Egon Schiele (1890 - 1918) was an Austriac painter and an early exponent of Expressionism. I have selected two statements made by Magdalena Dabrowski and Rudolf Leopold about Schiele's art. The passages can be found in "Egon Schiele - The Leopold Collection, Viena" published by DuMont Buchverlag in association with The Museum of Modern Art, New York.
"Arguably, one of the greatest talents of his time, Schiele, who died at the early age of twenty-eight, created an absolutely prodigious output: his total oeuvre is said to include more than 3,000 works on paper and some 300 paintings. Schiele was, first and foremost, an exceptional draftsman; in fact, even his paintings rely on drawing as their principal structural component. Color is used to enhance the expressiveness and the mood of the pictures and, occasionally, to structure space. Schiele's principal subjects include portraits (among them, numerous self-portraits), figural/allegorical works, and landscapes. These works often make use of symbolic representation and metaphor to convey the malaise of modern man in all its raw and painful truth. " (Magdalena Dabrowski)
"The Expressionists Kokoschka and Schiele were the first to incorporate the tragic and ugly into their work as a way of evoking stronger emotions; one might even say that they invented the use of ugliness as an element of pictorial composition and introduced its potential to the art of our century. The images they created in their determination to express the depths of experience are as compelling and valid today as they were then. The current widespread interest in the two artists and frequently lavish praise accorded them are proof that our present-day tastes in art are in agreement with those of the Expressionist avant-garde of the early part of the century." (Rudolf Leopold)
RUSSIAN DOLL 2.07
"I woke up. The moon is full, so I send my wishes to the universe", 2021
Sung Hwa Kim
— Harold Robert Miller / Sylvia Plath / Richard Siken / Ocean Vuong / Helen Stratton / Katherine Mansfield / Anaïs Nin and Henry Miller / Kaveh Akbar / Mary Oliver
Despite [her] demented laugh, she may actually be an uncommonly sad girl. Doesn’t a person who laughs a lot also cry a lot?
Dazai Osamu, Pandora’s Box
Bedtime Stories. Juila Banas photographed by Stefano Galuzzi for The Edit, March 9, 2017.
“A nymph came pirouetting, under white Rotating petals, in a vernal rite To kneel before an altar in a wood Where various articles of toilette stood.”
— Vladimir Nabokov, Pale Fire (via starpleiades)
embrace (II), peter wever
“I am endlessly afraid of people. I am continually awed by them. When people bow to me only out of formality, I think to myself that it is a bow from the heart, and immediately become ecstatic, even with a touch of madness. I feel like I have to pay them back for their expectations, so I act like a hero even though I don’t truly feel anything, and I can’t get things back to normal, and the end result is that everyone thinks me a fool for it.”
—
Dazai Osamu, “A New Hamlet”
“It had been the dream of his life to write with an originality so discreet, so well concealed, as to be unnoticeable in its disguise of current and customary forms; all his life he had struggled for a style so restrained, so unpretentious that the reader or the hearer would fully understand the meaning without realizing how he assimilated it. He had striven constantly for an unostentatious style.”
— Boris Pasternak, from Dr. Zhivago (Pantheon, 1957)
Anne Sexton ― Rapunzel