I love how every week in post-episode interviews, jacob anderson is just chilling and pondering louis’ precarious psyche and being like ‘oh louis is so fucked up. that man is Not well, can you believe how unwell he is??’ while assad zaman kinda looks like he’s been up all night trying to absorb armand into his soul and he’s like ‘armand is a little scheming bitch, he’s always scheming and planning and also he’s lonely. but mostly scheming’ and then every once in a while a wild sam reid appears and he goes ‘btw whatever they’re telling you about lestat, they’re lying and my close personal friend lestat de lioncourt is NOT happy about it’
Ralph Fiennes's breakdown in the Pope's bedroom in Conclave is one of my favourite parts of the movie. Here's this man, a priest with doubts, who's lost his friend probably something akin to a mentor or leader or father, and he isn't given a second to mourn him, which is anathema to the whole religion he dedicated his life to. No, he can't take a moment to sit down and breathe because he is a manager, so he has to manage. He is then forced into suspecting his brothers and his friends, and he breaks into the Holy Father's room, because his conscience wouldn't let it rest. And then he sees the Pope's glasses and breaks down in one of the ugliest fits of weeping I remember seeing in movies.
It is such a realistic portrayal of grief and how it sneaks upon you in the most unbecoming ways and unexpected moments.
Finished the portraits for Merrill, Fenris and Anders! Moving on with the rest 👀
flowers for breakfast
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Laura Palmer's Theme (Instrumental) · Soundtrack From Twin Peaks Angelo Badalamenti — 1990