The 911 Transcript
Dispatch: 911 emergency
Caller: Uh, hi, this is Mrs. Robert Cole calling on behalf of my husband. We’re at 1612 South Antoine Street.
Dispatch: What’s the emergency, Mrs. Cole?
Mrs. Cole: So… I don’t know— my husband thinks he got his head stuck in the dryer. He’s always doing this sort of thing though. We go to a lot of trouble and it turns out to be nothing. But we’ve tried about everything we can think of and— I don’t know.
Dispatch: You said his head is caught in a dryer?
Mrs. Cole: A clothes dryer, yes. It looks like the door slammed shut on his neck, uh, while he was pulling something out. Maybe? I didn’t see what happened; I just got back from the market. He’s standing in front of the dryer, kind of bent over, his head’s inside of it, and the door’s shut. i just— Robert, how did you even manage it?
Dispatch: He’s conscious then?
Mrs. Cole: Let me check. (passage of approx. eight words, indistinct)
Mrs. Cole: I can’t tell. I don’t think so.
Dispatch: Can you open the door?
Mrs. Cole: Let me check….
(Mrs. Cole can be heard putting down the phone. Approx. three seconds later she can be heard struggling to open the dryer door.)
Mrs. Cole: Oh God! (several words, indistinct)
Mrs. Cole (panting): There’s a lot of blood— He’s bleeding, from his neck.
Dispatch: Okay, an ambulance is on the way. You need to apply preassure to the wound, Mrs. Cole, and don’t disconnect. I’ll stay on the line.
The Coroner’s Report
IN THE MATTER RE THE DEATH OF:
I, HERMAN SYLVESTER, Sheriff-Coroner of the County of Washoe, State of Nevada, certify an inquiry and investigation was held in the death of ROBERT NICHOLAS COLE, a 42 years old male, born in New Mexico. The inquiry and investigation revealed that the decedent died on the 19th day of June, 1955 at 1612 South Antoine Street in Reno as follows:
MANNER OF DEATH: NATURAL CAUSES CAUSE OF DEATH: BLOOD LOSS due to PUNCTURE WOUNDS to the neck.
Sustained following INJURIES FROM EXCESS DIETARY SUGAR. The incident occurred at 1612 South Antoine Street in Reno at an unknown hour on June 19, 1955. I certify that death occurred from the cause and in the manner stated above in accordance with the written findings contained herein.
Signed this 15th day of March, 1955 HERMAN SYLVESTER, SHERIFF-CORONER
Recollection of Maurice Sinclair
When Bob died it wasn’t so much a shock, really. He was always getting into tight spots, something of a daredevil. He got himself out of ’em too, but, well, we all sort of knew, you know, that one day he wouldn’t. It was that daring that we loved about him. So when we finally learned what got him, that he died from eating too much sugar, I thought, you must be joking! Look at him, his head’s nearly ripped clean off. But now, looking back, you know he did have a sweet tooth? He must’ve drunk a half-dozen colas a day for as long as I knew him. My doctor— later on I asked my doctor about it, because I drank my share of cola too, and he explained how the sugar eats away at the lining of the throat, and if this goes on long enough your head’ll just come right off and all your juices’ll spill all over the floor, just like Bob’s did. Well, I hardly have to tell you I haven’t touched a soft drink since 1963. Not even once.
It was five minutes to eight on a Teusday morning, and he was up pacing nerveously around the bedroom, holding his stomach like he was about to vomit or have diarrhea. Typical behavior for him in the morning, at least on a work day. He really seemed to hate his job. I never learned what he did. There was a period of a few months during which he seemed much more relaxed, he slept better, he took care of himself, and during that time he never paced around the bedroom in the morning like that. He must’ve been out of work. Must’ve gone back to it when he went back to work.
He was doing especially bad on this particular morning. He always talked to himself, whenever he was alone, but always under his breath. On this morning he grew very agitated, talking to himself more and more loudly until he was almost yelling. Then he stopped, stopped pacing around and clutching his guts, and stopped talking to himself. He froze a moment, then hurried out of the bedroom. He must’ve gone to the kitchen, but I couldn’t see him. The kitchen was out of my field of view, and I was afraid that, if I turned the camera, he’d notice it. But he must’ve gone into the kitchen because he lived in this dinky little apartment where the kitchen and living room were on one side, and the bedroom and bathroom were on the other. He went through the doorway to the kitchen/living room area, and came back a few moments later with a pair of kitchen shears. He took them to the bathroom sink and stood there for a long while. I couldn’t see what he was doing; I could see him standing there at the sink, but he was in shadows and I couldn’t make out any details. It looked like he was cutting something— which, it turned out, he was.
He laughed to himself, a surprised little chuckle, and then came back into the bedroom. He’d cut off his left index finger and couldn’t have been happier about it. He tossed the scissors and his finger onto the bed, and called into work to tell his manager that he wouldn’t be able to come in, that there had been an accident in the kitchen and that he would be stuck at the emergency room all day. This seemed to go over fine. When he got off the phone he jumped onto the bed like a little kid and stared at the finger. It was moving, inching around his bed like an inchworm.
He cut off his left middle finger. He cut it off like he was snipping a corner off a piece of paper. He didn’t flinch, just, snip. There wasn’t any blood either. In quick succession, he cut off the other fingers of his left hand, snip, snip, snip. Five litle inchworms inched around his bed. He watched them all wriggling around there with a big grin on his face. He seemed satisfied… for a while. Then he took off his socks and snipped off his toes as matter-of-factly as if he were clipping his toenails: snip, snip, snip, snip, snip— snip, snip, snip, snip, snip.
Now he had fifteen little inchworms inching around his bed, and it looked like that would be all. He tried to cut his wrist, but it was too big a job for his kitchen shears. He couldn’t very well cut off the fingers of his right hand, because it was with his right hand that he cut. He pulled down his pants and seemed to contemplate cutting off his penis to make it sixteen little inchworms, but he pulled his pants back up without doing it. After that he seemed content to watch his new friends… for a while. Then he got the—frankly, brilliant, though also horrifying—idea to cut his face, opening his mouth wide and cutting off strips of cheekmeat and lips. These pieces added some variety to his menagerie: instead of inching around like inchworms, they stretched out long and pulled themselves forward, like earthworms.
He found he could use the same technique with any hole. He did his nostrils, making little maggot looking pieces, and his eyelids. Then he did his belly button, which turned out the be the mother lode. New creatures came pouring out of him. He didn’t have to cut them out anymore either, they cut themselves out, or each other. When it was all over, there wasn’t anything left of him, and all the pieces had scurried away to hide under the floorboards, down the drains, in dark corners and other places where no one looks and my camera can’t see.
quickly: stories of heartbreak, hard times, happiness, and folk magic, in the hills of West Pennsylvania (a creek with healing powers / cattle on the loose / child birth and death / grieving with nature / healing through helping / crazy old ladies / a father’s fight club / bad happenings in dark woods / working men / divination by egg shell / shell shock / secret obsessions / stolen babies).
This book is a small creek-side town, packed into several stories from various lives. These people go to work, and their kids go to school. They stop at the local diner every so often, and they handle public matters privately. Some of the people live in the hills, hunting, trapping, and grieving. Some live in town, where they can gossip and shop.
The writing is clear and direct, and the focus is always Life. The births, deaths, sicknesses… happiness, grief, and miseries. There is beauty in the perfectly captured mundane. Some of these stories are just moments, flash fiction (some maybe too short), whispers in time. Others are encapsulating and momentous pieces that could be expanded into their own works. Appalachian still-life in literature form.
I loved everything West Pennsylvanian, rural, and small town about this book. My favorites were You Four Are The One (young girls help a grown woman give life), The Loosed (a father is left to raise his sons alone), The Less Said (darkness in the woods), and The Red Boots (the violence of men’s obsessions).
★ ★ ★ ★