Zakharllarrinn - Turmerin

Maybe Liam should quit tw and be here on tumblr, where he can be a freak, insane person and probably a gcest shipper.

Joining the war on incest allegations on the side of incest allegations

Hello darling

April 2025 by Zoe Law

Why I think that Liam’s voice was permanently damaged during the Be Here Now tour and how that happened

Why was Liam so anxious that he would become useless during the time of Oasis' third album, and why was his mentality so shattered? The instrument that a vocalist possesses is his own voice, and other members who use instruments that exist physically can repair and replace them with other instruments if they break, but that's not the case with voices.

And Oasis was not run in a way that respected that. This is the recorded performance schedule from 1993 to 1998 Australia/New Zealand tour, and after that, it continued with 7 performances in South America before finally ending the third album tour. And when they weren't performing - during the gap period, the album was recorded, and even during the tour, B-side recordings were done here and there.

They worked Liam’s voice to death with such a tough schedule that didn't give him a single moment to rest his voice. When Liam thought that his throat would get damaged if he continued performing like that, he had no choice but to get off the stage and get criticized by the band, the press and the fans. He even had to worry that someone else would take his place if he couldn't perform.

The recording of the third album was particularly tough, and songs like Fade In/Out pushed Liam to his limits, and it is said that after recording the song, Liam was unable to sing for a week. And the song was on the set list 64 times out of the 81 shows of the third album tour.

He continued performing with a tight schedule, and was diagnosed with nodules in his neck by a doctor on December 4, 1997, the second day of the Dublin performance (so Noel performed on the second and third days). The doctor said he had to take a break from performing for a few weeks, but it was impossible because there were so many performances left^^ After taking a two-day break and getting a steroid prescription, he performed until the end of March 1998.

They had a lot of year-end performances planned for the Christmas, but the doctor said the singer has a problem with his throat and he has to rest for a few weeks. Of course, if they adjusted the performance schedule, it would have costed money, but the singer's voice would’ve been damaged if they didn’t. If they knew how irreplaceable his voice was, theywouldn't have done it that way.

Did you know that the third album cycle was the only time they didn’t have a large outdoor/stadium concert since their debut album? They already did Knebworth for their second album and played a stadium for their fourth album, so if they had replaced it with a large-scale concert for their third album, wouldn't they have been able to reduce the number of concerts? But they didn't.

The number of shows Liam had to perform without resting after being diagnosed with nodules. It went downhill from there, Liam’s voice never fully recovered after this

(Translation @/dstrbnc text on Twitter)

Noel Edits MOJO, September 2011, Part 1 (Part 2)

tom & greg + fixation on, and fear of, sexual assault

of all the characters involved in a plot centered around a sexual exploitation scandal, it's ironically not any women but tom and greg - the very characters through whom we're introduced to the exploitation - who show repeated concern for their own bodily autonomy, particularly on a sexual vein. that particular point of irony serves to exemplify their outsider statuses that remain in spite of promotions, marriages, etc, but also, these aspects of their characters being so consistent tells us a lot about their relationship to the entire culture of masculinity, not just waystar.

greg in particular is practically introduced with a fixation on sexual assault. his character in general is a notably un-sexual being up until the end of season 3, with the only allusions he makes to sex until then being a matter of himself as a victim. that fixation/fear becomes most apparent when the notion of prison comes up - and it is clearly the chief worry driving that fear for greg. in contrast, tom does have other repeatedly expressed worries about prison: non-sexual autonomy lost, a lack of comfort, a lack of Finer Things, particularly food and wine... but (implicitly non-consensual) sex makes the list and is also brought up multiple times, interestingly with less apparent fear than greg's. this may be due to tom already having a pragmatic relationship with (heterosexual) sex that allows him to plow through a series of sexual encounters that are tainted with elements of Wrongness - the idea here being that a fear of sex is just kind of normal for tom, so he's used to it. he has a very high tolerance for pain and physical discomfort. it's less losing autonomy and more acknowledging he barely has any to begin with. he's less panicked, more resigned. perhaps even less of a victim and more of a... coerced participant, because to even conceptualize himself as a victim would be too vulnerable. one more character does allude to being victimized by sexual assault, meanwhile - roman. where he contrasts with both tom and greg, though, is that rather than fearing it happening in the future, there's instead the idea of it having happened in the past. there may or may not have been any actual event or even a theme of sexual abuse in roman's childhood, but we get multiple notions: roman jokingly threatening to accuse connor of "diddling" him, the vibes that float around the dog pound story and how he "went weird," "yeah they raped me a little," his inability to pee around other men and the implication he's seen a therapist for it... and of course, this:

which is where roman's relationship with all of this contrasts the most starkly with tom and greg's: whether he's truly a victim or not (and if he wasn't, he clearly does at least cling to the notion as a potentially easy explanation for all that's wrong with him), he turns around and starts weilding the idea himself. furthermore he communicates, in that particular deleted scene, his knowingness of something between tom and greg. and he reinforces the idea that there's something wrong with it. the scenario he evokes, where greg is a Victim and tom is a Perpetrator, isn't accurate whatsoever, but it sends a message, implants an idea, sets the tone, etc - sex between men will always include those two characters. this is, undeniably, the precise reason for both tom and greg's fixations on being a sexual victim of other men. the canonical fixation in and of itself, and its uniqueness to the two of them, may as well establish this - in the gender theory of the show (and also real life), tom and greg are of a different gender class than Real Man. they are adjacent to women. to be frank with you, they are faggots. both know on some level that intimacy with men is what they want, and therefore, however consciously, have that sense of their role in the world being a vulnerable one. there are elements of both fear and fantasy, building off of each other: "this is inevitable because of what i am" and "what if i enjoy it, what does that say about who i am?" and "if i have no choice in the matter, then maybe i'm free to enjoy it." there's a loop of freedom from contending with one's own desires -> a hyperawareness of them. now, roman may join tom and greg in being Categorically Less Of A Man, but he still sits above them on the axis of class and therefore doesn't feel the same ramifications. tom and greg are not only gay but live far more directly in the Real World, with origins in the present and physical homophobia of the middle and lower classes. tom also knows the corporate homophobia from climbing his way up and gives greg the crash course. tom and greg's differences wrt their fears of SA lie in self-awareness, self-hatred, and how successfully each of them have already carved out a space for themselves in the sexual hierarchy. but ultimately what they have in common is the most significant: their inability to fit authentically into the world of the roys. their shared uniqueness, amongst the elite, in having a body - one that can and often does experience pleasure and pain. in having real desires and therefore being vulnerable. in being gay little nudie turtles underneath.

We all talk about Liam looks like Ophelia at I'm outta time mv but can we please talk about how compatible it is by chance or on purpose. Like not with just it's on last album in oasis and one before Liam wrote Guess God thinks I'm Abel which has lines like "I guess there is still time" like yeah he had a little more time but it ended but also like Ophelia just fits the situation. Getting lost because of love someone who play with you like saying they love you then hate you, a lose from family drives you insane. Also the way Ophelia dies is just accepting drowning even when she could go and I kinda think thats how Beady eye end would be without Debbie to be honest. Also aside from that I just really love the colors they had in colored version it's just beautiful and one of the biggest reasons Liam look like Ophelia at there because they have a really similar color palette

brothers