I think there's a part of Ortega that is vindicated when Step reveals themselves as a villain. Like, they knew they weren't retired, they knew they didn't give up, knew they would never stop fighting. They just happen to be on the other side now. It's a tiny victory inside a greater loss. That fire that Ortega admired didn't go out, it changed.
god. i know children are more unflappable about some types of horror elements and white american kids aren’t expected to have much familiarity with the topic, but i can’t believe some of the descriptions of collective punishment of indigenous ppl that i read in gullstruck island at eleven years old. no wonder the specter of this book has hung over me since grade school. this is a cautionary remark but also something positive i am saying about the book.
i don't doubt they would have leveraged tain hu to exercise control over baru, and above all baru wants to be untethered from these higher powers, so it's not that she gained nothing towards her aim. but that she carries out the execution as she does out of posturing for her new imperial coworkers / to give off an image of loveless detachment and not only does everyone see through it, but there is not a single response among her peers as she was gunning for. it utterly alienates the coworker that has commonality with her in this hostile world and who had previously been hopeful to bond with her over it. cairdine farrier is DELIGHTED. not even in the way that she would have wanted him to be in her ruse. he knows she loved tain hu. he doesn't want her to not be gay. he wants her to be gay and suffer the anguish of KILLING what she loves in order to prove that she can overcome her base instincts of being gay. he sees her actions as evidence corroborating his theory. she becomes another cog in his plan by it. you didn't even get what you wanted out of this, you can't help but think. you blew up everything for worse than nothing.
Here's remade masterpost of free and full shakespeare adaptations! Thanks @william-shakespeare-official for this excellent post. Unfortunately, a lot of the links in it are broken, so I thought I'd make an updated version (also I just wanted to organize things a bit more)
Anthony and Cleopatra: ~ Josette Simon, Antony Byrne & Ben Allen - 2017
As You Like It: ~ At Wolfe Park - 2013 ~ Kenneth Brannagh's - 2006
Coriolanus: ~ NYET Alumni - 2016 ~ Tom Hiddleston - 2014 ~ Ralph Fiennes - 2011
Cymbelline: ~ Michael Almereyda's - 2014
Hamlet: ~ David Tennant - 2009 ~ Ethan Hawke & Diane Venora - 2000 ~ Kenneth Branagh's - 1989 ~ BCC's Part One & Two - 1990 ~ Broadway - 1964 ~ Christopher Plummer - 1964 ~ Laurence Olivier's - 1948
Henry IV: ~ BBC's Part One & Two - 1989 ~ The Brussel's Shakespeare Society's - 2017
Henry V: ~ The BBC's - 1990 ~ Laurence Olivier's - 1944
Julius Caesar: ~ Phyllida Lloyd's - 2019 ~ The BBC's - 1979 ~ John Gielgud - 1970
King Lear: ~ The RSC's - 2008 ~ Laurence Olivier - 1983 ~ The BBC's - 1975 ~ James Earl Jones - 1974 ~ Orson Wells - 1953
Love's Labour's Lost: ~ Calvin University - 2016
Macbeth: ~ Antoni Cimolino & Shelagh O'Brien's - 2017 ~ Ian McKellen & Judi Dench - 1969 ~ Sean Connery - 1961
Measure for Measure: ~ Hugo Weaving - 2019 ~ The BBC's - 1990
The Merchant of Venice: ~ Al Pacino - 2004 ~ Trevor Nunn & Chris Hunt - 2001 ~ The BBC's - 1980 ~ Lawrence Olivier - 1973
The Merry Wives of Windsor: ~ The Royal Shakespeare Company's - 1982
A Midsummer Night's Dream: ~ Oliver Chris & Gwendoline Christie - 2019 ~ City of Columbus's - 2018 ~ The Globe's - 2013 ~ The BBC's - 1988 ~ Lindsay Duncan & Alex Jennings - 1986
Much Ado About Nothing: ~ Shakespeare in the Park - 2019 ~ Kenneth Branagh - 1993 ~ The BBC's - 1984
Othello: ~ The BBC's Part One & Two - 1990
Richard II: ~ David Tennant - 2013 ~ Deborah Warner's - 1997 ~ The BBC's - 1978
Richard III: ~ Ian McKellen - 1995 ~ Laurence Olivier - 1955
Romeo and Juliet: ~ Simon Godwin's - 2021 ~ The BBC's - 1988 ~ Laurence Harvey & Susan Shentall - 1954
The Taming of the Shrew: ~ Ontario production? ~ American Conservatory Theater - 1976 ~ Richard Burton & Elizabeth Taylor - 1967 ~ Mary Pickford & Samuel Taylor - 1929
The Tempest: ~ Gregory Doran's - 2017 ~ The BBC's - 1988
Timon of Athens: ~ Barry Avrich's - 2024
Troilus and Cressida: ~ Audio Production ~ This one I found on youtube? - 2016
Titus Andronicus: ~ Anthony Hopkins - 1999
Twelfth night: ~ Texas Shakespeare Festival's - 2015 ~ Alec Guinness, Joan Plowright & Ralph Richardson - 1970
Two Gentlemen of Verona: ~ Katherine Steweart's - 2018 ~ The BBC's
The Winter's Tale: ~ Antony Sher - 1999 (Warning: they don't have a bear...)
Bonuses:
Time Loop Hamlet! (A personal fav of mine)
Rock Opera Hamlet???
Shakespeare animated tales
The Complete Works Of Shakespeare Abridged comedy
From the original post:
A Midwinter's Tale, about a man trying to make Hamlet.
Russian Hamlet here
Here's Scotland, PA, the 2001 modern Hamlet retelling.
Rave Macbeth for anyone interested is here.
This one is the Taming of the Shrew modern retelling.
The french Romeo & Juliet musical with English subtitles is here!
Here's the 1948 one,
the Orson Wells Othello movie with Portuguese subtitles there
A Lego adaptation of Othello here.
Here's commentary on David Tennant's Richard II
less than a week till SBCF'24, where I will be debuting a new comic!
SACRED BODIES is a story about what different people/s see as taboo, and the socio-cultural lines that delineate propriety and deviancy.
It's a 15+ rating on visuals and covers topics of intimacy, natural urges, shame and how we relate to these things and to each other. Also there's bird monster people, wow.
simply not having heard of something isn’t like a personal moral failing that u need to get defensive about. but also, an intellectual comfort zone in which Black women’s work is never recommended to you & you never seek it out—that isn’t cultivated in a cultural vacuum. its not innocent. and if you’ve been through school i guarantee you’ve had Black women’s work assigned to you before so like what gives