REAL fights aren’t about the dishes in the sink. They’re about what the dishes represent. Neglect. Disrespect. One more little way you made me feel like I don’t matter.
When characters explode, make sure it’s a culmination, not a random Tuesday outburst. Sow those seeds way earlier. Every ignored text. Every moment one character flinched but didn’t speak. Let it simmer like a pot left on the stove too long — and then blow the lid off.
“You left your socks on the floor again!” Translation: You stopped caring about making me feel wanted.
╰ The “Fight Like Yourself” Principle Your shy, conflict-avoidant character isn’t going to suddenly monologue like a Shakespeare villain. They’re going to stutter. Misfire. Maybe say something stupid and instantly regret it. Your cocky, snarky character? They’ll joke until they’re cornered — and then bite. HARD.
Write fights in a way that honors your characters’ personalities even when they’re falling apart. Actually, especially when they’re falling apart.
The sarcastic one cracks a joke that lands wrong. And when the other person flinches, really flinches, the jokester looks like they just slapped themselves in the face.
╰ The "Weaponized Vulnerability" Strike Want a fight that stings? Let one character use something the other trusted them with, something private, something raw as a weapon. It’s dirty. It’s low. It feels like betrayal because it is.
“You know why nobody sticks around, right? Even your mom didn’t.” (The one thing they confessed one night, drunk and shaking. Now thrown back like a grenade.)
╰ The “No Winner, Only Wreckage” Outcome A good fight doesn’t end clean. Nobody walks away feeling like they "won." They walk away wrecked. Lonely. Furious. Guilty. Sometimes victorious in the worst possible way. If both characters don’t feel like they lost something by the end of it, time to dig deeper.
One character storms out thinking, I showed them. But on the way home, they realize their hands won’t stop shaking. And the empty seat beside them has never felt so heavy.
╰ The “Body Language Screams Louder Than Words” Method Fights aren’t just yelling. It’s clenching fists that don’t throw punches. It’s pacing like a caged animal. It’s backing into a corner you don’t even realize you’re in. Describe the tension bleeding out of their bodies.
The vein in his temple throbs. She’s standing stiff as a lamppost, arms folded so tight she might snap her own bones. The air between them buzzes with too many things left unsaid.
╰ Some Types of Fights to Play With...
The Blow-Up Over Nothing: Petty argument becomes nuclear meltdown because of all the built-up resentment.
The Long-Slow Death: Cold silences. Sharp comments. No shouting — just a slow suffocation.
The Misfire: They’re mad at someone else, but they unleash it on the wrong person. (And regret it instantly.)
The Final Straw: One wrong move, one broken promise too many, and snap — years of loyalty gone in a second.
A good fight scene shouldn’t just bruise skin. It should bruise souls.
Make your characters shatter themselves a little bit. Make the reader beg them to fix it and wonder if they ever truly can.
This is an extensive list of resources for every problem you could come across while writing/planning/editing your novel. Use it well;)
{ *** } Indicate a Highly Reccommended Resource
How To Outline ***
Zigzag Method : Creating Plots
How to Plot a Romance Novel
Seven Great Sources of Conflict for Romances
Let’s talk about brainstorming
Writing Something With Meaning ***
Past Or Present Tense? : How To Decide
How To Write A Fabulous Chapter #1 ***
How to Build a Romance Thread in Your Story
The Big Book Of Writing Sex ***
6 Ways to Get Your Readers Shipping Like Crazy
Romance Writing Tips ***
20 Tips for Writing Lovable Romance Novel Heroes
7 Ways To Speed Up Your Writing ***
80+ Barriers to Love: A List of Ideas to Keep Romantic Tension High
9 Romance Writing Mistakes to Avoid
Removing the Creeps From Romance
19 Ways to Write Better Dialogue ***
50 Things Your Characters Can Do WHILE They Talk ***
How To Write Action And Fight Scenes
10 Steps To Write Arguments
9 Ways To Write Body Language
Writing Good Kissing Scenes
Writing Murders
Create And Control Tone ***
Tips for Writing Ghost Stories
Incorporating Flashbacks
12 Tips To Avoid Overwriting ***
Behind the Name
Top Baby Names
Looking for a name that means a certain thing? ***
7 Rules of Picking Names
Most Common Surnames ***
Minor Character Development
Writing Antagonists, Antiheroes and Villains
Characters With Enhanced Senses
5 Tips to Help You Introduce Characters
How Do You Describe a Character?
How To Write Child Characters
36 Core Values For Building Character
Questions To Answer When Creating Characters ***
4 Ways to Make Readers Instantly Loathe Your Character Descriptions
5 Ways to Keep Characters Consistent
Character Archetypes
25 Ways To Fuck With Your Characters
Building Platonic Relationships Between Female Characters
9 Simple and Powerful Ways to Write Body Language
33 Ways To Write Stronger Characters
Conveying Character Emotion
How to Make Readers Love an Unlikable Character…
How to Create Powerful Character Combos
How To Describe A Character’s Voice ***
Describing Clothing And Appearance ***
Career Masterpost ***
Creating Your Character’s Personality ***
Character Flaws ***
DON’T EDIT>>> REWRITE THE WHOLE THING FIRST
Ultimate Guide To Editing Each Aspect Of Your Work ***
Why You Would Read Your Novel Out Loud ***
Grammar and Punctuation ***
How To Write A Captivating First Sentence
10 Things Your Opening Chapter Should Do: A Check-List for Self-Editing ***
Saving Your Story: Finding Where It Went Wrong
How To Condense Without Losing Anything
The Stages Of Editing
Dialogue/Description Balance
3 Proofreading Tips
The Short Story Form
Chapter & Novel Lengths
Anatomy Of A Novel : Chapters and Parts ***
How To Write Chapter After Chapter Until You Have A Book ***
Where Chapter #2 Should Start
Step By Step Guide To Editing Your Draft
Writing Tool: CTRL-F (How And Why You Should Use It) ***
How To Kill A Character
25 Steps To Edit The Unmerciful Suck Out Of Your Story
5 Ways To Make Your Novel Helplessly Addictive ***
{Setting} How To Describe Setting In Your Stories ***
20 Questions To Enhance Setting
How To Bring Your Setting To Life
How to Write from a Guy’s POV
The Emotional Wounds Thesaurus
Text To Speech Reader
Compare Character Heights
A Visual Dictionary of Tops
Writers Helping Writers
7 Tricks To Imrove Your Writing Overnight
Work Out/ Word Count : Exercise Between Writing ***
Most Important Writing Tips ***
Let’s talk about diversity in novels
Letting Go Of Your Story
Keeping A Healthy Writing Schedule And Avoiding Procrastination ***
How To Create A Good Book Cover
Write or Die
Tip of my Tongue
Character Traits Form
Online Thesaurus
Coma: Types, Causes, etc
Tips for writing blood loss
Gunshot Wound Care
Examples of Hospital Forms
Common Legal Questions
The Writer’s Forensics Blog
Brain Injury Legal Guide
Types of Surgical Operations
Types of Mental Health Problems
A Day in the Life of a Mental Hospital Patient
Global Black Market Information ***
Crime Scene Science
Examining Mob Mentality
How Street Gangs Work
Story Plot Generator
@aveeragemusings ‘ Cure To Writers’ Block ***
50 Romance Plot Ideas
Reading Like A Writer ***
Defeat Writers’ Block
Writing In A Bad Mood ***
Writers Block
When You’ve Lost Motivation To Write A Novel ***
What To Do When The Words Won’t Flow ***
9 Ways To Be A More Productive Writer
“I Cannot Write A Good Sentence Today” (How To Get Over It) ***
Real Writing Advice ***
A Writer’s Thesaurus ***
Words To Describe… ***
Words & Phrases To Use In Your Sex Scenes ***
Colors (An Extensive List Of Colors)
List Of Kinks & Fetishes ***
List Of Elemental Abilities
inkarnate.com : World Creator And Map Maker For Your Imaginary Setting
Body Language Phrases
List Of Legendary Creatures
How To Write Magic
Hairstyle References
Hemingway : Writing Checker
Body Types: Words To Describe Bodies and How They Move Around
Poisonous Herbs and Plants ***
The Psychology of Color
The Meaning behind Rose color
Types of Swords
Color Symbolism
How a handgun works
How to Write a Eulogy
Types of Crying
Avoiding LGBTQ Stereotypes ***
Superstitions and More
The 12 Common Archetypes
Language of Flowers
12 Realistic Woman Body Shapes
Turning Negative Reviews Into Positive Ones ***
Proofreading Marks : Easy Symbols To Make Reviewing/Feedback Easier ***
Authonomy Teen Ink Figment Fiction Press ReviewFuse
These Are Trusted Critique Sites ;)
i have a little collection of websites i tend to use for coming up with ideas, naming people or places, keeping clear visuals or logistics, writing basics about places i've never been to, and so on. i tend to do a lot of research, but sometimes you just need quick references, right? so i thought i'd share some of them!
Behind the Name; good for name meanings but also just random name ideas, regardless of meanings.
Fantasy Name Generator; this link goes to the town name generator, which i use most, but there are lots of silly/fun/good inspo generators on there!
Age Calculator; for remembering how old characters are in Y month in Z year. i use this constantly.
Height Comparison; i love this for the height visuals; does character A come up to character B's shoulder? are they a head taller? what does that look like, height-wise? the chart feature is great!
Child Development Guide; what can a (neurotypical, average) 5-year-old do at that age? this is a super handy quickguide for that, with the obviously huge caveat that children develop at different paces and this is not comprehensive or accurate for every child ever. i like it as a starting point, though!
Weather Spark; good for average temperatures and weather checking!
Green's Dictionary of Slang; good for looking up "would x say this?" or "what does this phrase mean in this context?" i love the timeline because it shows when the phrase was historically in use. this is english only, though; i dig a little harder for resources like this in other languages.
Furrowing brows deeply.
Tilting head to one side.
Eyes squinting as if trying to see something clearly.
Biting the inner cheek in thought.
Scratching or rubbing the back of the head.
Asking, “What do you mean?” repeatedly.
Frowning and pursing lips.
Looking around as if searching for clues.
Running fingers through hair in frustration.
Sighing and shaking head slowly.
Muttering under breath, trying to make sense of things.
Rubbing temples as if to ward off a headache.
Staring blankly into space.
Crossing and uncrossing arms, unsure of what to do.
Shuffling feet awkwardly.
Pulling at their collar or fidgeting with clothing.
Glancing at others for confirmation or help.
Blinking rapidly, trying to process information.
Clenching and unclenching fists.
Taking a deep breath and slowly exhaling.
Choosing a noun well will allow you to cut adjectives. This tightens your sentences and clarifies the meaning:
a young tree -> sapling
a single-storey house -> a bungalow
a young female horse -> a filly
her long thick hair -> her mane
a prudish person -> a prude.
his bald scalp -> his pate
an unpleasant smell -> a stench
a small child -> a toddler
a brown-haired woman -> a brunette
Of course, the choice of noun depends on context, but if you can use one word, why use two?
Writing style. If you have a lush writing style, you would use more adjectives compared to a terse one. However, more than three adjectives in a sentence will slow down the story.
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I got pretty fed up with looking for words to replace said because they weren’t sorted in a way I could easily use/find them for the right time. So I did some myself.
IN RESPONSE TO Acknowledged Answered Protested
INPUT/JOIN CONVERSATION/ASK Added Implored Inquired Insisted Proposed Queried Questioned Recommended Testified
GUILTY/RELUCTANCE/SORRY Admitted Apologized Conceded Confessed Professed
FOR SOMEONE ELSE Advised Criticized Suggested
JUST CHECKING Affirmed Agreed Alleged Confirmed
LOUD Announced Chanted Crowed
LEWD/CUTE/SECRET SPY FEEL Appealed Disclosed Moaned
ANGRY FUCK OFF MATE WANNA FIGHT Argued Barked Challenged Cursed Fumed Growled Hissed Roared Swore
SMARTASS Articulated Asserted Assured Avowed Claimed Commanded Cross-examined Demanded Digressed Directed Foretold Instructed Interrupted Predicted Proclaimed Quoted Theorized
ASSHOLE Bellowed Boasted Bragged
NERVOUS TRAINWRECK Babbled Bawled Mumbled Sputtered Stammered Stuttered
SUAVE MOTHERFUCKER Bargained Divulged Disclosed Exhorted
FIRST OFF Began
LASTLY Concluded Concurred
WEAK PUSY Begged Blurted Complained Cried Faltered Fretted
HAPPY/LOL Cajoled Exclaimed Gushed Jested Joked Laughed
WEIRDLY HAPPY/EXCITED Extolled Jabbered Raved
BRUH, CHILL Cautioned Warned
ACTUALLY, YOU’RE WRONG Chided Contended Corrected Countered Debated Elaborated Objected Ranted Retorted
CHILL SAVAGE Commented Continued Observed Surmised
LISTEN BUDDY Enunciated Explained Elaborated Hinted Implied Lectured Reiterated Recited Reminded Stressed
BRUH I NEED U AND U NEED ME Confided Offered Urged
FINE Consented Decided
TOO EMO FULL OF EMOTIONS Croaked Lamented Pledged Sobbed Sympathized Wailed Whimpered
JUST SAYING Declared Decreed Mentioned Noted Pointed out Postulated Speculated Stated Told Vouched
WASN’T ME Denied Lied
EVIL SMARTASS Dictated Equivocated Ordered Reprimanded Threatened
BORED Droned Sighed
SHHHH IT’S QUIET TIME Echoed Mumbled Murmured Muttered Uttered Whispered
DRAMA QUEEN Exaggerated Panted Pleaded Prayed Preached
OH SHIT Gasped Marveled Screamed Screeched Shouted Shrieked Yelped Yelled
ANNOYED Grumbled Grunted Jeered Quipped Scolded Snapped Snarled Sneered
ANNOYING Nagged
I DON’T REALLY CARE BUT WHATEVER Guessed Ventured
I’M DRUNK OR JUST BEING WEIRDLY EXPRESSIVE FOR A POINT/SARCASM Hooted Howled Yowled
I WONDER Pondered Voiced Wondered
OH, YEAH, WHOOPS Recalled Recited Remembered
SURPRISE BITCH Revealed
IT SEEMS FAKE BUT OKAY/HA ACTUALLY FUNNY BUT I DON’T WANT TO LAUGH OUT LOUD Scoffed Snickered Snorted
BITCHY Tattled Taunted Teased
i think we as a society need to use cell phones/laptops/cars/backpacks to flesh out characters
(This is from my own personal experience as a Chinese person who’s better at English, my “first” language, than Chinese, my “second” language.)
When your character is going speak unintentionally in their second language instead of their first one: • When they’re tired, they could slip up and accidentally start a sentence with their second language. Generally, though, they realise and correct themselves before finishing the sentence • When they were just thinking in their second language/ talking to someone in their second language. The shift from one language to the other is where they could get caught up • If they were startled, after just speaking/thinking in their second language.
Keep in mind though, that people very experienced in both languages will probably not be tripped up as often. Your character who has been speaking their second language for 10 years is going to trip up a lot less than your character who’s only known their second language for 5 years.
Unrealistic scenarios: • Slipping into their second language in the middle of a sentence accidentally, unless they forgot a word they needed to use Unrealistic: “Ok so you’re going to go down the hall and— 他妈的! I forgot my homework on my desk! Gotta run and get it” (The Chinese is a swear) Realistic: “We’re going to need a… 车? What do you guys call that again?” (The Chinese character is the one for car)
• Suddenly saying something in their second language, when they were just conversing in their first language. There’s a mental switch you need to make when changing from a conversation in one language to a conversation in another which makes those situations pretty unlikely. Person 1: “Could you send the powerpoint to me?” Person 2: “Just did that. Did you get the email yet?” Person 1: “我– oh whoops. Sorry! Yeah, I just got it” (Chinese character is the character for “I”)
Bilingual things you could include in your writing: • Thinking in one language when doing one specific thing. For instance, I almost always do Maths in Chinese. The whole structure of the language and how the words for numbers work out means it’s a lot easier in Chinese than English.
• A conversation that’s a mess of two languages all mashed together. Frankenlanguages. As stated before, I’m personally better at English than Chinese. So, when I’m speaking in Chinese, it’s often with English words interspersed throughout when I forget the Chinese word. In that case, there is no mental shift between languages needed. Instead, you pull from both languages at once. Ex: “我今天在学校的时候跟我的 Chemistry 老师 discuss 我的essay on the effects of acid rain on 咯房的 roofs.” (Translation: today, at school, my Chemistry teacher and I discussed my essay on the effects of acid rain on the roofs of buildings.)
• Your character could speak one language at home and another language when at work/school/with friends. For example, I speak Chinese when I’m at home with my Chinese family and I speak English everywhere else because I live in Canada. This makes for interesting situations where, even though I am highly proficient in English, I lack some basic vocabulary. What is a blouse? Not really sure to be honest. I used to get “dress” and “skirt” confused a lot because I only used Chinese to refer to those things and thus never built up my English vocabulary in those areas. I’ve had to awkwardly describe the fruit I was looking for in stores before because I didn’t know the English name for it.
Anyway, if you need help with writing a bilingual character, feel free to shoot me an ask!
"it's all in the eyes i was once told"
catching the stare of someone across a crowded room
subtle furrowing of eyebrows beyond a blank facade
coldness easing into warmth
a fond mothering gaze
corner of the lip nudged upward
forced glower/glare as they break underneath
batting their lashes, playful
a boisterous laugh
intrigue piercing the stoic
proud smugness at the other's success
lingering glances
a childish joy bursting through
pupils dilate
eyelids shut in a look of peace, calm and trust
"there was once a time when they were mine"
terseness
features fold into a scowl
an urgent flinching back
coldness returns (as though the warmth had never come)
lips part then purse
invasion of shock
slow stare at the floor
the ripple effect of a swallow
frustrated breath/sigh
bitter laugh in reminiscence
dread tearing through the seams of their composure
"darkness"
mean smirk- teeth bared grimace- scowl
dismissive gaze
gaze of contempt/impatience
threat lowering the voice
sardonic goading grins verging on manic
rolling one's eyes
flicker of irritation in the eyes
stares stubbornly ahead despite distraction
gritted teeth, clenched jaw
fierce biting remarks
even measured complexions betraying no thought
strangling oneself back from violence
utter apathy
murderous silence hanging in the stare
snobbish laughter
smiling at another's downfall
Sometimes another person is involved, but the truly talented whumpee can do it all on their own:
Falling out of a tree. Leads to broken bones, bruises from hitting other branches, and concussions
Food poisoning. Enough said.
Ice over a lake cracking. Full submersion leads to hypothermia. Or just a foot in the water leads to a bad case of frostbite
Animal bites. The ragged edges are hard to sew up leading to scarring. They get infected so easily, leading to fever and a long slow recovery
Snake bites. The properties of snake venom vary depending on the snake’s usual prey and predators. This means they offer a wide variety of symptoms to whump your characters with
Spider bites. See above.
Car accident. So many options. Bruising, internal bleeding, broken bones, bloody nose, whiplash, trauma, etc.
Being thrown from a horse. The old-school version of a car accident
I don't know how accurate some of these are, but they can be useful