Was rereading journal 3 and like. When Fiddleford and Ford are talking about their dreams Fiddleford mentions he wants to return back to California after the portals done and become a successful independent inventor, and make things that help people.
And like at first I'm like oh yeah it's another thing to showcase how kind Fiddleford is (and to also compare Fiddleford to Ford and the difference in their dreams etc). But... The thing is this conversation is right before the gremloblin incident that causes Fiddleford to make the memory gun. And Fiddleford expressly in the show talks about how the memory gun can 'help' people. And how he starts the cult as a way he can 'help' people. His invention to help people ends up being the memory gun.
And I think there's something really ironic here. That at first Fiddleford's desire to help is seen as a good thing, but underlying it, it's deeply problematic (and ends up abusive) when you connect it to the memory gun. And it comes down to that even if you believe you know best, removing people's autonomy to make decisions for others is generally not helping people. It's actually more harmful, and just because you have good intentions doesn't mean that changes the outcome.
Also, I’m going to need everyone to stay on the Stancest/GF hyperfixations please and thank you
Just read @sock-lobster latest fic Growing on me and absolutely loved everything about it I couldn’t wait to draw a thing!!
[Commissions] [Colored Sketch] [Buy me a coffee~]
🌌 Find comfort for two souls 🌌
Thought Fiddlestan was a purely comedic ship for a while but now I get it, I see the light. It’s about a man who nurtures and cares for others to the point of heartbreak meeting a man who doesn’t remember what it’s like for anyone to care about him. It’s about them being warm together around the absence of someone they both love. It’s about Fiddleford’s innate domesticity comforting a man whose deepest desire was to come home. It’s about falling in love with the same face again but in a new context that heals your past trauma. It’s about Stan’s unbridled affection finally validating someone who desperately needed the recognition. It’s also about very funny old man yaoi.
SORRY FOE THE DUMP IM CATCHING UP ITS BEEN A HOT MINUTE
Original source: my mates playing with their dollies
behold, meme contest. i have no clue what to put here to but funny or whatever so here's the basics. one week to make a meme. the meme can be anything as long as its flatland related. one submission per person and when your submitting your meme please use the flatland meme contest hashtag so i can find it. i will then compile all of the memes and we vote on them.
i went ahead and made my own submission, even though i hate it. oh well, now you can all hate it too. your welcome.
im talking this over with a friend rn but its funny how i've never seen anyone headcanon that "oh dipper and mabel will go off and adventure together for the rest of their lives because all they need is each other!!" as a sort of cinematic parallel to the stans. like they all headcanon that both or at least one of those two are still going to end up with/marrying someone else (mostly pacifica) and their percieved happy endings is still kind of... subconciously defined by how they're capable of leading independent lives while still having a strong bond with each other. i have literally never seen a single headcanon where theyre just ultimately together for the rest of their lives where they dont need to be with anyone else except each other... unless its a pinecest shipper who's headcanoning it.
meanwhile the actual canon for stanford and stanley is... well.
But six whole hours! Trying to go for a record there?
Do not tag as stancest istg
guys you dont understand i feel like. ford sees things in black in white like all the fucking time. for most of his adult life he 100% thinks he's destined to be the hero of the story, especially a tragic hero who sacrifices himself for the greater good.
But when Stan is the one who does that, and he realizes how shittily he's treated him after Bill is defeated, he goes the opposite direction entirely, self-loathing and all
Ford: perhaps.........i have been the villain of this story all along......................
Stan: sixer, for the last time. you're not a fuckin' villain, you're a fuckin' human. can you pass the bacon.
I remember that day when we arrived at the beach—it was already too late. Everyone had left, leaving behind only the remnants of fireworks scattered across the sand. Colorful confetti, soaked by the sea, made the advertising print on them nearly illegible. Among shards of broken colored glass and seaweed, you found an already opened condom wrapper in the muck and excitedly pointed it out to me, while I felt nothing but disgust.
At the time, I didn’t love this filthy backyard excuse for a scenic spot. I hated how dull, backward, and utterly empty it was. I especially despised how other small-town residents saw it as some romantic haven, drawing teenagers who wandered the damp sand like pilgrims. They’d come meticulously dressed, as if convinced their destined love would emerge from the sea, birthed into the arms of a lonely soul like a newborn from its mother’s amniotic fluid. But this was the 1970s—the moon was already covered in steel machines. Even Venus ought to emerge from a delivery room by now. The beach was no place for romantic miracles.
You nudged me and told me to take off my shoes. I didn’t. You burst into laughter and, with no regard for the risk of being cut by glass, walked barefoot onto the damp sand. I watched your feet, but you didn’t step on anything—not glass, not anything else. You kept walking into the sea, farther and farther, fading into the growing darkness. Soon, I could barely make out your figure in the vast, dark ocean. Then you stopped, raised your arms, and shouted toward the opposite shore, your voice swallowed at the edges by the white noise of the waves. You sounded happy.
When you came back, you said, disappointed, that you hadn’t expected everyone else to leave so early. You strained your eyes toward the other side but saw nothing—not even the lights of New York. Because it’s already four in the morning, I said, swallowing the second half of my sentence. We were late because I wouldn’t leave the house until I finished an assignment I was deeply invested in at the time. You never interrupted my studies.
We leaned against the car, watching sparks crawl along the fuses of the fireworks you’d set up, and you cracked open a can of beer. I declined when you offered me one, immediately regretting it. The fuse took far too long to ignite the firework. I had nothing to do but look around and again caught sight of the torn condom wrapper. Not long ago, someone had made love here, I thought. Then you moved.
We were standing so close that I could feel your body heat in the gaps between the sea breeze. Someone had made love here, right on this beach, and now we stood on the very same sand where they had.
The firework exploded—yellow and orange. You shouted in excitement, but I was lost in thoughts of what happens when people make love. They take off their clothes. They touch each other. They whisper sweet words. Smoke rolled up from the firework casing as I turned to look at your face, bathed in orange-red light. Then, with a jolt of horror, I realized that lovers also kiss on this beach.
As the yellow sparks faded, they turned the color of calcium chloride. The purple ones, I thought, must be from strontium salts and copper chloride. These burning metal salts streaked through the air, their brilliant colors dyeing the smoke that trailed behind them. I tilted my head and lowered my gaze, pretending to examine the firework casing but really sneaking glances at your face from the corner of my eye, trying to study the shape of human lips.
Kissing. I thought about the word. I didn’t know how to French kiss, but at that moment, I knew nothing could stop me from leaning forward and pressing my lips to yours. A chill ran down my spine.
I asked myself why I would think such a thing, but a more terrifying voice asked why I wouldn’t. Maybe it was a kind of high-place phenomenon, like wondering whether touching the firework would hurt. I wanted to know what it felt like to jump from a great height, to drink sulfuric acid, to press a blade hard enough to slice my finger open, to walk into the sea and let myself be submerged. I wanted to know what would happen if I kissed you. It was all just idle thoughts, but in that moment, I felt dizzy, hyperaware of every part of my body as though I might forget to breathe if I didn’t focus.
I started to feel trapped inside my own small body. I thought I saw you glance at me, and I was terrified you might know. I was even more terrified that you didn’t, because that would mean we weren’t close enough.
I wondered what excuses I could use if I did it, and that thought pained me because I wanted to be honest with you. Sitting beside you on that New Year’s night, watching the fireworks turn purple, all I could think about was how intensely I felt that if I didn’t kiss you at that moment I might die,I would never have another chance. Summoning all my courage, I finally turned to look at you, overwhelmed by thoughts and realizing I might start vomiting if I didn’t speak. Just then, you turned to look at me too. In your eyes, I saw the reflection of the fireworks.
You said, “After we finish the fireworks, can we go to my friend’s house and watch a movie? There’ll be a bunch of people—it’ll be fun.”
I said, “Sure.”
We finished setting off all the fireworks we had. It was fun. We even tried to use the fireworks to light the surface of the sea. On the way back, we saw other people—they had just gone elsewhere to hang out. You stroked the steering wheel, musing about how great the car’s engine was, and that was the first time in my life I felt shame.