me when i get depressed every summer and its summer and im now depressed:
“Go outside” they said. “You’ll enjoy the fresh air” they said. Photo from my collection, no documented date/info.
TAG GAME (thank you so much to @booksandabeer for including me, I really appreciated this!🫶🏻🥂):
Favorite color: Blue in general, but mostly deep, dark blues, and not the warm shades of it either. (I also love the International Klein Blue @booksandabeer mentioned, so so gorgeous!)
Last song I listened to: My Blue Heaven by Gene Austin
Last book I read: the last book I’ve read of is “Asimov’s Guide to Science”, I haven’t picked it up in days, though. The last thing I finished, however, was a book about Kazimir Malevich (“Malevich, Life and Work” by Jeanott Simmen). But god I haven’t finished anything in weeks. I need to fix that.
Last movie: Shame (2011). I really liked it!
Last TV show: Agatha All Along
Sweet/savory/spicy: all 3 for me as well!
Relationship status: happily single.
Last thing I googled: “How to use chopsticks” and I still can’t do it in the proper way.
Looking forward to: I’m sending a friend my own baked goods one of these days and I’m looking forward to hear from them about it!
Current obsessions: I’ve been falling back into the Evanstan rabbit hole lately.
Tagging (with zero pressure, please feel free to ignore this) the lovely: @musette22 @soliddarrity, @thisonesatellite and @buckrogers 🤎
Nonduality is so simple, but it can never be understood by an individual, which is only a sense of being someone and therefore doesn’t understand anything at all. A sense of self can’t do anything because it’s not actually a thing with its own existence. Instead, understanding belongs to awareness, consciousness, being, or whatever you’d like to name it—literally, whatever seems to stand under all appearance of phenomena. And this “pure consciousness” is the best candidate for being our Self—not the bundle of thoughts and sensations we normally take ourselves to be.
Direct pointing can sound obtuse, like you’re holding back the punchline, asserting claims without proof, or making word salad. But direct pointing is pointing to what is always immediate, always here, always available—the you in which “you” appear and which precedes all concepts.
Conceptual thought can only produce a conceptual facsimile of understanding. Look directly. You are not and never were the self you have always believed yourself to be (or have at least believed since around the time you were two years old).
Awareness can see that it’s not the mind, not the body, and not the person. And yet the sense of being a person seems to stick around and still seems to be real even after the initial recognition of its unreality. That’s just how it seems to work.
(Sorry to use “seems” so much, but much is only seemingly so.)
But if a person persists in being exposed to concepts that point beyond the conceptual, then it seems like there’s the potential for the “body-mind system” to do something different. I.e., when the conditions are right, the mind gradually stops layering the sense of doership/ownership on everything that seems to happen.
Eventually the recognition of non-doership/non-ownership can “stabilize” and become the default mode of living for what seems to be an individual. And eventually for everyone, the person dies for good—either when the body dies or allegedly, in the case of enlightenment, before the body dies.
Nonduality is the most liberating shit on offer. Continue to go back to it and when you’re ripe for awakening, the person will be exposed as being empty and the emptiness will be exposed as being you. And that will change everything without changing a thing.
Or don’t think about nonduality at all. That’s fine too. Whatever happens, this is just this, exactly as it is.
Freja Beha Erichsen for UK Vogue, May 2006 photographed by Javier Vallhonrat
in decent quality too!
here is the archive collection of these films so you can favorite on there/save if desired.
links below
black girl (1966) dir. ousmane sembene
the battle of algiers (1966) dir. gillo pontecorvo
paris, texas (1984) dir. wim wenders
desert hearts (1985) dir. donna deitch
harold and maude (1973) dir. hal ashby
los olvidados (1952) dir. luis bunuel
walkabout (1971) dir. nicolas roag
rope (1948) dir alfred hitchcock
freaks (1932) dir. tod browning
frankenstein (1931) dir. james whale
sunset boulevard (1950) dir billy wilder
fantastic planet (1973) dir. rené laloux
jeanne dielman (1975) dir. chantal akerman
the color of pomegranates (1969) dir. sergei parajanov
all about eve (1950) dir. joseph l. mankiewicz
gilda (1946) dir. charles vidor
the night of the hunter (1950) dir. charles laughton
the invisible man (1931) dir. james whale
COLLECTION of georges méliès shorts
rebecca (1940) dir. alfred hitchcock
brief encounter (1946) dir. david lean
to be or not to be (1942) dir. ernst lubitsch
a place in the sun (1951) dir george stevens
eyes without a face (1960) dir. georges franju
double indeminity dir. billy wilder
wild strawberries (1957) dir. ingmar bergman
shame (1968) dir. ingmar bergman
through a glass darkly (1961) dir. ingmar bergman
persona (1961) dir. ingmar bergman
winter light (1963) dir. ingmar bergman
the ascent (1977) dir. larisa shepitko
the devil, probably (1977) dir. robert bresson
cleo from 5 to 7 (1962) dir. agnes varda
alien (1979) dir. ridley scott + its sequels
after hours (1985) dir. martin scorsese
halloween (1978) dir. john carpenter
the watermelon woman (1996) dir. cheryl dune
On March 22, 1895, the Lumière brothers, Auguste and Louis, screened their first film, "La Sortie de l'usine Lumière à Lyon (Workers Leaving the Lumière Factory)," to an invited audience in Paris. #OnThisDay
(she/her). I like leisure, reading, music, movies, history, Captain America, & a bunch more.
230 posts