i tried to experiment some with colours so here’s a baby Beloved…..
on some more gentle book criticism it's wild that both of wu zetian's love interests in iron widow are highly educated & there are references to the aesthetics and structures of a scholar system, but there is utterly no casual reciting of classics, tactics, nor poetry from anyone. there are references to adapted forms of the classics, but it doesn't inform how characters talk or think (li shimin seems more like a guy who never got education than someone who memorizes poems to the point it destroyed his vision). I understand the whole "peasant frontier girl half literate" thing to an extent (even though it feels an odd choice) but there aren't even like idioms really. it feels very simplistic & uniform in characters' speaking style, and the world, language, and culture all read very flat because of that. tacticians like sima yi, an lushan, and zhuge liang too might have a more creative way to call someone a bitch or what is the point of reimagining them in this world is all I'm saying.
i think there was also a big miss of not even referencing half of the incredibly funny things that a star studded historical fiction cast could provide like zhuge liang never did something funny with a feather fan? no one had to bother him into working? no pranks with corpses? where is his ugly intelligent wife?
why not posture that an lushan's son gave the thumbs up on his murder? historically accurate and hilarious
🧍book ask. 2 + 6 + 20 :^)
2. top 5 books of all time
ok i’m going with non-childrens lit novels 🤨 so
the tombs of atuan (ursula leguin)
annihilation (jeff vandermeer)
east of eden (john steinbeck)
royal assassin (robin hobb)
parable of the sower (octavia butler)
6. read this month
the golden compass (philip pullman)
powers (ursula leguin)
20. what i look for in a book
for getting into a book, i want “disappearing” prose that doesn’t distract me from the scene with unnatural rhythm or silly word choice, dialogue that’s either naturalist or theatrical but NOT forced to set up stupid lil quips, place descriptions that take me away, a feeling of promise that smth will happen.
for remembering & loving it after i’m done reading—a striking turn & sudden illumination towards the end of the book about what it all meant (even if the answer is “nothing” or “we don’t get to know”), a main character who got to be selfish, magnetic, and cunning, a world that felt wider & deeper than what was seen in this story, an ending that satisfied. doesn’t have to be uplifting or unpredictable as long as i hear the door click shut behind me on my way out yk.
req for @hawkepockets !
filled up my reading notebook so until i get another one. microblogging
I don't know what I miss more, having free time to draw or these fellas
The raven cycle!!!!
Oh I love these guys. Everything about these books, I want to draw them soooo much more (I probably will)!!
Guys I'm back-
It has been a nightmare lately this is the only thing I managed to draw in weeks? Finals and uni stuff that's taking all of my time and energy, slowly turning me into a cafeinated slug (worst part is caffeine doesn't even have an effect on me? I only drink coffee for the TASTE can you imagine). Anyway the rush won't be over until end of January but hopefully I'll be able to ignore the stress and draw anyway :)