BEAT HIS ASS YOU HYPOCRITICAL GLASSES SHOP KEEPER
GIRL FIGHT GIRL FIGHT GIRL FIGHT GIRL FIGHT-
wish I could say I relate like I do but my first farm which was probably like 2-3 days ago I got sam at four hearts way before the dance because I didn't care about the other ppl I'm a switch player I have yet to get the update but on my newest save I couldn't dance with anyone cuz i need the money
For all the new players (or old players with new farms) cropping up because of the update
not this literally being like my farmer oc
Lewis: This is Pierre! He runs the general store, which has everything you need to start living here in Pelican Town. Pierre: Nice to meet you! I hope to see you in my store soon! Lewis: And over here is Robin, our local carpenter. If you need anything built, she's the girl to ask! Robin: I've been itching for some new projects! Lewis: And if you look closely, you can see the Farmer running into town now! *The Farmer, running dead set at Lewis, a plate of vegetables in one hand, a sword in the other* Farmer: ዛꗛԸԸꗞ ԸꗛᙡĬꕷ. ዛꗛɌꗛ Ĭꕷ ᎽꗞꚶɌ ᙡꗛꗛҜԸᎽ ɌᕔꞆĬꗞᙁꕷ. Ĭ ᕔᙏ ꗞꘘꘘ Ꞇꗞ ꘘĬǤዛꞆ Ǥꗞᗫ
Lewis: Lewis: What a great person. They do so much for the local economy.
got stardew a few hours ago and I'm making another save file because I'm poor and can't afford another pizza for Sam because my dumbass gave it to his baby brother like no offence he's an adorable kid but like that was for your brother not you
just adding to this the narrator who is called dias who is the one with the kid the kids name is milo is like unreliable in the sense that he doesn't really care at the start of what the groups going he also doesn't really give two fucks about himself so like all his energy that either isn't put into keeping milo alive or ice hockey is literally used making the teams issues harder i mean like it does get better after like the groups been dealing with it for 3 months on the 5 month someone in the team dies because of the whole crime familys thing going on in the actual world they all live in
me out here writing a oc fic thing of a college ice hockey team one of them has a kid the teams dysfunctional as fuck and they end up going to a doffrent dimension every night for 6-8 hours and there's the fucking crime family shit not to mention suicide crime family has a damn facility for these experiments on the other dimension man this team is going so much shit
me out here writing a oc fic thing of a college ice hockey team one of them has a kid the teams dysfunctional as fuck and they end up going to a doffrent dimension every night for 6-8 hours and there's the fucking crime family shit not to mention suicide crime family has a damn facility for these experiments on the other dimension man this team is going so much shit
me but its always the baltimore scene via the audio books cuz gotta love the angst for comfort
This is very me coded fam.
it's was just a bunch of a crickets just hearing ppl breath fr
Thinking about how Andrew choked Kevin when he realised Neil was missing.
Andrew who would kill anyone who looked at Kevin the wrong way. Andrew who would stab whomever if it meant Kevin was safe. Andrew who saw a broken raven and said I’ll protect you and meant it and kept that promise like his life depended on it.
Andrew who nearly killed Allison because of a promise. Andrew who would’ve never talked to Neil again because of a promise.
Yet when there was ambulances and injured foxes and you were amazing before Neil’s gear with his phone, with a 0 on screen and a Baltimore caller ID, Andrew turned on Kevin.
Can you imagine being the other foxes and watching that happen? Knowing what Andrew would do to them for so much as breathing at Kevin in the wrong direction, now Neil was missing and Andrew was hurting Kevin and something is happening here.
Andrew and Kevin don’t have the luxury of a second language to talk to each other in, either. Whereas secrets were usually shared in French and German so the others couldn’t understand, now there’s nothing to hide behind, and Andrew doesn’t care either. Where is Neil, who is he, who’s taken him, is he safe? Is he alive?
Then picture being Kevin, knowing Andrew, knowing what this means, that Neil is more important to Andrew than he is now, so much so that he would hurt him for Neil. Not only does he know that; but he knows there’s a good chance that Neil is dead. If it’s his father, it’s not the Moriyama’s; he is the butchers son, after all, and the butcher was never keen to spare a life.
So the foxes know nothing and everything at the same time on that bus journey out to wait for his return. They know they’re hurt, that something is very wrong. They know Kevin has bruises around his neck, and Andrew can’t look him in the eye. They think they understand now why Neil got everything he asked for from Andrew; and Andrew thinks he might never see him again.
I’d say it was the quietest bus journey of their lives.
I second this notion like coming from someone who watched American tv shows growing up in the UK I have been asked if I was actually American because my accent is mixed between them both
neil's accent is going to be a bit of a weird combination due to his mother being british, him being primarily raised by her, but also being born and (mostly) raised in the US, factored in with all the other places he would've had to blend in to on the run. so naturally his accent will shift slightly to fit whatever language he's speaking, as it does with most multilingual people, but when he's speaking english he's going to have a weird intersection of american/british. now won't be all that noticeable most of the time but i think it would come out on occasion possibly whilst drunk or pissed off about something. ergo i present neil josten yelling "you'd fucking like that, wouldnt you?" at somebody on the court and like half of the team just turn and stare at him for a minute because what the fuck was that
I haven't read the book yet but I'm still it revolves around Andrew.
AFTG is a very good example of narrator bias, because if we didn’t get a book from Jean and Jeremy’s POVs we would have no way of knowing the world does not actually in fact revolve around one Andrew Minyard
you know the thing where a character is so full of trauma that their personality and personhood is buried deep within and it takes time, space and healing to coax it back to the surface, little by little? very good trope. i think it most often manifests as a character finding that they're kind and gentle and lovable. which is great. love a healing narrative.
anyway the thing about neil josten is that once you manage to override his instincts to flee long enough, is that he turns out to be such a bitch (affectionate). he's spent so long avoiding notice and slipping through fingers like his life depended on it (because it did), but when he's forced into the spotlight he's going to make it everyone's problem. catharsis and schadenfreude two for one deal
why is applying to jobs so fucking nerve-wracking like why can't it be as easy as it was when my parents were kids where you just went and handed in a paper cv and got the job on the spot