Hoist
Dart/Dash
Deflect
Shield
Sidestep
Snatch up
Stalk
Stamp/stomp
Stretch
Stride
Wagger
Oust
Leap
Lose ground
Mimick
Mirror
Negate
Overpower
Parry
Rear to full height
Resurgate
Suanter
Seize
Take cover
Throttle
Twirl
Unleash
Withdraw
Entwine
Flee
Gain ground
Grasp
Cling to
Breach
Duck
Dodge
Amputate
Bloody
Carbe
Castrate
Collision
Connect
Crush
Defenestrate
Destroy
Disfigure
Dismember
Dissever
Grind
Maul
Perforate
Rend
Riddle with holes
Saw
Smack
Splatter
Sunder
Torn Asunder
Traumatize
Whack
Writhe
Gut
Hammer
Maim
Mangle
Plow
Puncture
Assault
Attack
Barrage
Bash
Belebor
Bludgeon
Carve
Chop
Cleave
Clio
Club
Crosscut
Dice
DIg
Gore
Hack
Impale
Jab
Kick
Knock
Onsalught
Pierce
Plnt
Punch
Rive
Shove
Skewer
Slice
Smash
Stab
Strike
Sweep
Swipe
Swing
Transfix
Thrust
Agony
Asphyxiate
Chock
Cough up bile
Cut to ribbons
Flop limply
Fractue
Freckled with blood
Gouts of blood
Grimane
Hemorrhage
Hiccup blood
Imprint
Indent
Resounding
Retch
Rip
rupture
Shiny with gore
Spew
Splash
Slumped in despair
Splatter
Split
Tear
Topple
Void
Vomit
Wedge
With a fell gaze
With a fiendish grin
With blank surprise
Bang
Barking
Bong
Boom
Crack
Cackle
Clang
Clash
Crash
Cry
Echo
Elicit a curse
Frunt
Hiss
Howel
Hum
Moan
Muttering
Whoosh
Whistle
Whizz
With a keening cry
Thud
Thunk
Thawk
Splat
Snarl
Swoosh
Squeal
Sing
Sickening Pop
Silintly
Shriek
Shout
Snap
Thundering
Blind
Burn
Cause frostbite
Cauterize
Concussion
Combust
Daze
Dazzle
Deafen
Disintegrate
Electrocute
Freeze
Fuse flesh
Immobilze
Incinerate
Melt
Pralyse
Petrify
Purbind
Radiate
Reduced to
Shock
Sightless
Stun
Transiluminate
Annihilate
Behead
Decapitate
Disembowel
Eviscerate
Extirpate
Murder
Obliterate
Raze
Exterminate
So you know when you're writing a scene where the hero is carrying an injured person and you realize you've never been in this situation and have no idea how accurate the method of transportation actually is?
Oh boy, do I have a valuable resource for you!
Here is a PDF of the best ways to carry people depending on the situation and how conscious the injured person needs to be for the carrying position.
Literally a life saver.
(No pun intended.)
Petite doesn’t mean powerless. It means compact energy. It means you underestimated her and now you’re on the floor wondering how she flipped you.
They walk with that deliberate energy that says, “Don’t mistake size for softness.”
People overlook them in a crowd until they speak. Then suddenly, the whole room tilts in their direction.
They have to climb onto counters. They pretend to hate it. Secretly? They’ve mastered it like an art.
When someone makes a “you’re so tiny” comment, their smile is all teeth and danger.
They fit in weird places. Under tables. Through windows. Behind doors. Like their body was made for hiding orsneaking into trouble.
They’re always underestimated in physical fights, until someone ends up winded from a hit they didn’t see coming.
Their clothes are always too long. Sleeves past the fingertips. Jeans cuffed twice. But they wear it like style, not an inconvenience.
Actually
The question I get the most is how I write characters that feel like real people.
Generally when I’m designing a human being, I deconstruct them into 7 major categories:
1. Primary Drive 2. Fear: Major and Secondary 3. Physical Desires 4. Style of self expression 5. How they express affection 6. What controls them (what they are weak for) 7. What part of them will change.
1. Primary Drive: This is generally related to the plot. What are their plot related goals? How are they pulling the plot forward? how do they make decisions? What do they think they’re doing and how do they justify doing it. 2. Fear: First, what is their deep fear? Abandonment? being consumed by power? etc. Second: tiny fears. Spiders. someone licking their neck. Small things that bother them. At least 4. 3. Physical desires. How they feel about touch. What is their perceived sexual/romantic orientation. Do their physical desires match up with their psychological desires.
4. Style of self expression: How they talk. Are they shy? Do they like to joke around and if so, how? Are they anxious or confident internally and how do they express that externally. What do words mean to them? More or less than actions? Does their socioeconomic background affect the way they present themselves socially? 5. How they express affection: Do they express affection through actions or words. Is expressing affection easy for them or not. How quickly do they open up to someone they like. Does their affection match up with their physical desires. how does the way they show their friends that they love them differ from how they show a potential love interest that they love them. is affection something they struggle with?
6. What controls them (what they are weak for): what are they almost entirely helpless against. What is something that influences them regardless of their own moral code. What– if driven to the end of the wire— would they reject sacrificing. What/who would they cut off their own finger for. What would they kill for, if pushed. What makes them want to curl up and never go outside again from pain. What makes them sink to their knees from weakness or relief. What would make them weep tears of joy regardless where they were and who they were in front of.
7. WHAT PART OF THEM WILL CHANGE: people develop over time. At least two of the above six categories will be altered by the storyline–either to an extreme or whittled down to nothing. When a person experiences trauma, their primary fear may change, or how they express affection may change, etc. By the time your book is over, they should have developed. And its important to decide which parts of them will be the ones that slowly get altered so you can work on monitoring it as you write. making it congruent with the plot instead of just a reaction to the plot.
That’s it.
But most of all, you have to treat this like you’re developing a human being. Not a “character” a living breathing person. When you talk, you use their voice. If you want them to say something and it doesn’t seem like (based on the seven characteristics above) that they would say it, what would they say instead?
If they must do something that’s forced by the plot, that they wouldn’t do based on their seven options, they can still do the thing, but how would they feel internally about doing it?
How do their seven characteristics meet/ meld with someone else’s seven and how will they change each other?
Once you can come up with all the answers to all of these questions, you begin to know your character like you’d know one of your friends. When you can place them in any AU and know how they would react.
They start to breathe.
Heavy eyelids, struggling to stay open.
Slumping shoulders, barely able to hold themselves up.
Dragging feet with each step.
Speaking in a slow, slurred manner.
Dark circles under the eyes.
Yawning frequently and deeply.
Head nodding forward, trying to stay awake.
Leaning heavily against walls or furniture.
Rubbing eyes and face with hands.
Deep, weary sighs escaping lips.
Wincing at bright lights or loud sounds.
Staring blankly ahead, unable to focus.
Weak, unsteady movements.
Muttering incoherently to themselves.
Falling asleep in unusual places.
Lack of response or delayed reactions.
Propping their head up with their hand.
Collapsing onto the nearest available surface.
Swaying slightly on their feet.
Barely lifting their head to speak or listen.
Dream sequence/nightmare
Flashback/resurfaced memories
Revealed by psychic reading Whumpee’s mind
Found footage/pictures
Someone finally asks and they explain
As the reason behind a thought process/assumption/belief
Whumper shows up and taunts them
Scars
Through conditioned behaviour
Finding an old journal
Hints dropped in conversation
Have someone who knows tell someone who doesn’t
• • •
Feel free to add others!
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
I made these as a way to compile all the geographical vocabulary that I thought was useful and interesting for writers. Some descriptors share categories, and some are simplified, but for the most part everything is in its proper place. Not all the words are as useable as others, and some might take tricky wording to pull off, but I hope these prove useful to all you writers out there!
(save the images to zoom in on the pics)
Me trying to figure out the distance between places and how long it’ll take a character to get there in a society that travels mostly on foot:
Ok. I’m tired of the typical vampire, werewolf and fairy.I’m also tired of the occidental-centrism in mythology. Hence, this list.
I tried to included as many cultural variants as I could find and think of. (Unfortunately, I was restricted by language. Some Russian creatures looked very interesting but I don’t speak Russian…) Please, add creatures from your culture when reblogguing (if not already present). It took me a while to gather all those sites but I know it could be more expansive. I intend on periodically editing this list.
Of note: I did not include specific legendary creatures (Merlin, Pegasus, ect), gods/goddesses/deities and heroes.
Dragons
The Chinese Dragon
The Japanese Dragon
The Korean Dragon
The Vietnamese Dragon
The Greek Dragon
The Indian Dragon
The Polish Dragon
The Austrian Dragon
The British Dragon
The Ancient Dragon (Egypt, Babylon and Sumer)
The Spanish Basque Dragon
Of the Cockatrice (creature with the body of a dragon)
Alphabetical List of Dragons Across Myths (Great way to start)
Little creatures (without wings)
The Legend of the Leprechauns, The Leprechaun
Chanaque /Alux (the equivalent of leprechauns in Aztec/Mayan folklore)
Elves
Elves in Mythology and Fantasy
Elves in Germanic Mythology
Kabeiroi or Cabeiri (Dwarf-like minor gods in Greek mythology)
Norse Dwarves
The Myth of Loki and the Dwarves
Ten Types of Goblins
Goblins
Tengu: Japanese Goblins
Gnomes
More on Gnomes
Pooka: an Irish phantom
Creatures with wings (except dragons)
Fairies
All sorts of Cultural Fairies
Fairies in Old French Mythology
A Fairy List
Bendith Y Mamau (Welsh fairies)
Welsh Fairies
Peri (Persian fairies)
Yü Nü (Chinese fairies)
The Celtic Pixie
Angels in Judaism
Angels in Christianity
Hierarchy of Angels
Angels in Islam
Irish Sylph
Garuda (Bird-like creature in Hindu and Buddhist myths)
Bean Nighe (a Scottish fairy; the equivalent of a banshee in Celtic mythology)
Harpies
Spirited Creatures
Druids
Jinn (Genies in Arabic folklore)
Types of Djinns
Aisha Qandisha and Djinn in Moroccan Folklore
Oni (demons in Japanese folklore)
Nymphs
Spirits in Asturian Mythology
Valkyries
Lesovik
Boggarts: The British Poltergeist
Phantom black dogs (the Grim)
Demons in Babylonian and Assyrian Mythology (list)
Demons in the Americas (list)
European Demons (list)
Middle-East and Asia Demons (list)
Judeo-Christian Demons (list)
Nephilim, more on Nephilim
Mahaha (a demon in Inuit mythology)
Flying Head (a demon in Iroquois mythology)
Ghosts
Toyol (a dead baby ghost in Malay folklore)
Malay Ghosts
Yuki-onna (a ghost in Japanese folklore)
The Pontianak (a ghost in Malay mythology)
Funayurei (a ghost in Japanese folklore)
Zagaz (ghosts in Moroccan folklore)
Japanese Ghosts
Mexican Ghosts
Horse-like mythical creatures
Chinese Unicorns
Unicorns
The Kelpie (Could have also fitted in the sea creatures category)
The Centaur
The Female Centaur
Hippocamps (sea horses in Greek mythology)
Horse-like creatures (a list)
Karkadann, more on the Karkadann (a persian unicorn)
Ceffyl Dwfr (fairy-like water horse creatures in Cymric mythology)
Undead creatures
The Melanesian Vampire
The Ewe Myth : Vampires
The Germanic Alp
The Indonesian Vampire
Asanbosam and Sasabonsam (Vampires from West Africa)
The Aswang: The Filipino Vampire
Folklore Vampires Versus Literary Vampires
Callicantzaros: The Greek Vampire
Vampires in Malaysia
Loogaroo/Socouyant: The Haitian Vampire
Incubi and Sucubi Across Cultures
Varacolaci: The Romanian Vampire
Brahmaparusha: The Indian Vampire
Genesis of the Word “Vampire”
The Ghoul in Middle East Mythology
Slavic Vampires
Vampires A-Z
The Medical Truth Behind the Vampire Myths
Zombies in Haitian Culture
Shape-shifters and half-human creatures (except mermaids)
Satyrs (half-man, half-goat)
Sirens in Greek Mythology (half-woman and half-bird creatures)
The Original Werewolf in Greek Mythology
Werewolves Across Cultures
Werewolf Syndrome: A Medical Explanation to the Myth
Nagas Across Cultures
The Kumiho (half fox and half woman creatures)
The Sphinx
Criosphinx
Scorpion Men (warriors from Babylonian mythology)
Pooka: an Irish changelings
Domovoi (a shape-shifter in Russian folklore)
Aatxe (Basque mythology; red bull that can shift in a human)
Yech (Native American folklore)
Ijiraat (shapeshifters in Inuit mythology)
Sea creatures
Selkies (Norse mermaids)
Mermaids in many cultures
More about mermaids
Mermen
The Kraken (a sea monster)
Nuckelavee (a Scottish elf who mainly lives in the sea)
Lamiak (sea nymphs in Basque mythology)
Bunyip (sea monster in Aboriginal mythology)
Apkallu/abgal (Sumerian mermen)
An assemblage of myths and legends on water and water creatures
Slavic Water Creatures
The Encantado (water spirits in Ancient Amazon River mythology)
Zin (water spirit in Nigerian folklore)
Qallupilluk (sea creatures in Inuit mythology)
Monsters That Don’t Fit in Any Other Category
Aigamuxa, more details on Aigamuxa
Amphisabaena
Abere
Bonnacon
Myrmidons (ant warriors)
Troll, More on Trolls
Golems
Golems in Judaism
Giants: The Mystery and the Myth (50 min long documentary)
Inupasugjuk (giants in Inuit mythology)
Fomorians (an Irish divine race of giants)
The Minotaur
The Manticore, The Manticore and The Leucrouta
The Ogre
The Orthus (two-headed serpent-tailed dog)
The Windigo
The Windigo Psychosis
Rakshasa (humanoids in Hindu and Buddhist mythology)
Yakshas (warriors in Hindu mythology)
Taqriaqsuit (“Shadow people” in Inuit mythology)
References on Folklore and Mythology Across the Globe
Creatures of Irish Folklore
Folklore and Fairytales
An Overview of Persian Folklore
Filipino Folklore
Myths, Creatures and Folklore
Alaska Folklore
Spanish (Spain) Mythology
Mythical Archive
Mythology Dictionary
List of Medieval and Ancient Monsters
Native American Animals of Myth and Legends
Native American Myths
Bestiary of Ancient Greek Mythology
Mythology, Legend, Folklore and Ghosts
Angels and Demons
List of Sea Creatures
Yoruba Mythology
Ghosts Around the World, Ghosts From A to Z
Strange (Fantastic) Animals of Ancient Egypt
Egyptian Mythology
Creatures from West Africa
On the Legendary Creatures of Africa
Myths, Creatures and Folklore
References on writing a myth or mythical creatures
Writing a MYTHology in your novel?
How to Write a Myth
10 Steps to Creating Realistic Fantasy Creatures
Creating Fantasy Creatures or Alien Species
Legendary Creature Generator
Book Recommendations With Underrated Mythical Creatures
(I have stumbled upon web sites that believed some of these mythical creatures exist today… Especially dragons, in fact. I just had to share the love and scepticism.)
There is no reason not to love your writing. You did it. You spent time on it. Of course you should talk about it. No. It’s not boasting, nor are you self obsessed. It’s yours. You spent time on it. Not them. Post about your art. Share with everyone. Because it is amazing.