mike wheeler:
me:
me as a writer: Oh no I can’t write that, somebody else already has
me as a reader: hell yes give me all the fics about this one scenario. The more the merrier
Ooo can you do some hc's or a fic where Richie's feeling like dead weight to the group, and starts to seperate himself because he feel like he's annoying everyone?
holy guacamole just stab me in the heart okay also btw this is modern
-richie’s always known he was annoying
-certain people just kinda know
-he’s been told so many times, by his peers and parents alike so he’s just kind of come to accept it. he makes jokes to cope with childhood trauma. he oversexualizes things because he’s scared of his sexuality, it just be like that sometimes
-but recently he’s been feeling kinda different and it’s hard for him to articulate it but it just feels wrong.
-it started as a joke actually. go figure right? richie ends up being the butt of his own joke. he wanted to see if he could go the whole day without contacting his friends. he didn’t anything on instagram or snapchat. didn’t respond to anybody’s stories. no texts or calls or memes or likes or anything.
-and it’s not like he expected some big hoopla in the groupchat like OMG WHERE’S RICHIE IS HE DEAD but he at least anticipated some sort of reaction
-maybe from stan y'know? like “this groupchat isn’t making me want to kill. myself, where’s rich?” but no. there was nothing. and it wasn’t like the chat was dead either, bill was going off on this whole big rant about the solar system or some lame shi like that and not once for the entire day did anyone say anything to or about richie
-he didn’t receive any calls or texts sending him things or asking where he was. and that made him feel something painful in his chest. so he tried it again the next day, maybe it was a fluke. maybe everyone was just busy with their own things to notice richie’s little experiment. but the next day was the same as the first, there was no sign of richie and no one seemed to notice
-this little experience led richie down a dark path. he eventually started wondering how big of a nuisance he actually was. how annoying did the others really find him? had he really overestimated how much his friends cared about him for this long? and you might think this is dramatic but hello this is richie tozier
-and maybe richie would try to like not go to school just to see if anyone would notice but he ends up going anyway because contrary to popular belief my boy’s wicked smart and he wouldn’t want to fall behind on his work
-so he goes to school but he’s quiet and that’s very different for him. he refrains from making ‘your mom’ jokes, he’s not really laughing at anything or doodling. he just goes, does his work, and goes home.
-this routine continues for like two days before bev is finally like ‘alright asshole what gives are you sick or something?”
-and he’s like no?? wym
-”you’ve been quiet and a little mopey all week and it’s giving me the heebee jeebies what’s up with you?”
-so he explains what he’s been feeling “not like anyone would care but” and he tells bev that he’s felt like deadweight and unimportant and she almost crIES because richie is her best friend and she feels terrible for making him see himself that way
-bev tells him that she’s so incredibly sorry for making him feel obsolete and he’s like “it’s really okay like #notmad and it wasn’t just you anyway”
-so naturally bev tells EVERYONE and they all show up to richie’s house after school and swarm him with apologies and hugs and richie’s almost crying bc 1. he’s a big baby and 2. he loves his friends so much?? and affection is the best??
-eddie starts crying (obvs) just talking about how much he loves his boy and that he was just swamped with homework but that didn’t mean that richie wasn’t important
-mike and ben obviously give richie the bIGGEST hugs of his entire life and sidenote: mike and richie are pals and whenever richie feels upset he goes to mike for a hug and mike just kinda holds him for 5ever but that’s only ever in private but he’s doING IT RIGHT NOW because he loves richie & doesn’t care who knows it
-bill’s like “i l-love you m-m-man, i never would’ve got this f-f-far without you” and bev is like “i tOLd you we loved you”
-stan is kind of shook the most because he calls richie annoying on the daily so he feels bad but richie’s like “no ur my best friend you have the right to call me annoying”
-they all have a big sleepover and live happily ever after bc richie is feeling loved and appreciated the end
I’ve seen a lot of advice posts that encourage writing a “bad” first draft, or saying that the point of the first draft isn’t to be “good” just to be done, but I have yet to see any examples of what that actually means (which is unfortunate because for a lot of first-time writers that may just mean that their best effort on a first draft isn’t “good enough”), so that’s what I’m here for! The ultimate advocate of ugly writing, babey! Let’s write some “bad” first drafts!!
Forewarning that this is going to be difficult for you perfectionists out there (same hat tho!!!), but really, if you’re looking to finish a first draft within a reasonable time frame (and not continue to rewrite the beginning 50 times to get there, only to be disappointed when the next scenes aren’t as “good” as the beginning), then this really is the way to go. Perfectionism comes in super handy in later drafts, but it’s a real burden in the first draft, and I really really relate to that. What I find that helps keep my perfectionism in check while I’m drafting is to keep a separate Word doc open (or a notebook and pen at hand) to jot down new ideas or things that have changed throughout the draft. Putting a page number down next to the notation will save your life as well. Your future self will thank you!
Okay, so let’s get into it! You have an idea, and you need to get that first draft out before you lose motivation or move on to a shiny new WIP idea. What’s that first draft going to look like?
Write the scenes you’re excited about first. If you’re someone who, like myself, needs to write things in chronological order, then write these scenes in chronological order - but! if you have the conclusion figured out, then write it now, yes, even before that one bit in the middle you’re not sure about. Is it likely that some details in these scenes will change as you keep writing different parts of the book? Yes! Do it anyway! Anything you write will be helpful for later drafts, so write those scenes!!! Plus, if you start with what you’re excited about, you’ll want to keep writing even after they’re finished, because your brain will just keep generating other super cool ideas for those in-between scenes. And yeah, there will definitely be filler scenes to write, but you can probably worry about those in the next draft.
If you’re on a roll, don’t worry about punctuation, grammar, or spelling. I mean it! If those red squiggles in Word bother you, turn them off (they’re really only semi-helpful for editing, and we’re not doing that right now). If you write faster and think better using “internet grammar” (minimal/excessive punctuation, no capitalization, weird spelling, etc.), then do that! If it helps you get words on the page, it’s worth doing.
If you’re not on a roll, try putting some space between what you’ve written and what you need to write. For me, that frequently means hitting enter (even mid-sentence if I suddenly get stuck), typing “monkey,” and then hitting enter again, as many times as it takes for my brain to reboot and remember what the hell I was going for. If that means I have a chain of 20 monkeys in the middle of a paragraph, so be it. They get to hang out there until I come back in draft two and delete them.
I’ve also written “uhhhhhh” and “oh fuck now what” several times in a first draft. It happens. It’s easier to write in a way that mirrors your thought process, so just do what works. Use memes in your prose to keep it moving - it’ll make future you laugh when you go back through on draft two!
Don’t be afraid to change major pieces of plot - but don’t you dare go back and rewrite earlier pieces to match! Let’s say you’re at the end of act one and you revealed some tragic detail about your MC’s backstory, but now you’re in the middle of act two and you’ve realized that it no longer fits your idea of MC and you no longer want it to be true. Simply make a brief note of it and keep writing like that scene in act one never happened. Deleting, rewriting, and repurposing are all for later drafts! The goal on the first draft is literally just to reach the end - and it’s inevitable that you’ll find and change the story along the way.
Forget about foreshadowing. No matter how detailed of an outliner you are, the fact is that in the first draft you really don’t actually know what’s going to happen yet in your book (see point 5). So forget about trying to foreshadow. Spell out what’s happening plain as day - because the first draft is just one long exposition dump to aide you in future drafts. If you get halfway through and a sudden twist or weird piece of backstory jumps out at you, write it in as if you had foreshadowed, even though you haven’t yet. Make a note of it, and maybe even note where you could foreshadow this in the next few drafts, but keep moving forward.
Changing perspectives is fine even if it goes against how you know you want your final draft to be. If you have a scene in mind that you know you need to include, but you have no idea how MC would react during it, but you know how your side character would react, write the scene from the side character’s perspective. You can think about MC’s POV in that scene later - again, the point is just to get it written, so if switching POVs gets you through the scene, do it.
Ultimately, this is what people mean when they say your first draft is going to be “ugly.” It’s going to be a little (or a lot) messy. But that’s okay. The struggle of the beginning writer is realizing that your first draft is not going to look like anything you’ve read before - because those are final drafts. And to the gifted writers who breezed through school (like I did) by submitting their first draft essays for grading - that’s not going to work here. Every time you rewrite a piece, it gets better. If you try to make your first draft perfect, you will just end up frustrated and disappointed at the time you wasted, because you’ll end up reworking 80% of it or more in the subsequent drafts. Your writing style will change and improve, and your knowledge will grow, and every time you revisit a draft, that will be reflected.
So write that ugly draft. Insert so many author’s notes mid-paragraph that you look like an early 2000s fanfic writer. Contradict previous scenes like you’re constructing the most elaborate Winchester Mystery House -esque draft the world has ever seen, complete with paragraphs that lead to nowhere and mysterious monkey chains cutting sentences in half.
And then, in the second draft, make it look as though the first draft never happened.
Minerva Mcgongall pulled out her notebook and turned to the page that listed the names and details of that years Gryffindor Quidditch team. Her heart swelling with pride she jotted down the name “Harry Potter” next to the position “Seeker” before closing the book and opening a second drawer. She took out a small, wooden box and rummaged in it for a few seconds before withdrawing a worn out envelope, inside of which was a short letter and a photograph.
“Dearest Minnie,
Hope you’re doing well! I’m the same of course, driving Lily up the wall as usual, she sends you her love by the way!
Now I know I told you that you’ll never find a chaser as good as me ever again, but it just goes to show that even the brilliant are sometimes mistaken. I’ve found you (made you!) a replacement who will one day outshine his old man by leagues! Enclosed is a photograph of your new Quidditch prodigy so that you may assess his skills for yourself. We have him chasing the cat for practice. He’ll be unbeatable by the time he starts at Hogwarts! The youngest Quidditch player in a century!
I guarantee it, Minnie. And you know I’m never wrong, though you’ll never admit it!
Missing you and Hogwarts terribly,
Lots of love,
James
P.S. Sirius says his marriage proposal still stands.”
Wiping away a single tear that ran down her cheek and chuckling to herself, she smiled down at the photograph of a small, gleeful, black haired boy zooming along on a toy broom, a pair of legs chasing after him and a young woman laughing hysterically in a corner.
“Right again, Mr. Potter.”
Can't add polls to reblogs, but @mercedesrollinballer was talking of one to settle this matter. (@mistysnat started it all)
Yellowjackets! Alive, but failing at every instance. Who's doing it the worst? Your pick! Arguments for each are under the Read, but if you are sure of your losing dog, then vote here!
PROPAGANDA UNDER THE CUT
Teen Eats dirt and is not aware of her shadow-self to an embarassing degree. Sets up an expedition to get to civilization with only a bit of rations and a compass, and nearly gets her gf killed (they don't find help btw). Her rushed funeral for clown Jackie indirectly causes the cannibalism. "You ate her face, Tai" and she didn't even remember it.
Adult Hires a vague hitman to spy on her surviving teammates because what are social skills? Has a Gorgeous wife and stable home and then chooses politics. Leaves her wife in a coma and her son with his gran to hitchhike to her ex because yea her evil double said so and that is definitely legit. Claims to be a skeptic about rituals until she is in the clear and can participate on the safe side lol. Marries a rock?? Is not getting that re-election.
Teen Thinks screwing her bestie's beard is what will solve things. Related: is pregnant while stuck in the woods. Related: did not raise the baby to hunt down Jeff like she said she would. Verbal communication? We bottle up our emotions and then write them down on paper for everyone to read. Did a silly voice while playing around as the vessel for hunter guy in the seance. EVERY SECOND OF HER IN THE SHED WITH POPSICLE JACKIE. Throws a fit over not being crowned cannibal queen.
Adult Totally living her dream life. Thinks a posh british accent is sexy in her furniture store roleplay. Got in a fender bender with some guy, cheated with him, then murdered him and hid his body. Still hallucinates her bestie hanging around. Can only seem to find some joy in her life through Violence (maybe skip the sex-therapist and go looking for one that deals with anger issues). Thought that she Had to murder a baby goat when nobody said a word about that. Got hunted lol.
Teen Unhinged from the start. No social skills. Has the hots for her gay coach. Destroys the flight recorder because "uwu then people will need me" and not think about the consequences. People ditch her for the most part after first-aid isn't needed anymore (happy now, Misty?). Throws psychedelics in the stew (banned from kitchen). Snitches on Jackie not taking part in the saying thanks, which sparks the fight with Shauna, which gets Jackie dead, despite Jackie being one of the few (maybe only?) people to be nice to her. Speaking of, gets a new bestie and has her falling off the shit cliff. Cannot read the room during a baby shower. Theater kid. Has no cast-appointed middle name, but the fic-appointed one is "fucking" Adult Works in elderly care so she can munchausen someone in case she need a mood boost. Forces herself in Natalie's life. Is on true-crime reddit. Her only friend is a parrot. Has a murder basement that she doesn't actually use for murder. Reads trashy romance novels. Overshares on a first date. Hangs out with a dude and lets him reduce her talents to a shrivel. Infiltrates a cult for shits and giggles. "Misty, you actually killed somebody" KILLS HER FRIEND. SHE ACCIDENTALLY KILLS HER FRIEND
Season 1 finale:
“I love him. I probably always will. But lately that love just hurts.”
Season 2 finale:
Michael: “It’s a sad story me and Alex. I have to walk away so we can start a new one someday. It’s not our time.” Isobel: “But it will be.” Michael: “I think so.”
If that’s not a glow up I don’t know what is.
I’ve been a fool!
How often is Stan sad, for whatever reason, and he’s a sulker. Always looking worriedly into the distance, sighing heavily, hiding his head on his knees… and Richie sidles up next to him and like, pokes him and is like “Staaaaaan…”
And Stan mumbles “Stop it Richie,” and Richie spends the next indeterminate period of time making bad jokes and doing lame impressions and Stan’s like “You’re not funny Richie,” but Richie is like “Then why are you smiling?”
And Stan’s like “I’m not smiling!” Only because of that he has to start fighting back a smile. And pretty soon Richie cracks his worst joke yet and Stan full on grins and Richie’s like “Holy shit we’re witnessing a miracle!” and he does another terrible impression and Stan pushes Richie away like “I mean it Richie,” only it’s too late.
Because Stan is full on giggling now, and then Richie goes in for the kill: Stan is ticklish. Only Richie has access to this arcane and powerful knowledge. Stan basically made Richie swear not to tell anyone else, and as collateral he has a polaroid of Richie dressed up as Sailor Moon.
It’s too effective, and soon Stan is crying laughing and he forgot what he was even moping about. And Richie sing songs his refrain of “Smile for me Stanley!”
Because Richie wants everyone around him to be happy. If Richie can’t be happy, he tries his hardest to make everyone else happy. Poor Richie. Good thing Stan is a perceptive bitch! Because when Richie is down he always brings him little gifts. Home baked cookies, the latest comic book Richie was eyeing at the store after he blew his allowance on ice cream, maybe a pressed wildflower??
i just found them utterly delightful this season
“Before you know it it’s 3 am and you’re 80 years old and you can’t remember what it was like to have 20 year old thoughts or a 10 year old heart.”
— This is the scariest fucking text post I’ve ever read (via fuckinq)