalty, maybe out of fear for Ford's safety, maybe he needs the money from the project for his family. He has a wife and son who need him and we know that he feels guilt for his treatment towards them, he even cites them as his sole reason for backing out of using the gun immediately before he does it anyway, and uses it on Ford to cover his mistakes up. Fiddleford is a man who is wracked by anxiety and shame and is such a bad way by this point that he is absolutely willing to self-destruct and lie to just get through this project.

I think he absolutely would start documenting his use of the memory gun, even if that meant lying that he had followed his instincts and left the project when he should have done. After all, he says himself that he wants to use this gun on a wider scale as a therapy tool, assuming the gun doesn't turn his brain to mush, surely the tapes of his initial testing will need to be peer-reviewed? He's presenting the reality he wishes was true, the one where he is brave and stands on his principles and doesn't fall into step beside Ford on his path to destruction.

So, where does this leave the timeline?

Finding exact dates is difficult, mostly because the only concrete numbers in J3 are few and far between, but we do have the dates of the tapes to go off as follows. This isn't concrete but it's a fun way to recontextualise the events of J3:

Day 1:

First usage of the gun, followed by it being used on Ford

Sometime after the Gremloblin incident, Fidd's arm is either healed or on the mend from the incident as his cast is gone, so likely towards the end of August.

Note on the cast: It could also be gone as a result of him removing it too early, he doesn't seem to take a lot of time to recover from the incident before he gets back to work in fear of disappointing Ford.

The room he is in is likely his bedroom in the Shack, or whatever location he initially uses to form the blind eye, maybe a room in the museum? The "probability of failure" graph in the back is the same one that he shows Ford the night before the Portal test, albeit a bigger version, meaning he has likely been tracking the output results for a while.

Day 5:

Still exhibiting postive results, no deterioration yet.

Day 22:

First signs of mental deterioration

First mention of the blind eye, Fidd draws the symbol onto a notebook but it is already scribbled in the background over a diagram of the portal. The blind eye symbol is first mentioned in J3, when Fidd hands it to the carny who becomes the eventual leader of the cult, so this diary likely takes place after he has begun using it on other people.

Official formation of the blind eye as a group to help people forget traumatic memories.

His room in the shack is in a state of disarray, his plants are dead and there are handprints in oil or ink on the walls. Notably, he seems to be connecting the idea of a single eye and the portal despite not being aware of Bill at this point, which I'll touch upon later.

The carnival is likely in September according to the timeline by @fordtato

Day 74:

Slight physical deterioration, more physical anxiety

It seems that Fidd has been regularly using the memory gun at this point, to erase even minorly distressing images from his head, and his anxiety has taken a nosedive. Likely explanation is that this diary is after the bunker, where he had another severely traumatic experience (kidnapped by a shapeshifter and reduced to mute from anxiety) and seemed to become obsessed with doomsday planning. During the bunker arc he also used the gun on multiple workmen and Ford once again.

Likely takes place in October/November

His room is a complete mess by now, with the walls covered in papers and "Help Me" scrawled on the walls.

At this point in J3, Ford has made his deal with Bill and is allowing him to possess his body whenever he pleases. Bill has also sucessfully driven a divide between the other two by making Ford doubt that Fidd will be able to make it to the end of the project, and Ford describes his frustration with him.

According to Ford, Fidd is just as agitated and nervous before the portal test as he was during the Gremloblin attack, and obsessively checks and rechecks his calculations, causing Ford to worry for his resolve.

In between this diary and the next are the stolen pages from J3 that are in TBOB, which give us slight insight into Fiddleford during this time but not much. We see that he tries multiple times to reach out to him the only way that Fidd knows how, through invention and creation, with the snowglobe and the six-fingered gloves. Ford, however, treats them carelessly as a result of his increased attention to his muse. At the same time, he tries to visit home but is kicked out by Emma-May after he forgets to get her a Christmas gift. This is played as an example of his connection with Ford, him remembering two gifts for the man and none for his wife, but if he really is suffering from his use of the gun at this time, the forgetfulness makes even more sense and his argument with his family means he doesn't have a support system outside of Ford who is paying all of his attention to the project. After this, Fiddleford is more reclusive than ever as he spends early January compiling a thesis for Ford to publish

Day 189

Physical deterioration is in full effect and he can't hide the result of his addiction any more, even just to keep up appearances.

His arm is broken, likely due to the car accident he mentions accidentally causing, but its the same arm he broke during the Gremloblin attack and could be a result of him taking his cast off too early for it to have healed right in the first place which could explain why he wears it for so long.

Significant mental decline as he has started exhibiting signs of brain damage or swelling (decreased vocabulary, forgetfulness, loss of motor functions) however, he is seemingly lucid enough to question if the memory gun is causing negative side effects.

There are actually bottles visible in the back of the room, possbly referencing the addiction metaphor being used here

This would take place after the portal test, likely late January. Ford is at the height of his paranoia, Fiddleford has left the shack and taken every trace of his research with him except his college picture with Ford, and the blind eye is a fully established and seemingly self-governing cult.

Day 273

At this point, Fidd has relocated to a motel and is seemingly completely mentally gone, ripping out his hair and developing his hunched posture. This likely takes place after the blind eye takes his memories, or he continues erasing them himself. It's possible that the blind eye continues visiting him and taking his memories even after he is ejected as a member, or at least until they forget who he is after using the gun on themselves too many times.

It appears to be snowing outside? Which doesn't line up with either the canon timeline or this timeline, so potentially the days on the video diaries could be incorrect assuming he isn't filming them every day, or has lost so much of his mind by this point that he isn't labelling them right and has lost track of time

The final two entries are a similar story, serving only to show us the end of his decline and him eventually becoming fully homeless, retreating to the junkyard he lives in for the next 28 years (jesus, he really deserved that mansion).

Ultimately though, this timeline asks a lot of interesting character questions.

Why did Ford not realise how bad Fiddleford's decline was becoming? Maybe a mix of circumstances, he was falling deeper into his worship of Bill at the time, to the extent that he was regularly being possessed and judging by the lack of journal entries at the time, very pre-occupied. We also know that Fidd used the gun on him at least twice in canon, and possibly used it more than we know in order to convince Ford he was okay.

If Fiddleford was erasing parts of Ford's memory, did Bill know? Personally, I feel that Bill was aware but knew that ultimately it would serve him. Fiddleford, without ever encountering Bill at this point, created the blind eye symbol which is eerily close to Bill's symbolism, how would he know that when we know Ford is possessive of his muse and doesn't share anything with Fidd about it? How does Ford have visions of Fidd in a red cloak without ever knowing that the cult and Fidd are directly connected? My thoughts are that Bill, who we know has erased Ford's memory himself before when he stole the journal pages we see in TBOB, was using most of this as fodder to drive a divide between the two, mentally creating associations in both of their minds so they stop trusting the other. Chess but with troubled gay men.

All in all I think Fiddleford's decline is such an interesting way to approach a theme of addiction, particularly a high-functioning addiction. If this really is how things played out, we know that throughout his use of the gun and even 30 years later when he is considered a write-off, the one thing he maintains is his engineering prowess and his smarts. It makes sense that even when actively using the gun and hiding it from Ford he would be able to keep up in terms of building the portal, especially when we know he secretly hired workers. It's also a great example of someone drawing others into their addiction, even if it was unintentional and he didn't believe they would be hurt in the long run.

I feel like sometimes there's a lil bit of a push to see Fidd as a naive or morally good character even through his mistakes and to demonise Ford in response, but ultimately both of them are very morally grey and have their own vices that they develop and grow from.

ive yapped about this before but fave accidental stancest moment in j3 really is how ford yaps about how baffling romance is to him and how he doesnt need anyone (though lets fiddleford knows he appreciated his presence) he then uses talking about beans to write about stan. just so classic ford to think about his brother when romance comes up lmfao

a hero in his own way 🫡

The ideal male body according to the Gravity Falls fandom

i drew this at work

Merry Yaoimas!

I like to believe, as A.Square got older, he begun forgetting not only what he saw on the third dimension, but also how the Sphere looks like

Based off a conversation with my gal friends

Whatever, go my brainworm

"feeling so many illnesses at once. and a new illness somehow"

-@non-bun-ary

I saw that ask you got and i just wanted to say that it's so funny to me when people are like "why would you ship stancest ew" acting like they didn't sail off into the sunset together after DECADES of Stan openly pining for Ford. If they weren't written as siblings they would hands down be the most popular ship of the show

There's a long answer, and then there's the tldr at the bottom marked in red text. Long answer: If they weren't siblings, you literally wouldn't be able to escape this ship. It would have been THE ship of tumblr after the finale had aired, considered the "healthy" ship and the good ending, would be considered canon even if they didn't kiss, and it would be the standard by which all the other ships are judged. You would have people writing essays about how they literally took off on a ship, guys! It's so obvious and a metaphor for marriage and and- But here's where I can extend a bit of empathy that perhaps they wouldn't give me, as well as look at things from the perspective as someone who has seen shipping culture their entire lives. First off- most people don't want to fuck their siblings. I know, shocker. Most people who ship Stancest probably do not want to fuck their siblings, but people who don't CERTAINLY do not want to. It's the most repulsive thought in the world to them. There is such thing as being in such a close platonic relationship that it's an impossible thought. I think a lot of people who want Stancest shippers to die or whatever find that kind of desire utterly repulsive, that and let's be real, 1nc3st in real life is rife with abuse. It isn't a healthy thought to get those wires crossed. People who do not like this ship are empathizing with either of the brothers and projecting their own repulsion onto them. But here's the other bit. I'm not shipping Stan and Ford because they're siblings. Most of my ships are not 1nc3stuous. I don't find that element hot or cute, and while I'm not here to harsh anyone's vibe, if that's the only reason you ship Stancest I really don't want to talk with you about these characters. People see ships as inherently sexual, as inherently sexualizing, as "you must only ship this because you want to see the characters fuck". And mind you, with Stancest I don't see it as a bad thing at all to draw them doing things or being attractive together, etc etc. Not at all, and I'd be a hypocrite for saying otherwise. My point is, that's where people's minds go, that's the assumption that they make. They find 1nc3st repulsive, and clearly the ONLY reason I would ship it is because I like sexualizing that and only that aspect about it. Basically, they assume I must LOVE 1nc3st in and of itself, because otherwise why would I ship brothers? Now here's where I go back to the first statement, because most people I've seen don't just ship them for that reason.

You ever seen that meme about "if they have chemistry, I can't make them NOT have chemistry"? That's why I'm here. EVERYTHING about how Stan and Ford are written is tailor made to be SHIPPED. Aside from literally bounding away on a ship, they have a closeness and codependency that most brothers in fiction do not. Alex himself has said they need each other, Ford in the third journal said he was going to spend the rest of his days making up to Stanley. Stanley has spent his entire life wanting NOTHING but his family, his brother by his side. He seems more bonded to his brother than to any one he's ever tried to date, and Ford likewise. I'm sorry, but these two are not getting a "healthy" ending. They aren't going to be with anyone else. There's no version of them in which they find separate partners after having a little adventure around the world for a year or two then just go off in separate ways. This is the most "childhood friends to lovers" story I've ever seen. These two are NOT healthy to begin with, why would anyone expect them to start when they're that old and that hurt by everything in their pasts? I don't believe it inherently has to be sexually 1nc3stuous, but it could be. Wires are already being crossed. It's rare for anyone to be loyal for 30 years to one person when they aren't in love, and Stan wanted to get his brother back so badly that he forgot his own goals and even threw away his own identity to get him back. His entire life was for Ford, and after Journal 3, it should be obvious that Ford's entire life is for Stan now, too. What I'm trying to say is, while this ship isn't the healthy ending, it is the BEST ending for either of them. I think people who wanted Stan to be able to deny going with Ford don't understand him or his character, or what his character NEEDS, same as Ford. And I think people who try to separate the bros for shipping purposes or who don't want to do 1nc3st or accidental emotional 1nc3st are not fully reading the same things, watching the same things that we are. If they weren't brothers, everyone else would see exactly what we're seeing. They would see this as the love story it is. TLDR: I understand why people won't ship this ship, and I try to be empathetic, but these two have been given the kind of story that would ping the lovers radar to anyone if they weren't brothers and I'm not going to ignore that just because they are.