Graphic Design - Blog Posts

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Lettere-documento di artisti sulla condizione attuale del fare arte, Mercato del Sale, Milano, June 7-26, 1976 [Mart – Museo d'arte moderna e contemporanea di Trento e Rovereto]

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Poster for an upcoming Stable Music event.

Izabella Kiljańska, (1954), Rośliny ozdobne w mieszkaniu i na balkonie, Cover design by Agata Chmielewska, Państwowe Wydawnictwo Rolnicze i Leśne, Warszawa, 1990 [Stare Dobre]

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de Volle Maan 22: ‘Engelse en Nederlandse Rationale Tekeneingen’, de Volle Maan, Delft, 1976 [Exhibition: Full Moon Gallery, Delft, July 10 – August 15, 1976] [Room & Book, London]. Cover Art: Kenneth Martin, Drawing Chance and Order, 1975. Works by Kenneth Martin, Peter Lowe, Gillian Wise, Norman Dilworth, Anthony Hill, Malcolm Hughes, Michael Kidner, David Saunders, Jean Spencer, Jeffrey Steele, Ad Dekkers, Jaap Van Den Ende, Gerhard von Graevenitz, Willem Lefeber, Peter Struycken, herman de vries

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Pictures of an exhibition: Jenny Holzer in Duesseldorf, Germany, Museum K21. Last Pic: Jenny Holzer form Truisms, 1983. T-Shirt worn bei Lay Pink. Photo Lisa Kahane, NY, 1983.

Holzer’s  Düsseldorf exhibition ranges from posters to paintings and stone-works, touching on subjects such as war, absurdity, and populism. In keeping with Holzer’s deeply democratic approach and artistic practice, her works challenge viewers to grapple with conflicting perspectives and find their own empathic, open minded positions in complex debates. 

Walter Marchetti, Filtro musical pasa nada, 1965, in Walter Marchetti, Arpocrate seduto sul loto, Artes graficas Luis Pérez, Madrid, 1968 [Fondazione Bonotto, Molvena (VI). © Walter Marchetti]

Poster for Tutkijaliitto’s summer school w/ Heikki Lotvonen

Small books by Thomas A Clark and Laurie Clark, [each containing a single poem], Moschatel Press, Pittenweem, Fife, 2021

New Order, True Faith Remix, (12" Single), FAC 183R, Factory Records, 1987 [Covet The Cover]. Design by Peter Saville. Photograph by Trevor Key

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Nazim Hikmet, La Conga con Fidel, Translation, and with a foreword, by Joyce Lussu, Edizioni Avanti!, Milano, 1961 [p_c_c_c, Modena]

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Typesetting for a specimen for Oddmono™ a typeface from Metis Foundry.

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The Letters of Rosemary & Bernadette Mayer, 1976-1980, Edited by Gillian Sneed, Marie Warsh, Preface by Eva Birkenstock, Robert Leckie, Laura McLean-Ferris, Stephanie Weber, Texts by Bernadette Mayer, Rosemary Mayer, Gillian Sneed, Lenbachhaus, München / Ludwig Forum, Aachen / Spike Island, Bristol / Swiss Institute, New York, NY, 2022 (pt. 1) (pt. 2 here) (pt. 3 here). Designed by Santiago da Silva and Cecilia Breña [book photographs by Trevor Lloyd]

K I N E T I C | Anthology #2

Grafik: Massimiliano Audretsch