I just saw a post that deeply annoyed me because it went, "Here's a story that's like a Regency romance, but I FIXED it by making the characters sexually liberated and shame-free and polyamorous!"
This is like saying, "Here's a story that's like a thriller, but I FIXED it by having the serial killer go to therapy instead of trapping victims in his evil maze and dismembering them."
.
The thing a lot of people don't seem to get is that the entire appeal of a Regency romance is watching a deeply repressed, perfectly controlled, buttoned up, straight-laced person who has never expressed an emotion before fall so hard for someone that something in them just breaks and they come completely unhinged.
It's a very specific kink that this genre is tapping into.
People who think the characters in a Regency novel are boring are missing the whole point. The characters are supposed to be boring, right up until they fall so madly in love that it drives them insane, at which point they become very interesting. Regency romance novelists are doing the writing equivalent of putting plain white featureless uncooked whole eggs in a microwave and waiting for them to explode.
Me: I don't get it. I thought I was doing a lot better than I was a few years ago. I'm like 10 times more on top of things than I used to be. How does everything feel terrible now?
The Tiny Me in OSHA-approved Hi-Vis Gear Who lives in my brain and pulls all the levers: Boss, it's the fascism. You're completely gunked up with cortisol due to the fact that your entire daily life is now underscored with a haunting awareness of the rapid erosion of your rights, dignity, and any and all social safety nets, and you're also bearing witness to the most vulnerable people immediately being persecuted. This creates a natural stress response that basically means you're going to continue having memory and organizational problems, as well as emotional imbalances.
Me: BUT I HAVE A BULLET JOURNAL AND I MEDITATE NOW.
Tiny OSHA Me: BOSS, THE FASCISM.
Sorry, I've had enough of running away, Sophie. Now I've got something I want to protect. It's you.
HOWL'S MOVING CASTLE (2004) dir. Hayao Miyazaki