every writing tip article and their mother: dont ever use adverbs ever!
me, shoveling more adverbs onto the page because i do what i want: just you fucking try and stop me
– A lot of questions I receive revolve around editing and proofreading, so I decided to make an extensive guide to editing your own writing. I collaborated with some amazing friends on this post so this is dedicated to them as well as all of you. I hope you find it useful. Enjoy!
Editing is about the content, proofreading is about the technical detail and accuracy. Once you know the difference and you separate the two into different tasks, going through and actually doing it will seem less daunting. Deciding which to tacking first depends on what you’re like when you edit, but if you struggling with focusing on actually improving the content because you get distracted by grammatical errors and spelling mistakes, then proofreading first may be a good idea.
Avoid adverbs
Be frugal with unique adjectives
Only use dialogue tags when absolutely necessary
Be mindful of overused words
Take the time to find the right words
The words you choose can make all the difference so pay special attention to them.
A basic rule to editing that people often forget it, if it doesn’t serve a purpose, you should cut it out. A short book that is amazing all the way through is better than a long book that is redundant. Don’t worry about leaving your readers in the dark or not having enough content. As you edit, you’ll find ways and places in which to input more information.
This is the part where you make sure the writing itself sounds how you want it to. It’s important to read your writing aloud during this stage. Some things to pay attention to regarding flow and rhythm:
sentence length/variation
sentence structure
syllables and how they fit together
how your writing sounds out loud
Say it once and say it clearly. Redundancy bores readers so quickly, so when putting information forward, be clear, concise, and don’t add fluff. You don’t need to write a whole paragraph about how a character feels in a situation. It’s important to give the reader just enough to read between the lines.
Common Grammar Mistakes To Look For
Subject-verb agreement errors
Sentence Fragments
Missing Comma After Introductory Element
Misusing The Apostrophe With “Its”
No Comma In A Compound Sentence
Misplaced Or Dangling Modifier
Vague Pronoun Reference
Wrong Word Usage
Run-On Sentence
Superfluous Commas
Lack Of Parallel Structure
Sentence Sprawl
Comma Splice
Colon Mistakes
Split Infinitives
List from here x {Explains these further and more in depth}
Improper Use of Phrases
“could have” not “could of”
“My friends and I” not “me and my friends” {If you take away “my friends” or “I”, or one of the nouns in a sentence in general, the sentence should still make sense}
“I couldn’t care less” not “I could care less”. This should be a no-brainer.
etc.. I could go on.
Familiarize yourself with these common mistakes and avoid making them at all costs. It’s also helpful to have someone read over it and let you know when they find issues with phrases you used. Please be attentive to these mistakes because making them can destroy your credibility as a writer.
If you’re describing something in your writing, you should be slipping in words and little details that appeal to the reader’s senses, When editing, look for opportunities to slip in how a place smells, how a food tastes, how something feels to the touch, etc. It’s unbelievable how much this enhances your story.
Punctuation Rules In English
the period (or full stop in British English)
the comma
the exclamation mark
the question mark
the colon
the semicolon
the quotation mark
the apostrophe
the hyphen and the dash
parentheses and brackets
Source x
When proofreading and marking up your manuscript, it can save a lot of time and energy if you use marks instead of actually write out everything, so here is a little chart I found that may be useful to you:
Make sure you know who is talking
Keep tense consistent
Vary the tone from scene to scene
Run-on sentences
Inconsistencies in story details
Plot holes
Causes and effects of events are explained
Facts and technical details {Make sure you’ve researched them well}
Deviations from established background (know your story really really well and make sure your reader does too)
Go in assuming that your work is full of errors. Maybe it’s not, but it’s better to be prepared for the worst and solve the issues now rather than when it’s too late
DO NOT BE SENTIMENTAL. Yes, easier said than done, but it’s possible.
Make the text less recognizable to yourself in order to catch details you may not otherwise.
Print out your manuscript and physically write out the changes.
Read your writing out loud. Sometimes writing looks like it makes sense, but in reality sounds wrong.
Do it in short periods over time so that you don’t inevitably get lazy with paying attention to little details
Keep in mind that editing usually takes longer than actually writing the draft because it is less fluid and requires more thought and problem solving.
Don’t rely on spelling and/or grammar checking software; they’re not always correct and can easily misinterpret what you’re trying to get across.
Check for a single error at a time. It may be time consuming and tedious but it’s more effective than the alternative.
Give yourself time and read slowly through it multiple times
Split up large chunks of text to make it easier to handle. Don’t go through your whole manuscript page by page as if you were just reading it as a book. Go chapter by chapter or scene by scene or even sentence by sentence.
If something seems off, investigate it. Don’t take a chance and leave it be. If you’re stumped, highlight it and have someone else look over it.
Have a strategy. Maybe not at first, especially if you don’t extensively edit your work regularly, but with time you’ll find what works for you and what doesn’t. Create your own system and use it to save yourself some time and confusion.
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Ever wonder why some ellipses seem to have three dots and others have four? Some have spaces between each dot and some don’t? Why sometimes you capitalize after an ellipsis and other times you lowercase?
To be honest, I don’t think most of us were taught properly how to use an ellipsis. I know I wasn’t. I see a lot of writers who don’t understand all the rules of ellipses either.
Some of you may be wondering what an “ellipsis” is. It’s a fancy name for the three dots or “periods” you see in writing ( … ). The word “ellipsis” is Greek for “omission,” which is what it does. It shows that something has been omitted or left out.
Now with research papers, this might be obvious. Maybe you are quoting a source and don’t want to quote every single word of it, so you use an ellipsis to show that you left some stuff out. Like this:
Full quote:
“You know you’re in love when you can’t fall asleep because reality is finally better than your dreams.” - Dr. Suess
Quote with omission:
“You know you’re in love when … reality is finally better than your dreams.” - Dr. Suess
In fiction, we usually aren’t quoting sources. But the ellipsis works in similar ways, it conveys that something is omitted. This might be something directly omitted. Mamma Mia uses this method well:
July seventeenth, what a night. Sam rowed me over to the little island. We danced on the beach, and we kissed on the beach, and …
The ellipsis is used to imply they got intimate, but that part is “omitted.”
Other times things are omitted because they are incomplete–maybe an incomplete line of dialogue such as when a character trails off.
“I started to go to the school, but …” she trailed off.
Or an incomplete thought.
Would she actually want … ? she wondered.
Or maybe something is “omitted” for the sake of something else, like a character trying to censor or tone down his word choice.
“Sarah is really very … fanciful, isn’t she?” David said.
In pauses like this, the ellipsis may convey thinking. It’s completely fine to use them that way.
In rare occasions, an ellipsis might be used to indirectly convey the passing of time.
She ate … she drank … and she went shopping.
And you may occasionally see them used other ways stylistically, but these are the main situations.
In a sense, though, in all these examples, something is omitted, whether it’s directly, or indirectly, like an incomplete or changing thought, or actions in between.
When used smartly, ellipses can be powerful in fiction because they convey more than what is on the page, and that is vital to good storytelling.
Too often, however, newer writers just throw them in because they like the feel and sound of them or the long pause, or even in some cases … because they are lazy. Make sure if you use them, they have a point.
Now let’s get to the technicalities. Years ago, I used to be confused that sometimes ellipses seemed to be three dots and other times four, and I didn’t know when to use which. Ellipses are three dots. However, if it comes after a complete sentence, you still use a period.
I was so hungry… . chicken, cereal, tofu, pasta–all of it sounded good.
If it follows an incomplete sentence, you don’t use a period.
“You know you’re in love when … reality is finally better than your dreams.” - Dr. Suess
If the words after the ellipsis are the start of a new sentence, you capitalize them.
"They treated me like … Want to go to dinner?“ she asked suddenly.
If not, you don’t.
When it comes to spacing before and after an ellipsis, handle it how you would a regular word.
Sarah was really very[space]…[space]fanciful.
“I started to go to the school, but[space] …[no space]” she trailed off.
One exception to this is if there is a question mark following.
Would she actually want[space]…[space]? she wondered.
According to The Chicago Manual of Style, ellipses should have a space between each dot.
Would she actually want[space].[space].[space].[space]? she wondered.
However, in APA style, there are no spaces between dots.
Would she actually want … ? she wondered.
Fiction typically follows The Chicago Manual of Style, but you may still see the ellipsis with no spaces, especially since word processors sometimes reformat ellipses automatically. So while technically they should have spaces between each dot, you probably aren’t going to get reprimanded if you don’t. Even The Chicago Manual of Style notes that some places will be fine with the no-space ellipsis. I use spaces because that’s how I was corrected by a mentor once.
One more thing: Ellipses do not signify an interruption.
WRONG:
“I wish …”
“Shut up!” Mike interrupted.
Use em dashes for that.
Correct:
“I wish–”
“Shut up!” Mike interrupted.
Dashes are another subject.
But hopefully now you know how to handle ellipses!
someone in a fanfic: s-stutters in embarrassment
me, closing the tab: sorry I must go
1. Interesting- note worthy; thought-provoking; fascinating; attracting; appealing; attention-grabbing; captivating; gripping; invigorating; engrossing; engaging; electrifying.
2. Beautiful- striking; stunning; magnificent; lovely; charming; gorgeous; radiant; dazzling.
3. Good- acceptable, wonderful, exceptional; positive; brilliant; first-rate; notable; stellar; favorable; superb; marvellous; prime.
4. Bad- awful; lousy; poor; unacceptable; crummy; dreadful; rough; inferior; substandard; atrocious; appalling; dreadful; defective.
5. Look- glance; fixate; observe; stare; gaze; peer; scan; watch; study; browse; eye; glimpse; review; inspect.
6. Nice- lovely; superior; pleasant; satisfying; delightful; likeable; agreeable; correct; adequate; swell; fair; okay; approved.
7. Very- extremely; exceedingly; exceptionally; immensely; tremendously; abundantly; particularly; remarkably.
8. Fine- satisfactory; worthy; respectable; exquisite; suitable; well; imposing; decent; admirable; praise-worthy; decent.
9. Happy- cheerful; delighted; pleased; content; amused; thrilled; elated; thrilled; ecstatic; on cloud 9.
10. Really- genuinely; truly; honestly; actually; undoubtedly; certainly; remarkably; incredibly; downright; unquestionably; extremely.
11. Sad- miserable; gloomy; devastated; down at heard; distraught; distressed; dispirited; sorrowful; downcast; feeling blue; desolate.
12. Big- massive; huge; giant; gigantic; enormous; large; colossal; immense; bulky; tremendous; hefty; sizable; extensive; great; substantial.
13. Shocked- taken aback; lost for words; flabbergasted; staggered; outraged; astonished; astounded; stunned; speechless; appalled.
14. Small- tiny; petite; mini; miniature; microscopic; minuscule; compact; pocket-sized; cramped; puny; undersized; limited; meager; modest; minute; pint-sized.
15. Angry- irate; enraged; touchy; cross; resentful; indignant; infuriated; wound-up; worked-up; seething; raging; heated; bitter; bad-tempered; offended; frustrated.
16. Know- understand; comprehend; realize; learn; perceive; recognize; grasp; sense.
17. Change- alter; transform; replace; diversify; adjust; adapt; modify; remodel; vary; evolve; transfigure; redesign; refashion; advance; transition; shift; adjustment.
18. Old- aged; ancient; matured; elderly; senior; veteran; decrepit; seasoned; venerable; past one’s prime; doddering; senile.
19. Think- ponder; reflect; conceive; imagine; contemplate; consider; determine; realize; visualize; guess/assume; conclude; envision.
20. Funny- comical; ludicrous; amusing; droll; entertaining; absurd; hilarious; silly; whimsical; hysterical; joking; witty; facetious; slapstick; side-splitting; knee-slapping.
21. Go- move; proceed; advance; progress; travel; walk; journey; depart; exit; flee; make one’s way; clear out; get underway.
22. Give- grant; donate; hand-out; present; provide; deliver; hand over; offer; award; bestow; supply with; contribute to; send; entrust.
23. Get- acquire; obtain; receive; gain; earn; gather; collect; buy; purchase; attain; score; secure; take possession of; grab.
24. Easy- effortless; simple; clear; smooth; straightforward; uncomplicated; painless; accessible; apparent; basic; plain; child’s play; facile; elementary; cinch.
25. Fast- agile; brisk; rapid; nimble; swift; accelerated; fleeting; high-speed; active; dashing; winged; hurried; turbo.
Lean Having a slender and toned body with minimal body fat.
Muscular Having well-developed muscles and a defined physique.
Slender Having a thin and graceful body shape.
Curvy Having an hourglass figure with well-defined curves, particularly in the hips and bust.
Athletic Having a fit and muscular body, often associated with participation in sports or physical activities.
Petite Being small and slender in stature, usually referring to height and overall body size.
Voluptuous Having full and shapely curves, often emphasizing a larger bust, hips, and thighs.
Stocky Having a compact and solid build with a sturdy appearance.
Thin Having a slim and slender body shape with little body fat or muscle definition.
Well-proportioned Having balanced and harmonious body proportions, with each body part in good proportion to the whole.
Toned Having firm muscles and a defined physique resulting from regular exercise and strength training.
Chubby Having a plump or rounded body shape, often with excess body fat.
Pear-shaped Having a body shape where the hips and thighs are wider than the shoulders and bust.
Hourglass figure Having a curvy body shape characterized by a well-defined waist and proportionate bust and hips.
Apple-shaped Having a body shape where weight is primarily carried around the midsection, resulting in a broader waistline.
Broad-shouldered Having wide and well-developed shoulders in comparison to the rest of the body.
Long-limbed Having long and slender limbs in proportion to the body.
Stout Having a sturdy and robust build, often characterized by a solid and thick physique.
Plump Having a pleasantly full and rounded body shape, often indicating a higher percentage of body fat.
Tall and slender Being tall in height and having a slim and elongated body shape.
Using the “rule of 3” works when it comes to showing your character’s emotional response. Source
Ok. I’m tired of the typical vampire, werewolf and fairy.I’m also tired of the occidental-centrism in mythology. Hence, this list.
I tried to included as many cultural variants as I could find and think of. (Unfortunately, I was restricted by language. Some Russian creatures looked very interesting but I don’t speak Russian…) Please, add creatures from your culture when reblogguing (if not already present). It took me a while to gather all those sites but I know it could be more expansive. I intend on periodically editing this list.
Of note: I did not include specific legendary creatures (Merlin, Pegasus, ect), gods/goddesses/deities and heroes.
Dragons
The Chinese Dragon
The Japanese Dragon
The Korean Dragon
The Vietnamese Dragon
The Greek Dragon
The Indian Dragon
The Polish Dragon
The Austrian Dragon
The British Dragon
The Ancient Dragon (Egypt, Babylon and Sumer)
The Spanish Basque Dragon
Of the Cockatrice (creature with the body of a dragon)
Alphabetical List of Dragons Across Myths (Great way to start)
Little creatures (without wings)
The Legend of the Leprechauns, The Leprechaun
Chanaque /Alux (the equivalent of leprechauns in Aztec/Mayan folklore)
Elves
Elves in Mythology and Fantasy
Elves in Germanic Mythology
Kabeiroi or Cabeiri (Dwarf-like minor gods in Greek mythology)
Norse Dwarves
The Myth of Loki and the Dwarves
Ten Types of Goblins
Goblins
Tengu: Japanese Goblins
Gnomes
More on Gnomes
Pooka: an Irish phantom
Creatures with wings (except dragons)
Fairies
All sorts of Cultural Fairies
Fairies in Old French Mythology
A Fairy List
Bendith Y Mamau (Welsh fairies)
Welsh Fairies
Peri (Persian fairies)
Yü Nü (Chinese fairies)
The Celtic Pixie
Angels in Judaism
Angels in Christianity
Hierarchy of Angels
Angels in Islam
Irish Sylph
Garuda (Bird-like creature in Hindu and Buddhist myths)
Bean Nighe (a Scottish fairy; the equivalent of a banshee in Celtic mythology)
Harpies
Spirited Creatures
Druids
Jinn (Genies in Arabic folklore)
Types of Djinns
Aisha Qandisha and Djinn in Moroccan Folklore
Oni (demons in Japanese folklore)
Nymphs
Spirits in Asturian Mythology
Valkyries
Lesovik
Boggarts: The British Poltergeist
Phantom black dogs (the Grim)
Demons in Babylonian and Assyrian Mythology (list)
Demons in the Americas (list)
European Demons (list)
Middle-East and Asia Demons (list)
Judeo-Christian Demons (list)
Nephilim, more on Nephilim
Mahaha (a demon in Inuit mythology)
Flying Head (a demon in Iroquois mythology)
Ghosts
Toyol (a dead baby ghost in Malay folklore)
Malay Ghosts
Yuki-onna (a ghost in Japanese folklore)
The Pontianak (a ghost in Malay mythology)
Funayurei (a ghost in Japanese folklore)
Zagaz (ghosts in Moroccan folklore)
Japanese Ghosts
Mexican Ghosts
Horse-like mythical creatures
Chinese Unicorns
Unicorns
The Kelpie (Could have also fitted in the sea creatures category)
The Centaur
The Female Centaur
Hippocamps (sea horses in Greek mythology)
Horse-like creatures (a list)
Karkadann, more on the Karkadann (a persian unicorn)
Ceffyl Dwfr (fairy-like water horse creatures in Cymric mythology)
Undead creatures
The Melanesian Vampire
The Ewe Myth : Vampires
The Germanic Alp
The Indonesian Vampire
Asanbosam and Sasabonsam (Vampires from West Africa)
The Aswang: The Filipino Vampire
Folklore Vampires Versus Literary Vampires
Callicantzaros: The Greek Vampire
Vampires in Malaysia
Loogaroo/Socouyant: The Haitian Vampire
Incubi and Sucubi Across Cultures
Varacolaci: The Romanian Vampire
Brahmaparusha: The Indian Vampire
Genesis of the Word “Vampire”
The Ghoul in Middle East Mythology
Slavic Vampires
Vampires A-Z
The Medical Truth Behind the Vampire Myths
Zombies in Haitian Culture
Shape-shifters and half-human creatures (except mermaids)
Satyrs (half-man, half-goat)
Sirens in Greek Mythology (half-woman and half-bird creatures)
The Original Werewolf in Greek Mythology
Werewolves Across Cultures
Werewolf Syndrome: A Medical Explanation to the Myth
Nagas Across Cultures
The Kumiho (half fox and half woman creatures)
The Sphinx
Criosphinx
Scorpion Men (warriors from Babylonian mythology)
Pooka: an Irish changelings
Domovoi (a shape-shifter in Russian folklore)
Aatxe (Basque mythology; red bull that can shift in a human)
Yech (Native American folklore)
Ijiraat (shapeshifters in Inuit mythology)
Sea creatures
Selkies (Norse mermaids)
Mermaids in many cultures
More about mermaids
Mermen
The Kraken (a sea monster)
Nuckelavee (a Scottish elf who mainly lives in the sea)
Lamiak (sea nymphs in Basque mythology)
Bunyip (sea monster in Aboriginal mythology)
Apkallu/abgal (Sumerian mermen)
An assemblage of myths and legends on water and water creatures
Slavic Water Creatures
The Encantado (water spirits in Ancient Amazon River mythology)
Zin (water spirit in Nigerian folklore)
Qallupilluk (sea creatures in Inuit mythology)
Monsters That Don’t Fit in Any Other Category
Aigamuxa, more details on Aigamuxa
Amphisabaena
Abere
Bonnacon
Myrmidons (ant warriors)
Troll, More on Trolls
Golems
Golems in Judaism
Giants: The Mystery and the Myth (50 min long documentary)
Inupasugjuk (giants in Inuit mythology)
Fomorians (an Irish divine race of giants)
The Minotaur
The Manticore, The Manticore and The Leucrouta
The Ogre
The Orthus (two-headed serpent-tailed dog)
The Windigo
The Windigo Psychosis
Rakshasa (humanoids in Hindu and Buddhist mythology)
Yakshas (warriors in Hindu mythology)
Taqriaqsuit (“Shadow people” in Inuit mythology)
References on Folklore and Mythology Across the Globe
Creatures of Irish Folklore
Folklore and Fairytales
An Overview of Persian Folklore
Filipino Folklore
Myths, Creatures and Folklore
Alaska Folklore
Spanish (Spain) Mythology
Mythical Archive
Mythology Dictionary
List of Medieval and Ancient Monsters
Native American Animals of Myth and Legends
Native American Myths
Bestiary of Ancient Greek Mythology
Mythology, Legend, Folklore and Ghosts
Angels and Demons
List of Sea Creatures
Yoruba Mythology
Ghosts Around the World, Ghosts From A to Z
Strange (Fantastic) Animals of Ancient Egypt
Egyptian Mythology
Creatures from West Africa
On the Legendary Creatures of Africa
Myths, Creatures and Folklore
References on writing a myth or mythical creatures
Writing a MYTHology in your novel?
How to Write a Myth
10 Steps to Creating Realistic Fantasy Creatures
Creating Fantasy Creatures or Alien Species
Legendary Creature Generator
Book Recommendations With Underrated Mythical Creatures
(I have stumbled upon web sites that believed some of these mythical creatures exist today… Especially dragons, in fact. I just had to share the love and scepticism.)
While lethal injuries often take center stage, non-lethal injuries can create lasting effects on characters, shaping their journeys in unique ways. If you need a simple way to make your characters feel pain during a scene, here are some ideas:
Sprained Ankle
A common injury that can severely limit mobility, forcing characters to adapt their plans and experience frustration as they navigate their environment.
Rib Contusion
A painful bruise on the ribs can make breathing difficult and create tension, especially during action scenes, where every breath becomes a reminder of vulnerability.
Concussion
This brain injury can lead to confusion, dizziness, and mood swings, affecting a character’s judgment and creating a sense of unpredictability in their actions.
Fractured Finger
A broken finger can complicate tasks that require fine motor skills, causing frustration and emphasizing a character’s dependence on their hands.
Road Rash
The raw, painful skin resulting from a fall can symbolize struggle and endurance, highlighting a character's resilience in the face of physical hardship.
Shoulder Dislocation
This injury can be excruciating and often leads to an inability to use one arm, forcing characters to confront their limitations while adding urgency to their situation.
Deep Laceration
A cut that requires stitches can evoke visceral imagery and tension, especially if the character has to navigate their surroundings while in pain.
Burns
Whether from fire, chemicals, or hot surfaces, burns can cause intense suffering and lingering trauma, serving as a physical reminder of a character’s past mistakes or battles.
Pulled Muscle
This can create ongoing pain and restrict movement, providing an opportunity for characters to experience frustration or the need to lean on others for support.
Tendonitis
Inflammation of a tendon can cause chronic pain and limit a character's ability to perform tasks they usually take for granted, highlighting their struggle to adapt and overcome.
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I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.
IN RESPONSE TO Acknowledged Answered Protested
INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified
GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed
FOR SOMEONE ELSE Advised Criticized Suggested
JUST CHECKING Affirmed Agreed Alleged Confirmed
LOUD Announced Chanted Crowed
LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned
ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore
SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized
ASSHOLE Bellowed Boasted Bragged
NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered
SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted
FIRST OFF Began
LASTLY Concluded Concurred
WEAK PUSY Begged Blurted Complained Cried Faltered Fretted
HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed
WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved
BRUH, CHILL Cautioned Warned
ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted
CHILL SAVAGE Commented Continued Observed Surmised
LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed
BRUH I NEED U AND U NEED ME Confided Offered Urged
FINE Consented Decided
TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered
JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched
WASN’T ME Denied Lied
EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened
BORED Droned Sighed
SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered
DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached
OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled
ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered
ANNOYING Nagged
I DON’T REALLY CARE BUT WHATEVER Guessed Ventured
I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased