Just look at him ššš
"Well, I'm Hansel, in case you didn't know," the man reached his hand out for a shake, "and who might you be?"
Loki shifted to greet him "I'm Loki.
"Hansel smiled, eyes gleaning, "hi Loki."
Listen, I really decided to wake up and write something like this on my day off.
I donāt care how much the show is trying to convince us that the ending of Loki is a happy one. That is NOT a happy ending idc. Yeah i get it that this is his āglorious purposeā and the entirety of the show and the character shift lead to that point. But stilllllllll cāmon
Edits de Loki Laufeyson š
oh my god you guys ... the whole terminology of the show like "pruning" "branches" was suggesting that the multiverse was a tree...
The Tree.
im screaming and im not okay
Tom Hiddleston in Assembled about Loki Season 2.
I read somewhere that the actors for Loki and Frigga decided they should share a ticā¦to pick at their hands when they were upset or nervous. I decided to look for it, and lo and behold, itās true! I guess thatās something of aĀ ātellā if Loki is in disguise, heh heh. Fauxdin indeed.Ā
Loki + tumblr [285/?], dedicated to @teh-nos
Loki and the Deeply Valid Fear of Being a Government-Issued Android Without Knowing It
Imagine living for over a thousand years, committing intergalactic crimes, then one random underpaid TVA clerk with a monotone voice suddenly introduces the possibility that, oh, by the way, what if you were secretly a robot this whole time? And Loki, who has always carried himself with the absolute certainty of a god, pauses. Like. āWait. What if I am?ā
He hears that question and immediately does a full mental diagnostic. Have I ever glitched? Ever felt oddly mechanical? Experienced an unusual fondness for oil? Maybe heās too good at lying. Too good at surviving. What if thatās just the programming?
The TVA worker just moves on. He doesnāt elaborate. no reassurances. theres no safety net. Just the terrifying possibility that he might get instantly vaporized for something completely outside his control.
Id like to note, his hesitation isnāt even just some random existential crisis, itās trauma-informed. This man already lived through the experience of waking up one day and realizing he wasnāt who he thought he was.
He grew up thinking he was a prince, a god, Odinās rightful son, only to find out he was actually a stolen relic of war. A Jotun. A creature heād been taught to hate.
He thought he knew himself before, and he was wrong. What if heās wrong again? What if theres something else about himself thats been hidden? If he didnāt realize he was a Frost Giant, whats stopping him from not realizing heās actually some highly advanced synthetic being?
Itās not just a funny existential gag, itās a callback to one of the most devastating truths of Lokiās existence:
He has never really known who he is.
Itās the muscle memory of having his entire identity ripped out from under him. Itās the learned fear of asking, What am I, actually?
Because the last time he asked that question, the answer ruined him.
LOKI SERIES (2021) Concept Art | Mushk Rizvi
LET'S TALK ABOUT LOKI'S SHOES (ACTUALLY, HIS WHOLE WARDROBE)
Production costs aside, clothes tell the audience about how characters think of themselves.
Loki's shoes in the S2 finale raised a lot eyebrows, but I find them quite fitting: they are comfortable, practical, and most importantly, they are humble. The camera brings this to our attention to communicate his evolution in character.
Loki has always dressed well, often times ostentatiously. Whether he is at war, passing as a Midgardian, or held captive as an Asgardian prisoner, Loki communicates his social class and sense of superiority through clothing. For him, clothing armors his fragile sense of self and against others' opinions of him. He intends to be perceived as deadly charming but ultimately unapproachable.
His attire in the first Thor movie is roughly equal parts green and gold, signifying his royal status. His style is dressed down for his brother's misadventures in Jotenheim, yet overall both silhouettes are lofty, princely, but not hardened or threatening.
In Avengers, Loki's look has more black and leather, with exaggerated emphasis on his shoulders meant to intimidate as he assumes the role of villain. The silhouette is very hard, heavy, and edgy. Gold detailing is prevalent as well. Combined with the goat's helm, this is Loki's most pretentious outfit, which speaks to an undercurrent of low self-esteem and a compulsive need to impress. There's no mistaking he is the main antagonist of the story.
In Thor 2, Loki's attire is similar to Avengers but the overcoat is exchanged for a less bulky version (perhaps conveying he is less guarded now that the effects of the Mind Stone are no longer influencing him). Loki's role likewise pivots from the harsh lines of a villain to the more flexible edges of a reluctant villain-turned-ally. This aligns with his character arc when he protects both Jane and Thor, seemingly sacrificing himself.
In Thor 3, Loki's silhouette is streamlined even further. The overcoat is done away with in favor of what appears to be a leather doublet, pauldrons, and vambraces. Gold accents are minimal. While stylish, Loki's attire is more practical than showy, and his helm serves the dual purpose of protection as well as weaponry. At this point in his arc, Loki has become a full antihero, joining his brother's side in rescuing as many Asgardians as possible, and eventually dying in a vain bid to protect Thor from Thanos.
The TVA does something very fun and interesting in taking away Loki's ability to dress himself. Since Loki cannot use his magic in the TVA, he is forced to wear the same clothing as his captor/advocate, who eventually becomes his best friend and peer.
Perhaps, on a subconscious level, this helped Loki to feel included. We know by his pwn admission that Loki fears being alone and desperately craves a sense of belonging. At the same time, he intentionally dresses to put people at a distance, thereby protecting himself from potential rejection at the cost of isolating himself further.
When Mobius gives him that TVA jacket for the first time, Loki seems uncharacteristically pleased. It is not an attractive jacket by any means, yet he neither scoffs at it nor refuses to wear it. Instead, Loki puts it on and is content when Mobius says it looks "smart" on him. He continues to dress like Mobius and, indeed, mimic some of his mannerisms such as placing his hands on his hips. Without clothing meant to push people away, Loki opens up, has more fun, and makes friends.
Loki's choice of attire as he assumes the mantle of God of Stories (and time) is fascinating. Setting aside the clear design inspiration from the comics, Loki's silhouette is soft, remarkably so. His colors are earthy hues of green, and the only bit of flare are the light gold trimming and crown. The look brings to mind the garb of sages and wise wizards rather than royalty or warriors. He's powerful yet approachable because there is humility in his bearing. And that humility springs from a well of healthy self-worth, self-love, and a deep love for others.
The shoes are not meant to be attractive. They are meant to help him ascend the throne, nothing more.
Touch starved god learns emotions, immediately forgets how to hold still
Loki is SO tactile. He starts off performing, still the sharp, composed version of himself he thinks he has to be. the controlled gestures, the careful posture, the way he only moves when he needs to, like heās conserving himself. like he doesnāt believe heās allowed to be anything more.
as the series goes on he becomes looser, more expressive. Touching his chest, reaching out, grasping.
Like heās becoming real, tangible, soft.
Loki moves like someone who wasnt allowed to take up space for so long and then suddenly, he has to. initially his hands are calculated, with deliberate little flicks.
But as he unravels as he becomes, his hands follow. His expressions soften, his face stops being a mask and starts being his. he gestures more, presses his hands to his chest when he talks, reaches out when heās feeling something too much. like every emotion is too big to keep inside. like heās overflowing.
Loki moves like someone who spent centuries as a shadow and is only now realizing he has a body. he gestures like heās afraid heāll disappear if he stops. like heās trying to prove to himself that heās here, that heās real.
he presses a hand to his chest when he talks, like heās grounding himself. like heās checking. am i still here? is this still me? he grips his own arms, his own wrists, like he has to hold himself in. like he might spill out otherwise.
his body used to be a tool: graceful, deceptive, a weapon. but now? now itās his. awkward, shaky, hesitant. he fidgets. he trembles. he holds onto himself because he doesnāt know who else will. (cough mobius cough)
Keeper of Yggdrasil
I have a lot of Thoughts about the Loki series as a whole BUT the visual of Yggdrasil and the timelines was absolutely stunning, so I knew I had to do a rendition of it with a new costume. I loved the idea of Loki physically becoming part of the Tree, with all the branches washing over him like veins, obscuring old pieces of armour and melding with his true Jotun form. (and of course I had to do a glowy eyes version!)
Prints here
do not repost / reblogs are awesome though / painted in procreate on ipad pro my art tag