Dark Art - Blog Posts
Priming, prepping, cutting…
Todays progress…
My current wips…
Working…
More progress…
every day is exactly the same…
Oni Lloyd! Many wrote to me in TG and Instagram that he looks more like Garmadon, but that was the idea, for me the golden design is like armor, and under it he looks like regular Oni
Recent piece I did for u/emoakseli on r/drawme
A piece from reddit DrawMeNSFW trying to introduce flats, values, etc.
Trying to get that contrast right
the little self in me whispers in this midnight abyss that I am not forgotten that I am alive that am a river and I can flow wherever I wish too. The little self in me whispers in this midnight abyss that there is a starlight that I have to look a little hard with huge amour-propre that only then will the starlight unvail its light onto the path that i must take out of the abyss.
"preying mantis," watercolor monotype, 2024
We used to meet at dusk Sitting on the old bridge While fog surrounds the hills It covers the road past our sight
No one knows where we are Only the sky and the autumn leafs When you said "I love you" The miserable clouds disappeared
-Al Rahbani Brothers
I tell my neighbor: Come and spend the night with me, I have figs, and almonds, and sugar. We sing, because you are lonely, And singing will ease your longing. I have a home, and a small area of land, So I am safe now. The land of my country is land from heaven, And on it sleeps the painful time. I tell our house: If I am alone, And snow and cold blows, My house is as fire to me, And the winter passes, friendly as a field of roses.
-Al Rahbani Brothers
Self-taught
The failed echo will help me And the tyrannical secrets inspire me! Times of resounding anxiety And a storm hugs me tightly Here the cities of contradiction contain me The countryside of art precedes it I am drawn to the current by self-taught people My heart is steadfast in the war alone
And despite the hatred I prepare for the feverish blindness!
Sakina Al-Sharif
kaçak kız
Telaffuzunu elemeye ve geliştirmeye başladı.. Ve bir takımyıldız gibi kendi yörüngesinde süzülüyor! Ona suikast düzenlemeye çalışan bir dünya var. Kalıntıları arasında dolaşıp, savrulup dönüyorum Yıkıcı bir retorik savaşı yaklaşıyor Kanıyla ve toprağıyla çarmıha gerilecek! Çöken dünyada makalem özgür kaldı. Evren bilgisayarlı! Beni nasıl kendi inlerine sürüklemeye çalıştılar Özgünlüğün baltalandığı bir bağımlılık Kimliklerini inkar ediyorlar... Benzerlik kalıplarıyla şekillenmeyeceğim! Sanatım doğanın sesini dinlemek Ve uzuvlarım düşenlerden gizli Ruhum karanlıkta tek başına savaşır
-Sakina Al-Sharif
Runaway
She started sifting and refining her pronunciation.. And she floats around her orbit as a constellation, There's a world that tries to assassinate her! Wandering among its ruins, tossing and turning A devastating rhetorical war is brewing She will be crucified with her blood and soil! My article remained free in a collapsing world. The universe is computerized! How they tried to drag me into their den An addiction where originality is undermined They deny their identity... I will not be molded by similar patterns! My art is listening to the voice of nature And my limbs are hidden from those who fall My soul fights alone in the dark
-Sakina Al-Sharif
Does the world escape me like a void?
Have I given up on illusions? Heavy nights train me And the rain of melodies were epics I became aware of war after war The sound of the sword inspired and inspired me! I search my halls and call out To me, to me, O formulated dream
-Sakaina Al-sharif
Kabil
Kabil şimdi şistten yapılmış bir kuşla atıyor Yeryüzüne iner ve onu muazzam ateş yağmurlarıyla yağdırır. Onun ıssızlığından önce kuleler ve evler çöküyor Ölüler toprağın kucağından yukarılara kaçar Cain şimdi tankında dolaşıyor Koyunlar dehşete kapıldı Kabil ahırının duvarını yıkıyor Köyde gece sabaha döndüğü için ahırı uyumaya uygun değil Aşağıya inen ışığın yaydığı Bir ejderhanın dili gibi Kasırga dünyanın yüzünü harap etti
Cain
Cain now beats with a bird made of shale He descends to the earth and showers it- with tremendous rains of fire. Towers and houses collapse before its desolation The dead escape from the embrace of the earth upwards Cain is now floating around in his tank The sheep were terrified Cain is tearing down the wall of his barn Since night turns to morning in the village, the barn is not suitable for sleeping. Emitted by the light coming down Like a dragon's tongue Hurricane ravaged the face of the earth
by: Mohammad Al-Buraiki
The Rain
By sea...towards another space, shaking off my dust. Forgetting my name, the names of plants, and the history of trees.. Escaping from this sun that flogs me with its boredom... Fleeing from cities that slept for centuries under the feet of the moon.. Leaving behind me eyes made of glass and a sky made of stone. I will not go back to the sun... for I now belong to the rainstorms.
by: Nizar Qabbani
Nizar Qabbani (1923–1998)
Nizar Qabbani was one of the most renowned and influential Arab poets of the 20th century. He was born in Damascus, Syria, into a well-off, artistic family. His father, Tawfiq Qabbani, was a businessman and a political activist, and his mother, Faiza Akbik, hailed from a family with strong intellectual roots. His childhood in Damascus, surrounded by traditional Arab culture and the cosmopolitan currents of the time, had a lasting influence on his poetry.
Early Life and Education
Nizar Qabbani’s fascination with poetry began at a young age, and his education at the National Scientific College School in Damascus further nurtured his literary talents. He later pursued law at Damascus University, from which he graduated in 1945. While studying, Qabbani was already writing poetry, and he published his first collection, The Brunette Told Me, at the age of 21. This collection focused on themes of love and femininity, topics that would define much of his career.
Diplomatic Career
After graduating, Qabbani embarked on a long diplomatic career. He served as a cultural attaché and diplomat for Syria in various countries, including Egypt, Turkey, Lebanon, and the United Kingdom. His diplomatic work exposed him to diverse cultures and political environments, shaping his global outlook and influencing his poetry. While he continued to work as a diplomat, Qabbani never stopped writing and publishing poetry.
Poetry and Themes
Nizar Qabbani’s poetry is marked by its simplicity, emotional depth, and bold exploration of taboo subjects. His works often dealt with themes of love, sensuality, and the role of women in society. He was one of the few Arab poets who openly wrote about romantic and erotic love, which caused controversy in conservative circles. His poetry also questioned traditional gender roles and advocated for women’s rights, earning him admiration among progressive audiences. However, his themes were not limited to love. As he matured, Qabbani’s poetry became more political, particularly after the devastating loss of his second wife, Balqis al-Rawi, in a bombing during the Lebanese Civil War in 1981. He began to write about Arab nationalism, the oppression of the Arab people, and the failures of Arab governments. His poetry took on a tone of rebellion and anger, reflecting his frustration with the state of the Arab world.
Personal Life and Tragedy
Nizar Qabbani’s personal life was marked by both great love and profound tragedy. He was married twice. His first wife, Zahra, with whom he had two children, died young, leaving him devastated. His second marriage was to Balqis al-Rawi, an Iraqi woman who became a significant figure in his life and works. Balqis’s death in the 1981 bombing deeply affected Qabbani, and he wrote several moving poems dedicated to her memory. One of his most famous pieces, “Balqis,” reflects his grief and sense of loss. Qabbani’s poetry also carried the scars of personal tragedy from his early years. His older sister’s suicide, after being forced to marry someone she did not love, deeply influenced his views on women’s rights and societal restrictions, fueling his lifelong advocacy for love and personal freedom.
Memoirs
Qabbani also wrote prose, including memoirs that provide insights into his personal life, creative process, and the political landscape of the Arab world during his lifetime. His memoir, My Story with Poetry (Qissati Ma’a Al-She’r), offers a detailed account of his journey as a poet, his inspiration, and the events that shaped his works. In it, Qabbani reflects on how love, politics, and personal experiences intertwined in his poetry. In his memoirs and other prose writings, Qabbani often spoke candidly about his frustrations with Arab politics, the impact of his personal losses, and his complex relationship with his homeland, Syria. His writings reveal a poet deeply affected by both the joys and sorrows of life, committed to using poetry as a means of emotional and political expression.
Legacy
Nizar Qabbani’s poetry remains widely read and celebrated across the Arab world. He is often referred to as the “poet of love” because of his numerous poems on romance and women, but his later political works have also earned him the title of a revolutionary poet. His simple yet powerful style, combined with his boldness in addressing both personal and political issues, has made his poetry timeless. Qabbani’s works have been translated into several languages, and his influence extends beyond the literary world. Many of his poems have been set to music by prominent Arab singers, further cementing his place in Arab cultural history. Qabbani passed away in London in 1998, but his poetry continues to inspire and resonate with readers across generations, reflecting the personal, emotional, and political complexities of the Arab experience.
Why is Kafka so important when it comes to European loneliness?
How are his writings still so relevant today? And does his literature really reflect the loneliness we see in European societies?
Who is Franz Kafka?
First, let’s start by getting to know Franz Kafka. Kafka was a Czech Jewish writer who lived in the early 20th century. His writings were marked by strangeness and ambiguity, often tackling themes like isolation, alienation, and the dehumanizing effects of bureaucracy. His most famous works, such as *The Metamorphosis* and *The Trial*, convey a deep sense of psychological oppression and the feeling of being trapped in a cold and incomprehensible world.
European Loneliness – How Did It Become a Reality?
Now, let’s move to the key question: Why is Kafka considered important in the context of European loneliness? To understand this, we need to first look at life in modern European societies. Despite the economic and technological advancements in Europe, loneliness has become a significant part of many people's lives. These societies tend to emphasize individualism and self-reliance, which can often lead to feelings of isolation and existential emptiness. A large portion of people in Europe live alone, and due to highly structured social and political systems, individuals often feel like they are just small cogs in a vast machine. This is where Kafka comes in. His writings reflect this very feeling – the sense that one has no control over their life and is trapped in a cold, impersonal system.
How Does Kafka’s Literature Reflect Loneliness?
Kafka’s works deeply capture feelings of loneliness and alienation. In *The Metamorphosis*, the protagonist transforms into an insect and feels rejected by both his family and society. Here, we see a clear picture of loneliness, the feeling of being unaccepted and misunderstood. Kafka was expressing a profound fear of being disconnected from others and not being able to communicate. In *The Trial*, the protagonist is subjected to a senseless trial by a mysterious and oppressive system. This mirrors the experience of individuals in modern Europe who feel like mere numbers in a vast, soulless bureaucratic machine. Loneliness is not just about the absence of personal connections; it’s also about feeling powerless and disconnected from one’s own life. That’s what makes Kafka’s work so relevant to understanding modern European loneliness.
The Existential Dimension in Kafka’s Works
Kafka isn’t just a writer who critiques systems and bureaucracy. He is also a deeply existential writer. Many people in Europe today feel lost in a world that seems to lack meaning, and Kafka’s writings reflect this reality. The existential themes in his works raise questions about the purpose of life and the meaning behind everything that happens, questions that continue to resonate with individuals navigating a chaotic and alienating world.
- Feda'a Yahya
