The Slappening™

Hello Mr Gaiman I was wondering if it was an intentional choice to show Gabriel and Beelzebub in love without a kiss scene because they are more detached from earth and humanity unlike Aziraphale and Crowley who know about human pleasures and rituals and adapted them.

I don't think kissing scenes have much to do with love. Anathema and Newt kissed when they barely knew each other in Season 1, and none of the other couples who loved each other did. I can't see any reason for Gabriel and Beelzebub to kiss: singing Everyday together seemed much more powerful. Crowley's kiss is about a lot of things but it's not to show they're in love: if you haven't got it by then you'll never get it.

More wolfstar but this time with my pretties!

↠      hinata shoyo icons  ~♡

like/reblog if you save  © on twitter @mewseok

“Comin’ in!”

Bonus:

hello neil! i was curious about one particular line in s2. when crowley’s talking to that woman and he’s leading her outside and she says something along the lines of “you’re a nice lad” and crowley responds “i’m not either” was that intended to be about his gender identity? thanks!

He's not nice. He's a demon/fallen angel not a male human. He's not a young male human. He's not (young) or (male) or (human) or (nice).

I cant stop thinking about The Boy and the Heron.

It's horrifying. It's fantastical. It's tragic. It's beautiful. It's hopeful.

It's about grief. It's about family. It's about war. It's, "You don't have to walk the same path your ancestors did." It's "Your lived experience builds a world as deserving of your attention and care as your inner world" and "You inherited a flawed world, and you are flawed, and that is still beautiful" and "I made this beautiful thing and it's ending and that's just how it goes, but wasn't it beautiful?"

It makes me think about the worlds we make within ourselves and how they can be entrancing and wonderful even as they lead us to walk deeper into ourselves and away from those around us. It makes me think about connection, about how love can be so flawed sometimes but it is still something we need to hold onto. It asks "What if the monsters never asked to be monsters?" and "What if things can die before they're even born?"

It's about not being afraid of fire, not being afraid of endings, not being afraid of the world falling apart, of pain, of walking away, of reconciling, of finding new family and new love even as you mourn and miss what you lost.

It says, "Beautiful, wonderful things end, but afterwards, you can go home."

I'm going crazy.

sorry...

Lila dancing around with Five is so sweet 😭

Asagiri Kafka’s message on Kubodera-san

twitter.com/kafkaasagiri/status/1328343093175730179

* * *

About Kubodera-san.

*

I don’t know a lot about being an actor.

The only thing I do know well is the work called Bungou Stray Dogs, which is why I thought I would talk about Kubodera-san from that aspect.

After the second performance of the stage play in Tokyo, Kubodera-san, who played Mori Ougai, told me this:

“Mori-san, he looks at his hands when he rubs them together only when he’s talking about his true feelings or his inner world.”

That hit me hard.

I will never forget those words.

To be frank, it scared me.

It felt like the character was standing up on his own, looking directly at me.

Keep reading

summer break in the black’s house

my ig: xodeadlina