Ziggetai - Veil Of The Gods

Inspiration.

Rufin Gavrilovich Sudkovsky

(Ukrainian, 1850 - 1885)

"Cliff in the Moonlight", 1880.

The music I created for Veil of the Gods has been a wonderful journey in itself. You know, the long term plan is to transform the graphic novel into an interactive experience and an online game. So the music is very important. The track we used on the first two promo videos wasn’t the one I’d originally planned to include. This melody came to me in a daydream while I was trying to figure out a problem with a font. I picked up the low D whistle and the melody just burst out. I hadn’t actually played that instrument for about a year so I was really surprised. It was like the flute was just aching to be played again. The whole track took only a few hours to orchestrate, record and mix. And I’m pretty happy with the result. Here’s the short version without the flute.

Inspiration.

by Hasui Kawase, early 20th c

I'm playing with a few illustration styles to use as flashback mode in Veil of the Gods. Here's today's little experiment.

As always you can expect strong female characters in anything I write. This is the lead- Yonani Khan- the heroine of Veil of the Gods- around whom the whole story is built.

https://www.facebook.com/Matrayah/

www.veilofthegods.com

Inspiration.

by Japanese artist Kawase Hasui,1953.

The final Creations are pouring out of me.

Loving this style right now.

Conduit.

Twitter / Instagram / Gumroad / Patreon  

KnownOrigin / SuperRare / OBJKT / Zedge 

Inspiration.

Johann Gustav Lange (German, 1811 - 1887)

"Full Moon over Winter Lanscape", n.d.

Oil on Canvas, 65.7 × 93.7 cm.

I've been quiet about my work for a while. Mostly because I've been practicing some techniques. And I’ve still got a long way to perfecting those techniques, BTW. I just thought I'd share... Mahjeena Jahrool Of all the Mahjeem, Jahrool is the most enigmatic, and the least mentioned, character from the old stories. Yet, she was likely one of the most gifted Mahjuti practitioners to have ever lived. At least, that’s what the word was in every tavern from Purush to Kusht. The truth was a little less impressive, though quite unique, in its own way. Jahrool had a blue Azuranium crystal ball. And with that ball she could see into the spirit worlds and the subtle sub-worlds beyond. And she rarely, if ever, liked what she saw. Still shot from the upcoming animated Oracle Deck, The Mahjuti Cards