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UMK top 3 worst and best stagings (recent years)
All Eurovision fans out there know that the staging is half of the performance and it can either kill you or raise you.
Uuden Musiikin Kilpailu has had a track record of producing both over the recent years. Here are my top three for each category. The performances do not appear in my favourite order!
TOP3 THE BEST UMK STAGINGS that have managed to elevate the songs :
The Rasmus - Jezebel (2022 UMK winner)
Despite of being the biggest favourite when going in to UMK last year The Rasmus’ song didn’t quite reach the hights as a studio cut. However, the playful and colourful live performance elevated this one for me
Akseli Kankaanranta - Looking back (2020 winner)
Akseli pushed through passed the fan favourite Cicciolina back in 2020 with his well balanced and stylish live performance!
NormaJohn - Blackbird (UMK 2017 winner)
Back in 2017 Blackbird left many people cold with its studio cut but when performed live.... the emotion was real and very atmospheric!
TOP3 THE WORST UMK STAGINGS that have ruined the song’s success in the contest :
Bess - Ram pam pam (UMK 2022)
Bess Ram Pam Pam eventually became the biggest hit in Finland last year but her UMK staging ended up being messy, confusing and not meeting the hype of the song before going in to the UMK live.
Erika Vikman - Cicciolina (UMK 2020)
Can someone explain me what those bears and forest do on the same stage with sinful Cicciolina? This performance made no sense to me at all. Not then or not now.
Saara Aalto - Monsters (winning song in 2018)
Despite of winning the entry ticket to Lisbon’s Eurovision back in 2018 Monsters live performance was complex to start with. I liked the beginning with the cape and all but they ended up adding here too many elements (this got worse in Lisbon).
Uuden Musiikin Kilpailu Final takes place tomorrow February 25th on Yle Areena at 9pm (FIN time zone)! Let’s see how the seven acts will do and if fan favourites are able to keep their positions!
UMK 2023 Song Review - Benjamin
The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool continues with another banger!
Benjamin - Hoida Mut
Benjamin is a fairly well known popstar in Finland who has released hit songs mostly in English and now quite recently switched back to his native Finnish. He also made a name to himself by winning Dancing with the Stars last year. He is now competing in UMK with his song Hoida Mut (do me).
UMK apparently is something he’s been eager to do for a while but has felt the Finnish music industry as less ESC-friendly so he’s pushed his participation for years. He’s being seen now as the main competitor for another UMK23 artist Robin who more or less represents the same genre as him.
Benjamin’s 80′s disco pop tune Hoida Mut is an erotic, solid banger which he wishes to break some of the male sexual stereotypes by singing about surrendering to someone. Despite of the 80′s vibes in here which have been compared to Weekend, the song sounds fresh and current.
The lyrics are hot and steamy and so is the video. Benjamin’s dance moves come accross definitely and there are some very high expectations now to be met with his live performance in UMK final on February 25th. I don’t think of him as much of a vocalist though but the song fits perfectly for his voice and vocal capacity. I hope he’ll be able to execute this well vocally too when on stage.
Hoida Mut is one of the four UMK23 entries in FINNISH this year. As Finnish I cannot imagine how the language sounds like for a foreigner but the international reactions have been utterly positive. If this wins the ticket to Liverpool, I really hope and pray they won’t be changing the language. There are a few English verses in here and they feel natural and on spot.
This is catchy as hell and might be on the road to become the next Ram Pam Pam (UMK22). Even without winning UMK the publicity, visibility he is receiving will surely lift him to hights of the Finnish pop music scene. Out of all the seven UMK23 entries, this is probably what I enjoy listening the most. I’m defintely hooked. However, the song offers a lot of foreplay but does it actually get to the climax? They could have added a trick or two in here to spice up the things even more (musically I mean!). Anyway, in a another ESC selection, Finnish or elsewhere, in 2023 or before - this could win the whole lot!
What do you think of the second UMK23 track and would you vote Benjamin’s Hoida Mut to go all the way to Liverpool? UMK final takes place on February 25th!
UMK 2023 song review - Keira
The hype is very real around Uuden Musiikin Kilpailu (UMK), the Finnish national selection for Eurovision and the race to Liverpool kicked off with a banger!
Keira - No Business on the Dancefloor
The 18-year-old Keira became known to Finnish audience in Voice of Finland where she did fairly well becoming third on the final last year. Since then while waiting and searching for her momentum UMK came up in the discussions quite early on but finding “her hit song” took its time.
This is her first single and what a hit indeed it has become! Currently it’s in top 10 most listened tracks in Finland on Spotify and on Youtube it’s the second most watched UMK23 clip with over 440 000 views! But as we saw last year becoming a hit song is not enough to win the ticket to ESC!
No Business on the Dancefloor was written actually by Finnish ESC representative from 2011 Axel “Oskar Paradise” Ehnström (can you believe it?). The Finns will probably also recognize the other songwriter Teemu Brunila (Jenni Vartiainen, Anna Abreu) and how the song definitely has some familiar Brunila vibes.
Keira herself tells her song that she wants people to liberate their “inner party animals”. I’m not quite sure if it manages to do that but this still ticks all the right boxes for a catchy dance entry and it’s completely stage and Eurovision ready. Well done UMK and Finland!
Some compare her to Rihanna - I can recognize some resemblence there also. Vocally this is a safe effort, they could have gone further with her vocal range but maybe she will surprise us in the live show of UMK on February 25th?
Track like, this is strong. The beat is memorable, the flute gives an ethnic vibe to it and sets the song apart from other dance tracks of UMK. Lyrics are cheeky and full of pop references which some find them corny but for me they add personality instead. However, would I have added some volume, some power to this - yes I would and I’m really hoping the live performance gives to it its much needed extra spice!
What do you think of the first UMK23 track and would you vote this to go all the way to Liverpool? UMK final takes place on February 25th!