The 2018-2019 Era Of Ninjago Was Like, Peak Ninjago For Me. Not That I Don’t Love The New Seasons (I

the way i feel bad for the serpentine aaah. i do have sympathy for lego snakes 

I’m taking my stand today. Reblog this post if you believe Ninjago needs to stop making snakes the antagonists. Not only is it getting tiring, like please just pick something else for once, but the serpentine were redeemed like, in S4. Leave them alone for godsake.

If you all want to join me in my very noble pursuit, feel free to make more posts under #Justice For Serpentine. Let us go forth into revolution, my comrades!

Ninja as tarot cards I guess. I was having fun with the outfits, didn't use a reference, so it's not really accurate to any styles.

And again, I should do Kai last because you can see I did that one with the most details.

⚡🌊 亲爱的

missing her hours💔

I-I… holy fuck

yo did nya turn into water???? whats up w that

Anyways the D in Dareth stands for dilf

"Gonna be goin' back home,

Don't wanna be all alone.

Underwater galaxy,

And its all for me!

Phoenix of the Sea, swimmin' in the deep, subaquatically.

Healing is a breeze, understandably, can you feel the beat?

I just wanna be free! Free to be, free to be me!

I just wanna be free! Free to be, free to be me!"

-Pheonix of the Sea by CG5

Just heard this song for the first time and it brought Nya to mind (still haven't watched Seabound fite me), so enjoy a lovely Water Gal making a new friend.

(Reblogs Appreciated)

(Do Not Repost)

Does anyone else remember the tiger widow? 😱

Why Skybound's Ending Works

And why it was actually, to contrary belief of some of the fandom, a good season.

So I read this book a while ago. It was a good book, an enjoyable read, but I remember being really disappointed in the ending. Today I was looking through my bookshelf and I found it again, which made me start thinking about why, exactly, I didn't like it.

While there were a few different gripes I had with it, the main point came down to the fact that at the end of the book, after the climax had been resolved, the main character still wasn't happy, and she found a way to reverse time so that the whole incident never happened.

Sounds familiar, right?

I've never been a big fan of stories that basically undo everything at the end. I feel like it's a cheap ending and gets the main character out of learning his or her lesson, and often leaves me as a reader (or viewer in the case of a show/movie) with a sense of unfulfillment. I know I'm not the only one who feels this way, as this is the biggest complaint I've seen about Skybound in the fandom.

So, if this is true, why don't I feel the same kind of dissatisfaction with Skybound that I do with this book?

My first thoughts were maybe that because the book is a standalone part. Ninjago is a long show, now spanning 15 seasons (12 at the time I first was watching Skybound) and having one season that was a dud wouldn't upset me that much because there were so many. But if this were true, I would feel disappointment when I thought about Skybound in particular, not Ninjago as a whole, right? But I didn't. I still genuinely enjoyed the season, and I didn't feel scammed by the ending at all.

Upon further depth, I realized that it was the execution of this time-reverse.

The way the book I read worked, was that the main conflict had already been resolved, and peace had been declared, but the main character wasn't happy in her situation. She realized this wasn't what she wanted, and then time was reversed. Most media which undoes the plot goes something along this route, in my experience.

As a writer and reader, let me tell you that having another conflict after the main conflict just doesn't work. The main climax is supposed to build tension, put the consumers on the edge of their seats, and then have a short resolution period at the end to satisfy the consumers, but not stretch it out for any longer than necessary, because the climax was what we were all here for. Having another plot afterwards, even if it is internal, like this one was, takes away from the main climax, and suddenly it doesn't feel very engaging anymore. Everything throughout the book/show/movie is building up to the climax, and once that is over, it's time for the story to be done. Additional plots following the climax are what sequels are for.

Skybound doesn't do this. Instead of having more plot after the conclusion (which usually leads into the time reverse), it makes the time reverse INTO the climax.

The plot is building as Jay and the others prepare to kill Nadakhan. But when the plan goes awry, and now Nya is hit with the poison too, Jay's focus switches to her. This isn't a new climax, it's just a switch of focus as suddenly there are larger priorities to fix. A shift of focus, done right, can make things even more intense because now there are two threats- in this case, stopping Nadakhan, and saving Nya from death.

Jay's wish is all he has left. As soon as the venom wears off, Nadakhan will be all-powerful again. They are running out of resources, of ways to fight him. Jay has to end him now, or they lose against Nadakhan, possibly forever.

But he's not going to sacrifice Nya for this either. As we know, Nadakhan twists the wishes in anyway he can to benefit him, so Jay needs to make his wish as simple and straightforward as possible. He can't save Nya and stop Nadakhan.

That is, unless he prevents this whole mess from happening in the first place.

This is wonderfully executed, because Jay isn't actively seeking to do this out of his own selfish wants, or because he wants to fix something he did in the past. He does it out of necessity, because it's the only way he can think of where everyone on his side gets out alive. Like I said before, I feel like reversing time usually makes it so that a character is getting a cheap solution to their problem, one where they override all the lessons they learned throughout the story. But this is not the case with Jay. It's not a cheap ending, it's just an abrupt one, because Jay realized that this was a threat he wasn't strong enough to face. It takes humility, it takes courage- and it greatly improved him as a character.

One of the other main gripes about time-reversal plot is that there's no consequences. The characters spent all this time fighting to defeat some conflict, only for all of that to be undone and putting them right back at square one.

While this is somewhat true for Skybound, they handle it in a way so that the characters still get something out of it. Most people don't remember, but Jay and Nya still do. Those memories are still very much real for them. Skybound technically did happen, it was just reversed. It's not like it never existed. For Jay and Nya, who still remember, those experiences and traumas are still very much real.

I think the main prospect might be Nadakhan's teapot, though. Let's recount the exact wording of Jay's final wish:

"I wish you had taken my hand, and no one ever found that teapot in the first place."

Jay's wish is in past tense. "I wish you HAD," "no one ever FOUND" (instead of finds). Jay didn't wish that no one would find the teapot ever, just that they wouldn't have found it in the past. This means, while, it would fix the past, the future is still uncertain. Nadakhan could still potentially return, because Jay's wish wasn't specific enough.

While I am not super confident that he actually will, just the potential for it makes this a much better ending. Skybound, while erased, still is very much real, and so is Nadakhan. Jay's original plan was to kill him, but now he's just dormant in the teapot.

Skybound's ending wasn't cheap. It was a way for Jay to realize that he wasn't always going to win, and that no mistake could ever be completely erased.