Ghost Band - Blog Posts

I love papa v

I know we all make jokes about Copia's, uh... Very interesting room - but you gotta admit, it looks rather cozy in a very chaotic way;

ok Google whatthefck I drawing

Important.

Hello ghost Tumblr. Happy trailer day. I know we're all very excited to see the trailer today and looking forward to make theories and talk about it.

But today I want to ask you a favor, dear ghost community. It's not much.

As we speak, Rafah is under heavy attack. Over 500 000 people are right now in Rafah without a place to go to. Right now people in Sudan and Congo are suffering. In this moment people in Brazil face a climate catastrophe.

Please do not stop talking about Palestine. Don't forget about Palestine. Don't forget about Congo, About Sudan. Don't forget to spread information and donations for the people affected by weather catastrophes in Brazil. Don't forget about Ukraine.

We as a ghost community habe the responsibility to stay educated and not stay silent about injustice in our world. Let's be there for the people who need our help and speak up for them.

All eyes on Rafah. Free Palestine. Free Congo. Free Sudan. 🇸🇩🇨🇩🇵🇸

Don't forget.

okay but the symbolism behind removing his face paints i'm so normal about this i—

Camellia: Copia x f!reader - Chapter 5

Camellia: n. - A flower which symbolizes a deep desire or longing.

Summary: When it rains, it pours, but the drops wash away the uncertainty swimming in your mind.

Word count: 4.4k

A/N: Thank you all for your patience!! I usually try to keep updates going every 10 days or so, but this one's a little late, so I apologize. Thank you so much for reading, and I hope you enjoy this chapter!! <3 If you want to be added to the taglist, let me know!!

Warnings: possible descriptions of anxiety, you and Copia being idiots, mutual pining.

AO3 / Chapter 1 / Chapter 2 / Chapter 3 / Chapter 4

You hadn’t known it was supposed to rain this morning. But now that you tilt your face up towards the gray-blanketed sky, you remember that it had been rather dark when you and Copia stepped out of the kitchens. The breeze around you feels sharp and the birds have gone quiet since you emerged from the flower labyrinth. The leaves—small and sparse after having just budded for spring—turn over to reveal their pale undersides. A sure sign of a rainstorm. 

As you hold your finger in front of your face to observe the rain drop that had landed on your nose, another falls on the top of your head. Beside you, Copia also lifts his head to look at the sky. He squints and flinches a bit when a drop lands in the middle of his forehead. “Ah, cazzo,” he mumbles, and uses his free hand to swipe it off. The raindrops are fat and heavy, and they scatter the tiny stones of the gravel path under your shoes when they fall. 

Another drop lands on your shoulder. “Should we go inside?” you ask. Immediately you realize that it is a stupid question. Of course you should go inside, crétin. It’s about to rain and you have no idea how long you’ve been outside for. 

That nagging thought tugs at the back of your awareness. The thought that you shouldn’t be taking up so much of Copia’s—Papa’s—time. He’s a busy man, and he probably doesn’t have time to walk the entire garden path during working hours. 

But… he had offered. And if you could, you’d walk the entire loop just to spend more time talking with him. 

“Yes… that is probably a good idea,” Copia answers with a small smile. 

He doesn’t want to go inside. He wants to keep holding your hand, keep walking on the secluded garden path until the sun goes down and it grows too cold to stay outside. And even then, he wants to take you back to his office, light a fire, and share a kettle of tea with you and talk some more. Maybe kiss you once or twice, if you’d be willing. Satan knows he would be. 

But you can’t spend what could very well be your last full day at the Abbey just killing time. He knows he should take you back and walk with you to the library. Copia knows he should encourage you to keep trying with Elizabeth’s diary until Sister Imperator is literally pushing you out the door, but he wants more time. He needs more time with you. This can’t be over yet, it can’t. It hasn’t even started, this thing that exists between you. 

The trees begin to shift a little more, a soft whooshing sound blowing with the breeze as the leaves and coniferous needles brush together. 

You blink once, twice, and then it’s pouring. 

“Diable ci-dessous!” you curse, swiping your free hand over your face as if that would help keep the water out of your eyes. The rain very quickly soaks through your habit and the wind bites at your skin. 

Copia squeezes your hand. “Sorella, come, come!” He tugs you into a run along the path. The gravel crunches and moves under your feet, making you both stumble every few steps. Your hands clutch together like a lifeline. 

Through the sound of the ever-growing rainstorm, you can hear the shouts of Siblings working in the garden who had also been caught in the weather. You can’t discern any words. The wind and the rain and the sound of your soaked shoes drowns out anything else, except for the bright laughter bubbling up from the man beside you. 

The rain falls in sheets, and you find yourself laughing with Copia. It’s ridiculous, this situation you’ve found yourself in. Like the sky had heard you speak to each other about your less-than-ideal childhoods, and decided to provide you with the clouds over your heads in a more literal sense. 

It takes you a moment to realize that Copia isn’t leading you back up the path towards the Abbey. You’re still running on the gravel past the greenhouses, which are teeming with Siblings hiding from the storm. Looking up through rain-soaked lashes you see the approaching silhouette of the tiny, sort-of-abandoned chapel in the far corner of the Abbey grounds. You can’t make out any details through the rain except for the small spire with its inverted cross. 

Your heart jumps at the thought of being cooped up in the small space with Copia until the rain subsides.

“Here!” Copia calls. He surges forward to the door of the chapel and almost loses your hand in the process. It takes him two tries before he can shoulder the door open, and then he’s practically dragging you over the threshold. His leather gloves are soaked and slippery, but his grip on you tightens until you’re both inside and safe from the rain. He closes the door behind you and it slams against the threshold with a creak and a loud rap of the ancient brass knocker. 

Then, you’re alone. It’s quiet inside the chapel, save for the storm pelting against the old, warped panels of stained glass along the side walls and the frantic beating of your heart in your ears. 

You wonder why a chapel has a knocker. 

You also wonder why such a pretty, quaint little chapel isn’t used anymore. The inside is lined with dark wood pews on either side of a carpeted aisle. The door is made of the same wood, as is the modest pulpit stationed at the front of the room. It stands on a raised platform, and behind it is another, higher platform with what looks to be a long table sheathed in a black cloth which reaches down to the floor. On either side of the pulpit are elaborate iron candelabras empty of any candles. 

The windows on either side of the chapel aren’t elaborate like that of the main Abbey. They each depict a single inverted cross of clear glass, with red stained glass filling the negative space of the arched windows. The walls are thick and built of stone, and each window lines up with a pew. Several books, which you infer are unholy prayer or hymn books, are perched on each windowsill, and you’re very suddenly reminded of Marseille. The stone walls, the tall, narrow windows, the old wood, the books on the sill. 

For a moment, you’re home and you’re very near to tears. 

“Cara,” Copia says softly from behind you. In your reverie you’d turned around to take in every little detail and your back is now facing him. His hand still holds yours, although you’re sure the soggy leather must be making your (and his) fingertips prune. 

Copia had watched you, watched your eyes flit around the chapel as you turned on the spot. He remembers what you told him about your home and realizes that this little building must remind you of it. He had watched your face alight in unrealized comfort and he had watched as your eyes grew glassy when you made the connection. He calls out to you. Cara, he says, and he means it. You are dear to him and it surprises him just how quickly you’d managed to become that way. 

You turn back to him, trying very hard not to let the tears building in the corners of your eyes slip down your already-wet cheeks. But then you see his face. Oh, your poor Papa, his face. 

One might think, for a Ministry with worldwide influence and many, many resources, they might be able to afford waterproof, smudge-proof paints for their esteemed leader, but they hadn’t. 

“Oh, no,” you giggle. It bubbles up in your chest and escapes your lips without your intent. And then your giggle turns into a rather unattractive snort and a full laugh, because your poor Papa looks like Hell. His paints are running down his face and dripping onto his leather vest. The black rings around his eyes have been tracked down his cheeks so that he looks like an overdramatic actress with terrible mascara. The pigment on his lips and beside his mouth have smudged so badly with the rain that he looks as if he’d drank a gallon of black paint. The white paint has almost completely run off, except for where it settles in the creases beside his mouth and between his brows. 

All together, he looks like a rather soggy zebra. 

Copia pouts at you. “What?”

You wish you had a mirror to show him. Part of you feels horrible for laughing at Papa, but you know that the man behind the paint will also find it rather funny. Slightly embarrassing at worst. “Your–” you try to stifle your giggles. “Your paints, they’re…” 

Copia’s eyes widen in realization. “They’re… not waterproof, no,” he says flatly. “Satana, devo sembrare uno stupido.”

He peels his sodden gloves off his hands and stuffs them in the front pocket of his pants. He swipes a finger under his eye and brings it back to find that his fingertip is gray and patchy. 

“No, you don’t look like an idiot,” you try to soothe him, although you’re still slightly laughing. “You simply… look like a man who was caught in a rainstorm with a full face of paints.” “Sì, so, like an idiot.” 

Copia begins trying to wipe his face with his sleeve. It does nothing to actually remove the paint, instead just smudging around his damp skin. Though, you’re beginning to see that his cheeks burn a pretty red through the streaks of whitish-gray paint, and his ears are nearly completely red. You guess that his face might feel just as hot as your own. 

He huffs in frustration, flicking his wet sleeve and causing water droplets to smack against the stone floor. “Dannazione,” he mutters to himself. “Shitty paints making me look like a…”

You remove your veil and bandeau—which are nearly plastered to your head from the torrential downpour—and wring them out. “Sit,” you command gently. Gesturing to one of the pews nearby, you fold your veil into a neat square. 

When Copia continues mumbling to himself and fruitlessly wiping his face, you reach out and tug his sleeve away. “Copia,” you say again, “Asseyez-vous.”

Copia reluctantly obeys. He knows his face is completely red now, for multiple reasons. It’s cold, for one—the rain had felt like tiny daggers of ice even through his shirt, and now that the two of you are in a drafty little chapel with soaked clothes, the air feels even colder. He’d also made a complete and total ass of himself, thanks to the rain. He’d spent so long this morning leaning against his mirror, going over and over the black paints to make sure each line was crisp and clean and perfect in the off-chance he might see you today. It had made him late arriving at his office, but it had led him to bump into you just minutes after his paints had dried, which is when they look their best, in his opinion. 

But the primary reason his face is practically glowing is because you’d commanded him in French. The language sounds sinful on your tongue. And spoken in that gentle but insistent tone… oh, he could come apart from just your words. You could string him along forever if you only speak like that. 

He sits on the edge of a pew with a sigh. Copia knows he’s being ridiculous—it’s only paint—but he’d spent an embarrassingly long time on it in the hopes it might impress you, and here he is, looking like an idiot. 

You approach him. You’re taller than him like this, so he has to tilt his face up to meet your eyes. Before you can overthink, before you can begin to question yourself, you gently reach out to place a finger under his chin and lift his head up a bit more. “Let me,” you say, almost a whisper. Your finger remains on his chin, keeping his head in place as you place your damp veil against his brow and begin to wipe. 

Surprisingly, the fabric of your veil is much more effective than his shirt, and the paint comes off easily. “Oh,” you say, lifting your brows in mild surprise. “It’s working.” 

You notice that Copia’s eyes slid closed at some point. “It feels nice,” he tells you softly. 

“It’s French,” you say with a little huff of laughter, which Copia echoes. 

Yes, he had meant that the fabric of your veil feels nice against his skin. But mostly he had meant that your finger gently tipping his head back feels like so much, all at once, and he doesn’t have words for any of it. It feels like it belongs there. He wants to touch you back, but where? And would you be okay with it, his hands on your hips or your waist or the backs of your thighs? 

So, he settles for shutting his eyes and clenching his hands on his knees to resist pulling you closer. You’re standing between his knees, which are spread wide enough to accommodate you without touching the sides of your legs.

He wants something. Something innocent, not presumptuous, because he really doesn’t know how you feel about him at all. He lets his legs fall closed a bit more, until the bends of his knees just barely brush against your legs. His pants and your habit are absolutely soaked but he can feel the warmth of your skin through the fabric, and oh, he’d never guess that leg-to-leg contact could feel so intimate. 

Copia opens his eyes when you gently drag your finger over his hairline to brush back the hair stuck to his forehead. You’re so focused on your task, as you always are. Your hands are cold and gentle as you wipe away his ruined paints. He wants to take your hands and kiss every finger until they’re warm again. 

Slowly, carefully, you uncover new expanses of Copia’s face with each pass of your veil. You press a little firmer into the lines along his forehead and between his brows to completely clear his skin. His eyes are closed again, and you’re partially grateful because if he had looked at you like that any longer, you might have leaned down and kissed him. His freckled cheeks or his strong nose or his lips, you don’t know. 

Somewhere between wiping the paint from his mustache and chuffing your veil under his chin, you begin to shake. 

“Tesoro.”

“Hm?”

“You are cold,” Copia says, his voice barely above a whisper. You can feel his warm breath on your fingers as you drag your paint-ruined veil over a spot of white you’d missed. 

“I’m alright,” you say. It’s partially true. Yes, you’re cold, but you don’t want to think about it or else you’ll really be cold and there’s nothing here to warm you up. Realistically you know it’s your habit; it’s soaked through and so are your socks and shoes. But it’s also the realization coursing through you that you have feelings for this man. 

Lucifer, they had developed quickly. It had been so easy for him to push past the barriers you’d set up around your heart and mind. He’d just walked right in, lit a cozy fire within your soul and asked you to call him Copia. And you let him. He’s carving a place in your life that you’d gladly have him occupy, and it scares you. 

He makes you forget why you try not to get attached. He looks at you and you forget the pain of leaving everything behind when you were eleven, which you are deathly afraid of having to do again. 

You’re brought out of your thoughts when Copia’s ungloved hand gently takes yours. You cringe at how clammy your hands must be compared to his warm ones, but you don’t pull away. “Sathanas, tesoro, your hands are like ice,” he says. His other hand comes atop yours to sandwich it between his own. 

You feel like you need to run. Your heart kicks against your sternum as your eyes meet his own. 

Copia’s face is bare now. His freckles stretch across his cheeks and over the bridge of his nose, with a few scattered on his forehead and chin. You want to rip your hand out from between his own and tumble out the door into the rain. You want to bring him closer and trace little patterns into his freckles. Satan, you don’t know what you want. 

You want to protect yourself from hurting again. 

Copia, on the other hand, knows exactly what he wants. But he can practically see your mind working, churning back and forth between whatever turmoil is going on inside your head. As he sits in front of you, he can see the exact moment when you begin to panic. He can feel your hand begin to shake in his. He knows you’re not blind, or ignorant. He knows that you both know there is something happening, that it has been happening since you met, that it’s big. And he knows you’re scared of it, what it could become, what it could mean. Darling, he knows.

So, he stays silent. If he says anything or does anything, you’ll flee. This thing between the two of you is delicate, so delicate and new and foreign that any sudden movement will shatter the careful balance you hold in the little chapel. Anything but silence will cave the roof in and drench you all over again. Copia stays silent and holds your hand through your own tempest, and lets your eyes explore his face in search of answers he hopes you’ll find.

“I don’t want to go,” you whisper after another moment. “I want to stay and figure it out.” 

Copia doesn’t know if you’re talking about Elizabeth’s diary, or this thing between you and him, or both. Honestly, neither do you. 

He squeezes your hand tenderly. “Let’s get you back to the Abbey then, eh?” 

“It’s—” your eyes dart to a window, “it’s still pouring, Copia.” Copia simply smiles at you, leaning in as if to tell you a secret. “What’s a little rain going to do, cara? Ruin my paints?” 

~~~

By the time you make it back up the hill, to your dorm, to the shower, and into dry clothes, the lunch hour is long gone. You hadn’t realized how long you’d spent with Copia that morning. It had been just past nine when you left Sister Imperator’s office, and now it is well past two in the afternoon. Somehow it felt like only minutes had passed in the cozy little chapel, and in that chapel you made the terrifying realization that no matter how long you spend with him, it will never be enough. 

You can’t think about that right now. 

Right now, you need to get to the restricted room. You’re halfway out the door of your temporary dormitory, slipping on your only spare pair of shoes as you desperately hold onto the idea you had when you and Copia were about halfway up the hill. 

With your shoes already soaked through, you and Copia had struggled to find traction on the sodden grass. With each step you found yourself slipping backwards, hands flying through the air until you regained your balance, or until Copia firmly grasped it in his own and didn’t let go. The two of you trekked your way up the hill, slipping and sliding and giggling at the absurdity of it all. Your hand would find his own whenever it would slip from his grasp, like they were magnetized. It felt natural, seeking his hand. Even if it was only for balance. 

As you slowly made your way up the hill, soaked and shivering, one thought prevailed in your mind. You only have today, you kept thinking. If you don’t figure out the diary, you’ll only have today. 

It was true of two situations. You have one word of the diary—Today—and you have only today if you can’t decipher the rest. 

You took a step forward, and slid back slightly. Copia’s hand steadied you. 

Only today. Elizabeth. Today. Copia. Today. 

Today. 

You’d stopped completely, just standing in the near-freezing rain. Copia had looked back at you like you were insane (which you might be), and tugged on your hand again. “What is it?” He’d shouted over the rain. 

You’d begun to climb the hill with a renewed vigor. “Today!” 

Copia had no idea what you’d meant by today, but he couldn’t question it when you were pulling him up the hill. It was like you’d suddenly found your footing in the wet grass, and he was glad of it. His shoes were completely drenched and he was shivering nearly as violently as you were. He didn’t need to understand what you were talking about right now. All that mattered was getting you (and himself) out of the cold. He can ask you later. 

Later, he’d thought. Would there be a later?

Yes, there would. As he watched you climb the hill towards the kitchen door, still clinging to his hand and helping him up, he’d decided there would be a later. Sister Imperator may control every other aspect of the Abbey and his life, but not this one. Not you. 

The Siblings working in the kitchen had looked at the two of you like you were crazy when you burst through the door, sopping wet and dripping onto the tile. Perhaps it was a mix of confusion and surprise—you’d wager that none of them had seen Copia without his paints before. You feel immensely privileged that you’d been the first, that you’d been the one to take them off. You’d been the one to strip away Papa. 

“Eh,” Copia had said, looking back and forth between you and the Brother who had smiled at you earlier, “We— I— sorry. We’ll be going, yes—”

He’d grabbed your hand again and pulled you through the kitchens the way you came that morning. Once you both had stepped out into the refectory, which was thankfully empty at this time of day, Copia stopped again. The sounds of his ruffled shirt and your habit dripping on the floor echoed in the large room. “Be honest with me, cara. How bad is it?” 

You’d struggled to hold in a laugh. “It’s… not as bad as you think,” you’d told him. In truth, it wasn’t. But you realized then that you’d missed a spot of paint in his hairline, which now trailed down his forehead in a distinct white line. Without thinking twice, you reached up to swipe it away with your thumb. “I can’t imagine I look any better.” 

Copia huffed a laugh through his nose. “We… should probably go get cleaned up,” he’d said. “I wouldn’t want you to catch a cold.” 

“You either, Papa,” you said, and Copia had mourned the loss of his name on your lips. He understands—within the walls of the Abbey, he is Papa and you are Sorella. But perhaps he could make an exception for you. 

You and Copia had parted ways then, to wash up and resume your duties. All the way back to your dorm and through the time it took to shower and change, you’d recited the word today in your head like a prayer. Even now, as you quickly walk through the corridors on the path you've taken every day for the past week, you repeat today, today, today as if you would lose the thought if you didn’t.

If Elizabeth is the key to the first word, perhaps today is the key to the second. Two steps forward, one step back. The hill in the rain. You must look back before you can forge ahead.

With practiced ease, you open the diary’s lockbox and place it onto your usual desk. Having donned the pristine white gloves again, you unfold the linen and the gold embossment on the cover catches your eye. You smile. Soon, you promise to Elizabeth, you will live again in these pages.

The familiar string of letters greets you as you open to the first page of writing. You write the sequence again on a blank sheet in your notebook, the letters flowing from your pen with ease after having written them hundreds of times already. 

LzlhelzhkxbgwfqmnJkcfolBfbalBoiovtsheq.

You already know that the first five letters translate to today, so you cross them out. Underneath the next letters, you write hodie again and again, as you’d done with the word Elizabeth the first time. Your hands are shaking. Please, please, please…

You trace your finger over the letter grid, quickly mapping each letter of the cipher to its partner in the key. L of the cipher and the H of the key map to an E on the grid. You jot down a messy E. Z of the cipher, o of the key, l on the grid. And so on, until you’re confident you’ve found the next word when the deciphered letters stop making sense. 

The second word in the line reads electus. Chosen. 

Without translating the whole sentence, hodie electus could mean a number of things. Word order does not matter in Latin—hodie could be the subject of the sentence, or the object, or an arbitrary time frame. 

Your heart is beating hard in your ears. You continue, using electus as the new cipher key. 

The next word is sum. The Latin word for self, or I. 

Hodie electus sum. Today I was chosen. 

Sweet Satan, you think. Your breath comes shallow and quick. Holy Hell, I’ve figured it out.

You continue, your hands flying back and forth between the corresponding letters of each new key and the grid, double and triple checking to make sure you map the correct letters. Your head feels light, your chest heavy. Like if you dared to look away from the diary or your notebook or the grid, you’d find that you were wrong. You must translate this first sentence before it shifts and your idea doesn’t fit anymore. 

It’s easy to find where the first sentence ends, because it is isolated in its own paragraph in the diary. That also tells you that it’s an important statement; important enough to be separate from the rest of the text, which is a continuous flow of letters down the page. 

The final word of the cipher confirms your suspicions that Elizabeth wanted to keep her diary a secret for a long time. The final word deciphers as Papae, the Latin possessive form of Papa. 

Hodie electus sum ut Primus Motor Papae.

Today I was chosen to be Papa’s Prime Mover.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Tag list: @bonelessghoul @gbatesx @the-did-i-ask @leah-halliwell92 @archive-obsess @rosacrose @nikkyatyourservice @sodoswitchimage @portaltothevoid @lightbluuestars @thesoundresoundsecho @stephnthangss @enchantedbunny @jackson5611-blog @copiasprincipessa @kadedoesthings @justheretoreadleavemealone

this is probably my favorite thing ever literally everything i've ever needed condensed into this perfect fic

Was It Worth It? (Cardinal Terzo x Reader)

Summary: Worth (n.) - the value equivalent to that of someone or something under consideration; the level at which someone or something deserves to be valued or rated.

Rating: Explicit, 18+ MDNI

Cardinal Terzo x AFAB reader / 6.2k words

Warnings: language, graphic description of piv sex, religious trauma, alcohol, poorly translated Italian, angst

aO3 link

Part One: What Goes Up...

Sometimes, when the sun was low in the sky like this, and you could still feel the occasional pitter of droplets dispersing against your skin, you took the risk of abandoning your responsibilities and popping outside for the evening. It was peculiar how the salmon rays of the sun peeked through heavy, sodden clouds. The beams heated the water in the air and made it sticky and heavy. “Hot rain” your Granddad had called it. It reminded you of simplicity. Of home. 

You stepped right outside the cloister on the farthest corner of the abbey to soak the weighted air and shafts of light inward as self-anointing. The grass was springy under your feet, verdant, and you lost track of your steps as you meandered out into the less-manicured side of the grounds towards the wooded border of the property’s boundaries. 

It had been two years since you decided to join the order. Your family, long gone at the prospect of you choosing a life of sin and vulgarity, and your friends feigning happiness that slowly dripped away as time wore on and contact faded into simple memories. You didn’t mind it. If being a part of the ministry had taught you anything, it was that change was normal - healthy, even - and that embracing and adapting was necessary to find self-fulfillment and true absolution.

The first year as a Sister of Sin proved a heady challenge. With scripture and philosophy to study, on top of a laundry list of new procedures and rituals and ways of living to memorize, you had your hands full. There were some nights where sleep was truly a blessing from below and you started to understand the pull of addiction as you filled your coffee for what seemed like the umpteenth time at breakfast before starting your shift washing the ministry’s linens. 

Uncertainty and impulsivity had inspired you to join. Desperation had encouraged you to stay. Like a mid-life crisis happening 20 years too soon, you clung to any open window to find purpose and opportunity. You longed for a defined path outlined in thick black marker on a map with an ‘x marks the spot’. 

It wasn’t until a year and a half into your tenure as a Sister of Sin, fresh out of novitiate, that you met a young Cardinal Terzo (as he liked to be called) and your outlook on this new life began to shift. You couldn’t exactly point to why he had chosen you out of all the other sisters. You didn’t feel as though you were the most attractive, or the most seductive, or the most educated or intelligent. You didn’t feel secure in any specific talents and you didn’t feel a drive to accomplish anything specific. If anything, your energy was spent on yearning for direction. 

Perhaps he had noticed your propensity to velcro into anything novel or interesting. Or maybe it was your enthrallment and willingness to engage. Whatever the reason, Terzo had chosen you to devote his time to. 

You had been assigned to his detail as a temporary member of his small team of siblings. Though your past experience noted a range of clerical skills and literary study, you had instead been chosen to keep his chambers. It had taken all but a few days to learn Cardinal Terzo’s particulars. His sheets, which were a stereotypical black satin, had to be positioned just right (heaven forbid the fitted sheet have a loose corner…one would think that Papa himself had been murdered). Because of their color and Terzo’s…life choices, both the top sheet and the fitted sheet had to be changed nearly daily to save them from resembling Pollock’s “Lavender Mist”. His clothing had to be organized by occasion and style (and as you quickly found out, by random personal preference that seemed to change on a whim). Terzo required his wine fridges (plural) to be stocked twice weekly (including the large collection of reds that rested atop each fridge at room temperature), and it wasn’t uncommon to fulfill last minute requests for antipasto, fruit, candles, or other carnal delicacies to be brought to his room for later that evening. 

Completing tasks was a nightmare. You never knew if your assigned shift would lead you into an empty (and disarrayed) room with Terzo having been up and out early in the morning, or an occupied suite that stayed inhabited up into the early afternoon. The latter still caught you off-guard and you made frequent mental notes to work on your stuttered apologies as you awkwardly left his bedroom to wait until it was empty to resume your duties.

However, one day that seemed all but special, you entered his bedroom to change his linens and refresh his wardrobe, only to find Cardinal Terzo hunched over the mantel in front of the fireplace. His head hung low, browbeaten, and a rocks glass of scotch was perched between heavy fingers while his fist was clasped to his right. If you listened closely enough, you swore you could hear his aggravated breathing laced with tears. You froze at the sight. 

“I’m sorry, Cardinal. I didn’t mean to interrupt,” you eventually peeped out, trying your best to keep your tone even as to not portray any perceived judgment. 

Terzo hadn’t turned to face you, but was quick in his reply — his voice gravely and gruff. “It’s best if you go, Sorella,” he responded, gripping even tighter onto the glass. The air felt thick and you could feel your own sweat (whether from the heat of the fire or the anxiety of catching Terzo at an inopportune moment, you weren’t sure) pooling on your forehead. 

Despite his request, you stayed stationary. 

You couldn’t help but look over the way his hair hung down to frame his painted eyes, tracks of tears threatening to wash away the intricate circular design and painted bow, and how his lips pursed in the firelight. Do you dare overstep your professional boundaries to show a touch of common humanity? To show that despite his role as a prominent Cardinal in the church, he was still a human being that deserved empathy and kindness? It was then that you decided to be bold. You took a deep breath. 

“Do you need a hug?”

Your words seemed to catch Terzo off guard, and he suddenly raised his head and craned his neck to look at you, eyebrows furrowed. You gently set down the basket of clean laundry and took a step towards him, wringing your hands in apprehension as you approached him. 

Upon seeing you, soft-faced and vulnerable in the dim light, his own expression dampened and he turned his body to face yours. “I think I would like that, Sorella,” he replied. 

It was from the moment that your small frame enveloped him, your head tucking in against his chest while your hands moved comfortingly against the smooth fabric of his jacket that hugged against his back, that you felt your heart beam against his. And maybe, you reasoned, you weren’t crazy in thinking that you felt his beam back against your own.

Over the next week or so, your daily visits to his chambers began to change. You could almost bet on him being present for your visits now, and while it had made you nervous before, you had begun to look forward to seeing him lounging about in his chambers, coffee in hand as he greeted you with a warm, “Good Morning, Sorella.” Dinner in the refectory had been previously uneventful, but now was punctuated by stolen glances from (and to) the head table, with Terzo occasionally lifting his ever-present glass of red in your direction — a subtle, yet definite nod to your existence. You couldn’t help but internally swoon. 

The second week after your fireside interaction, after replacing the linens, replenishing the firewood, and restocking a few choice wines in Terzo’s chambers, you were met with a personal request from the Cardinal. 

Like many nights during weeks prior, Terzo had left his room with a special request for the evening. “A sensuous feast” he had called it, and having fulfilled his wishes before, you knew exactly the way it was to be done. 

Ignoring your disappointment (and the pang in your chest when you read the note), you worked with the kitchen ghouls to create a charcuterie board to remember, rife with various fruits, cheeses, nuts, and the homemade rosemary focaccia you knew he enjoyed at dinner. A bottle of prosecco sat on ice in a marble wine chiller on the low mahogany coffee table (and you made sure to stock a couple extra in the nearby wine fridge for good measure), and two glasses were perfectly polished beside it, waiting for eventual effervescence. A low fire was kindled and warmed the plush rug that lay in front of it as it waited for its future occupants. 

Swallowing the sharp spasms that assaulted your chest, you gave the room a small, unreturned smile and surveyed your work. 

“Beautiful job, Dolcezza.” Terzo’s silken voice frightened you as it broke the quietude in the room. You let out a breath, a chuckle laced between it and your words, and you replied with your same gentle smile. 

“Thank you. Will that be all, Your Eminence?”

You had been prepared for the Cardinal to shoo you away, possibly thanking you with another one of his thousand-yard smirks, but to your surprise, he didn’t. Instead, he wrinkled his brows in thought, walking slowly over to the velvet-tufted loveseat across from the mantel. His gloved hand stroked the back, fingertips brushing so lightly that they didn’t even leave a mark. 

“Actually, no, Sorella,” he said, eyes fixed on the raspberry-hued fabric. You felt your lungs tighten. Had you forgotten something? You’d be the first to admit that you’d been distracted in your work lately, and it wouldn’t have surprised you to see that you missed something crucial. Terzo interrupted your worried visage, his duochromatic eyes flickering up to you with a sultry gaze. “...would you like to stay?”

His words had hit you square in the jaw, which you were sure was now hanging open just slightly at your surprise. You swallowed and stammered out, “I-I don’t want to intrude on your company, Cardinal.”

“I was hoping you would be my company tonight, Dolcezza.”

It was the first of many evenings spent with Terzo. The debut of your time together, if you will — and it was not at all what you had expected. 

Tentatively, you agreed to the invitation, only doing so because you knew that his room was the last on your list to freshen and you were now technically done with your duties. You had watched as Terzo held his hand out to motion towards the seating by the fire, and you hesitantly moved to take a seat on the plump leather couch across from the loveseat. 

To say that you had been nervous would be a gross understatement. Your senses drank in the stimulus around you — the pop of the bottle of sweet wine, the fizz of the bubbles blooming in the glass, the spicy, floral musk of Terzo’s cologne drifting through the air as he held out the flute for you to timidly accept — they all became cataloged in your mind as sensory memories of this first excursion. 

If Terzo’s smooth, charming attitude hadn’t calmed you down, the prosecco surely had. Not long after you’d taken your first sip, Terzo had sat on the other side of the couch with his own glass in his gloved hand, his cardinal cassock floating down over his crossed legs like sin, and he had struck up a conversation. His body was turned towards yours, eyes always drinking in your form like it was the preferred spirit of the evening, as he asked you more about who you were. 

He was easy to talk to (far easier to talk to than you’d expected). You divulged your history with the church and briefly described your one and a half year commitment with a peaceful pride. As a Cardinal, you were sure he spent the majority of the time discussing the intimacies of the ministry and you didn’t want to bore him. 

“And what led you to the light bringer, Sorella?” he had asked you, fingertips stroking the stem of the champagne flute delicately, tenderly. 

Even though you’d initially fabricated walls to guard you from revealing your past, Terzo’s soothing yet fascinating energy knocked them down almost instantaneously. You explained the falling out with your parents over your decisions for your career and lifestyle, how they’d refused to support you following your passions as it didn’t seem “financially prudent” to do so. With forlorn fondness, you recalled your relationship with your Granddad that had ended abruptly with his unforeseen death and how it had cracked your mother’s inward countenance and plastered it back up with vodka and Valium. The final straw, you explained, was your decision to openly renounce your faith and begin the exploration into different forms of spirituality. Terzo had listened intently, his face bleeding sympathy and compassion as you unraveled your past in a way you hadn’t since joining the order.  

But despite the heavy conversation, the night turned to one of true connection as you both polished off the first bottle of prosecco (and eventually, most of the charcuterie). Laughter frequently permeated the air after the second bottle had been opened, and you giggled over shared stories of gossip about the ministry — Terzo even letting a few more secretive and scandalous pieces about the clergy loose after his fourth glass of bubbles. 

By the end of the evening, you began to see Terzo in a new light. Before, he’d been the suave, debonair Cardinal with a reputation of philandry.  But now, Terzo felt like a true kindred spirit. As you’d gotten up to leave (sea-legged from the alcohol, you might add) the Cardinal had offered you his hand to steady you. After helping you up, he continued holding onto your hand, his body advancing closer to you with a half-step.

You remember the light of the fire reflecting off the yin-yang black and white eye as he took in your features. You remember the notes of apple and pear on his breath. Most of all, you remember the words he purred out in a low, dulcet hum. 

“I’m going to kiss you now, Dolcezza.”

And he had. Searingly slow, his lips lingered on yours for countless seconds before he pulled away completely. 

It was the beginning of the downfall.  

🜏🜏🜏

A mere two days after your memorable night with the Cardinal, you arrived at the workroom connecting the laundry to the housekeeping stores in increased anticipation to start your duties. Yesterday was your day off, and as such, you hadn’t had the opportunity to see Cardinal Terzo. 

As soon as you set down your coffee thermos, Sister Teresa, a senior Sister of Sin, approached you with a jollied clap on her hands. She explained that the sister you’d been covering for had healed quite nicely from her surgery and was returning to work early — today, in fact — and your services in housekeeping would no longer be needed. With a chuckle, she reached out to touch your arm, saying, “It’s a blessing of timing from the Dark One. We have been running behind ever since you left!”

Outwardly, you nodded and thanked the sister for letting you know before heading through the connecting door to the laundry. Once out of sight, you sighed, turning to make your way down the walkway towards the oncoming chutes, closed fist lightly pounding against a pile of folded bedsheets as you passed. You weren’t exactly sure when you’d get to speak with Terzo again, which of course disappointed you, but you were arguably more disappointed that you’d spent the time shaving your legs and fussing over the exact flavor of lip balm before leaving for work today — all for naught. 

That evening, you took your usual seat in the refectory with a slogged posture. Your hands smelled of bleach and detergent, and your skin felt dry from the dryer sheets you’d spent the afternoon picking from the dryer vent. After pouring yourself a healthy glug of table red from the decanter, you sighed and leaned back, watching as other siblings filled the room. After a few lengthy sips and more disassociation than you’d care to admit, you saw a flash of a black cassock from the corner of your eye. Towards the front of the refectory, seated at the clergy table, was Cardinal Terzo. He was mid conversation with one of the bishops and looked surprisingly pleased as he took a seat and accepted a glass of red similar to yours. His glance turned to your direction by chance and he met your eyes, smirking before raising his glass as he had so many times before. You raised yours back. 

And on this went for the remainder of the week — you, successfully seeking out his gaze and him acknowledging you with a raised glass, a smile, or as of the night before, a wink. Each time made your heart patter so high in your chest that you could taste it in your throat (or maybe that was the pinot noir). 

This particular night, after placing your napkin on the table and sipping the last drop of wine from the globe of the drink ware, you realized that this week put you into a state of melancholy. You’d felt trapped (an odd feeling in a church based on free will) and you craved a break in your monotonous routine. A walk would do you good, you'd decided. You breezed past a group of siblings and out the refectory doors so quickly that you hadn’t heard the voice calling your name from the other end of the room. 

Down the cloister and to the gravel path your feet traveled, and just after you felt the crunch of the rocks beneath your shoes, a hand reached out to cup your shoulder. You’d turned with an inward huff, nearly frightened, but each muscle seemed to relax when you’d seen that it was just him, just Terzo, and a smile crept across your cheeks.

From an outward observer, the walk would have seemed ordinary. It wasn’t out of character for siblings to peruse the gardens in the evening, and members of the clergy indulged too, of course. But as you made your way through the carefully pruned rhododendrons and lilac-lined pathways, Terzo admitted something that made the stroll all but ordinary. 

“I miss seeing you in my chambers, Dolcezza. I hope our kiss did not frighten you away.”

And of course you had assured him that it was anything but, explaining the predicament that brought you to the housekeeping staff in the first place, along with the reassignment to the ministry laundry earlier in the week. 

As time wore on, you kept to your work in the laundry and he to his in the clergy, but both you and il Cardinale continued your joint traditions — the hushed glances at dinner, the occasional stretch through the church’s gardens. You shared the stories of your respective days, with the conversations always morphing into a mishmosh of memories or past experiences, with the occasional smattering of theological conversation. Sometimes you sealed the evening with a kiss, sometimes you didn’t. However, regardless of how the night ended, you always thought of the taste of his lips on yours (wine-bathed and smoky and soft). 

Luckily, on occasion, the senior Sisters of Sin pulled the laundry staff to help out with housekeeping duties in the event of someone falling ill or needing to take time off. Each time this was proffered, you quickly volunteered, buttering the situation with the explanation that you had already filled in before and knew the routines and procedures, including the particulars of the clergy members. It made you appear as if you were flexible, hardworking, and willing to help the ministry in any way needed. Deep down, however, you knew that your real motivation was the off-chance that you’d get to see your raven-haired Cardinal. 

One of these days you had all but physically jumped at the opportunity to help out with housekeeping. Your enthusiasm was nearly crushed when you found out that not only were they short staffed, but they had fallen behind due to a fairly extensive disaster left behind in an upper clergymen’s room by what appeared to be an entire pack of ghouls. In spite of your utter exhaustion at the end of the day (and shudders at the recollection of all the oddly sticky surfaces you had to wipe down while tidying up the ghoul pack’s aftermath), you found yourself 

making the familiar trek to Terzo’s chambers. Ghoul juices aside, you had a slight jaunt in your step. The day’s unfortunate proclivities wouldn’t put a damper on your excitement of seeing the Cardinal. As soon as you entered his room, however, you noticed something felt strange. 

Hoping to finish your more formal duties quickly, you beelined into the bathroom to replace the towels and gather the dirty laundry before passing through to his bedchambers. Removing and replenishing his sheets was like child's play now, and after a couple of minutes you had already balled up the used linens and placed them in the basket with the other laundry before turning to exit his bedroom. 

You heard the crackling of the fireplace in his living space before you saw the dim flames, and the occasional scribbling sound of a pen against paper was even more of a telltale hint that you were not alone. Setting the basket down, you padded over to the leathered couch that reminded you of your first visit with the Cardinal and rested your hands against the back of it. Terzo was sitting against the rug, feet outstretched by the fire, with a notepad in hand. It had indeed been him slugging the fountain tip across the page, and from the balled up sheets of paper littering the floor, you gathered that whatever he was getting at was not a success. 

“Your Eminence?” you rasped out softly, so quietly that he didn’t hear you. “Cardinal?”

With your slightly louder inquest, Terzo’s head shot up and his pen dropped against the paper pad with an audible clunk. The delighted expression on your face dimmed, though, when you noticed his own. 

His usually slicked-back hair hung down in messy strands across his forehead, barely covering the lines that had formed there undoubtedly from a frequently furrowed brow. His eyes looked a little glassy, and although the paint around his eyes and upper lip didn’t seem to be tear-scathed, you could tell that he had rubbed at his face more than once by the blurry edges of the black makeup. In sum, Terzo looked doggedly stressed. 

“Dolcezza,” his voice perked up with a hint of surprise, “What a treat it is to see you here.” 

You could feel the color creeping into the apples of your cheeks like ripened fruit. “They needed a little extra assistance and I offered to help,” you explained, your voice calm and surprisingly steady at the scene in front of you. 

“Ahh, bene.” Terzo threw the notepad down to the floor with a little more oomph than you expected, stretching his feet out in front of him. You noted that they were dangerously close to the fire.

“Is everything alright?” you asked as you came closer, rounding the couch to sit down next to him on the floor, “you seem a little —” you paused, unsure of whether to continue lest you come off insulting, yet decided to risk it, “ —stressed.”

The Cardinal sighed. “SÌ,” he breathed out, slipping his hand through his hair for what had to have been the dozenth time that evening. “I am to give the sermon at black mass tomorrow.”

Your lips curved into a proud smile. “Black mass? That’s…well, an honor, really.”

Terzo nodded. “SÌ… however, I have yet to finish it. I keep coming to a stop, like a eh—” he paused, his hand motioning in circles as if to demonstrate that he was searching for the correct word, “ —barrier, in my mind.”

Folding your legs underneath you (and being careful to adjust the skirt of your habit), you turned to face him. “You have writer’s block?”

“If I am to be completely honest, I have never delivered a sermon at Black Mass before.” He sighed again and you noted that there was a lot of weight in that sigh. He looked down, flipping the pen to and fro between his slender fingers. “A lot is riding on this performance and I fear I will be nothing but a disappointment.”

At this, your body stiffened. Terzo had always seemed so confident, so demure, and you were taken aback by his insecurity. “Cardinal,” you began, inching just a bit closer, “you are anything but a disappointment.”

At this, the painted man beside you laughed. “Ahh, yes, il stronzo, perhaps…”

You rolled your eyes at his self-deprecation. “Based on our conversations during our walks, I think you will do beautifully. You have quite the mind for theology, and you speak eloquently and with conviction.” You licked the curve of your lips, craning a bit to try to see his downtrodden eyes. “Maybe it’s yourself you should have some faith in?”

At your kind words, Terzo raised his head, his hair partially hiding the milky white eye that you had never quite become accustomed to. “I’m afraid I will just disappoint you, cara. As well as the congregation.” At this, he let out a breath he didn’t know he was holding, his fist clenching as he softly pounded the ground in frustration. “Figlio di puttana…”

The way he looked right now reminded you of the first moment you approached him: vulnerable, closed in on himself, raw, and before you knew it, you reached out your hand to gently touch his left arm, your own fingertips brazenly trailing up and down the wool-covered limb. Your touch surprised the Cardinal, and his eyes  met yours once more — this time, the widened emerald one peering straight through you. 

What you didn’t know was how touched Terzo was by your compassion at this moment. Of course, he knew how much you cared and sacrificed for others, but you never ceased to amaze him with your empathy and tenderness. His heart beamed in a way he hadn’t felt since childhood, and as he drank in your alluring stare, he couldn’t resist the urge to study your beauty in the firelight. He noted the way the flames etched against the contours of your cheeks and jaw, shadows drawn across bone. 

Putting his gloved hand on your own, he found himself leaning towards you, his fingers squeezing yours as his breath stilled in his throat. Warm lips — one painted and one bare — pressed against your own and you felt at home again. Your kisses with Terzo had always felt this way, and although they were a bit of an unconstant, you relished in the moments you’d get to feel him like this. 

Your eyes fluttered closed. Head tilting ever so slightly, your body mirrored his own as you melted into the touch. Faint wine and the bitter tang of paint touched your tongue while you moved your lips against his, the slower series of pecks diverging into something a little more heated, urgent, needy. 

As you sat like this, all you could hear was the crackling of the fire in front of you, the light smacking of your lips moving in unison, and the intakes and exhales of shared breath. It felt much more intimate than you were used to with Terzo. But most of all, it felt right. 

His hand trailed from yours and danced across the flesh of your neck to your jawline, cupping it gently as he tilted to deepen your connection, tongue tasting your lips (for self-gratification or permission, you weren’t sure). You also weren’t exactly sure how you ended up lateral on the thick rug, or how your hand had found purchase in his slicked back hair, or how his own had pushed the fabric of your skirt up around your bare thigh, or even how your bodies had been pulled so impossibly close. Nevertheless, you found yourself wrapped in air thickened with firewood and his cologne and the humid heat of your kisses and exhales, and Satan below the way his trouser covered leg had parted your own to tangle you both into one being had your mind swimming.

“Let me take you,” he had whispered to you, his breath warm against the corner of your lip and the curve of your cheek, “let me have you here, like I’ve always wanted to.”

That was all it took. The look in his eyes had been flooded with desire and it overcame your ability to do anything but completely submit to his request.

He moved over top of you, his arms lifting up criss-crossed to pull his jacket and button up off his slender, muscular frame. Flamed illumination danced across the ridges of the muscles of his chest, the smooth, lightly tanned skin that still seemed so deliciously pale for an Italian man, and your eyes took in stills to catalog in your memory while he slid his hands up and under your dress uniform. 

Terzo mimicked the action with your dress, pulling it over your head quickly before tossing it casually to the side. His hand slipped underneath you and before you realized it, the tension of your bra loosened and the garment was quickly abandoned. As cool air pricked the skin of your breasts, the Cardinal’s eyes wandered down to stare at them in the dim light. He bit at the tips of his gloved fingers to loosen the silken material, pulling them off to reveal slender, strong hands that reached for your soft skin. 

He must have noticed he look of insecurity that painted your face, of shyness, because he began to trace your curves with his fingertips, just barely, butterfly wings against the surface, and murmured out “Cosi bella…” as they shimmered across the peak of your nipples. 

Far back in the recesses of your mind, you felt dips of worry. Was this something that he said to everyone he was with? Was this how he treated all the women he’d brought back to his quarters — the quarters that you’d cleaned and prepared? But each time your mind wandered there, you pulled it back with a yank of a leash to the present. You were here, this was now, and you were going to enjoy what was happening in this moment. 

Your mouths connected again, this time more wantonly, and all you could taste was the uniqueness that was simply Terzo — the wine, the smokiness, the dark face paint. A groan escaped his lips into your own and he moved to box you in with his thighs on either side of your body. One hand found room just by your head against the ground and held him above you, while the other clutched to your left breast, kneading and squeezing at you with a mix of adoration and longing. 

When he brought his hips down to press against your own, you let forth your own series of moans into his mouth, and he all but combusted as he ripped your lips apart, hands hurriedly unbuckling his pants to shimmy them down his legs. Your reaches crossed one another’s as you both grasped at each other’s undergarments and tandemly pulled them down over hips and skin, revealing your bare forms in communion. 

From there you lie naked on the rug, Terzo on top of you, with sweat-slicked skin osculating as tongues and teeth gnashed passionately. Veil and shoes were long forgotten. You could feel his hard length pressing against the space between your sex and your thigh and it made a chill wash over the expanse of your body. As his hips rutted against your pelvis, he slid between your folds, slick coating him with delicious friction, and your arms wound under his own to curl around the strong muscles of his back and shoulders. You broke the kiss with a whimper and crooked your neck to the side. 

“Cardinal,” you hummed out, a little more needy than you had intended to, “don’t make me wait any more.”

He lifted his head to look in your eyes, a chuckle reaching past his lips as his hair nearly dripped across your forehead. 

“The virtue of patience isn’t something we celebrate in our faith, Dolcezza,” he purred as he brought his face close to yours, breath pricking across your lips and cheek as he moved his mouth to ghost your earlobe, “ —and I think you’ve waited long enough.”

With that, he pulled his hips back and you whined at the brief loss, your breath stilted as he pushed forward almost immediately, his cock pushing past your folds and into you firmly. You let out a choked groan and your eyes ripped open, watching the darkness of his pupils overtake his unmatched irises as he sank into you to the hilt. 

Your leg came up to hook around his hip and thigh as he pistoned in and out of you. Your hand gripped the furry fibers of the rug below, the other still curved around his back to hang onto his shoulder like he’d disintegrate if you let go. With every thrust you found God, and every retreat you went searching for redemption. 

Your Cardinal found solace in the arch of your neck, teeth nipping at skin and tendon as he grunted along with each forward movement. 

“Così buono con me. Sei così buono con me.”

Tension built up inside of your core, tugging at the muscles of your abdomen, and you felt your grip tighten around Terzo. Despite the stricture, you could feel your core blooming, softening taking everything he had as he worked himself inside of you, hips rolling and grinding. 

The smell of the sweat on his skin and the burning wood of the fire lit your own flames deep within you and you could feel your impending release begin to blossom. “More,” you cried, the noise so sweet in taste and sound to Terzo that he couldn’t help but obey. 

He pressed his lips to your neck in a series of wet marks. Your hand abandoned the rug and came up to card through his air, fingertips winding around the strands with a needy tug as you felt your pussy begin to contract around his thick cock. He knew you were close because he kept going, never faltering in his pace or touch, moaning little praises into the skin of your clavicle until lightening rushed through your veins. 

You came and it felt like everything and nothing all at once. You weren’t sure if you’d made any noise at all, but as your jaw hung open, eyes fluttering back into your skull, you were certain that within the Cardinal’s arms was the only place you were meant to be. Here, now, releasing yourself to him completely, with the firelight plaguing the walls as a reminder of your devotion to him, your Cardinal, and to the flames of hell and the one below. 

Terzo was soon to follow with his own orgasm. You could sense him tensing, his length twitching as his hips began to jolt against your own unrhythmically, throaty growls punctuating his movements. And as he filled you, you trembled against him from the fiery char of your release, your own inner muscles twitching as you welcomed his spend as sacrament.

Breath stilted and waned as he lay collapsed against you, skin slick with the proof of your union, and your fingertips found purchase soothingly stroking against his scalp. A beat passed and you relaxed in the aftermath of just the two of you. Terzo was the first to speak. 

“Was it worth it?” he hummed out, eyes peering up at you from his head that rested against your soft breasts. 

You furrowed your brows with a small smile. “What do you mean?” you asked.

He tittered and brought his hand to trace along the line of your jaw. “The wait,” he clarified, thumb rubbing sweetly over your chin, “Was it worth it?”

You felt warmth course through your chest and leak into your limbs. It was different than before. It was new, yet oddly familiar — like remembrance, uncovering a dusted memory. Your hand came up to clasp over his own on your chin, and you brought it to your lips, pressing them slowly, repeatedly against his skin. 

“You’re always worth it.”

🜏🜏🜏

Yet now, as you soak in the humidity that paints your skin while you move across the courtyard and to a lesser occupied area of the Ministry gardens, your mind replays your words from that night. “You’re always worth it.” Always. So finite, so absolute. 

You continued to walk, searching for a prayer, a sign from the one below that everything will click into place and the grand plan will be revealed over time. And as you settled down onto an earthen stone bench overlooking an old statue of the Emeritus family, eyes cast towards the statue that partially formed the man you’d fallen from grace for, you realized that there was no hot rain.

Only tears. 

Tag list: @copiasghoulfriend @copias-juicebox @the-lisechen @anamelessfool

Image Credit(s): Pinterest

i have never been more grateful

Thank you, Texas, for making this happen 🖤

damn i just took a closer look at copias new mask and i think he looks older(?) and definitely more evil. I think we are gonna get evil!copia era.

I mean look at his eyes and the eyebrows. And the black paint

And his paint is assymetrical too

omg i love this

Since many of you were interested in them here are all my ghost photocards i have so far.

there are also some with a special finish:

they are far from perfect but they make me happy hehe

Camellia: Popia x f!reader - Chapter 1

Camellia: n. - A flower which symbolizes a deep desire or longing.

Summary: You are a translator for the Ministry. You receive a letter summoning you to the Abbey for a project involving an ancient diary with a mysterious author, but you find yourself wishing you were back home. That is, until you meet the charming Papa Emeritus the Fourth.

Word count: 4.4k

A/N: Hi all!! This is the first long-form fic I've ever written and decided to publish, so I hope you all enjoy!! The first chapter is mostly setup and scene building, so not a lot of interaction with our beloved Copia. But there will be more, I promise!!

Warnings: none for now but there will be some in later chapters.

AO3 Link

Prologue

“Will you help me move this box?” the Brother of Sin says. 

Wordlessly, the Sister of Sin stops what she’s doing and maneuvers through the crowded, dusty basement room to help the Brother. The two crouch down, bracing their hands against the box of books. It leaves behind a path carved into the layers of dust as it slides across the wooden floor. 

Once the box is pushed a few feet out of the way, the Sister lets go and, losing her balance, falls to her hands and knees from the crouching position. She cries out in surprise when her hand sinks through the floorboards as one of the slats gives way. The hole is only a few inches deep and filled with dirt and cobwebs, but the Sister’s hand falls onto something softer than wood. 

She lifts her hand to find that there’s a small leather-bound volume hidden face-down in the small crevice. The Sister can hardly imagine how long it has been there, with how thick the grime lies on the back cover. 

This room of the Abbey’s basement had been long forgotten, until Sister Imperator tasked these Siblings of Sin to clear out the room to make way for new storage. They had half expected to find a ruby-encrusted sarcophagus in the room, with how ancient and opulent the Abbey is. So far the only things of interest they have found are books—it seems that the only items stored in the room are books. 

The Sister gently removes the book from the hole in the floor and replaces the wooden slat. Even through her gloves she can tell that it is close to disintegrating. The distinct orange of rotten leather lines the edges of its binding and a few corners of pages fall to the ground. 

“What’s that?” The Brother asks. 

The Sister carefully turns the volume over so that she can read the front cover. It, too, is covered in dust, so she gently brushes it with her hand in order to read the embossed leather cover. Having been face-down in the crevice, the gold leaf illuminating the embossment is preserved and it shines in the low light of the basement. 

“It says…” the Sister squints to read the small letters, “...Elizabeth.” 

“Elizabeth? Who’s Elizabeth?” 

The Sister turns over the book once more. “I don’t know, just… Elizabeth.”

Chapter 1

The ride from the airport to the Abbey is a long one. The car you had been picked up in took you through the city and the suburbs, to the rural outskirts of civilization where the coniferous trees block much of the sunlight. The winding roads, dotted in late-afternoon sunbeams, feel endless as the car climbs into the hills. It’s been a silent ride, and rather awkward (at least, you feel that it’s been awkward) because the helmeted ghoul who drives the sleek black sedan has not said a word. 

You knew that the Abbey has ghouls. A few abbeys do, as they are big enough to warrant summoning help, but your home chapter is not. This is the first time you’ve met one. 

You wonder if they’re all so stoic, or if the driver simply doesn’t have anything to say. He isn’t impolite, but you wish he would say something, anything to make the drive a little more bearable. You want to ask him about the Abbey–what the Siblings are like, what Papa is like. How many Siblings live there full time? How big is the library? You’ve heard that the ghost of a former Papa haunts the corridors, is that true? Hundreds of questions brew in your mind, but the ghoul remains silent and you’re left feeling like an unwelcome guest in a strange country.

You already miss home. 

The Marseille abbey, your home for the better part of your adult life, is a medieval stone structure built on a hilltop south of the Marseille city proper. The ornate, stained-glass windows of its chapel face west over the Mediterranean so that the sunset streams into the room during Black Mass. The walls are old and drafty, and keep faded tapestries in a constant state of fluttering. The linens line the walls of the refectory in between tall, narrow windows which also overlook the sea. If it were not for the inverted crosses and scenes of the unjust fall of Lucifer, one might think the atmosphere in the chapel—and the rest of the small abbey—is almost holy.

The windows in the Sibling dormitories are small and south-facing, with deep stone sills and wood frames that have somehow managed to survive the ages (although they hardly open without a fight.) Your own dormitory windowsill is lined with personal prayer books. Each has about a hundred loose papers sticking out. They are your translation practice, your way of staying versed in every language you know, because you know the prayers by heart at this point. The papers are experiments: which language makes the prayer sound better, sound prettier? Which language makes the most sense? Which language makes the prayers the shortest, the longest? 

No matter which language you use, to you the prayers sound the most beautiful in your mother tongue. That is how you’d memorized them, after all. Yet… you wish there had been room in your single suitcase to take your prayer books with you. 

“We’re almost there,” the ghoul says, snapping you out of your homesick reverie. His voice is deep and softer than you’d expected. There’s no spurt of hellfire from his mouth as you’d half-thought there would be, and no low rumble in his words that might signify he’s more beast than man. The ghoul, despite his bug-eyed mask, seems shockingly human. 

He steers the car through tall wrought-iron gates which seem to open automatically. You can see the tall peak of the Abbey’s bell tower peeking through the trees, and suddenly the reality that you’re very, very far from home hits you. 

You unfold the crinkled envelope in your hands and reread the letter for the hundredth time that day. 

Dear Sister, 

I hope this letter finds you well. 

We at the Abbey have recently uncovered a very important document which we require your expertise to translate. However, this document is extremely fragile and cannot be transported in the post. Papa Emeritus IV and the rest of the Clergy request your presence at the Abbey as soon as possible. 

We expect this project to take several months. Enclosed is a one-way ticket for you to travel to the airport closest to us, from which a car will transport you to the Abbey. We will discuss plans for your return to Marseille when you are nearing the end of your work here.

We anxiously await your arrival. 

Sincerely, 

Sister Imperator

The letter itself is quite presumptuous. Sister Imperator had assumed you were not busy, and assumed that you would be able to drop everything and travel halfway across the world for a months-long project. And then to use Papa’s name to exaggerate the importance of this mysterious document which she hadn’t even disclosed the nature of? 

Well… you can’t exactly say no to the woman who practically runs the Ministry’s affairs. 

The car takes a bend in the Abbey’s endless driveway and emerges into a clearing. Sitting far back on a sprawling lawn is a massive, imposing stone structure. The rows of trimmed hedges and flower bushes do little to soften the gothic hardness of it. Two pointed bell towers loom over the steep roof of what must be the chapel, with stained glass windows stretching up at least two storeys. The central image is of Baphomet, in his iconographic pose. The setting sun glints off of his golden halo. Sweet Satan, you think, your eyes tracking the window as the car rounds the drive. Baphomet alone must be taller than the entire height of Marseille. 

The ghoul pulls the car to a stop in front of the wide steps leading up to wooden double doors. A woman stands there, her hands clasped in front of her and her back straight, like the matron of this grand palace. You suppose she is–the severity of her expression alone leads you to believe that it’s Sister Imperator who waits for you.

You step out into the chilly air and shut the car door behind yourself. The ghoul already has your suitcase in hand and gestures for you to walk up the stairs before him. You wish he’d let you carry your own suitcase, if only to give your hands something to do, but you are far too stunned to ask. Climbing the shallow stone steps feels like stepping into another world. A world in which you feel far too plain to exist. 

“Sister,” The woman greets with a smile. It doesn’t quite reach her eyes, which squint at you beneath slightly furrowed, well-groomed brows. She strikes you as someone who is all business, all the time. “How was your journey?” 

You return her smile as best you can. She speaks to you like you don’t understand English. “It went well, your dark eminence.” 

She seems a little surprised that you respond so fluently, but she quickly fixes her face into another warm grin. “I am glad to hear it,” she says. “Thank you for coming on such short notice. I’m sure you must understand that this document is very important, and quite fragile. We would not risk losing it in the post.” “Of course,” you nod. “If I may ask, Sister Imperator, what is this document? You did not disclose it in your letter.” You gesture to the envelope safely stored in your jacket pocket. 

Sister Imperator turns to step inside the slightly ajar wooden door and you assume she wants you to follow. The ghoul accompanies you over the threshold, but at the wave of a hand from Sister Imperator, he turns down a narrow corridor with your suitcase and disappears around a corner. 

You are still a bit too overwhelmed to thank him. Instead, you look at the woman beside you. “The ghoul will bring your luggage to a room we have prepared for your stay,” she explains at your silent question.

She continues down the main hall, deeper into the Abbey. Your footsteps echo through the atrium, bouncing up to the high, painted ceilings and off the stone walls. There are a few wooden benches pushed back against the wall, with pots of surprisingly lush houseplants on either side. Framed oil paintings line the walls: some depicting biblical scenes, some of landscapes, and a few large, dignified portraits. You can tell by the distinct Papal paints in each portrait that the subject is a Papa, and you wonder which one depicts Papa Emeritus IV. You’ve never seen an image of His Unholiness before. 

After a few moments of silence, Sister Imperator speaks again. “We found the document last month, in one of the storage rooms in the Abbey’s basement.” She likes to use the royal ‘we’ a lot, you think. 

She continues. “One of our archivists believes that it is at least five hundred years old. It is very fragile, you see, and so we ask that you handle it with the utmost care as you work with it. We would prefer it if you used gloves. And frankly, Sister, I believe that you would want to. The leather is fairly rotten.” You stay silent as you follow slightly behind her. You’ve worked with old, rotten books before. The pages nearly crumble apart in your hands and the leather splits easily, but it’s nothing you can’t handle. 

“We believe it is a journal—a diary, rather, of someone very important in the Ministry’s history.” You find it strange that she doesn’t immediately disclose whose diary it might be. “Who, if I may ask?” “Elizabeth.” Sister Imperator’s voice is clipped as she answers you. She gives no further explanation. Just Elizabeth. 

There are millions of women named Elizabeth in the world. It is very likely that there is more than one important Elizabeth in the Ministry’s history as well. It’s a fairly common name, especially five hundred years ago (if the archivist is correct). For all you know, this document could be some random Sister’s sexual logbook, and documenting her sinful indulgences was her way of praying to the Lord Below. 

You break out of your ponderance over possibilities when Sister Imperator turns a corner to walk down another, slightly narrower (but still wide) corridor. She speaks again. “The book is to be kept in a lockbox at all times when you are not working with it. Under no circumstances is it to be removed from the Abbey library without my express permission, or the permission of Papa. Is that understood?” 

“Yes, Sister,” you answer hastily. Her tone of voice as she lays down the law makes you feel as though you’ve already made a mistake. 

“Now. The reason we need you, Sister, is because none of our own archivists or translators can figure out what language the journal is written in.” 

This piques your interest, and also slightly flatters you. “What do you mean?” you ask.

She releases a long-suffering sigh. “The writing is jumbled. It is a mess of letters and sometimes numbers, with no spaces whatsoever.” 

The possibilities immediately start to stack in your mind. Latin from the Roman era tended not to use spaces, a practice called ‘scriptio continua’. Ancient Greek also did this… but wouldn’t the in-house translators be able to read it? 

“I cannot explain it well enough,” Sister Imperator says. “You will have to see, Sister.” 

The two of you come to another set of large double doors. Sister Imperator pushes one open and steps inside, holding it open for you. You slip past her into a huge, bright room, filled with hundreds and hundreds of bookshelves. Immediately you are hit with the scent of old books and parchment paper, and the gentle sounds of turning pages. To your left sits an ornate wooden desk with one Sibling standing behind it. They are sorting books onto a three-tiered cart, presumably to put them away in the correct order. You accidentally make eye contact, but they smile politely and you respond in kind with a little wave. 

You avert your gaze upward towards the open second floor, which wraps around the large atrium and is protected by a dark oak bannister. A few Siblings linger on the catwalk, carrying books or making their way towards the wide staircase that opens to your right. The bottom floor of the atrium houses several wooden tables where another smattering of Siblings sit. Most other tables are empty save for an abandoned book or two. 

The late evening glow shines down into the room from a large, circular skylight in the middle of the ceiling. There are desk lamps and overhead lights scattered about but none have been turned on yet. 

It reminds you of the University library.

“Come,” Sister Imperator says after allowing you to gaze around the massive library for a moment. “The lockbox is in the restricted section. You will receive your own key while you are here but you are required to return it, directly to myself or the Head Librarian, before you leave.”

She leads you up the carpeted staircase and deep into the bowels of the second floor. Towards the back corner, where the shelves are labeled ‘Fiction - Romance’, there is a wooden door tucked against the wall. A sign beneath its small glass window reads ‘RESTRICTED’. Sister Imperator fishes a rather noisy set of keys from her pocket and finds the correct one to unlock the door. She pushes it open with a squeak that feels loud in the quiet of the library. When both of you are in the room and the door is shut behind you, she removes an identical key from her keyring and hands it to you. “Your copy,” she says. “Do not lose it.” 

The room isn’t cramped, but it is small compared to the atrium. A few single-person desks sit along the back wall, while the walls on either side of you are lined with glass boxes. Each box is shaped similarly to a narrow cubby, and houses a single book. Printed labels on the front face of each box display a box number and the name of the volume stored inside. 

“Your key allows you to access any of these boxes,” Sister Imperator explains to you, “but I do not expect you to require any of them, except for the diary you’ll be working with. It is kept in box number seven, which is here,” she points to a box about halfway up the rightmost column of cubbies. Using her key (still attached to the incredibly jingly keyring), she gently unlocks the box and it glides out like a drawer. 

You step beside her to look down into the glass drawer. The diary is wrapped in white linen, but you can see the faint brown color of the leather through the cloth. “The archivist requests that you keep the white cloth under the book at all times,” Sister Imperator says. She reaches down into the box and gently retrieves the diary, careful not to jostle the cloth too much. “It will protect the leather from further decay.” You don’t need her to explain how preservation works, but you appreciate it anyway. It saves you from having to ask, or endure another awkward silence. 

She places the book down on a nearby table and slowly unwraps the cloth. Already you can see small flecks of brown and orange sticking to it where the leather has rotted, but it seems to be fairly well preserved in light of its age. On the front cover in small, embossed gold letters is the name Elizabeth. 

“Elizabeth,” you say, understanding. 

“Elizabeth,” Sister Imperator replies. “That is the only word we have managed to decipher. Hopefully you will be able to help us with the rest.”

You nod. “I believe I can.” 

She wraps the cloth loosely around the book once more, and returns it to its box. “I do not expect you to start tonight, Sister. We will give you time to settle, and have something to eat. But from tomorrow morning until you are done, this is your sole responsibility. Do you understand?” 

Her sudden, almost intimidating tone surprises you. You bite the inside of your cheek–a nasty habit you’ve had since you were a child. “I understand, your Dark Eminence,” you say with another nod. 

Her face softens, as does her stare. “Please, just Sister is fine,” she says. You follow her again as she begins to lead you out of the Restricted room. “I believe the dinner hour is to start soon. I will show you to your dormitory, and then leave you to get settled.” 

She brings you back through the library and the main hall towards where you’d seen the ghoul disappear with your luggage. The dormitory hall is a long, narrow corridor with windows on one side and doors on the other. Each door is marked with a number and a nameplate, and in between each door are wall sconces lit by incandescent bulbs. Halfway down the hall there is an opening to a stairwell which, you assume, leads up to the second floor of the dormitories. You walk past many, many doors, some of which have two nameplates, until you reach the very end of the hall where there are unmarked doors. Sister finds her keyring again and unlocks one, then removes the key and hands it to you. 

“These rooms here are the guest quarters. They are typically not suited for long-term stays but we have prepared yours to have everything you will need. If you need anything, ask Sibling Superior and they will make sure that you receive it.”

Sister Imperator turns to leave, but then turns around. “You know, Sister,” she says, with a curious look. “For someone of your expertise, I thought you would have been… older.” You can’t tell if it’s praise or suspicion in her voice. “Yes, well,” you stall. How are you supposed to explain that language just comes naturally to you and that it’s not your fault you’re not old and wrinkly? “I suppose once you learn one language, all the rest come easy. Especially romance languages.” 

“Hm,” Sister Imperator hums, sizing you up for a moment. “Find me at the end of the week and we will talk about your progress. I’m sure you will know your way around by then.” 

It seems her well of kindness has run dry.  

~~~

If the loud ringing of the bell didn’t tell you that the dinner hour had started, then the steadily rising sounds of a crowd did. You can hear the murmurs of conversation even through your closed door. A few Siblings emerge from the dormitory next to yours, their chatting and laughing growing quieter as they walk down the corridor towards the refectory. The old wood floorboards creak above you from the movement of Siblings who occupy the second floor. All around you there is an excited bustle, and yet you don’t feel like joining it. 

You have never liked crowds. Especially crowds of strangers. And these strangers all seem to know each other, if the echoes of loud conversations tell you anything. 

But your stomach does rumble, and you feel rather weak from a day of travel, so you decide that it’s best to eat something before you go to bed. Once the corridor seems clear again, you quietly slip out your door (patting your pocket to make sure you remembered your key) and make your way to the refectory. Sister Imperator hadn’t shown it to you but you can make an educated guess as to where it is. 

When you emerge into the main hall, you see a few Siblings occupying the wood benches that had been previously empty. They all hold trays or to-go boxes on their laps. Some speak animatedly, enthralling their friends with stories from their eventful day, while others sit quietly beside each other and eat. You think that it might be nice to sit somewhere to eat so that you feel a bit more connected to the Abbey, but all of the benches are occupied. The ever-growing roar from the refectory does not seem too appealing, either. 

The large room is across the main hall from the library. When you turn the corner you see that it’s not as grand as the atrium, and that it only occupies one level. There are sheer curtains hung over the windows, which allow the sunlight to illuminate the room but keeps it from growing too warm. Siblings, Clergy members, and ghouls alike sit at long wooden tables not unlike those of your home Abbey. But these tables alone are longer than the entire length of the Marseille refectory, and once again you’re reminded that you’re quite far from home. 

No, you can’t eat here. Not tonight. 

There is a long counter stretching nearly wall-to-wall to the left of the door, where a dwindling line of Siblings make their dinner selections. Whatever meal the kitchens had prepared smells delicious but you find that you don’t have the appetite for it. However, close to where you stand in the doorway and nestled in the space between the wall and the counter, are a few baskets of fruit arranged on a small table. The baskets are nearly empty, with the only indication of their contents being the small pops of color peeking through gaps in the woven pattern. 

Despite not wanting a hot meal, you are hungry, and so you enter the refectory and move towards the baskets. You opt for two good-sized oranges–although the bananas do look perfectly ripe–and turn to leave as quickly as you came. Your eyes briefly sweep over the crowd and land on a long table, perpendicular to all the others, situated on a platform at the opposite end of the refectory. The platform isn’t tall, but it is just enough to raise the table’s occupants slightly above the Siblings. The table is entirely composed of men, save for Sister Imperator, who seems to be talking to an older man with Papal paints and long blonde hair–is that Papa?

You look at the others occupying the table, and find that no less than three are also wearing Papal paints. 

Marseille is a tiny Abbey. At any given time, only about ten Siblings reside there at once. And so there is no need for an upper Clergyman to be stationed there. Instead, the Chapter is run by Bishop Beaumont, who (until now) is the highest ranking member of the Satanic Ministry you have ever met, let alone seen. 

So, to be faced with not one, but four Papas, all in the same room, makes your heart thump with nerves. You recognize them all from the portraits in the main hall, but in person they are all so much more… just more. And yet you still don’t know who is who. 

Of course, you know that all four of the most recent reigning Papas are brothers, the order of which was determined by age. The man who Sister Imperator is talking to must be Papa Emeritus I, or Papa Primo, as you’ve heard him called by Bishop Beaumont. The other three look relatively close in age, and so you truly have no idea which man currently holds the helm and steers the ship. 

You realize you’re staring when you make eye contact with one of the Papas. You nearly gasp in surprise, as if you shouldn’t even be on the same plane of existence as him… and yet your eyes met. Of course one of them would have caught you eventually, you think. You were practically ogling them from across the room. 

Hastily, you turn and make your way back out of the refectory and into the main hall. Your eyes fall on the nearest portrait. The Papal paints of the subject match the ones of the man you’d just been caught staring at. You blush as if his portrait could think, and had just caught you a second time. Your eyes flick down to the gold plate affixed to the frame, and read the words. 

PAPA EMERITUS IV.

Hello ghost fandom I bring to you my beloved,

Chain ghoul 💕💕💕💕💕

A little gift for @xk1llp0px of their OC Clarissa because I love their OC-

Alt version with her face paint:

GUYS I WAS ON A GHOST CONCERT YESTERDAY- ON MY BIRTHDAY🎂🎉 ACTUALLY

(BEST BIRTHDAY GIFT I COULD GET IS HAVING A FAVE BAND CONCERT ON THE SAME DAY)

AND HOLY SHIT THIS WAS SOMETHING OUT OF THIS WORLD!!! This was my second time on Ghost live and THIS ONE WAS SO AMAZING!!!

My throat is dead after screaming all night but I could never feel happier!!!

I said it once and I’ll say it again !!! Copia has his mom’s nose !!!!!

Showing off my hyperfixations like:

Yup couldn't stop myself 🥲

Do you even love ur girl if you don't show her off like this

I saw someone ask one of my favorite creators what they thought about this ship and they didn’t really answer, and I immediately unfollowed them. It’s fucking incest you stupid bitches. That’s fucking disgusting. If you like Copia x Terzo get the fuck off my page. You people fucking disgust me.

Out of all the possibilities for ships within the ghost fandom, all the ghouls you could pair with other ghouls and/or papas, ocs even.... and you choose the two brothers, one of which canonically seemed very annoyed at just the sound of the other singing

"Get out of our safe space!!!" Stop putting your dogshit where everyone walking by can see it whether they wanted to come across it or not.

"B-b-but it's my au!!! They aren't related in my au!!! Fiction can depict bad things!!!" Shut the fuck up.

Y'all are grown ass adults whining about not being able to ship incest in peace.

You don't deserve a safe space for that kind of thing.

I would like to start a Zephyr fan club it’s a cult, really. This man is my favorite ghoul ever I’m so fucking sad I joined the fandom so late :((

We don't talk enough about him

cr:YouTube

My fav Air Ghoul <3

chAir/Zephyr my bbg♥️

I just watched the Lachryma music video

HIS MOUTH!!! IT’S!!! MOVING!!!!

Look at them! Fine gentlemen!

Terzo honey… I had to do this

@thebandghostofficial

Mmmm red suit

realizations

so anyway I've been trying to decide on my designs the ghouls